A Petition Asking Sony to Enable Netmd-Based Audio Uploading from Minidisc to Computer

Total Page:16

File Type:pdf, Size:1020Kb

A Petition Asking Sony to Enable Netmd-Based Audio Uploading from Minidisc to Computer A Petition Asking Sony to Enable NetMD-Based Audio Uploading from MiniDisc to Computer To: Sony Corporation Sony Corporation Tokyo, Japan New York, USA From: The Community of MiniDisc Users on the Web Dear Sony MiniDisc Designers: Sony's NetMD extension is a wonderful boon to the Minidisc format and has helped bring Minidisc into the networked world of online music distribution. Our petition seeks an enhancement to the Minidisc's NetMD facility to enable Minidisc users to move their audio recordings directly from Minidisc to PC. It is not our intention to cause general trouble or engage in ad hominem harassment of Sony. On behalf of all MiniDisc users, we kindly ask that you heed our petition, as follows: WHEREAS, Minidisc recorders are ideally suited to making digital field recordings, and WHEREAS, Users frequently need to move recordings they make onto a computer (PC, Mac, Unix/Linux or otherwise) for processing or further distribution, and WHEREAS, A Minidisc recording is intrinsically a digital format, and WHEREAS, The only existing method of moving Minidisc recordings onto a computer involves "recording" the signal through the computer's sound card, a lengthly and cumbersome process that generally degrades the signal by converting it to analog format and back to digital form, and WHEREAS, All Minidisc recorders already flag their recordings to indicate those tracks that have been recorded through the digital inputs (and are copy-protected) and those that have been recorded through the analog inputs (and are not copy- protected), thereby allowing the upload function to prevent unwanted copying, and WHEREAS, Sony's existing NetMD function already provides for direct transfers of compressed audio from computer to Minidisc, WE THE UNDERSIGNED, kindly request that Sony extend NetMD so that it can be used for uploading compressed audio directly from Minidisc to PC, thereby providing users with a quick, convenient, and lossless method of moving their Minidisc recordings to PC. SIGNATURES: 0. Add audio upload to the Minidisc Walkman. However, music files can only be recorded in Posted by Eric Woudenberg on 4/28/2002, 7:21 pm LP2 and LP4. Please add the support for SP and Mono. If you can make all these possible, then Minidisc will be on one hell of a format. Thanks!! Dear Sony: Minidisc is a great format, but it really needs compressed audio upload to make it complete. Please do what's right for Minidisc and its 9. Rehearsal recordings users! Posted by Ashot Ovanessian on 4/30/2002, 10:30:15 1. News Gathering for Radio I have been using Minidisc gear for quite some time now, recording my Posted by Simon Pontin on 4/30/2002, 7:38:27 band's rehearsals and concerts; and now making of a simple demo involves copying all that music to my computer in real-time. If you were to add an Those of us in the media who use Minidisc for reporting would find direct 'upload' feature to NetMD gear, it would be of great help to me, speeding input a real timesaver. up the copying process quite a bit while improving the end quality enormously. 2. Live recording Posted by Alex Balch on 4/30/2002, 8:42:01 10. The final touch to make NetMD Perfect Posted by Brian Davis on 4/30/2002, 10:35:56 I bought my Minidisc because of its capacity to record digitally (and with NetMD the added USB connectivity) and now have a stock of my band's I have a band that I'm in and we have been searching for a cheap and small music, practice sessions etc. on Minidisc. way to record our own shows. Most systems that offer reasonable recording An audio upload facility would be a great addition and make the NetMD a are either quite large or prohibitively expensive (especially when we have powerful musician's tool. to purchase all our other gear...the recorder is a low priority purchase). Then we found Minidisc. It offers a very inexpensive solution to a big 3. Live recording problem. We're able to easily record our live shows with digital quality, Posted by Claude Jean on 4/30/2002, 9:03:53 and the setup is so tiny, it can be placed anywhere in the room. Minidisc upload is possible without hurting the record industry While we currently upload the audio from each show onto a PC so it can later be burned to a CD for our own personal use, that takes time: a 2 1/2 4. add audio upload hour show takes 2 1/2 hours to record back to the PC (in an analog format, Posted by eric vanderbiest on 4/30/2002, 9:18:07 no less). and make the format real life please mister Sony Adding the simple capability of USB upload would make, in my opinion, the best music device ever. I frequently advise people to purchase MD 5. Simplify Music Transfer via USB players, rather than MP3 players, because of the versatility and flexibility Posted by Claudio Konig on 4/30/2002, 9:24:12 the format offers. The mp3/ATRAC conversion is far too slow, to say the least. Please work I understand the copyright issues at hand - I try to stay up to date on on a more flexible way of transfer everything that's been going on in that area; but it seems to me that you already have certain safeguards in place that could limit the transfer of 6. More flexibility copyrighted material. Posted by Marc Cheng on 4/30/2002, 9:27:33 Either way, consider this a vote of support for adding Upload capability to NetMD requires more flexibility to realise its full potential. Audio Upload the new NetMD format. is as important as Audio Download. Keep up the good work! 7. Keep Minidisc on top Posted by Patrick Turcotte on 4/30/2002, 10:09:03 Brian Davis Denver, Colorado USA I believe that Minidisc is currently the medium of choice for recording live sound - I use it for business meetings and to store each and every one of 11. MD potential has never been reached our band rehearsals. Its flexibility and sound quality are unmatched, but Posted by Brian Wilson on 4/30/2002, 10:50:49 probably not for long; on-the-fly mp3 recording is appearing and will offer an interesting alternative if Minidisc doesn't stay on top of things feature- I both listen to and create music, and there is no format that handles my wise. I believe the digital transfer of material through NetMD from the needs better than Minidisc. I feel that the only limitation to this format are device to the PC is a natural and essential step in that direction. the ones Sony places on it. I understand the pressure you are under from your music division, but this I know several radio journalists interested in the format. They all agree that feature is certainly not what will encourage commercial music propagation. the decision to adopt MD, for themselves and their organizations, would be Let's face it, mp3, wma and (eventually) Ogg Vorbis are formats of choice made easier by high speed uploading. That capability can only help cement for this problem, not ATRAC. the format among professionals and hobbyists. Thanks for taking this under consideration, 12. Backing up speech to Audio CD or MP3 CD Patrick Turcotte ing. Posted by Wiwi Sachli on 4/30/2002, 11:05:56 8. add audio upload and replace Open MG Jukebox with a better I'm usually record speeches to my MD Walkman on LP2 or LP4 mode, and software it take so many time to backing up it to my computer and convert it to MP3 Posted by Kelvin Hew on 4/30/2002, 10:24:30 for my backup so I can use it in future. It really time consuming without upload feature of NetMD. For me there is no differences between NetMD Dearest Sony: To realise the NetMD's true potential, audio upload need to or not for that use without upload feature. be added. It is as important as audio download and it will be a complete format. In fact, Minidisc is the best format compared to CD and cassette 13. pre recorded Minidiscs because of its size, portability, and the ability to edit as far as I know. Posted by Daniel Schwier on 4/30/2002, 11:07:25 Another thing is please come up with a new software to replace Open MG Jukebox because its not a good software. Wanna know why? Log on to I buy some of my music on prerecorded Minidiscs and cant make personal http://www.Minidisc.org/sony_mzn1_review_riley.htmand also go to compilations from those Minidiscs at high quality, I’ve already brought an musiclub.sonystyle.com.community and see for yourself. People don't MZ-N1 and love it but I would definitely buy an NetMD with upload complain for nothing. What I can tell you is the NetMD Walkman is one ability hell of a MD recorder but the supplied software spoil everything. Besides, the other software which is NetMD simple Burner is a good software 14. Live Recording because it doesn't need to rip CD files to the hard drive and directly record Posted by Alex Harden on 4/30/2002, 11:18:41 My whole family are avid piano players, and recently my younger brother Occasionally I will use my MDS-JE510 to record "jam sessions" at my took up this hobby. Before, I had to use the old analogue technique in order house where my friends and I play guitars and sing.
Recommended publications
  • Tools for Digital Audio Recording in Qualitative Research
    Sociology at Surrey University of Surrey social researchUPDATE • The technology needed to make digital recordings of interviews and meetings for the purpose of qualitative research is described. • The advantages of using digital audio technology are outlined. • The technical background needed to make an informed choice of technology is summarised. • The Update concludes with brief evaluations of the types of audio recorder currently available. Tools for Digital Audio Recording in Qualitative Research Alan Stockdale In a recent book Michael Patton writes, “As a naïveté, can heighten the sense of “being Dr. Stockdaleʼs training is in good hammer is essential to fine carpentry, there”. For discussion of the naturalization cultural anthropology. He is a a good tape recorder is indispensable to of audio recordings in qualitative research, senior research associate at fine fieldwork” (Patton 2002: 380). He see Ashmore and Reed (2000). Education Development Center goes on to cite an example of transcribers in Boston, Massachusetts, at one university who estimated that 20% Why digital? of the tapes given to them “were so badly where he currently serves Audio Quality as an investigator on several recorded as to be impossible to transcribe The recording process used to make genetics education research accurately – or at all.” Surprisingly there analogue recordings using cassette tape is remarkably little discussion of tools and introduces noise, particularly tape hiss. projects funded by the U.S. techniques for recording interviews in the Noise can drown out softly spoken words National Institutes of Health. qualitative research literature (but see, for and makes transcription of normal speech example, Modaff and Modaff 2000).
    [Show full text]
  • How to Tape-Record Primate Vocalisations Version June 2001
    How To Tape-Record Primate Vocalisations Version June 2001 Thomas Geissmann Institute of Zoology, Tierärztliche Hochschule Hannover, D-30559 Hannover, Germany E-mail: [email protected] Key Words: Sound, vocalisation, song, call, tape-recorder, microphone Clarence R. Carpenter at Doi Dao (north of Chiengmai, Thailand) in 1937, with the parabolic reflector which was used for making the first sound- recordings of wild gibbons (from Carpenter, 1940, p. 26). Introduction Ornithologists have been exploring the possibilities and the methodology of tape- recording and archiving animal sounds for many decades. Primatologists, however, have only recently become aware that tape-recordings of primate sound may be just as valuable as traditional scientific specimens such as skins or skeletons, and should be preserved for posterity. Audio recordings should be fully documented, archived and curated to ensure proper care and accessibility. As natural populations disappear, sound archives will become increasingly important. This is an introductory text on how to tape-record primate vocalisations. It provides some information on the advantages and disadvantages of various types of equipment, and gives some tips for better recordings of primate vocalizations, both in the field and in the zoo. Ornithologists studying bird sound have to deal with very similar problems, and their introductory texts are recommended for further study (e.g. Budney & Grotke 1997; © Thomas Geissmann Geissmann: How to Tape-Record Primate Vocalisations 2 Kroodsman et al. 1996). For further information see also the websites listed at the end of this article. As a rule, prices for sound equipment go up over the years. Prices for equipment discussed below are in US$ and should only be used as very rough estimates.
    [Show full text]
  • Master Blaster Bluetooth Boombox
    Master Blaster Bluetooth Boombox with CD Player, AM/FM Stereo Radio, CD/USB MP3 Playback, 10 Watts RMS output, 3-way Power Operation (AC/DC/Car-Boat adaptor) SB2149 OWNER’S MANUAL WARNING TO PREVENT FIRE OF SHOCK HAZARD, DO NOT USE THIS PLUG WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE. TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. The Caution Marking is located at the back enclosure of the apparatus. The Rating plate is located at the back enclosure of the apparatus IMPORTANT SAFETY INSTRUCTIONS 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that product heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
    [Show full text]
  • Bluetooth Boombox Buddy System
    www.Sharkk.com Bluetooth Boombox Buddy System Owner’s Guide Model SP-SK869TW Introduction Thank you for your purchase of the SHARKK Bluetooth Boombox Buddy System. Please take the time to read this manual carefully before you begin using your new items. The Boombox Buddy System is more than just two arbitrarily linked speakers. Rather it is a true wireless, surround sound experience with a transportive result that is truly greater then the mere sum of it’s parts. Featuring two Bluetooth 4.0 powered wireless boomboxes, the Boombox Buddy System is packed with advanced features and equipped with the very latest in wireless technology. And with each speaker equipped with a high-capacity 4400mAh battery, you can rock out for up to 18 hours on a single charge! 2 Introduction In addition to the Boombox Buddy System, the SHARKK Lifestyle Brand is pleased to be able to offer a wide variety of consumer accessories across many different product categories. Keyboards, mobile device cases, speakers and smartphones are but a few of the items that make up our extensive online cata- log and we welcome you to visit us and browse our handpicked selection of the latest consumer accessories at sharkk.com. Here at SHARKK, the quality of our products and the satisfaction of our cus- tomers are the two greatest passions of our enterprise, as we endeavor to bring you top quality items at competitive prices. 3 Getting Started Box Content • 2x Bluetooth Speakers • 2x USB Charging Cables • 2x 3.5mm Audio Cables • 2x Power Adapters • 1x User Manual 4 Instructions 6 7 8 9 10 11 12 13 1 2 3 4 5 5 Getting Started Power Indicator 1 • Flashing Blue: device is turned on and active.
    [Show full text]
  • Aes 143Rd Convention Program October 18–21, 2017
    AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength.
    [Show full text]
  • Media Draft Appendix
    Media Draft Appendix October, 2001 P C Hariharan Media Historical evidence for written records dates from about the middle of the third millennium BC. The writing is on media1 like a rock face, cave wall, clay tablets, papyrus scrolls and metallic discs. Writing, which was at first logographic, went through various stages such as ideography, polyphonic syllabary, monophonic syllabary and the very condensed alphabetic systems used by the major European languages today. The choice of the medium on which the writing was done has played a significant part in the development of writing. Thus, the Egyptians used hieroglyphic symbols for monumental and epigraphic writing, but began to adopt the slightly different hieratic form of it on papyri where it coexisted with hieroglyphics. Later, demotic was derived from hieratic for more popular uses. In writing systems based on the Greek and Roman alphabet, monumental writing made minimal use of uncials and there was often no space between words; a soft surface, and a stylus one does not have to hammer on, are conducive to cursive writing. Early scribes did not have a wide choice of media or writing instruments. Charcoal, pigments derived from mineral ores, awls and chisels have all been used on hard media. Cuneiform writing on clay tablets, and Egyptian hieroglyphic and hieratic writing on papyrus scrolls, permitted the use of a stylus made from reeds. These could be shaped and kept in writing trim by the scribe, and the knowledge and skill needed for their use was a cherished skill often as valuable as the knowledge of writing itself.
    [Show full text]
  • Compact Disc Minidisc Deck
    3-856-489-32(1) Compact Disc MiniDisc Deck Operating Instructions EN GB Mode d’emploi F f MXD-D1 1996 by Sony Corporation Sony Corporation Printed in Japan On cleaning WARNING Precautions Clean the cabinet, panel and controls with a soft cloth slightly moistened with To prevent fire or shock a mild detergent solution. Do not use On safety any type of abrasive pad, scouring hazard, do not expose the unit Should any solid object or liquid fall powder or solvent such as alcohol or to rain or moisture. into the cabinet, unplug the unit and benzine. To avoid electrical shock, do have it checked by qualified personnel before operating it any further. If you have any questions or problems not open the cabinet. Refer concerning your unit, please consult your nearest Sony dealer. servicing to qualified On power sources personnel only. • Before operating the unit, check that the operating voltage of the unit is identical with your local power The laser component in this product is supply. The operating voltage is capable of emitting radiation exceeding the limit for Class 1. indicated on the nameplate at the rear of the unit. • If you are not going to use the unit for a long time, be sure to disconnect the CAUTION unit from the wall outlet. To TO PREVENT ELECTRIC SHOCK, DO disconnect the AC power cord, grasp NOT USE THIS POLARIZED AC PLUG the plug itself; never pull the cord. WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY On condensation in the unit INSERTED TO PREVENT BLADE If the unit is brought directly from a EXPOSURE.
    [Show full text]
  • I'm Looking for a Portable Waterproof Boombox That Plays Cd's As Well As Ipods That Has Really Great Sound Quality
    E-List View: Boomboxes Queries: I'm looking for a portable waterproof boombox that plays cd's as well as ipods that has really great sound quality. Any recommendations! We go through one at least every six months due to CD's skipping and connection/power issues. Please post make & model on elist. Responses: I bought a waterproof boombox from Brookstone, but it is ONLY for ipods. It has a remote, which is really great, and the ipod is protected in an enclosure. GREAT Sound, even for an outdoor pool! About $99. The construction industry makes outdoor moisture boomboxes that play ipods. They are built to stay in on piece if a bomb goes off. Check the tool department in large hardware or home stores building. Sony ZS-H10CP Heavy-Duty CD Radio Boombox. Found it on Amazon.com for $109.85. It requires a patch cord to plug in an ipod. I have owned 3 Sony Waterproof boomboxes over the last 20 years and all had superior sound. It is bigger than most portables and is encased w/sturdy plastic w/a handle for ease in carrying. It plugs in or works on battery. This heavy duty box replaced several others which did not stand the test of time, and the assault of air travel, salt and fresh water and salt air. It has been going strong now for quite a while without a hitch and still looks good. It does not use cassettes but does use CD’s and has an ipod connection. Currently I use one from Frontgate catalog for about $300.00.
    [Show full text]
  • Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music
    Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music Matthew A. Bardin Experimental Music & Digital Media Center for Computation & Technology Louisiana State University Baton Rouge, Louisiana 70803 [email protected] ABSTRACT the 'play head' was utilized to reverse the process and gen- The purpose of this paper is to provide a historical context erate the output's audio signal [8]. Looking at figure 1, from to some of the common schools of thought in regards to museumofmagneticsoundrecording.org (Accessed: 03/20/2020), tape composition present in the later half of the 20th cen- the locations of the heads can be noticed beneath the rect- tury. Following this, the author then discusses a variety of angular protective cover showing the machine's model in the more common techniques utilized to create these and the middle of the hardware. Previous to the development other styles of music in detail as well as provides examples of the reel-to-reel machine, electronic music was only achiev- of various tracks in order to show each technique in process. able through live performances on instruments such as the In the following sections, the author then discusses some of Theremin and other early predecessors to the modern syn- the limitations of tape composition technologies and prac- thesizer. [11, p. 173] tices. Finally, the author puts the concepts discussed into a modern historical context by comparing the aspects of tape composition of the 20th century discussed previous to the composition done in Digital Audio recording and manipu- lation practices of the 21st century. Author Keywords tape, manipulation, history, hardware, software, music, ex- amples, analog, digital 1.
    [Show full text]
  • Dual Digital Audio Tape Deck OWNER's MANUAL
    » DA-302 Dual Digital Audio Tape Deck OWNER’S MANUAL D00313200A Important Safety Precautions CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALI- Ü FIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure ÿ that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the pres- ence of important operating and maintenance (servicing) instructions in the literature Ÿ accompanying the appliance. This appliance has a serial number located on the rear panel. Please record the model number and WARNING: TO PREVENT FIRE OR SHOCK serial number and retain them for your records. Model number HAZARD, DO NOT EXPOSE THIS Serial number APPLIANCE TO RAIN OR MOISTURE. For U.S.A Important (for U.K. Customers) TO THE USER DO NOT cut off the mains plug from this equip- This equipment has been tested and found to com- ment. If the plug fitted is not suitable for the power ply with the limits for a Class A digital device, pur- points in your home or the cable is too short to suant to Part 15 of the FCC Rules. These limits are reach a power point, then obtain an appropriate designed to provide reasonable protection against safety approved extension lead or consult your harmful interference when the equipment is operat- dealer.
    [Show full text]
  • MINIDISC MANUAL V3.0E Table of Contents
    MINIDISC MANUAL V3.0E Table of Contents Introduction . 1 1. The MiniDisc System 1.1. The Features . 2 1.2. What it is and How it Works . 3 1.3. Serial Copy Management System . 8 1.4. Additional Features of the Premastered MD . 8 2. The production process of the premastered MD 2.1. MD Production . 9 2.2. MD Components . 10 3. Input components specification 3.1. Sound Carrier Specifications . 12 3.2. Additional TOC Data / Character Information . 17 3.3. Label-, Artwork- and Print Films . 19 3.4. MiniDisc Logo . 23 4. Sony DADC Austria AG 4.1. The Company . 25 5. Appendix Form Sheets Introduction T he quick random access of Compact Disc players has become a necessity for music lovers. The high quality of digital sound is now the norm. The future of personal audio must meet the above criteria and more. That’s why Sony has created the MiniDisc, a revolutionary evolution in the field of digital audio based on an advanced miniature optical disc. The MD offers consumers the quick random access, durability and high sound quality of optical media, as well as superb compactness, shock- resistant portability and recordability. In short, the MD format has been created to meet the needs of personal music entertainment in the future. Based on a dazzling array of new technologies, the MiniDisc offers a new lifestyle in personal audio enjoyment. The Features 1. The MiniDisc System 1.1. The Features With the MiniDisc, Sony has created a revolutionary optical disc. It offers all the features that music fans have been waiting for.
    [Show full text]
  • AW2400 Owner's Manual
    Owner’s Manual EN FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS devices. Compliance with FCC regulations does not guar- UNIT! antee that interference will not occur in all installations. If This product, when installed as indicated in the instruc- this product is found to be the source of interference, tions contained in this manual, meets FCC requirements. which can be determined by turning the unit “OFF” and Modifications not expressly approved by Yamaha may “ON”, please try to eliminate the problem by using one of void your authority, granted by the FCC, to use the prod- the following measures: uct. Relocate either this product or the device that is being 2. IMPORTANT: When connecting this product to acces- affected by the interference. sories and/or another product use only high quality Utilize power outlets that are on different branch (circuit shielded cables. Cable/s supplied with this product MUST breaker or fuse) circuits or install AC line filter/s. be used. Follow all installation instructions. Failure to fol- In the case of radio or TV interference, relocate/reorient low instructions could void your FCC authorization to use the antenna. If the antenna lead-in is 300 ohm ribbon this product in the USA. lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to com- If these corrective measures do not produce satisfactory ply with the requirements listed in FCC Regulations, Part results, please contact the local retailer authorized to dis- 15 for Class “B” digital devices.
    [Show full text]