Kickit Step Sheet

Total Page：16

File Type：pdf, Size：1020Kb

Mambo Shuffle (a.k.a. Latin Line, Sex On The Beach) Choreographed by J.W. Grimes Description: 40 count, 4 wall, intermediate line dance Music: Thinkin' About You by Trisha Yearwood [96 bpm / Songbook: A Collection Of Hits] Faith In Me by Doug Stone [96 bpm / CD: Doug Stone: Super Hits / Super Hits / Available on iTunes] If I Didn't Love You by Steve Wariner [104 bpm / Drive] Day Off by Ronnie McDowell [112 bpm / CD: Country Dances / Country Dances / Available on iTunes] Hope by Shaggy [92 bpm / Hot Shot / Available on iTunes] Don't Cry For Me Argentina by Madonna [GHV2 / CD: Evita (The Complete Motion Picture Music Soundtrack) / CD: Don't Cry for Me Argentina: The Dance Mixes / Available on iTunes] The dance "Sex On The Beach" appears to be a badly remembered version of Mambo Shuffle, where the mambo steps in the first 16 counts are done once each instead of twice. So the mambo steps in "Sex On The Beach" only take 8 counts instead of 16. MAMBO FORWARD, BACK TWICE 1& Rock left forward, recover to right 2 Step left together 3& Rock right back, recover to left 4 Step right together 5-8 Repeat 1-4 MAMBO LEFT, RIGHT TWICE 9&10 Step left side, step right in place, step left together 11& Step right side, step left in place 12 Step right together 13&14 Step left side, step right in place, step left together 15& Step right side, step left in place 16 Step right together STEP/TURN CHA-CHA-CHA 17-18 Step left forward, turn ½ right (weight to right) 19&20 Chassé forward left-right-left 21-22 Step right forward, turn ½ left (weight to left) 23&24 Chassé forward right-left-right DIAGONAL LEFT STEP-SLIDE-STEP-SLIDE-STEP-SLIDE-STEP: 25 Step left diagonally forward & Step right instep to left heel 26 Step left diagonally forward & Step right instep to left heel 27 Step left diagonally forward & Step right instep to left heel 28 Step left diagonally forward DIAGONAL RIGHT STEP-SLIDE-STEP-SLIDE-STEP-SLIDE-STEP: 29 Step right diagonally forward & Step left instep to right heel 30 Step right diagonally forward & Step left instep to right heel 31 Step right diagonally forward & Step left instep to right heel 32 Step right diagonally forward LEFT ACROSS RIGHT JAZZ BOXES: 33-34 Step left forward, cross right over 35-36 Step left back turning 1/8 right, step right together 37-40 Repeat 33-36 REPEAT J.W. Grimes Address: Jefferson IN | Phone: (812) 282-0769 Print layout ©2005 - 2013 by Kickit. All rights reserved..

Copy Link

Recommended publications

Beneath the Surface: Argentine-United States Relations As Perón Assumed the Presidency
Beneath the Surface: Argentine-United States Relations as Perón Assumed the Presidency Vivian Reed June 5, 2009 HST 600 Latin American Seminar Dr. John Rector 1 Juan Domingo Perón was elected President of Argentina on February 24, 1946,1 just as the world was beginning to recover from World War II and experiencing the first traces of the Cold War. The relationship between Argentina and the United States was both strained and uncertain at this time. The newly elected Perón and his controversial wife, Eva, represented Argentina. The United States’ presence in Argentina for the preceding year was primarily presented through Ambassador Spruille Braden.2 These men had vastly differing perspectives and visions for Argentina. The contest between them was indicative of the relationship between the two nations. Beneath the public and well-documented contest between Perón and United States under the leadership of Braden and his successors, there was another player whose presence was almost unnoticed. The impact of this player was subtlety effective in normalizing relations between Argentina and the United States. The player in question was former United States President Herbert Hoover, who paid a visit to Argentina and Perón in June of 1946. This paper will attempt to describe the nature of Argentine-United States relations in mid-1946. Hoover’s mission and insights will be examined. In addition, the impact of his visit will be assessed in light of unfolding events and the subsequent historiography. The most interesting aspect of the historiography is the marked absence of this episode in studies of Perón and Argentina3 even though it involved a former United States President and the relations with 1 Alexander, 53.
[Show full text]
Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich.
[Show full text]
The U2 360- Degree Tour and Its Implications on the Concert Industry
THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history.
[Show full text]
Schirn Presse Basquiat Boom for Real En
BOOM FOR REAL: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE ART OF JEAN-MICHEL BASQUIAT IN GERMANY BASQUIAT BOOM FOR REAL FEBRUARY 16 – MAY 27, 2018 Jean-Michel Basquiat (1960–1988) is acknowledged today as one of the most significant artists of the 20th century. More than 30 years after his last solo exhibition in a public collection in Germany, the Schirn Kunsthalle Frankfurt is presenting a major survey devoted to this American artist. Featuring more than 100 works, the exhibition is the first to focus on Basquiat’s relationship to music, text, film and television, placing his work within a broader cultural context. In the 1970s and 1980s, Basquiat teamed up with Al Diaz in New York to write graffiti statements across the city under the pseudonym SAMO©. Soon he was collaging baseball cards and postcards and painting on clothing, doors, furniture and on improvised canvases. Basquiat collaborated with many artists of his time, most famously Andy Warhol and Keith Haring. He starred in the film New York Beat with Blondie’s singer Debbie Harry and performed with his experimental band Gray. Basquiat created murals and installations for New York nightclubs like Area and Palladium and in 1983 he produced the hip-hop record Beat Bop with K-Rob and Rammellzee. Having come of age in the Post-Punk underground scene in Lower Manhattan, Basquiat conquered the art world and gained widespread international recognition, becoming the youngest participant in the history of the documenta in 1982. His paintings were hung beside works by Joseph Beuys, Anselm Kiefer, Gerhard Richter and Cy Twombly.
[Show full text]
Welcome Booklet Orientation International Students
Welcome Booklet Orientation International Students Congratulations on your acceptance to Madonna University! On the next page is a checklist for you to follow to make arrangements for your travel to the United States and to Madonna University. On the pages after the checklist is detailed information related to each activity. Refer to the entire Welcome Booklet for the information you will need. Domestic International Booklet September, 2016 Page 1 Domestic International Booklet September, 2016 Page 1 Checklist Make sure you RSVP as soon as possible! Go to the following link to complete the Arrival Form: https://ww4.madonna.edu/mucfweb/ssl_forms/International_Arrival/client/general_for m_2.cfm SUBMIT ENROLLMENT DEPOSIT OF $50.00 REGISTER FOR ENGLISH (ESL) PLACEMENT TEST (Deadline for Fall, 2017: May 1, 2017) (IF APPLICABLE) (See instruction on online payment process on To register for ESL placement test, complete Page 3.) Arrival RSVP form. ESL Program Information: SEND OFFICIAL FINAL TRANSCIPT https://www.madonna.edu/academics/esl REQUEST SEVIS DATA RELEASE FROM YOUR CURRENT Or E-mail: Ms. Hadeel Betti for more information: [email protected] SCHOOL TO MADONNA UNIVERSITY Students who have met the English Proficiency REPORT TO INTERNATIONAL STUDENTS OFFICE WITHIN Requirement will be required to take a writing 15 DAYS OF YOUR PROGRAM START DATE assessment test during the first semester of study. RSVP FOR ATTENDING INTERNATIONAL STUDENT APPLY FOR ON-CAMPUS HOUSING ORIENTATION Submit Residence Hall Contract and $175.00 deposit to: Use the RSVP link above Madonna University Email Ms. Amy Dickerson for more information: Student Accounts Office [email protected] 36600 Schoolcraft Road ACTIVATE E-MAIL AND ACESS MY PORTAL Livonia, Michigan 48150, USA Contact [email protected] or 734-432- Attn: Ms.
[Show full text]
Ciaran Gribbin
Ciaran Gribbin Ciaran Gribbin is a Grammy nominated songwriter and performer who, in addition to working with word class artists such as Madonna, U2, Paul McCartney, Snow Patrol and Al Pacino, has toured the world as the singer of INXS. Ciaran was born in war-torn Northern Ireland growing up in ‘The Troubles’. As a young musician he cut his teeth doing gig after gig in the tough bars of Belfast and Derry. During this turbulent time in a divided society, Ciaran witnessed and experienced the bombs and bullets of sectarian abuse and paramilitary attacks. Ciaran’s first big break came in 2010 when he received a Grammy nomination for Madonna’s worldwide hit single ‘Celebration’, which he co-wrote with Madonna and Oakenfold. Since then, in addition to performing at many music festivals including Brazil’s ‘Rock in Rio’, Ciaran has opened shows for Paul McCartney, Crowded House, The Script and Gotye. Ciaran has worked extensively as a songwriter for acts such as Groove Armada and Dead Mau5. He has also worked on multiple movie soundtracks including writing all of the original songs for the U2 supported movie ‘Killing Bono’. This movie was released through Paramount Pictures with a Sony Music soundtrack album. In 2011 Ciaran became the singer of the legendary Australian band INXS. He has toured extensively with INXS throughout South America, Europe and Australasia. 2015 ended with an Oscar shortlist nomination for Ciaran’s song 'Hey Baby Doll' which was sung by Al Pacino in the critically acclaimed movie 'Danny Collins'. “Ciaran has one of the most Ciaran is the founder of Rock and Roll Team Building and extraordinary voices I’ve heard in along with original INXS member, Garry Beers, is a founding member of the super-group ‘Stadium’ who are based in Los a long time.” Angeles.
[Show full text]
The Madonna Angel Wings Program
Who is Your Angel? Recent grateful patients shared the My gift of $_____ is given in honor of: following comments about their A grateful patient, family and friends program Madonna Angels: at Madonna Rehabilitation Hospitals Please fill-in one: ☐ Employee to be honored: ______________________ “Brent made sure I got off the ventilator and kept ☐ Department to be honored: _____________________ my voice. He was tough but encouraging. He gave HONOR A me hope.” SPECIAL Comments: (Enclose an extra page if needed.) CAREGIVER! ___________________________________________ “Chandra really made a ___________________________________________ difference in my recovery. Madonna is very lucky to ___________________________________________ have such a valuable staff ___________________________________________ member. I knew that when Chandra got me up and going in the morning, I would have a good day.” My Name: ___________________________________ “Thank you to Janelle for keeping me motivated and Address: ____________________________________ showing me that it takes time and effort. I appreciate all you have done for me.” City/State/Zip: _________________________________ Daytime Phone Number: (___)_____________________ “Everyone that took care of me was really great but Lincoln, NE 68506 5401 South Street E-mail address: ________________________________ Lori helped me a lot and was fun to work with — she is a great lady. Madonna is such a great hospital; I almost didn’t want to go home!” ☐ My gift is enclosed “Let me assure you that John sets the standard (Please make check payable to the Madonna Foundation) for what I believe should be the expectation for a rehabilitation hospital with the stature of Madonna.” ☐ Please charge my credit card: ☐ Visa ☐ MasterCard ☐ American Express ☐ Discover “Rhonda was fun and had you doing things you didn’t think you could.
[Show full text]
Book Review Of: <Em>Making Sex: Body and Gender from the Greeks
DePauw University Scholarly and Creative Work from DePauw University English Faculty publications English 5-1992 Book Review Of: Making Sex: Body and Gender From the Greeks to Freud by Thomas Laqueur. Meryl Altman DePauw University, [email protected] Keith Nightenhelser DePauw University, [email protected] Follow this and additional works at: http://scholarship.depauw.edu/eng_facpubs Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Altman, Meryl and Keith Nightenhelser. "Book Review Of: Making Sex: Body and Gender From the Greeks to Freud by Thomas Laqueur. Postmodern Culture 2.3 (1992): n.pag. Web. Link to original publication: http://www.pomoculture.org/2013/09/26/book-review-of- making-sex/ This Book Review is brought to you for free and open access by the English at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in English Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. BOOK REVIEW OF: Making Sex September 26, 2013 Posted by Webmaster under Volume 2 - Number 3 - May 1992 Meryl Altman and Keith Nightenhelser DePauw University <maltman@depauw> <k_night@depauw> Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud. Cambridge, MA: Harvard UP, 1990. Making Sex is an ambitious investigation of Western scientific conceptions of sexual difference. A historian by profession, Laqueur locates the major conceptual divide in the late eighteenth century when, as he puts it, “a biology of cosmic hierarchy gave way to a biology of incommensurability, anchored in the body, in which the relationship of men to women, like that of apples to oranges, was not given as one of equality or inequality but rather of difference” (207).
[Show full text]
Was There Sex Before Calvin Klein? Linda R
Washington and Lee Law Review Volume 53 | Issue 3 Article 3 Summer 6-1-1996 Was There Sex Before Calvin Klein? Linda R. Hirshman Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Law and Society Commons, and the Sexuality and the Law Commons Recommended Citation Linda R. Hirshman, Was There Sex Before Calvin Klein?, 53 Wash. & Lee L. Rev. 929 (1996), https://scholarlycommons.law.wlu.edu/wlulr/vol53/iss3/3 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. Was There Sex Before Calvin Klein? Linda R. Hirshman* Was there sex before Calvin Klein? This may seem like a pretty silly question to ask. After all, here we are. Assuming that at least some of us were born before 1980, when Brooke Shields announced her affinity for jeans over nothing in the first of Calvin Klein's increasingly controversial advertisements, one might conclude that there was, indeed, sex before Calvin Klein. This matters to me because I am writing a book about the history of the legal regulation of sexuality in America,' and it would be a pretty short book if everything that mattered started a scant sixteen years ago! But it turns out that things regarding sex are never simple. There has been a fashion for some time in contemporary American and European sexual history to hold that sex is not a natural urge, but a product of social institutions.
[Show full text]
Eva Perón: El Poder Del Deseo
Nuevo Itinerario Revista Digital de Filosofía ISSN 1850-3578 2015 – Vol. 10 – Número X – Resistencia, Chaco, Argentina Eva Perón: el poder del deseo Teresa Rinaldi College of Arts and Sciences National University, San Diego (USA) [email protected] Recibido: 10/06/2015 Aceptado: 22/08/2015 Resumen: El estudio del cuerpo y en sus diversas formas y contextos debe abordarse desde una perspertiva interdisiplinaria que incluye desde el arte y la literatura hasta la medicina y las artes plásticas en búsqueda constante de la significación social del mismo. María Eva Duarte de Perón (1919-1952) fue el centro de una serie de eventos que no solo cambiaron el rumbo de su vida sino también el del mundo político y social de Argentina. Su vida se llama a la observación, el análisis y la búsqueda de respuestas a cómo una simple e ilegítima niña logró llegar a las más altas cumbres de la sociedad argentina. La capacidad de Eva para adaptarse y sobrepasar contratiempos conjuntamente con su estilo único y astucia la catapultaron al estrellato marcando la memoria del pueblo argentino y la comunidad internacional. Dentro de vasto material literario y artístico sobre la vida y obra de Eva, se pueden mencionar: Eva Perón (1970) de Otelo Borroni y Roberto Vacca, La pasión según Eva (1994) de Abel Posse, Eva Perón, the bibliography (1995) de Alicia Dujovne Ortíz, El misterio de Eva Perón (1988,documental) de Tulio Demicheli, Evita Pre-Madonna (1995, documental) de Claudia Nie, Santa Evita (1995) de Tomás Eloy Martínez, Evita (1996, film) de Alan Parker y Evita: Santa o Demonio (1996, film) de Juan Carlos de Sanzo.
[Show full text]
The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender
MA MAJOR RESEARCH PAPER The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse by Christina Bonner Supervised by Dr. Jennifer Brayton The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University -- York University Toronto, Ontario, Canada, 2010 © Christina Bonner 2010 I hereby declare that I am the sole author of this research paper. I authorize Ryerson University to lend this research paper to other institutions or individuals for the purpose of scholarly research. 7 / ChristinaLBonner I further authorize Ryerson University to reproduce this research paper by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. EMlstma Honner ii The Teaches of Peaches: Rethinking the Sex Hierarchy and the Limits of Gender Discourse Christina Bonner Master of Arts, Program in Communication and Culture Ryerson and York University 2010 Abstract: The goal of this Major Research paper is an exploration detailing how Canadian Electro-Pop artist Peaches Nisker transcends nonnative gender and sex politics through perfonnance and frames the female erotic experience in a way that not only disempowers heterosexuality but also provides a broader more inclusive sexual politics. Through this analysis I focus specifically on three distinct spheres; perfonnance, fandom and use of technology to argue that her critique of sexual conventions provides an cxpansive and transgressive new defmition of female sexuality. Musical perfonnances by female artists, particularly icons such as Madonna and Britney Spears, have demonstrated popular culture's inability to legitimize quecr and non compulsory heterosexual practices.
[Show full text]
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
[Show full text]