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Walliser V. Commissioner 72 T.C
CLICK HERE to return to the home page Walliser v. Commissioner 72 T.C. 433 (T.C. 1979) Ira W. Silverman and Donald J. Forman, for the petitioners. Deborah A. Butler, for the respondent. TANNENWALD, Judge: Respondent determined a deficiency of $323 in petitioners' income tax for the taxable year 1973 and a deficiency of $252.45 in petitioners' income tax for the taxable year 1974. At issue is whether amounts expended by petitioners for foreign travel are deductible as ordinary and necessary business expenses under section 162[1] and, if so, whether the requirements of section 274 have been satisfied.[2] FINDINGS OF FACT Some of the facts were stipulated and are found accordingly. The stipulation of facts, together with the exhibits attached thereto, is incorporated herein by this reference. James B. Walliser (James) and Carol Sue Walliser (Carol), husband and wife, filed joint individual income tax returns for the taxable years 1973 and 1974 with the Internal Revenue Service, Southwest Regional Service Center, Austin, Tex. Petitioners resided in Dallas, Tex., during the taxable years at issue and at the time of filing the petition herein. During the taxable years 1973 and 1974, James was vice president and branch manager of the First Federal Savings & Loan Association (First Federal) of Dallas, Tex., Richardson branch office. James began his career at First Federal as a trainee in mortgage lending and an appraiser. He later became a branch manager and a loan production officer. Subsequent to the taxable years at issue, James was made the head of the interim loan department of First Federal. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Pet Shop Boys the Very Best Mp3, Flac, Wma
Pet Shop Boys The Very Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Very Best Country: Russia Released: 1997 Style: Synth-pop MP3 version RAR size: 1193 mb FLAC version RAR size: 1857 mb WMA version RAR size: 1147 mb Rating: 4.5 Votes: 996 Other Formats: AHX VOX MMF MP4 XM DTS ADX Tracklist A1 Se A Vida E (That's The Way Life Is) A2 Paninaro '95 A3 Go West A4 West End Girls A5 Opportunities (Let's Make Lots Of Money) A6 Suburbia A7 It's A Sin A8 What Have I Done To Deserve This? A9 Rent B1 Always On My Mind B2 Heart B3 Domino Dancing B4 Left To My Own Devices B5 Can You Forgive Her B6 I Wouldn't Normally Do This King Of Thing B7 In The Night B8 Before Other versions Category Artist Title (Format) Label Category Country Year Pet Shop The Very Best (CD, PSB-41096-VB EMI PSB-41096-VB Bulgaria 1996 Boys Comp, Unofficial) Pet Shop The Very Best (CD, PSB-41096-VB EMI PSB-41096-VB Russia Unknown Boys Comp, Unofficial) Pet Shop The Very Best (CD, none EMI none Europe 1998 Boys Comp, Unofficial) Not On Pet Shop The Very Best (CD, Label (Pet PSB-41096-VB PSB-41096-VB Bulgaria 1996 Boys Comp, Unofficial) Shop Boys) Pet Shop The Very Best (CD, none EMI none 1998 Boys Comp, Unofficial) Related Music albums to The Very Best by Pet Shop Boys Pet Shop Boys - Pet Shop Boys (CD1) Pet Shop Boys - Energy Electric Tour Live In Coachella Pet Shop Boys - Suburbia: The Best Of Pet Shop Boys Remixes Pet Shop Boys - The Best 2001 Pet Shop Boys - The T-Rexx Megamix Mylène Farmer, Pet Shop Boys - Razormaid ! - The Customize Series Pet Shop Boys - Ultimate Pet Shop Boys - Звездная Серия. -
Disabling Comedy and Anti-Discrimination Legislation
Disabling Comedy and Anti-Discrimination Legislation Colin Barnes 1991 A version of this paper entitled 'Disabling Comedy' appeared in Greater Manchester Coalition of Disabled People's Journal 'Coalition' December 1991 pp. 26 - 28 Over the last couple of years disabled people and their organizations have become increasingly concerned about disabling imagery in the media. One of the most important examples being the cynical exploitation of disabled people by charities in their efforts to raise money. Here I would like to highlight another form of disablism common to the media which disabled people are expected to endure, which is equally disabling and which is often overlooked or ignored: the exploitation of disabled people by professional non-disabled comedians on television. Of course laughing at disability is not new, disabled people have been a source of amusement and ridicule for non-disabled people throughout history. Along with the other so-called timeless universals of 'popular' humour such as foreigners, women and the clergy, Elizabethan joke books are full of jokes about people with every type of impairment imaginable. During the seventeenth and eighteenth centuries keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment for the able but ignorant. While such thoughtless behaviour might be expected in earlier less enlightened times, making fun of disabled people is as prevalent now as it was then. It is especially common among professional non-disabled comedians. Indeed, several of the comedy 'greats' who influenced today's 'funny' men and women built their careers around disablist humour. -
Central Florida Future, Vol. 38 No. 17, October 13, 2005
University of Central Florida STARS Central Florida Future University Archives 10-13-2005 Central Florida Future, Vol. 38 No. 17, October 13, 2005 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 38 No. 17, October 13, 2005" (2005). Central Florida Future. 1870. https://stars.library.ucf.edu/centralfloridafuture/1870 SING US A SONG THE REAL DEAL? Steven Lynch brings his ~usical comedy A UCF win over Southern Miss would be a big to the UCF Arena t' step for the first-place Knights -sEE sP.oRTs,A11 - SEE NEWS, A7 FREE • Published Mondays alid Thursdays www.UCFnews.com • Thursda» October l 3, 200S • • The number of arrests and citations reached an unusual low Task force members impressed ofonly 17 at last Saturday's UCF football tailgate. Members ofUCF President John with.outcome ofrecent tailgate Hitt's task force said they were ASHLEY BURNS Bowl. Task force chairman Al Harms "Is this a task force that will last for pleased with the Managing Editor commended the members of the panel ever? No," Harms said as he opened ,to responsible· and said that he felt they were making the fourth meeting since the task force behavior of UCF President John Hitt's tailgat great progress with their goal. -
Mask and Persona: Creating the Bard for Bardcom
Persona Studies 2019, vol. 5, no. 2 MASK AND PERSONA: CREATING THE BARD FOR BARDCOM PETER HOLLAND ABSTRACT This article explores a number of perspectives on the creation of very different Shakespeares as personas by first examining the celebration of the 400th anniversary of his death in Stratford-upon-Avon in April 2016 and Shake, Mr Shakespeare, a remarkable Roy Mack 1936 Warner Brothers short. From there it moves on to consider the brief appearance of Shakespeare in the time-travel comedy Blackadder: Back and Forth, in ‘The Shakespeare Code’ episode of Doctor Who and in the off-Broadway musical Something Rotten!, before examining the work of Ben Elton in his screenplay for All Is True and in the seemingly unlikely success of Upstart Crow, the BBC sitcom with Shakespeare as the lead character, which has so far completed three six-episode series and three Christmas specials. The article is concerned with the multiple masks of the sequence of personas that create these Shakespeares, from Shakespeare as perhaps the epitome of the celebrity author to Shakespeare as a sitcom Dad. KEY WORDS Shakespeare, Mask, Celebrity, Comedy, Sitcom, Afterlife WHERE ISS SHAKESPEARE? In Act 2 of Emlyn Williams’ The Corn is Green (1938), a semi-autobiographical narrative of how education saved a bright Welsh boy from the mines and sent him to Oxford University, the end of a class in Miss Moffat’s new school leaves behind on stage Old Tom, “an elderly, distinguished- looking, grey-bearded peasant” (Williams 1995, p. 34), and Miss Ronberry, now one of Miss Moffat’s teachers. -
April 2015 Vol
A Mirror and Focus for the Jazz Community April 2015 Vol. 31, No. 04 EARSHOT JAZZSeattle, Washington Golden Ear Award Recipients Photo by Daniel Sheehan Front Row: Greta Matassa, Ivan Arteaga, Chris Icasiano, Neil Welch Second Row: Nick Rogstad, Levi Gillis, Carmen Rothwell Back Row: Laurie de Koch, Brennan Carter, Evan Smith, Jacob Zimmerman, Josh Rawlings, Evan Flory-Barnes, Amy Denio 2 • Earshot Jazz • April 2015 EarsHOT JazZ LETTer frOM THE DirecTOR A Mirror and Focus for the Jazz Community Executive Director John Gilbreath Managing Director Karen Caropepe The Beat Goes On Programs Assistant Caitlin Peterkin Earshot Jazz Editors Schraepfer Harvey, Every month is Jazz Appreciation Caitlin Peterkin Month around here. The recent Contributing Writers Edan Kroliwecz, Andrew weeks have been so rich with inspira- Luthringer tional moments for Seattle jazz that Calendar Editors Halynn Blanchard, announcements of metrics on the Schraepfer Harvey U.S. jazz economy’s slip to only 1.4% Calendar Volunteer Tim Swetonic of the total music “industry” barely Photography Daniel Sheehan caused a ripple. With Garfield, Roos- Layout Caitlin Peterkin evelt, and Mt. Si high schools going Distribution Dan Wight and volunteers to New York next month for Essen- send Calendar Information to: tially Ellington, and so many area email [email protected] or students falling in love with the heart JOHN GILBREATH PHOTO BY BILL UZNAY go to www.earshot.org/Calendar/data/ of the art form, the future of jazz can gigsubmit.asp to submit online only be bright. cians like Christine Jensen, Bill Hol- Board of Directors Ruby Smith Love Seattle’s devotion to jazz education man, Robin Eubanks, Kneebody, (president), Diane Wah (vice president), Sally has been in full bloom this spring, Nichols (secretary), Sue Coliton, John W. -
Kate Mcnaughton
FICTION……………2-19 NON FICTION……20-42 BACKLIST…………43-46 1 Fiction 2 TURNING FOR HOME Barney Norris Publicaon: January 2018 Format/extent: Hbk, 320pp Material: May 2017 Opon publishers: Dumont (Germany); Le Seuil (France); Algoritam (Croaa) The second novel by crically acclaimed author Barney Norris tackles family relaonships and coming to terms with the past Once a year, every year, Robert's family come together at a rambling old house in the country to celebrate his birthday. Aunts, uncles, grandchildren, distant cousins ‐ it is a milestone in their lives and has been for decades. But this year Robert doesn't want to be reminded of what has happened since they last met ‐ and neither, for quite different reasons, does his granddaughter Kate. Robert is determined that this will be the final party. But for both him and Kate, it may also become the most important gathering of all. As lyrical and true to life as Norris's crically acclaimed debut Five Rivers Met on a Wooded Plain, this is a compelling, emoonal story of family, human frailty, and the marks that love leaves on us. Reviews for Five Rivers Met on a Wooded Plain ‘Norris writes beaufully, unearthing extraordinary depths in the everyday...a memorable writer, mature beyond his years’ ‐ Sunday Times 'One of our most excing young writers' ‐ The Times Barney Norris is the founder of the theatre company Up In Arms, and has won an award for Most Promising Playwright for his play Visitors. 3 HOW I LOSE YOU Kate McNaughton Publicaon: January 2018 Format/extent: Hbk, 304 pp Rights sold: Les escales (France) Beaufully wrien and announcing a bold new literary talent, How I Lose You, offers a tender and heart‐breaking perspecve on the queson of how much we can ever really know the person we love When Eva wakes up one morning to discover that her husband has died in his sleep, she is overwhelmed: with anger, with disbelief, with fear. -
Introduction 1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv The role of literature in language studies - an effective means for teaching English ‘Literature is a luxury; fiction is a necessity.’ G K Chesterton Göteborg University/Department of English Scott Edwards, 7305213378 C-Level paper, 15 hec Interdisciplinary Degree Project Teacher Education Programme Supervisor: Ronald Paul Grade: Signature Date: ABSTRACT Title: The role of literature in language studies - an effective means for teaching English Author: Scott Edwards Term and year: Ht – 08 Institution: Department of English Supervisor: Ronald Paul Key words: Literature, learning, communication skills, culture, fame, reality TV. Summary: The purpose of this essay is to show how literature can be used as an effective means for teaching English in upper secondary school in Sweden. The chosen book for reference is Blind Faith by Ben Elton, which is discussed regarding its potential as a suitable source for teaching from a number of perspectives. For example, how it can be enjoyed as a book in its entirety, how it can be used for comprehension and how it can lend itself to other classroom activities. Secondary sources regarding the attitude and theory to using literature as a language learning aid are referenced. In addition to the theoretical secondary sources the syllabus, as well as the curriculum for non-compulsory school in Sweden is referenced in order to highlight the consciousness teachers should have in relation to the governing aims and objectives in their professional role. The benefits for using literature in the English classroom are presented and developed further a project proposal. -
Normative Judaism")
Centre for Jewish Studies University of Manchester Welcome to the Manchester JudaicaFest 2008 comprising end-on conferences of the British Association for Jewish Studies (on the theme "Normative Judaism") The Jewish Law Association (Fifteenth Biennial Conference) and a colloquium on Jewish Culture in the Age of Globalisation Manchester, July 20th-24th 2008 We express our thanks to the following for their support: The British Academy Lord Alliance British Association for Jewish Studies David Berkley QC Keith Black Joe Dwek Fruhman Davies Livingstones The Hamburger family Lopian Gross Barnett Pears Foundation Religions and Theology, University of Manchester Rothschild Europe Foundation School of Arts, Cultures and Histories, University of Manchester David Sidi Philip Alexander, Co-Director, Centre for Jewish Studies; President, BAJS Daniel Langton, Centre for Jewish Studies; Secretary, BAJS Yosef Rivlin, Bar-Ilan University; Chairman, The Jewish Law Association Bernard Jackson, Co-Director, Centre for Jewish Studies; Vice-Chairman, The Jewish Law Association Sander Gilman, Emory University, Co-Organiser, Jewish Culture in the Age of Globalisation Cathy Gelbin, Centre for Jewish Studies, Co-Organiser, Jewish Culture in the Age of Globalisation Penelope Junkermann, Co-Ordinator, Centre for Jewish Studies -2- The Lopian Gross Barnett Seminar on Ethics and Contemporary Halacha in association with The Centre for Jewish Studies, University of Manchester Wednesday 23rd July 2008 Whitefield Hebrew Congregation Park Lane Whitefield M45 7PB Rabbi Shear-Yashuv Cohen Chief Rabbi of Haifa: The Authority of the Rabbinical Court to Terminate a Marriage Rabbi Dr. Shlomo Riskin Chief Rabbi of Efrat: Solutions to the Agunah Issue Introductory Remarks from Rabbi Jonathan Guttentag Whitefield Hebrew Congregation 7.45pm Mincha 8.00 Start Admission Free All Welcome No Appeal Sponsored by the partners of Lopian Gross Barnett & Co.