Arts & Culture

Arts & Culture

A selection of recent projects by Feilden Clegg Bradley Studios 2015

01 | Opening the Circle

02 | Narrative Spaces

03 | Places for Art

04 | Listening Spaces Feilden Clegg Bradley Studios LLP 05 | Creative Education Twenty Lower Ground Floor Tottenham Street Carver’s Warehouse W1T 4RF 77 Dale Street 06 | Heritage & Visitor Centres United Kingdom M1 2HG T +44 (0)20 7323 5737 T +44 (0)161 883 2544 [email protected] [email protected] 07 | Theatre and Performance

Bath Brewery 5 Commercial Court Toll Bridge Road 08 | Regeneration & Community Bath BA1 7DE BT1 2NB United Kingdom United Kingdom T +44 (0)1225 852 545 T +44 (0)28 9099 2760 09 | Beyond [email protected] [email protected] www.fcbstudios.com 10 | Conclusions Underground Gallery, Yorkshire Sculpture Park Feilden Clegg Bradley Studios

At Feilden Clegg Bradley Studios we have been creating successful, sustainable spaces for arts and culture for over thirty years and throughout this time have witnessed great changes both in clients’ aspirations and visitor expectations.

The 21st century has brought great democratisation of the cultural sphere: an increase in technology, a greater appetite for inclusive audiences, a demand for more spatial flexibility and responsiveness.

However, these important social and technological shifts have resulted in some very thorny challenges for cultural organisations working within 19th and 20th century buildings which were designed for a very different kind of public use.

Whether working to upgrade and remodel found spaces or starting from scratch with a new building, we remain focussed on designing spaces and creating content based on experience, plurality, learning and theatricality. We are fascinated by the spatial and narrative challenges faced by cultural spaces today.

Our heritage and culture studio offers an unusual combination of experience in the creation of outstanding places for art and performance, first-class historic building conservation and pioneering excellence in sustainable architecture. We have worked extensively with complex client bodies, including Local Authorities and charitable and private trusts, as well as creative schools and universities. Many of our projects are

funded by the Heritage Lottery Fund and the Arts Council England. FCB has gone from strength“ to strength in recent years, not least for its well crafted “arts and cultural buildings. Robert Booth, Editor of Building Design announcing FCB Winner of the BD Arts & Culture Architect of the Year

Leventis Art Gallery Cyprus 01 | Opening the Circle

Visionary theatre director Peter Brook coined the phrase “the Open Circle” when he sought to break through the convention of the proscenium arch and to connect directly with the audience by filling in the orchestra pit and thrusting the stage towards the audience.

The impact of this spatial gesture has been profound and has radically transformed how directors and actors and audience conceive of what is possible within the theatre. A similarly seismic shift has been taking place in other cultural and educational spaces. Theatres, art galleries, museums and concert halls, have always played an important role in civic and social life but today are becoming increasingly open, democratic and participatory.

Cultural spaces offer a kind of hybrid public/private space where we may encounter “the other” within a safe but stimulating environment. Unlike many airports or railway stations, public spaces for culture provide repeated opportunities for sharing experience and gaining insights into others and into ourselves.

Designing for cultural spaces therefore brings an awareness that beyond the technical brief lies a whole other realm of responsibility: the intangible functions of social cohesion and of artistic and intellectual provocation. Each of the projects illustrated in this short booklet seeks in some way to address these wider issues, while also simply providing beautiful, inspiring and highly-functioning spaces for culture.

Manchester School of Art Underground Gallery, Yorkshire Sculpture Park 02 | Narrative Spaces

We believe that museums should be dynamic and narrative spaces driven by a careful balance of sensory experience and intellectual discovery. Whether in existing and precious architectural forms or newly-built facilities, museum spaces should facilitate a variety of encounters.

Our approach at the National Cold War Exhibition RAF Museum Cosford and the Milestones of Flight at RAF Hendon was to create large, dramatic spaces which allow different types of audiences to connect with the displays, either as a huge spectacle or in close-up detail. We worked closely with the interpretation and exhibition designer and have created a layered, multi-dimensional approach to the narrative experience.

At Alexandra Palace, we have used narrative to bring together three very diverse and complex spaces in the East Wing of this Victorian glass and steel palace. The former BBC Television Studios, the Victorian Theatre and the Palm Court all relate a different chapter in the long story of popular entertainment. From the firework and man-eating extravaganzas of the Victorian heyday to the world-beating technology of the first television broadcast via music hall and early cinema, Alexandra Palace has it all. Our successful HLF scheme has secured £19m for the client to tell these stories and bring these historic spaces back into dynamic and exciting uses.

National Cold War Exhibition, RAF Museum Cosford Externally the building is stunning, with two“ offset curvilinear triangular volumes “which rise 30 metres above the ground. Civic Trust Awards Judges : National Cold War Exhibition, RAF Museum Cosford

The quality of the design and the innovative approach, has “produced a building with real “ excitement, status and drama. Furthermore, the innovation in design has enabled even better value for money to be achieved.

S.G. Greenish, Museum and Development Manager : Milestones of Flight Museum, RAF Hendon

RAF MUSEUM COSFORD AWARDS MILESTONES OF FLIGHT AWARDS 2008 Civic Trust Special Award for Sustainability 2006 Civic Trust Award: Winner 2008 Civic Trust Award 2004 Museum and Heritage Award: Best Permanent 2007 RIBA Award Exhibition: Highly Commended 2007 European Steel Awards: The UK Entry Above left: Milestones of Flight National Cold War Exhibition, RAF Museum Cosford 2007 British Industry Awards: Building Award Above right: The Burrell Collection Alexandra Palace 03 | Places for Art

We have been architects to the Yorkshire Sculpture Park for over 20 years and have helped them develop from a regional visitor centre to an international destination for sculpture. Here we have always responded very carefully to the beautiful tranquility of the rural context of the galleries and have designed a series of naturally-lit spaces in an “underground” gallery and visitor centre.

In Cyprus our work for the Leventis Foundation was equally responsive but this time to the Hellenic aesthetic tradition and the urban context of Nicosia. The building houses the private art collection of the Leventis Foundation and is part of a new mixed-use block in the historic quarter of the city.

At the Hayward Gallery, part of Southbank Centre, we have sought to strip back later accretions to allow the spaces for art to be fully expressed. A significant move has been to provide controlled natural daylight through the redesign of the distinctive Hayward Gallery rooflights. Our early feasibility work atThe Burrell Collection has helped them secure an HLF first round pass to develop their ambitions to remodel this Grade A listed building in Pollok Country Park just outside .

So simple that it [the Underground Gallery] is almost invisible. It complements the

“previous phases of development with an understated design that is the embodiment of elegance... It is carefully“ assembled from robust and beautiful materials, responding to its setting so subtly that the work on display in the galleries is quietly enhanced by the architecture.

RIBA Award Judges : Underground Gallery, Yorkshire Sculpture Park

Underground Gallery, Yorkshire Sculpture Park Left: Yorkshire Sculpture Park Above: Hayward Gallery YORKSHIRE SCULPTURE PARK AWARDS 2006 Civic Trust Award 2006 RIBA Award 2006 RIBA White Rose Award for Best Building in Yorkshire 2003 RIBA Award 2003 RIBA White Rose Award for Best Building in Yorkshire

The lead architect was chosen on the basis of an independently monitored

“international architectural competition organised through RIBA. The design finally selected was judged excellent in terms of its“ aesthetic and functional offering, but crucially also scored the highest of all in meeting our energy efficiency criteria, a major provision within our design requirement.

A.P. Leventis : Leventis Art Gallery, Cyprus Above: Yorkshire Sculpture Park Right: Leventis Art Gallery Leventis Art Gallery 04 | Listening Spaces

Buildings for music become like well-tuned instruments, amplifying sound and adding a spatial quality to the aural experience. When we designed Real World Studios for Peter Gabriel we turned the idea of a Control Room, where so much of the creative mixing was done, into a Studio: a listening environment which brought the musicians into the digital world. It also brought daylight and views into the kind of spaces which, for reasons of acoustical isolation, were often buried in buildings and divorced from the natural world.

Our auditorium for the Wiltshire Music Centre is recognised as having one of the best acoustics in a small recital hall outside London. It is entirely naturally ventilated through lengthy attenuation paths so there is absolutely no external or mechanical noise, something which discerning performers and audiences react strongly against.

More recently we have been refurbishing the Queen Elizabeth Hall and Purcell Room for London’s Southbank Centre, providing a light touch in terms of the acoustics and interior design of spaces which are well loved as classical venues but sorely in need of increased flexibility, improved environmental control and greater accessibility. Sometimes it is better to do very little, very well. And we look forward to the completion of the new Conservatoire with its Adrian Boult Hall, alongside other highly specific acoustical spaces which will provide new instruments for the next generation of musicians to play.

More populist in approach but of major importance for the city of Bristol is the new Bristol Arena which we are designing in partnership with . Our design philosophy is to create an exciting, international, multi-event location, a “Colosseum” for Bristol. The design promises a fully flexible and functional performance space surrounded by generous circulation and supporting accommodation.

Real World Studios

We appointed Feilden Clegg Bradley Studios as architect for our Festival Wing project following a competition with a “number of leading architects. They were selected because they seemed to appreciate our needs best“ and had thought Top: Southbank Model creatively about how they could be achieved. We have been delighted with their performance to date, not only have they Bottom: Birmingham Conservatoire Right: Southbank Centre produced excellent design within budget constraints, but they have also been great to work with.

Mark Rushworth Property Director, Southbank Centre 05 | Creative Education

The strength of the UK creative industries and our global leadership in so many aspects of the arts has been generated by an educational system that fosters creativity. As architects we have engaged with the pedagogy of education in the arts from nursery school age through to graduate-level higher education, working alongside some of the most interesting thinkers and teachers in the creative arts.

At Plymouth College of Art we developed a masterplan and completed the first phase of a project that cuts across the conventional thinking around higher education and the arts and makes industrial-scale workspaces for craft-based experimentation. The same theory applies at a different scale in the Plymouth School of Creative Arts which takes a radical look at how 4 to 16 year olds learn to think for themselves by putting creativity at the heart of the curriculum. The result is a school building that looks like no other and is used, as the headteacher says, as a “provocation” in the teaching methodology.

At Manchester School of Art, working closely with both the Vice Chancellor and the Dean, we have designed a building that encourages integration of the various arts disciplines taught on site. A dramatic entrance gallery contains a series of suspended spaces for presentation and performance and the front elevation is a fully glazed “window on the arts”, creating a visual connection to unite the city with its creative students and vice versa. Elsewhere, in the heart of Soho, this flexibility and

cross-disciplinary approach works well in our scheme for the Condé Nast School of

Fashion and Design. Suffice to say we couldn't be more delighted“ with the result and the partnership that “we forged with FCBS became an integral part of this incredible start-up phase of the Condé Nast College of Fashion & Design.

Susie Forbes, Principal

Plymouth College of Art Plymouth School of Creative Arts Manchester School of Art CONDÉ NAST AWARDS The Edge, University of Bath 2014 AJ Retrofit Higher Education Award Opposite: Condé Nast College of Fashion and Design 2013 FX Interior Design Award, Public Sector 06 | Heritage & Visitor Centres

FCBStudios has an experienced team of heritage experts which includes accredited conservation architects, SPAB Lethaby Scholars and architectural historians and researchers who drive the narratives that are essential for communicating the significance of the historic environment. Our design approach is always responsive, but especially so within historic environments which attract visitors from all over the world and we often find that a light touch is necessary.

At Windsor Castle, for example, we are mindful of the fact that, as well as being a historic site of great importance, it is also an active family residence. Our work there has been to consult with everyone responsible for entertaining over a million visitors a year and look at ways of improving the visitor experience. The first phase of the masterplan that resulted from this study has been to develop new conservation workshops for the extraordinarily skilled craftspeople who look after the Royal Collection.

At Chedworth Roman Villa, we responded with a very light and delicate timber shelter to the brief of improving access to important Roman mosaics while ensuring they remained protected. At Hampton Court, our Clore Education Centre sits among the historic barrack buildings on the Estate and takes its massing and form from these typologies, while also providing a contemporary and welcoming education space.

Chedworth Roman VIlla

Whilst protecting the Roman remains at Chedworth Roman Villa the stunning “buildings designed“ for the National Trust by Feilden Clegg Bradley Studios allows us to create a truly immersive experience and exceptional levels of access for our visitors.

Janet Gough, General Manager for Gloucester, National Trust : Chedworth Roman Villa

CHEDWORTH ROMAN VILLA AWARDS 2012 CPRE Gloucestershire Awards 2013 RIBA National Award Windsor Castle CLORE EDUCATION CENTRE AWARDS 2007 Low Carbon Performance Award: Client of the Year 07 | Theatre & Performance

Our portfolio of theatre and performance spaces reflects our twin pre-occupations with historic buildings and cultural spaces. We have recently completed a range of significant theatre projects including the refurbishment of the historic Theatre Royal in Bath and the rebuilding of the Pegasus Theatre in . We are currently engaged on the HLF and ACE-funded refurbishment of Dome, which provides one of the most exciting ranges of arts venues outside London. The current phase of work will add a new central foyer and maximise the potential of the Studio Theatre and Corn Exchange venues.

Elsewhere we have secured a £19m HLF grant to refurbish the East Wing of Alexandra Palace in north London, which includes the return to public use of its semi-derelict, 1,000-seat Victorian Theatre. Dark for over sixty years, the theatre is a critical part of the cultural mix of Alexandra Palace and is the most important historic space in the Palace. Working with theatre consultants Charcoalblue, we have developed an approach that balances the greatest possible flexibility of the theatrical space with the retention of the “found space” character of the auditorium.

The intricate nature of developing Grade I and II listed spaces like Brighton Dome

“requires an imaginative and sensitive architect-led design team. Feilden Clegg Bradley

Studios have a reputation for design quality and pioneering environmental expertise and are highly qualified in designing places for art“ and the creative reuse of historic buildings. We look forward to seeing their ideas come to fruition as they begin to develop feasibility design plans for the venue.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival

Theatre Royal Bath PEGASUS THEATRE AWARDS 2011 Civic Trust Award: Commendation 2011 Oxford Preservation Trust Award Pegasus Theatre 2011 Biffa Award: Catering Facilities Winner and overall Winner Alexandra Palace Theatre 08 | Regeneration & Community

Our interest in old buildings and old stories goes well beyond celebrating their particular place in history. We seek to make them relevant today through practical reuse and regeneration.

Middleport Pottery has been in continuous production since its construction in 1888 but by 2010 the buildings were in such poor condition the business was under real threat of closure. The Prince’s Regeneration Trust stepped in to save the pottery and, through international competition, appointed FCBStudios to carry out a programme of repairs, re-servicing and interventions to facilitate new uses which have kick-started a much-needed local regeneration.

The building and its colourful history of ceramic production has thus been saved for the future but, more important, is the sense of ownership and connection that local people now have in their building. They feel that investment in their history has led to a meaningful investment in the long-term future of their community.

Community is at the heart of our project for the Old Fire Station in Oxford to create new arts facilities for Oxford City Council and the homeless charity Crisis. The overall

vision for the project was to create a unique, dynamic and inspirational centre for

creativity, skills development and enterprise in the city. The jury felt that this project is an exemplary“ “light touch” conservation project... It “has brought a group of important historic buildings back into good repair and restored a number of previously lost features.

Judges’ comments, RIBA West Midlands Awards 2015 : Middleport Pottery

Middleport Pottery AWARDS 2015 Europa Nostra/ EU Prize for Cultural Heritage - Conservation 2015 Placemaking Awards: Best Heritage in Place-Making 2015 Civic Trust Awards: AABC Conservation Award 2015 Civic Trust Awards: Regional Finalist 2014 Heritage Open days Anniversary Awards: Community Champions Middleport Pottery The project is most innovative “in its unique social aspects. To provide a new training and education centre for homeless people alongside flexible facilities for arts and cultural uses. Together these vibrant,

high quality spaces bring

people together and provide opportunities for progression,“ alongside participation and appreciation of the arts.

Judges’ Comments, Civic Trust Awards 2013: Old Fire Station Oxford

Old Fire Station, Oxford 09 | Beyond Architecture

FCBStudios curates a varied annual programme of design-based events and performances which seeks to explore a range of design and social issues. Some are playful; some very serious, but all are designed to engage with our different communities: in Bath, in London, in Belfast and in Manchester.

A recent participatory exhibition for the London Festival of Architecture invited locals and visitors to explore the idea of scale. Through a playful series of external and internal interventions people were able to experience the city through new eyes. Using only cardboard, sound and light we created a collection of challenging structures that teased and inspired passers-by and visitors to think about their city in surprising ways. Interactive installations filled our exhibition space, spilling out onto the streets, celebrating the varied history of London’s celebrated streetscapes.

Our Bath office has for two years participated in the “Forest of Imagination”, a creative weekend of arts-based events for children and families. This year’s installation consisted of a bamboo forest enclosure, a place of fascination, to meet, play, perform, enjoy.

Forest of Imagination, Bath London Festival of Architecture 10 | Conclusions

FCBStudios began life in the World Heritage City of Bath but we now enjoy global reach. In our cultural work these local and global connections are crucial to maintaining our understanding of, and responsiveness to, different cultures, whether a small community or housing estate in East London or a brand new cultural centre for a Middle Eastern Royal Family.

The challenges that lie ahead for our clients, and therefore for us, are principally around resources. Scarcity of funding for the arts and scarcity of energy for the planet bring new energy to the need for holistic sustainability and long-term viability. Our commitment is to continue to bring expertise to allow our clients to realise their ambitions and to be as creative together as we possibly can be, whatever the economic and global climate.

This year we have been shortlisted for the new Cultural Quarter in the Olympic Park and appointed to design a new arena for Bristol. These huge projects with international reach have a major impact on the culture and the people who use them and we approach them with vision and dynamism, with ambitions to create democratic and well-functioning flexible spaces for culture.

At the other end of the scale we support local projects trying to make a difference in smaller cities like Bath where the Craneworks project is trying to get funding to transform a derelict crane factory into a world-class centre for invention. Invention is what links all our cultural projects and the clients that commission us to work with them. At FCBStudios we seek always to invent anew and to inspire people of all ages to enjoy the life of the imagination in a theatre, a concert hall, an art gallery or a museum.

Bristol Arena Awards in Arts and Culture Sector

2015 RIBA Regional Award, Conservation Project of the Year 2015 RIBA Regional Award, Building of the Year 2015 Europa Nostra Award for Conservation 2015 Civic Trust Award 2014 RIBA National Award 2014 Concrete Society Award, Best Education 2014 AJ Retrofit, HE Award 2013 FX Interior Design Award, Public Sector 2013 RIBA National Award 2013 Civic Trust Awards, Community recognition 2011 British Construction Industry Awards 2008 Civic Trust Award, Special Award for Sustainability 2007 RIBA National Award 2007 British Construction Industry Awards, Building Award 2006 RIBA Award 2006 Civic Trust Award 2004 Architect of the Year Award, Arts/Culture Architect of the Year 2004 Civic Trust Award 2003 RIBA Award 2003 RIBA Award 2002 RIBA Award 2002 RIBA Award

Condé Nast College of Fashion and Design Credits and Acknowledgements With thanks to all our clients and collaborators...

National Cold War Exhibition RAF Museum Cosford Witshire Music Centre Client: Bridgnorth District Council Client: Wiltshire Music Centre Windsor Castle Masterplan / Conservation Workshops Alexandra Palace Structural Engineer: Michael Barclay Partnership Landscape Consultants: Teasdale Environmental Design Client: The Royal Collection Client: Alexandra Park and Palace Charitable Trust M&E and Environmental Engineer: Max Fordham LLP Structural Engineer: Structures One Project Manager: IWS Group Project Manager: Mott MacDonald Landscape Design: EDCO Design Ltd M&E Engineer: Hlacrow Gilbert Associates M&E Engineer: Max Fordham / Environmental Partnership Acoustic Engineer: Max Fordham Cost Consultant: & Everest Theatre Consultant: Carr & Angier Quantity Surveyor: Sawyer and Fisher / Huntley Cartwright Structural Engineer: Alan Baxter & Associates Exhibition Designer: Neil Potter Design Associates Acoustic Engineer: Fleming & Baron Landscape Consultants: The Landscape Agency Asbestos Consultant: RPS Contractor: Artists: Nick Breese Surveyors: Plowman Craven Exhibition Designer: Land Design Photography: © Hufton+Crow © DCAE Photography: © FCBStudios Structural Engineer: Hockley & Dawson Consulting Engineers Theatre Consultant: Charcoalblue CDM: Peter Brett Associates LLP Fire Consultant: The Fire Surgery Ltd Milestones of Flight Birmingham Conservatoire Photography: © 2013 UCLU Ecology Consultant: Biodiversity by Design Client: The Royal Airforce Museum Client: Birmingham City University CDM Coordinator: Contractor: Norwest Holst Construction CDM, Cost Consultant: Faithful & Gould Chedworth Roman Villa Ornamental Plasterwork Specialist: Hayles & Howe M&E, Structural Engineer: Structural, Civil Engineer: WYG Client: The National Trust Soft Landings: Six Cylinder Ltd Quantity Surveyor: Turner and Townsend Theatre Consultant: Charcoalblue Archaeologist: Cotswold Archaeology Trust Regeneration and Business Economics: Baker Langham Access Consultant: David Bonnett Associates Landscape Consultants: Planit-ie Ltd Structural Engineer: Integral Engineering Design Surveyors: Maltby Land Surveys Exhibition Designer: Neal Potter Design Associates M&E Engineer: M&E Engineer: E3 Consulting Engineers Photograpy: © Alexandra Palace/Getty Images Landscape Consultants: Edco Design Ltd Communication Design Consultant: Thomas Matthews CDM Co-ordinator: Rod Hewitson Images: © FCBStudios Photography: © Peter Cook © Amos Goldreich Planning Consultant: Brook Smith Planning CDM & Project Management Cost Consultant: Mildred Howells & Co Catering Consultant: Keith Winton Design Interpretation: Furneaux Stewart Bristol Arena Yorkshire Sculpture Park Images: © FCBStudios Building Regulations Approved Inspector: Oculus Building Consultancy Client: Bristol City Council Client: Yorkshire Sculpture Park Photography: © John Dawson © National Trust Lead consultant: Populous Project Manager & Cost Consultant: Burnley Wilson Fish Plymouth College of Art Engineering: Buro Happold Structural Engineer: WSP Client: Plymouth College of Art Clore Education Centre, Hampton Court Acoustic consultant: Vanguadia Consulting M&E Engineer: Ernest Griffiths & Son Main Contractor: Balflore Beatty Construction Client: Historic Royal Palaces Images: © FCBStudios / © Populous CDM Consultant: Turner & Townsend M&E Engineer, Acoustician: Hoare Lea Project Managers: Gardiner & Theobald Construction Management Landscape Consultant: Land Use Consultants CDM: Gleeds Structural Engineers: Alan Baxter & Associates Oxford Fire Station Façade Consultant: Montresor Partnership Quantity Surveyor: E C Harris M&E Engineers: King Shaw Associates Client: Crisis and Oxford City Council Contractor: Quarmby Construction Company Ltd Structural Engineer: Airey & Coles Planning Supervisor and Quantity Surveyor: Bucknall Austin Ltd Project Manager: Allen Construction Consultancy Photography: © Peter Cook/View Pictures, Jonty Wilde, Andy Goldsworthy Steel Fabricators: Snashall Steel Fabrications Landscape Architect: Todd Longstaffe-Gowan Structural Engineer: KScott White & Hookins Photography: © Plymouth College of Art Main & Enabling Works Contractor: Chorus Group Ltd M&E Engineer: Ltd Leventis Art Gallery Photography: © Paul Grogan © David Thrower of Redshift © Jill Watson Studio Cost Consultant: Ridge Client: A.G. Leventis Foundation Manchester School of Art Theatre Specialist: Theatreplan LLP Project Manager: RESDE DPM, Athens Client: Manchester Metropolitan University Theatre Royal Bath Contractor: Kingerlee Local Architect: J&A Philippou, Cyprus Project Manager, CDM and Cost Consultant: Turner & Townsend Client: Theatre Royal Bath Photography: © Kingerlee © Lord & Leverett © FCBStudios Structural Engineer: J&APhilippou, Cyprus Structural Engineer: Arup Project Manager: Bishopston Stephens M&E Engineer: Max Fordham LLP M&E Engineer: Arup Structural Engineer: Buro Happold Middleport Pottery Local M&E Engineer: GEMAC Landscape Architect: Dan Pearson Studio M&E Engineering: E3 Consulting Engineers Client: Prince’s Regeneration Trust Cost Consultant: RESDE DPM, Athens Contractor: Morgan Sindall Theatre Consultant: Carr & Angier Access consultant: Buro Happold Main Contractor: GCC Iacovu, Cyprus Photographs: © Hufton+Crow Cost Consultant: Gleeds Industrial Conservation: Ian Clarke Restoration Photographs: © Hufton+Crow Access Consultant: Jane Toplis Associates Landscape Consultants: Gillespies LLP The Edge, Bath University Lighting Consultant: Lighting Design & Technology Measured Surveyor: Anthony Brookes Surveys Ltd Southbank Centre Client: University of Bath Contractor: Midas Interiors Cost Consultant: Gleeds Client: Southbank Centre Contractor: Bouygues Leadbitter Photography: © Freia Turland for The Theatre Royal Bath Structural & Civil: Integral Design Engineering Cost Consultant & CDM: Gardiner & Theobald Services, Acoustic Engineer: Hoare Lea M&E Engineer: E3 Consulting Engineers Services Engineer & Environmental Consultant: Max Fordham Structural Engineer: Mann Williams Pegasus Theatre Photography: © Tim Crocker Project Manager, Structural & Transport Engineer: Arup Cost Consultant: Gleeds Client: Pegasus Theatre Trust Acoustic Consultant: Ramboll UK Building Control Officer: BANES Structural Engineer: Momentum Burrell Collection Museum Masterplan Heritage Advisor: Montagu Evans Project Manager: JLL M&E Engineer: Atelier 10 Client: Glasgow Life Landscape Consultant: West 8 CDM Coordinator: Damrel & Associates Theatre Consultant: Theatre Projects Consultants Engineering: Max Fordham LLP Images: © FCBStudios Landscape Architects: Mark Dawson Landscape Lead Consultants: Events Communication Condé Nast College of Fashion and Design Cost Consultant: Davis Langdon Cost Consultant: Sweett Group / Greenways Consultants Realworld Studios Client: Condé Nast Publications Contractor: Speller Metcalfe Project Manager: Mott MacDonald Client: Peter Gabriel Structural Engineer: Jane Wernick Associates Photographs: © Tim Crocker Business Case Advisors: BOP Consulting Photography: © FCBStudios Main Contractor: Blenheim House Construction Access Consultants: Adams Consulting Cost and CDM Consultant: Jackson Coles Brighton Dome Photography: © Jean Pierre Dalbera © Damian Entwistle M+E and Acoustic Engineer: OR Consulting Engineers Client: Brighton and Hove City Council Party Wall Consultant: Anstey Home Structural Engineer: Buro Happold Front collage: Lift Engineer: Dunbar & Boardman Partnership Landsape Architect: Gillespies Museum of Somerset Photograph: © John Dawson Fire Engineer: Jeremy Gardner Associates Cost Consultant: Sawyer and Fisher Persistence Works Photograph: © FCBStudios Photograpghy: © Nick Rochowski Images: © FCBStudios www.fcbstudios.com Andy Goldsworthy Installation, Underground Gallery, Yorkshire Sculpture Park