The Rattigan the Newsletter of the Terence Rattigan Society ISSUE NO
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Peter Bramhill Photo: Matt Hussey
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Peter Bramhill Photo: Matt Hussey Height: 5'9" (175cm) Other: Equity Playing Age: 35 - 45 years Eye Colour: Blue-Grey Appearance: Scandinavian, White Hair Colour: Blond(e) Television 2019, Television, Man In Park, Alabama, BBC, Jim O'Hanlon 2017, Television, Mark Lumsden, Holby City, BBC, Various Directors 2016, Television, Arnold Sommerfeld, Genius: Einstein, Fox21 Television Studios, National Geographic, Kevin Hooks 2016, Television, Pilot, No Offence, Abbott Vision Channel 4, Rob Quinn 2016, Television, Gregory Garrod, Doctors, BBC 2015, Television, Greg Collins, New Tricks, BBC, David Innes-Edwards 2013, Television, Richard Wright, Doctors, BBC, Dave Beauchamp 2013, Television, Felix Underwood, Father Brown, BBC, Matt Carter Television, Thomas Blakeway, The Wickedest City, Wall To Wall, Diene Petterle Television, Oliver Young, Vexed, BBC/Greenlit, Matt Lipsey Television, Rev Able Lunn, Doctors, BBC Television, Rebecca Gatward Television, P.C. Woods, Dustbin Baby, Kindle entertainment Ltd, Juliet May Television, Uncle Hank, Made With Magic, Fresh One Productions, Keith Rogerson Television, Alistair Childs, Eastenders, BBC Television, Jo Johnson Television, David Standing, The Bill, Talkbackthames TV, Simon Massey Television, Dr Jim O'Brien, Holby City, BBC Television, Ian Jackson Television, Matthew, Footballers Wives, Shed Productions, Julie Edwards Stage Stage, Tony, Dogs Days, Theatre 503, Lisa Cagnacci Stage, James/Mark, -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
Scottish Film Locations – Background Information
Scottish film locations – background information ‘Landscape as Inspiration: Scottish Locations in Literary Work and Film’ To view the full project visit the Scran website at www.scran.ac.uk and search for 0919 in project. "Chariots Of Fire" 1 Looking over the West Sands, St. Andrews, Fife, as featured in the film "Chariots Of Fire" (1981). It is on the beach pictured here that the British Olympic Running team are seen training in preparation for the 1924 Olympics in Paris. It is an example where the Scottish landscape is used to realise a place that is elsewhere- the scene is actually meant to be Broadstairs in Kent. "Chariots Of Fire" is the true story of two British track athletes competing in the 1924 Olympic Games. Eric Liddell is a devout Scottish missionary who runs for God whilst Harold Abrahams is a Jewish student who runs for fame and to escape prejudice for his religious beliefs. Extensive use of Scottish locations were used in the making of the film. The 1981 film, "Chariots of Fire" was directed by Hugh Hudson. It starred Ben Cross as Harold Abrahams and Ian Charleson as Eric Liddell. It was a critical and box office. The opening and closing scenes of the runners on the beach at St. Andrews have become an iconic movie moment, helped by the triumphal background music by Vangelis. ©Neil Sinclair "Gregory's Girl" Looking over a football pitch to Abronhill High School, Cumbernauld, North Lanarkshire, as featured in the film, "Gregory's Girl" (1981). This film tells the story of gangling schoolboy, Gregory, who is just beginning to find out about girls. -
Patrick Ryecart
3rd Floor, Joel House 17-21 Garrick Street London WC2E 9BL Phone: 0207 420 9350 Email: [email protected] Web: www.shepherdmanagement.co.uk Photo: Dean Roberts Patrick Ryecart Other: Equity, AEA Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Blond(e) Height: 5'11" (180cm) Hair Length: Mid Length Weight: 12st. (76kg) Voice Character: Relaxed Nationality: British Voice Quality: Strong Television 2019, Television, Earl Marshall Duke of Norfolk, The Crown, Left Ban Netflix, Steven Daldry 2016, Television, Bernard - Duke of Norfolk, THE CROWN, Netflix, Steven Daldry/Philip Martin 2016, Television, Sir Hugh Bodrugan, POLDARK (Series 1 & 2), Mammoth Film for BBC One, Ed Bazalgette/William McGregor 2013, Television, Sir Anthony Morgan, POIROT, Andy Wilson 2013, Television, Gavin De Souza QC, THE ESCAPE ARTIST, BBC Endor Films, Brian Welsh 2012, Television, Devereaux, MIDSOMER MURDERS, BBC, Simon Langton 2010, Television, Sir Fred, HUSTLE, BBC, Ian B McDonald 2005, Television, Lord Macefield, JERICHO, ITV Television, Jimmy Goldsmith, THE LAVENDER LIST, BBC Television Television, MUCH ADO ABOUT NOTHING, BBC Television, Brian Percival Television, AFTER ALL, Granada Television Television, Sergius, ARMS AND THE MAN, BBC Television, Jimmy Cellan Jones Television, BEAUTIFUL LIES, BBC Scotland Television, BELIEVE NOTHING, Alomo Productions Television, HOLBY CITY, BBC Television Television, Tommy Mortimer, NANCHERROW, ITV, Simon Langton Television, Tommy Mortimer, COMING HOME, ITV, Giles Foster Television, CRIMESQUAD, -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
Frances Gray – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frances Gray – interview transcript Interviewer: Kate Dorney 27 June 2005 Writer and theatre-goer, Senior Lecturer at Sheffield University. John Arden; Armstrong's Last Goodnight; Alan Aykbourne; Brenton Bond; Michael Boyd; Bertold Brecht's plays; Brimstone and Treacle; Peter Brook; Chichester Festival Theatre; The Crucible Theatre, Shefffield; Steve Daldry; Peter Daubeny's international theatre seasons; Flourish; Marat/Sade; The National Theatre; Laurence Olivier; Othello; John Osborne; programmes; published plays; radio; Royal Hunt of the Sun; Royal Shakespeare Company; Shakespeare; Maggie Smith; theatre-going; Mary Ure; US; David Warner KD: This is Kate Dorney interviewing Frances Gray for the British Library Theatre Archive. Frances, would you care to give your consent for this being deposited in the Sound Archive of the British Library? FG: Yes. KD: OK, I wondered if you could tell me a little bit about your general experience of theatre. FG: I think it started when I was about eleven and we did Midsummer Night’s Dream, and that got me hooked on Shakespeare and on theatre in general and I remember desperately wanting to be a director and not knowing how you did that from a girl’s grammar school in Portsmouth. The only stuff to go and see - other than what we made ourselves - were the local amateurs on the pier, and our local amateurs were noted for doing every single play of Shakespeare - they were going for some sort of record and I hit Titus Andronicus year which was huge fun because they had obviously seen the Peter Brook one, the one where Brook brought Lavinia on with great swathes of red velvet on the wrists. -
October 31, 2006 XIII:9 the Day of the Jackal (1973) 145 Min Directed By
October 31, 2006 XIII:9 The Day of the Jackal (1973) 145 min Directed by Fred Zinnemann Based on the novel by Frederick Forsyth Screenplay by Kenneth Ross Produced by John Woolf Original Music by Georges Delerue Cinematography by Jean Tournier Film Editing by Ralph Kemplen Edward Fox...The Jackal Raymond Gérôme...Flavigny Terence Alexander...Lloyd Barrie Ingham...St. Clair Michel Auclair...Col. Rolland Derek Jacobi...Caron Alan Badel...The Minister Michael Lonsdale...Lebel Tony Britton...Insp. Thomas Jean Martin...Wolenski Denis Carey...Casson Ronald Pickup...The Forger Adrien Cayla-Legrand...President Gen.Charles De Eric Porter...Col. Rodin Gaulle Anton Rodgers...Bernard Cyril Cusack...The Gunsmith Delphine Seyrig...Colette de Montpelier Maurice Denham...Gen. Colbert Donald Sinden...Mallinson Vernon Dobtcheff...The Interrogator Jean Sorel...Bastien-Thiry Jacques François...Pascal David Swift...Montclair Olga Georges-Picot...Denise Timothy West...Berthier FRED ZINNEMANN (29 April 1907, Vienna, Austria—14 March 1997, London, England, heart attack) was nominated for 9 best director Oscars (Julia 1977, A Man for All Seasons 1966 WON, The Sundowners 1960, The Nun’s Story 1959, From Here to Eternity 1953 WON, High Noon 1952, and The Search 1948), 1 best documentary Oscar (Benjy 1951, WON), and 1 best picture Oscar (The Sundowners 1960). Some of his other films were Five Days One Summer (1982), Behold a Pale Horse (1964), A Hatful of Rain (1957), Oklahoma! (1955), The Member of the Wedding (1952), The Men (1950), The Seventh Cross (1944), While America Sleeps (1939), and Menschen am Sonntag (1930). EDWARD FOX (13 April 1937, London, England) has acted in 83 films and television programs. -
Celluloid Television Culture the Specificity of Film on Television: The
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .