Using Webcast Text for Semantic Event Detection in Broadcast Sports Video
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“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 6, folder “3/25/76 - Radio and Television Correspondents' Dinner” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE WHITE HOUSE WASHINGTON March 19, 1976 MEMORANDUM TO: RED CAVANEY P~ER SORUM FROM: S AN PORTER . SUBJECT: Mrs; Ford Attendance at the Radio and TV Correspondent's Dinner (Fay Wells), Washington Hilton Hotel, March 26th Mrs. Ford will attend the Radio and TV Correspondent's Dinner as a guest of Fay Wells of Storer Broadcasting Company. Mrs. Ford has attended this dinner as Fay's guest for many years and has been very fond of Fay through the years . She will travel to the dinner with the President (the cocktail period is 6:30-8:00 in the Georgetown Suite). Mrs. Ford then will break from the President and will join Fay and her guests in the Jefferson Room for dinner (I understand the President will be eating in the Ballroom) . -
Comeseetv Streaming Guide and Proposal
ComeSeeTv USA, Inc ComeSeeTv Streaming Guide and Proposal Cultural Live Streaming Done Right! ComeSeeTv – Can You See Me Now! 1 ComeSeeTv streaming proposal About Us ComeSeeTv is all of the following three things: First it is a global video content delivery platform that allows anyone to reliably stream their video content. Next, a website that pulls the individual channels of all our members to one place to increase the visibility of their content. Third, we are an agent for cultural development and unity across the Caribbean. When patrons pay to watch live streams on ComeSeeTv they are directly supporting the event organizer, or community! Why we’re different: Our webcasting solution concentrates on the viewer and is usually mixed live by a creative professional, so in essence our video stream experience looks and feels more like a TV production which our collective cultures deserve. Plus, though we are primarily a content delivery network service provider, we assign our global agents to oversee every stream of our clients, and to offer technical support to your customers. Nonetheless, ComeSeeTv was not designed to and does not compete with local streaming service providers in any country as our primary business is content delivery. Our streaming website is extremely secure and can be suited to match your business model as closely as possible. We are also able to handle the high visitor loads associated with all your events. Many local streaming service providers around the Caribbean are currently using ComeSeeTv to deliver video to their clientele 24/7. Four Main Package Offers 1. Event Streaming Using the very latest video mixing technology we can simultaneously project, live stream and record your event. -
Meeting of Television Professionals to Promote Dialogue and to Encourage Cooperative Action on the Middle East
MEETING OF TELEVISION PROFESSIONALS TO PROMOTE DIALOGUE AND TO ENCOURAGE COOPERATIVE ACTION ON THE MIDDLE EAST Report of a conference organized by Search for Common Ground with support from the Hollings Center in Istanbul, Turkey February 3-5, 2006 “We as journalists are part of this conflict. We try not to be…. We try for objectivity, but I don’t think we’ve been successful.” – Correspondent for Arab Satellite Station “The problem we have before us is not language or reporting; it is the problem of conflicting narratives… We don’t listen to each other; we don’t absorb each other’s story…. We have to meet somewhere on the road and strike a compromise.” – Israeli Anchor “This is a problem of a dialogue between two deaf people.” – Palestinian Independent TV Executive “It’s very important that tomorrow I will have friends from Palestinian TV and the Gulf. We are all doing the same news daily.” – Israeli Television Executive BACKGROUND The media's traditional approach to controversial and sensitive issues is to explore the extent and range of disagreement, but this rarely results in common understanding or provides a solution to a problem. In fact, the media often seems to exploit a contentious issue for its entertainment value, sometimes leaving readers and audiences with the impression that nothing positive can be achieved and that the extremes of opinion being presented are representative of the majority. In contrast, Common Ground methodologies encourage the exploration of possible areas of agreement between opposing sides of a discussion, try actively to subvert prejudices and stereotyping, to promote the dignity of all sides, and to encourage a positive vision. -
IATSE LOCAL 16 CURRENT CONTRACT Theatrical Workers
2016 PROJECT COLLECTIVE BARGAINING AGREEMENT BETWEEN CITY & COUNTY OF SAN FRANCISCO AND INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA LOCAL N0.16 Local 16 l.A.T.S.E. 240 Second Street, First Floor San Francisco, CA 94105 Tel: 415-441-6400 Fax: 415-243-0179 www.local16.org XX TABLE OF CONTENTS PAGE I. GENERAL PROVISIONS 4 A. Witnesseth 4 B. Recognition 4 C. Scope and Jurisdiction 4 D. Compensation 4 E. Rules and Regulations 5 F. New Categories and Classifications 5 II. DEFINITIONS 5 A. Rigging 5 B. Head of Department Rate 5 C. Multi-Source Technology 6 D. Multi-Source Technician 6 E. Computer Software Technician 7 F. General Computer Technician 7 G. General Audio Visual 7 H. Steward 7 I. Base Rate 7 J. Moscone Center Exhibit Booths Only 7 Ill. CONDITIONS 8 A. Work Week 8 B. Hourly Wage Calculations 8 C. Minimum Calls 8 D. Straight Time 8 E. Nine Hour Rest Period 8 F. Time and One-Half Rate 8 G. Double Time Rate 9 H. Un-Worked Hours 9 I. Vacation Pay 9 J. Meal Periods 9 K. Higher Scale 1O L. Holidays 1O M. Rates and Conditions 10 N. Cancellation of Calls 10 IV. FRINGE BENEFITS, WORK FEES AND PAYROLL 10 A. Health and Welfare 1O B. Pension 11 C. Check-Off Work Fees 11 D. Training and Certification Program Employer Contribution 11 E. Sick Leave 11 F. Reporting of Fringe Benefits and Work Fees 11 G. -
Navigating the Tangled Web of Webcasting Royalties
To make matters more complicated, Navigating the Tangled Web most recorded songs also have multiple copyright owners. Songwriters, compos- of Webcasting Royalties ers, and publishers of a musical composi- tion (a “song”) have rights in the song. BY CYDNEY A. TUNE AND CHRISTOPHER R. LOCKARD For example, these owners have the right to receive royalties every time a copy of the song is sold in sheet music form or ver since Napster launched to Services such as iTunes sell permanent as part of an album, as well as when the enormous popularity in 1999 and downloads and ringtones that consum- song is broadcast over the radio, the In- Edrew the ire of heavy metal band ers download to their computers and ternet, speakers in a restaurant, or when Metallica, the record industry has looked cell phones. Other companies, such as it is performed in a concert. Addition- at online music with a highly suspicious Amazon.com, sell physical phonorecords ally, artists who perform on a recorded and combative eye. The last decade has (like records and CDs). Music is also version of a song (a “sound recording”), seen record labels fight numerous Web contained in other online content, such and the owner of the copyrights in that sites and software makers that have fa- as podcasts, commercials, and videos car- sound recording (generally the record cilitated the distribution of online music ried on Web sites like YouTube. Finally, label), also have the right to receive and even individuals who simply shared thousands of Web sites, known as web- royalties for sales of that sound recording or downloaded music. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Complete Career Resume
COMPLETE CAREER RESUME CONTACT INFORMATION: Roger Shimomura 1424 Wagon Wheel Road Lawrence, Kansas 66049-3544 Tele: 785-842-8166 Cell: 785-979-8258 Email: [email protected] Web: www.rshim.com EDUCATION: Syracuse University, Syracuse, New York, M.F.A., Painting, 1969 University of Washington, Seattle, Washington, B.A., Commercial Design, 1961 Also attended: Cornell University, Ithaca, New York, Painting, (Summer), 1968 Stanford University, Palo Alto, California, Painting, (Summer), 1967 Cornish School of Allied Arts, Seattle, Washington, Illustration, (Fall), 1964 HONORS AND AWARDS: Personal papers being collected by the Archives of American Art, Smithsonian Institution, Washington, D.C. Hall of Fame, Garfield Golden Graduate, Garfield High School, Seattle, Washington, June, 2013 Artist-in-Residence, New York University, Asian Pacific American Institute, New York City, New York, September 2012-May, 2013 Commencement address, Garfield High School, Seattle, Washington, June, 2012 150th Anniversary Timeless Award, University of Washington College of Arts & Sciences , Seattle, Washington, May, 2012 Designated U.S.A.Fellow in Visual Arts, Ford Foundation, Los Angeles, California, December, 2011 Honoree: "Exceptional Person in Food, Fashion and the Arts", Asian American Arts Alliance, New York City, New York, October, 2008 Community Voice Award, "Unsung Heros of the Community", International Examiner, Seattle, Washington, May, 2008 First Kansas Master Artist Award in the Visual Arts, Kansas Arts Commission, Topeka, Kansas, January, 2008 Distinguished -
TELEVISION NATIONAL HONOREES 24 Hours: Assault on the Capitol
TELEVISION NATIONAL HONOREES 24 Hours: Assault On the Capitol (ABC News and Hulu) ABC NEWS Frontline - Special Report [TV - National] 60 in 6: Covid and Domestic Abuse CBS News Investigative Feature [TV - National] 60 Minutes: Talking to the Past CBS News Soft News Feature [TV - National] Alexa Mansour & Aliyah Royale (The Walking Dead: World Beyond) AMC Networks Actress in a Breakthrough Role- Drama [TV - National] Bess Kalb, Karen Chee, Akilah Green, Franchesca Ramsey, Jocelyn Richard (Yearly Departed) Amazon Studios Writer Scripted- Comedy [TV - National] Between the World and Me HBO Special [TV - National] black-ish Disney Television Studios Comedy [TV - National] Bravery and Hope: 7 Days on the Front Line (CBS News Special) CBS News Documentary- Covid Special [TV - National] Breonna Taylor: Her Life, Death and Legacy (CBS This Morning) CBS News Hard News Feature- Interview [TV - National] Caitriona Balfe (Outlander) Starz Actress in a Leading Role - Drama [TV - National] Catherine O'Hara (Schitt's Creek) Not a Real Company Productions, Inc., Pop TV, CBC Actress in a Leading Role - Comedy or Musical [TV - National] Catherine Reitman (Workin' Moms) Wolf + Rabbit Entertainment ULC Showrunner Fiction- Comedy [TV - National] Cecilia Peck, Inbal B. Lessner (Seduced: Inside the NXIVM Cult) Starz Showrunner Nonfiction [TV - National] Erin Andrews (FOX NFL) FOX Sports On-Air Talent - Sports [TV - National] Eve Lindley (Dispatches from Elsewhere) AMC Networks Actress in a Supporting Role - Made for TV Movie or Limited Series [TV - National] folklore: the long pond studio sessions Disney+ Grand Award for Special or Variety [TV - National] Gina Brillon (Gina Brillon: The Floor is Lava) Amazon Prime Video & Comedy Dynamics Variety [TV - National] Hear Her Voice (Nightline) ABC NEWS Hard News Feature [TV - National] Hoda Kotb & Jenna Bush Hager (TODAY with Hoda & Jenna) TODAY Show/NBC News On-Air Talent - Lifestyle, Entertainment [TV - National] Jessica Goldberg (AWAY) True Jack Productions USA, Sixth and Idaho, Refuge Inc. -
Reportto the Community
REPORT TO THE COMMUNITY Public Broadcasting for Greater Washington FISCAL YEAR 2020 | JULY 1, 2019 – JUNE 30, 2020 Serving WETA reaches 1.6 million adults per week via local content platforms the Public Dear Friends, Now more than ever, WETA is a vital resource to audiences in Greater THE WETA MISSION in a Time Washington and around the nation. This year, with the onset of the Covid-19 is to produce and hours pandemic, our community and our country were in need. As the flagship 1,200 distribute content of of new national WETA programming public media station in the nation’s capital, WETA embraced its critical role, of Need responding with enormous determination and dynamism. We adapted quickly intellectual integrity to reinvent our work and how we achieve it, overcoming myriad challenges as and cultural merit using we pursued our mission of service. a broad range of media 4 billion minutes The American people deserved and expected information they could rely to reach audiences both of watch time on the PBS NewsHour on. WETA delivered a wealth of meaningful content via multiple media in our community and platforms. Amid the unfolding global crisis and roiling U.S. politics, our YouTube channel nationwide. We leverage acclaimed news and public affairs productions provided trusted reporting and essential context to the public. our collective resources to extend our impact. of weekly at-home learning Despite closures of local schools, children needed to keep learning. WETA 30 hours programs for local students delivered critical educational resources to our community. We significantly We will be true to our expanded our content offerings to provide access to a wide array of at-home values; and we respect learning assets — on air and online — in support of students, educators diversity of views, and families. -
An Introduction to Internet Radio
NB: This version was updated with new Internet Radio products on 26 October 2005 (see page 8). INTERNET RADIO AnInternet introduction to Radio Franc Kozamernik and Michael Mullane EBU This article – based on an EBU contribution to the WBU-TC Digital Radio Systems Handbook – introduces the concept of Internet Radio (IR) and provides some technical background. It gives examples of IR services now available in different countries and provides some guidance for traditional radio broadcasters on how to adapt to the rapidly changing multimedia environment. Traditionally, audio programmes have been available via dedicated terrestrial networks broad- casting to radio receivers. Typically, they have operated on AM and FM terrestrial platforms but, with the move to digital broadcasting, audio programmes are also available today via DAB, DRM and IBOC (e.g. HD Radio in the USA). However, this paradigm is about to change. Radio programmes are increasingly available not only from terrestrial networks but also from a large variety of satellite, cable and, indeed, telecommunications networks (e.g. fixed telephone lines, wire- less broadband connections and mobile phones). Very often, radio is added to digital television plat- forms (e.g. DVB-S and DVB-T). Radio receivers are no longer only dedicated hi-fi tuners or portable radios with whip aerials, but are now assuming the shape of various multimedia-enabled computer devices (e.g. desktops, notebooks, PDAs, “Internet” radios, etc.). These sea changes in radio technologies impact dramatically on the radio medium itself – the way it is produced, delivered, consumed and paid-for. Radio has become more than just audio – it can now contain associated metadata, synchronized slideshows and even short video clips. -
A Roundtable Discussion of Emerging Recommendations for Principles, Policies, and Practices Roundtable Participants
A Roundtable Discussion of Emerging Recommendations for Principles, Policies, and Practices October 24 – 25, 2011 Madison, WI Roundtable Participants Malcolm Brett Malcolm Brett is Director of Broadcast and Media Innovations of Wisconsin Public University of Wisconsin Extension. He is responsible for Wisconsin Television and Radio Public Television, Wisconsin Public Radio and Media Innovations applied to broadcasting and education. Media Innovations includes research involving interactive/enhanced television, video delivery over Internet 2 and media asset management. Brett previously held the position of director of television for WPT. During the past two decades at WPT, Brett also has served as a production manager for the national program New Tech Times, corporate development manager, director of development and executive director of Friends of WHA-TV. His extensive knowledge of television production includes strategic planning, budgeting, government relations and community relations. He was named PBS Development Professional of the Year in 1998 for his involvement and expertise in corporate development and fundraising. Brett has spearheaded WPT's digital conversion, and has helped guide, design, fund or implement various WPT national public television models, including Evolving the Links, Best Practices in Journalism, Portal Wisconsin, Wisconsin Stories and SafeNight USA. In 2008, he was elected for a three-year term to the PBS board of directors. Editorial Integrity for Public Media: Roundtable Participants – 2 Clifford Christians Clifford Christians is the former director of the Institute of University of Illinois Communications Research and chair of the doctoral program in communications, a position he also held from 1987 to 2001. He has been a visiting scholar in philosophical ethics at Princeton University and in social ethics at the University of Chicago, and a PEW fellow in ethics at Oxford University.