Making TELEVISION ACCESSIBLE REPORT NOVEMBER 2011 Making a TELEV CCESS DIGITAL INCLUSION Telecommunication Developmentsector NOVEMBER 2011 Report I
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Guidelines on Communications Strategies for the Transition from Analogue to Digital Terrestrial Broadcasting
2014-2017 Guidelines ITU-D Study Group 1 Question 8/1 International Telecommunication Union Telecommunication Development Bureau Guidelines on Place des Nations CH-1211 Geneva 20 Communications Switzerland www.itu.int Strategies for the Transition from Analogue to Digital Terrestrial Broadcasting 6th Study Period 2014-2017 EXAMINATION OF STRATEGIES AND METHODS OF MIGRATION FROM ANALOGUE TO DIGITAL TERRESTRIAL BROADCASTING AND IMPLEMENTATION OF NEW SERVICES OF NEW AND IMPLEMENTATION BROADCASTING TERRESTRIAL DIGITAL TO ANALOGUE FROM AND METHODS OF MIGRATION OF STRATEGIES EXAMINATION ISBN 978-92-61-24801-7 QUESTION 8/1: QUESTION 9 7 8 9 2 6 1 2 4 8 0 1 7 Printed in Switzerland Geneva, 2017 07/2017 International Telecommunication Union (ITU) Telecommunication Development Bureau (BDT) Office of the Director Place des Nations CH-1211 Geneva 20 – Switzerland Email: [email protected] Tel.: +41 22 730 5035/5435 Fax: +41 22 730 5484 Deputy to the Director and Infrastructure Enabling Innovation and Partnership Project Support and Knowledge Director,Administration and Environmnent and Department (IP) Management Department (PKM) Operations Coordination e-Applications Department (IEE) Department (DDR) Email: [email protected] Email: [email protected] Email: [email protected] Email: [email protected] Tel.: +41 22 730 5784 Tel.: +41 22 730 5421 Tel.: +41 22 730 5900 Tel.: +41 22 730 5447 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Africa Ethiopia Cameroon Senegal Zimbabwe International Telecommunication Union internationale des Union internationale des International Telecommunication Union (ITU) télécommunications (UIT) télécommunications (UIT) Union (ITU) Regional Office Bureau de zone Bureau de zone Area Office P.O. -
Register of Journalists' Interests
REGISTER OF JOURNALISTS’ INTERESTS (As at 11 July 2018) INTRODUCTION Purpose and Form of the Register Pursuant to a Resolution made by the House of Commons on 17 December 1985, holders of photo- identity passes as lobby journalists accredited to the Parliamentary Press Gallery or for parliamentary broadcasting are required to register: ‘Any occupation or employment for which you receive over £770 from the same source in the course of a calendar year, if that occupation or employment is in any way advantaged by the privileged access to Parliament afforded by your pass.’ Administration and Inspection of the Register The Register is compiled and maintained by the Office of the Parliamentary Commissioner for Standards. Anyone whose details are entered on the Register is required to notify that office of any change in their registrable interests within 28 days of such a change arising. An updated edition of the Register is published approximately every 6 weeks when the House is sitting. Changes to the rules governing the Register are determined by the Committee on Standards in the House of Commons, although where such changes are substantial they are put by the Committee to the House for approval before being implemented. Complaints Complaints, whether from Members, the public or anyone else alleging that a journalist is in breach of the rules governing the Register, should in the first instance be sent to the Registrar of Members’ Financial Interests in the Office of the Parliamentary Commissioner for Standards. Where possible the Registrar will seek to resolve the complaint informally. In more serious cases the Parliamentary Commissioner for Standards may undertake a formal investigation and either rectify the matter or refer it to the Committee on Standards. -
The World on Television Market-Driven, Public Service News
10.1515/nor-2017-0128 Nordicom Review 31 (2010) 2, pp. 31-45 The World on Television Market-driven, Public Service News Øyvind Ihlen, Sigurd Allern, Kjersti Thorbjørnsrud, & Ragnar Waldahl Abstract How does television cover foreign news? What is covered and how? The present article reports on a comparative study of a license-financed public broadcaster and an advertising- financed channel in Norway – the NRK and TV2, respectively. Both channels give priority to international news. While the NRK devotes more time to foreign news (both in absolute and relative numbers) than TV2 does, other aspects of the coverage are strikingly similar: The news is event oriented, there is heavy use of eyewitness footage, and certain regions are hardly visible. At least three explanations can be used to understand these findings: the technological platform (what footage is available, etc.) and the existence of a common news culture that is based on ratings and similar views on what is considered “good television”. A third factor is that both channels still have public service obligations. Keywords: foreign news, television news, public service Introduction The media direct attention toward events and occurrences in the world, and help to shape our thinking as well as our understanding of these events. The potentially greatest influ- ence can be expected to occur with regard to matters of which we have little or no direct experience. Foreign news is a prime example of an area where most of us are reliant on what the media report. Studies of foreign news have a long tradition (i.e., Galtung & Ruge 1965) and there is a vast body of literature focusing on the criteria for what becomes news (e.g., Harcup & O’Neill 2001; Hjarvard 1995, 1999; Shoemaker & Cohen 2006). -
DICE Best Practice Guide.Pdf
BEST PRACTICE GUIDE Interactive Service, Frequency Social Business Migration, Policy & Platforms Acceptance Models Implementation Regulation & Business Opportunities BEST PRACTICE GUIDE FOREWORD As Lead Partner of DICE I am happy to present this We all want to reap the economic benefi ts of dig- best practice guide. Its contents are based on the ital convergence. The development and successful outputs of fi ve workgroups and countless discus- implementation of new services need extended sions in the course of the project and in conferences markets, however; markets which often have to be and workshops with the broad participation of in- larger than those of the individual member states. dustry representatives, broadcasters and political The sooner Europe moves towards digital switcho- institutions. ver the sooner the advantages of released spectrum can be realised. The DICE Project – Digital Innovation through Co- operation in Europe – is an interregional network We have to recognise that a pan-European telecom funded by the European Commission. INTERREG as and media industry is emerging. The search for an EU community initiative helps Europe’s regions economies of scale is driving the industry into busi- form partnerships to work together on common nesses outside their home country and to strategies projects. By sharing knowledge and experience, beyond their national market. these partnerships enable the regions involved to develop new solutions to economic, social and envi- It is therefore a pure necessity that regional political ronmental challenges. institutions look across the border and aim to learn from each other and develop a common under- DICE focuses on facilitating the exchange of experi- standing. -
“Canned History”: American Newsreels and The
“Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds. -
LTE Interference Into Domestic Digital Television Systems
Page 1 of 132 Business Unit: Cobham Technical Services ERA Technology RF and EMC Group Report Title: LTE Interference into Domestic Digital Television Systems Author(s): Bal Randhawa Ian Parker Samuel Antwi Client: Ofcom Client Reference: Graham Warren Report Number: 2010-0026 (Issue 2) Project Number: 7A0513004 Report Version: Final Report Report Checked by: Approved by: S Munday M Ganley Head of RF Assessment Head of RF & EMC Group January 2010 Ref. SPM/vs/62/05130/Rep-6537 Cobham Technical Services ERA Technology Report 2010-0026 (Issue 2) © Copyright ERA Technology Limited 2010 All Rights Reserved No part of this document may be copied or otherwise reproduced without the prior written permission of ERA Technology Limited. If received electronically, recipient is permitted to make such copies as are necessary to: view the document on a computer system; comply with a reasonable corporate computer data protection and back-up policy and produce one paper copy for personal use. DOCUMENT CONTROL If no restrictive markings are shown, the document may be distributed freely in whole, without alteration, subject to Copyright. ERA Technology Limited trading as Cobham Technical Services Cleeve Road Leatherhead Surrey KT22 7SA, England Tel : +44 (0) 1372 367000 Fax: +44 (0) 1372 367099 E-mail: [email protected] Read more about Cobham Technical Services on our Internet page at: www.cobham.com/technicalservices Ref: P:\Projects Database\Ofcom 2009 - 7x 05130\Ofcom - 7A0513004 - LTE UMTS mobile interference\ERA Reports\Rep-6537 - 2010-0026 (Issue 2).doc 2 © ERA Technology Ltd Cobham Technical Services ERA Technology Report 2010-0026 (Issue 2) Summary As part of the Digital Dividend Review (DDR), Ofcom commissioned Cobham Technical Services – ERA Technology to carry out a measurement study in order to answer the following questions: 1. -
Cover Sheet for Response to an Ofcom Consultation BASIC DETAILS
Cover sheet for response to an Ofcom consultation BASIC DETAILS Consultation title: Draft Annual Plan 2014/15 To (Ofcom contact): Puja Kalaria Name of respondent: Richard Lindsay-Davies Representing (self or organisation/s): Digital TV Group Address (if not received by email): CONFIDENTIALITY Please tick below what part of your response you consider is confidential, giving your reasons why X Nothing Name/contact details/job title Whole response Organisation Part of the response If there is no separate annex, which parts? If you want part of your response, your name or your organisation not to be published, can Ofcom still publish a reference to the contents of your response (including, for any confidential parts, a general summary that does not disclose the specific information or enable you to be identified)? DECLARATION I confirm that the correspondence supplied with this cover sheet is a formal consultation response that Ofcom can publish. However, in supplying this response, I understand that Ofcom may need to publish all responses, including those which are marked as confidential, in order to meet legal obligations. If I have sent my response by email, Ofcom can disregard any standard e-mail text about not disclosing email contents and attachments. Ofcom seeks to publish responses on receipt. If your response is non-confidential (in whole or in part), and you would prefer us to publish your response only once the consultation has ended, please tick here. Name Richard Lindsay-Davies Signed (if hard copy) DTG response to: Ofcom “Draft Annual Plan 2014/15 Friday 14 February 2014 Ofcom: Draft Annual Plan 2014/15 The Digital TV Group (DTG) welcomes the opportunity to respond to the above consultation regarding Ofcom’s draft proposals for their priorities and work areas in the financial year 2014/15. -
Comeseetv Streaming Guide and Proposal
ComeSeeTv USA, Inc ComeSeeTv Streaming Guide and Proposal Cultural Live Streaming Done Right! ComeSeeTv – Can You See Me Now! 1 ComeSeeTv streaming proposal About Us ComeSeeTv is all of the following three things: First it is a global video content delivery platform that allows anyone to reliably stream their video content. Next, a website that pulls the individual channels of all our members to one place to increase the visibility of their content. Third, we are an agent for cultural development and unity across the Caribbean. When patrons pay to watch live streams on ComeSeeTv they are directly supporting the event organizer, or community! Why we’re different: Our webcasting solution concentrates on the viewer and is usually mixed live by a creative professional, so in essence our video stream experience looks and feels more like a TV production which our collective cultures deserve. Plus, though we are primarily a content delivery network service provider, we assign our global agents to oversee every stream of our clients, and to offer technical support to your customers. Nonetheless, ComeSeeTv was not designed to and does not compete with local streaming service providers in any country as our primary business is content delivery. Our streaming website is extremely secure and can be suited to match your business model as closely as possible. We are also able to handle the high visitor loads associated with all your events. Many local streaming service providers around the Caribbean are currently using ComeSeeTv to deliver video to their clientele 24/7. Four Main Package Offers 1. Event Streaming Using the very latest video mixing technology we can simultaneously project, live stream and record your event. -
ABBREVIATIONS EBU Technical Review
ABBREVIATIONS EBU Technical Review AbbreviationsLast updated: January 2012 720i 720 lines, interlaced scan ACATS Advisory Committee on Advanced Television 720p/50 High-definition progressively-scanned TV format Systems (USA) of 1280 x 720 pixels at 50 frames per second ACELP (MPEG-4) A Code-Excited Linear Prediction 1080i/25 High-definition interlaced TV format of ACK ACKnowledgement 1920 x 1080 pixels at 25 frames per second, i.e. ACLR Adjacent Channel Leakage Ratio 50 fields (half frames) every second ACM Adaptive Coding and Modulation 1080p/25 High-definition progressively-scanned TV format ACS Adjacent Channel Selectivity of 1920 x 1080 pixels at 25 frames per second ACT Association of Commercial Television in 1080p/50 High-definition progressively-scanned TV format Europe of 1920 x 1080 pixels at 50 frames per second http://www.acte.be 1080p/60 High-definition progressively-scanned TV format ACTS Advanced Communications Technologies and of 1920 x 1080 pixels at 60 frames per second Services AD Analogue-to-Digital AD Anno Domini (after the birth of Jesus of Nazareth) 21CN BT’s 21st Century Network AD Approved Document 2k COFDM transmission mode with around 2000 AD Audio Description carriers ADC Analogue-to-Digital Converter 3DTV 3-Dimension Television ADIP ADress In Pre-groove 3G 3rd Generation mobile communications ADM (ATM) Add/Drop Multiplexer 4G 4th Generation mobile communications ADPCM Adaptive Differential Pulse Code Modulation 3GPP 3rd Generation Partnership Project ADR Automatic Dialogue Replacement 3GPP2 3rd Generation Partnership -
IATSE LOCAL 16 CURRENT CONTRACT Theatrical Workers
2016 PROJECT COLLECTIVE BARGAINING AGREEMENT BETWEEN CITY & COUNTY OF SAN FRANCISCO AND INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA LOCAL N0.16 Local 16 l.A.T.S.E. 240 Second Street, First Floor San Francisco, CA 94105 Tel: 415-441-6400 Fax: 415-243-0179 www.local16.org XX TABLE OF CONTENTS PAGE I. GENERAL PROVISIONS 4 A. Witnesseth 4 B. Recognition 4 C. Scope and Jurisdiction 4 D. Compensation 4 E. Rules and Regulations 5 F. New Categories and Classifications 5 II. DEFINITIONS 5 A. Rigging 5 B. Head of Department Rate 5 C. Multi-Source Technology 6 D. Multi-Source Technician 6 E. Computer Software Technician 7 F. General Computer Technician 7 G. General Audio Visual 7 H. Steward 7 I. Base Rate 7 J. Moscone Center Exhibit Booths Only 7 Ill. CONDITIONS 8 A. Work Week 8 B. Hourly Wage Calculations 8 C. Minimum Calls 8 D. Straight Time 8 E. Nine Hour Rest Period 8 F. Time and One-Half Rate 8 G. Double Time Rate 9 H. Un-Worked Hours 9 I. Vacation Pay 9 J. Meal Periods 9 K. Higher Scale 1O L. Holidays 1O M. Rates and Conditions 10 N. Cancellation of Calls 10 IV. FRINGE BENEFITS, WORK FEES AND PAYROLL 10 A. Health and Welfare 1O B. Pension 11 C. Check-Off Work Fees 11 D. Training and Certification Program Employer Contribution 11 E. Sick Leave 11 F. Reporting of Fringe Benefits and Work Fees 11 G. -
Navigating the Tangled Web of Webcasting Royalties
To make matters more complicated, Navigating the Tangled Web most recorded songs also have multiple copyright owners. Songwriters, compos- of Webcasting Royalties ers, and publishers of a musical composi- tion (a “song”) have rights in the song. BY CYDNEY A. TUNE AND CHRISTOPHER R. LOCKARD For example, these owners have the right to receive royalties every time a copy of the song is sold in sheet music form or ver since Napster launched to Services such as iTunes sell permanent as part of an album, as well as when the enormous popularity in 1999 and downloads and ringtones that consum- song is broadcast over the radio, the In- Edrew the ire of heavy metal band ers download to their computers and ternet, speakers in a restaurant, or when Metallica, the record industry has looked cell phones. Other companies, such as it is performed in a concert. Addition- at online music with a highly suspicious Amazon.com, sell physical phonorecords ally, artists who perform on a recorded and combative eye. The last decade has (like records and CDs). Music is also version of a song (a “sound recording”), seen record labels fight numerous Web contained in other online content, such and the owner of the copyrights in that sites and software makers that have fa- as podcasts, commercials, and videos car- sound recording (generally the record cilitated the distribution of online music ried on Web sites like YouTube. Finally, label), also have the right to receive and even individuals who simply shared thousands of Web sites, known as web- royalties for sales of that sound recording or downloaded music. -
Digital Signage Software 1/ Is Infoplayout for YOU?
CONTENTS 1/ Is InfoPLAYOUT for YOU? 2/ InfoPLAYOUT - and your message will be viewed 3/ What Does InfoPLAYOUT Provide? – Robustness and Flexibility 4/ General Overview of the System – System Requirements 5/ Management tools a) InfoMANAGER b) InfoMEDIALIST 6/ InfoPLAYER 7/ InfoWEB 8/ InfoDISTRIBUTOR 9/ InfoCONFIGURATOR 10/ InfoSTATUS 11/ InfoAGENT 12/ Description of the Main Functions 13/ Who is using InfoPLAYOUT already? 14/ Copyright Information and Contact we set the standards 2 digital signage software 1/ Is InfoPLAYOUT for YOU? Do you have a Digital Ad already? Do you use or plan to use LCD and/or Plasma-screens, LED-walls or beamers for commercial or just informative purposes? Do you want to create impressive presentations for your clients, employees or specific target groups in an easy and professional way? Even though you may feel pretty confident about your presentation style – it is always possible to make it better … …Let us introduce you our product… 2/ InfoPLAYOUT - and your message will be viewed The phrase “A picture says more than thousand words” is a principle always used by advertising. This is a reason why until today billboards are one of the most popular advertising media. But there is an improvement for an image: the movie! Moving images cast a spell on people. No wonder that digital signage systems capture more and more our every-daily life. In a station or on an airport: digital signage systems shorten the sensed waiting period and pre- vent effectively boredom. Or in a shopping mall: displays at point of sales will be used as a new kind of product presenta- tions.