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FOR IMMEDIATE RELEASE September 18, 2014 Press/Media Contact: Philip Sokoloff, (626) 683-9205
PHILIP SOKOLOFF Publicity for the theatre P.O. Box 94387 Pasadena, CA 91109-4387 (626) 683-9205 fax (626) 683-9172 e-mail: [email protected] FOR IMMEDIATE RELEASE September 18, 2014 Press/media contact: Philip Sokoloff, (626) 683-9205 BACK FROM THE UNDEAD! STUART GORDON DIRECTS “RE-ANIMATOR™ THE MUSICAL” AT STEVE ALLEN THEATER; OPENS OCTOBER 17 FOR A HALLOWEEN RUN WHAT: “Re-Animator™ The Musical.” Revival of the award-winning musical hit. WHO: Book by Dennis Paoli, Stuart Gordon and William J. Norris. Music and lyrics by Mark Nutter. Adapted from the story by H.P. Lovecraft. Based on the film “H.P. Lovecraft’s Re- Animator” produced by Brian Yuzna. Musical director: Peter Adams. Choreography by Cynthia Carle. Directed by Stuart Gordon. Produced by Dean Schramm and Stuart Gordon. Presented by The Schramm Group LLC and Red Hen Productions in association with Trepany House. WHERE: The Steve Allen Theater, 4773 Hollywood Blvd., Hollywood, CA 90027. Parking lot behind building. WHEN: Previews Oct. 10, 11, 12 . Opens October 17, 2014, runs through November 2. Fridays through Sundays at 8:00 p.m. ADMISSION: $25. Previews $20. RESERVATIONS: 800-595-4849 ONLINE TICKETING: www.trepanyhouse.org * * * * * * “Re-Animator™ the Musical” has been re-animated, with new songs and new performers just in time for Halloween. “RE-ANIMATOR™ the Musical” tells the story of Herbert West, a brilliant young medical student who has created a glowing green serum that can bring the dead back to life. What should be a medical breakthrough results in hideous monstrosities and ghastly consequences. “I guess he just wasn’t fresh enough,” is West’s constant refrain in his quest for fresh subjects. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition. -
Satanism’S Prime Mover
©2007 Peter H. Gilmore ISBN 10: 0-9764035-7-9 (cloth) ISBN 13: 978-0-9764035-7-9 ISBN 10: 0-9764035-9-5 (paperback) ISBN 13: 978-0-9764035-9-3 All rights reserved 9 8 7 6 5 4 3 2 Goat of Mendes Painting by Peter Gilmore Interior Illustrations by Timothy Patrick Butler Author Portrait by Chistopher R. Mealie Typesetting and Design by Keven I. Slaughter Baltimore, MD ScapegoatPublishing.com Printed in Singapore FOR PEGGY -=my beloved=- To: Anton Szandor LaVey, Satanism’s Prime Mover. Blanche Barton, whose strength is legendary. Those who have been with me from the beginning: Ruth & Coop—stalwart co-conspirators, the founding members of the Order of Fenris—Magister Diabolus Rex, Magister Nemo, Magistra Isabel, and Reverend Manning. Charles Addams, who rendered our kin and Arthur Fellig, a romantic realist. Bela Lugosi, Boris Karloff, Vincent Price, and Christopher Lee, who gave eternal life to multifaceted monsters. Ayn Rand and Madalyn Murray O’Hair, women of monumental courage. Jim Knipfel and George Carlin, fellow misanthropes. Eiji Tsuburaya and Akira Ifukube, who gave form and voice to the classic Daikaiju. Joi Lansing and Mamie Van Doren, bountiful bombshells. Jackie Gleason, Oscar Levant, and Orson Welles, remarkable polymaths who unleashed their dark sides. John Kennedy Toole and Mel Brooks, who show us how deeply funny the human animal can be. Frank Herbert, who saw potential and Gene Roddenberry, who created an Is-To-Be. And To: The magnificent Magisters and Magistras, profound Priests and Priestesses, wondrous Witches and Warlocks, astounding Agents, and the ever-inspiring loyal cohort that makes up the Citizenry of our Infernal Empire— you are an aristocracy of achievers, many of whom are cherished friends, and cannot know how very much you each mean to me. -
Die Fledermaus
Opera San José Presents Johann Strauss’s Die Fledermaus SAN JOSE, CA (August 28, 2019) – On September 14th Opera San José opens the 2019-2020 season with Die Fledermaus. We kick off the season on September 14, 2019 when we open Die Fledermaus. Michael Morgan, music director of Festival Opera in Walnut Creek will make his Opera San José debut conducting Johann Strauss’ most seductive series of waltzes and polkas, effervescent arias and dizzying, sentimental ensembles. We will have particularly brilliant sets and costumes, and Marc Jacobs will return to direct this production, which was highly appreciated in 2012. Fledermaus is a double dose of good cheer, thanks to the sparkle of excellent champagne and a vintage, masterful operetta. This production from Opera San José is funded in part by a Cultural Affairs grant from the City of San José. Die Fledermaus will be sung in German with English dialogue and English supertitles. Runtime is approximately three hours. Opera San José presents six performances of this opera, opening in San José’s California Theatre on September 14, 2019, closing September 29, 2019. The California Theatre is at 345 S. First Street in downtown San José. Dates: Performances: September 14, 15m, 19, 22m, 27, and September 29m. Time: “m” indicates matinee at 3PM; all other performances are at 8PM Location: California Theatre, 345 South 1st Street (between San Carlos and San Salvador), San José, CA Tickets: Tickets are available by calling (408) 437-4450, online at OPERASJ.ORG, and at the Opera San José Box Office at 2149 Paragon Drive in San José. -
School Daze Unique Events Every Day, All Month for Students
September 1-7, 2010 \ Volume 20 \ Issue 33 \ Always Free Film | Music | Culture School Daze Unique Events Every Day, All Month for Students IN THEATRES EVERYWHERE SEPTEMBER 1ST ©2010 CAMPUS CIRCLE • (323) 939-8477Area Codes: • 5042 (213), WILSHIRE (310), (323), (562), BLVD., (626), (661), #600 (714), LOS (760), ANGELES, (805), (818), (866), CA (877),90036 (888), • (909),WWW.CAMPUSCIRCLE.COM (949), (951), (Group Tickets 81) • ONE FREE COPY PER PERSON (Rev 1) LA Campus Circle Wed 9/1 • 6x4’’ JobID#: 456329 Name: 0901_Ame_CmpCir_R1.pdf #100 8/19/10 3:11 PM pt *456329* NEWS FILM MUSIC CULTURE EVENTS DVD GAMING SPORTS MEDIA BLOGS Campus News College Central Local News U.S. News campus circle INSIDE campus CIRCLE Sept. 1 - Sept. 7, 2010 announcing a new art supply Vol. 20 Issue 33 in la Editor-in-Chief 14 Jessica Koslow [email protected] a cool place Managing Editor for us bears Yuri Shimoda 6 18 [email protected] 03 NEWS LOCAL NEWS Film Editor Jessica Koslow 03 CULTURE GAMES & GADGETS [email protected] 04 FILM HIGHWATER Cover Designer Dana and Wes Brown focus on Oahu’s Sean Michael North Shore. Editorial Interns 04 FILM TV TIME Kate Bryan, Christine Hernandez, Arit John, Marvin Vasquez 06 FILM DREW BARRYMORE Long-Distance Romancing with Justin Long Contributing Writers 06 DANNY TREJO Christopher Agutos, Jonathan Bautts, Scott FILM Bedno, Scott Bell, Zach Bourque, Erica Carter, Slays the Bad Guys in Machete Richard Castañeda, Doxx Cunningham, Nick 08 FILM PROJECTIONS Day, Jewel Delegall, Natasha Desianto, Denise Guerra, James Famera, Stephanie Forshee, 08 FILM SCREEN SHOTS Jacob Gaitan, Zach Hines, Damon Huss, artist & craftsman supply Danielle Lee, Lucia, Ebony March, Angela 09 FILM DVD DISH Matano, Stephanie Nolasco, Samantha Ofole, Brien Overly, Ariel Paredes, Sasha Perl-Raver, 10 FILM REVIEWS 166O S. -
Alumni Festival January 20-22, 2011
UC San Diego Department of Music SonicDiasporas Alumni Festival January 20-22, 2011 OFFICIAL PROGRAM UC SAN DIEGO DEPARTMENT OF MUSIC Thanks to the UC San Diego Alumni Assocation for their support. This festival is also supported by the Department of Music, and UCSD music faculty. Thanks also to The Loft for hosting some events--we highly recommend this excellent restaurant/night club as a place to experience performances and to refuel and caffeinate between Sonic Diasporas events. Special thanks to the Department of Music staff: Barbara Jackson: Chief Administrative Officer Brady Baker: Facilities Assistant Neal Bociek: Facilities Manager Doug Dutson: HR Manager Maureen Fahey: Event Manager Trevor Henthorn: Manager of Audio Computing Linda Higgins: Fiscal Manager Alison Holman: Event Manager Josef Kucera: Recording Engineer Nick Patin: Event Manager Diana Platero: Student Affairs Manager Rebecca Saltzman: Assistant Student Affairs Officer Jenn Stauffer: Production Manager Dirk Sutro: Program Promotion Manager Eileen Voreades: Undergraduate Advisor Clarissa White: Fiscal Assistant Others working on the Festival: Steven Berkley: Event Manager Scott Levine, Devin Ronneberg, Jeremiah Peevyhouse : Recording Engineer Jason Ponce, Paul Feyertag, Steve Solook: Graduate Assistants FOREWORD THE VIBRANT TRADITION of experimental music at U.C. San Diego is now almost half a century old. As UCSD cel- ebrates its 50th anniversary during the 2010-11 academic year, the Department of Music is proud to present Sonic Diasporas, the first ever alumni festival and symposium. Our call for entries prompted a tremendous response and we are pleased to present this diverse array of events. We thank everyone who submitted a proposal as well as all of our participants, many of whom traveled great distances to be here. -
FI-Feb-March-04.Pdf
THE AFFIRMATIONS OF HUMANISM: A STATEMENT OF PRINCIPLES* We are committed to the application of reason and science to the understanding of the universe and to the solving of human problems. We deplore efforts to denigrate human intelligence, to seek to explain the world in supernatural terms, and to look outside nature for salvation. We believe that scientific discovery and technology can contribute to the betterment of human life. We believe in an open and pluralistic society and that democracy is the best guarantee of protecting human rights from authoritarian elites and repressive majorities. We are committed to the principle of the separation of church and state. We cultivate the arts of negotiation and compromise as a means of resolving differences and achieving mutual understanding. We are concerned with securing justice and fairness in society and with eliminating discrimination and intolerance. We believe in supporting the disadvantaged and the handicapped so that they will be able to help themselves. We attempt to transcend divisive parochial loyalties based on race, religion, gender, nationality, creed, class, sexual orientation, or ethnicity, and strive to work together for the common good of humanity. We want to protect and enhance the earth, to preserve it for future generations, and to avoid inflicting needless suffering on other species. We believe in enjoying life here and now and in developing our creative talents to their fullest. We believe in the cultivation of moral excellence. We respect the right to privacy. Mature adults should be allowed to fulfill their aspirations, to express their sexual preferences, to exercise reproductive freedom, to have access to comprehensive and informed health-care, and to die with dignity. -
Science | Healthcare Skepticism
Detective Origins | Why We Do This | Truth, Part 2 | UFO Hoax Apps | EVP Nonscience | Healthcare Skepticism the Magazine for Science and Reason Vol. 37 No. 6 | November/December 2013 LosingLosing OurOur MindsMinds inin thethe AgeAge ofof BrainBrain ScienceScience Sally Satel and Scott O. Lilienfeld HAPPINESS HATE ENVY PEPSI COKE POLITICAL AFFILIATION LOVE GOD Why Evolution Is Hard to Understand Cameron Smith Six Signs of Scientism, Part 1 Susan Haack The Jersey Devil Brian Regal Valentich UFO Cold Case Solved James McGaha and Joe Nickell Published by the Committee for Skeptical Inquiry C I –T Ronald A. Lindsay, President and CEO Massimo Polidoro, Research Fellow Bar ry Karr, Ex ec u tive Di rect or Benjamin Radford, Research Fellow Joe Nickell, Senior Research Fellow Richard Wiseman, Research Fellow www.csicop.org James E. Al cock*, psy chol o gist, York Univ., Tor on to Barbara Ann Kar manos Cancer Institute and chief Observatory, Williams College Mar cia An gell, MD, former ed i tor-in-chief, of breast surgery section, Wayne State Univer- John Pau los, math e ma ti cian, Tem ple Univ. New Eng land Jour nal of Med i cine sity School of Medicine. Clifford A. Pickover, scientist, au thor, editor, Kimball Atwood IV, MD, physician; author; Wendy M. Grossman, writer; founder and first editor, IBM T.J. Watson Re search Center. The Skeptic magazine (UK) Newton, MA Massimo Pigliucci, professor of philosophy, Steph en Bar rett, MD, psy chi a trist; au thor; con sum er Sus an Haack, Coop er Sen ior Schol ar in Arts and City Univ. -
CCFF Program
1300 Basswood Road, Suite 100 Schaumburg, IL 60173 (847) 310-1913 ONLINE ORDERS ACCEPTED 24 HOURS A DAY th Welcome to the 5 Annual Friday May 12 The Little Chicago Critics Film Festival Opening Night! Hours In 2013, the Chicago Film Critics Association attempted something that hadn’t been done Medieval nuns Alessandra (Alison Brie), Fernanda 7:00pm before. The prospect of working film critics premiering some of their favorite films from (Aubrey Plaza), and Ginevra (Kate Micucci) lead a the festival circuit for audiences in their hometown before being released into theaters was simple life in their convent. Their days are spent chafing unheard of at the time and remains so outside of our great city. Deemed everything from at monastic routine, spying on one another, and “unfeasible” to outright “crazy,” we were not interested in the negative thoughts and just berating the estate’s day laborer. After a particularly powered forward. In a collaboration of critics, volunteers, filmmakers, producers and studios, vicious insult session drives the peasant away, Father that first festival was such a success that it included appearances by Sarah Polley, James Tommasso (John C. Reilly) brings on new hired hand Ponsoldt, and William Friedkin. Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters It’s hard to believe this is already our fifth anniversary. The industry is changing quickly, as as a deaf-mute to discourage temptation, Massetto further emphasis is placed on streaming services and rumors of the theater experience dying struggles to maintain his cover as the repressed out. -
Los Feliz Getting Brighter?
Los Feliz Ledger Read by 100,000+ Residents and Business Owners in Los Feliz, Silver Lake, Vol 12. No. 9 March 2017 Atwater Village, Echo Park & Hollywood Hills Steve Allen [CD13 ELECTION] Teardown Traffic: “City of Cars” Brings 3rd New By Allison B. Cohen, Development Andrew Davis & Sheila Lane By Juliet Bennett Rylah Los Angeles ranks as the Ledger Contributing Writer worst city in the world for get- A short stretch of Holly- ting stuck in traffic, according wood Boulevard near Barns- to a study released in February. dall Art Park is being planned Conducted by Inrix, a for three housing complexes. data firm out of Kirkland, Come this summer, the WA, the study revealed car- Center For Inquiry-Los An- driving Angelenos, on average, geles at 4773 Hollywood spent 104 hours last year stuck Blvd. and the Steve Allen in congestion. Next was Mos- Theater, which it houses, will cow at 91 hours and New York be torn down to make way City at 89. for what’s known as a “small Los Angeles City Coun- lot subdivision”—a series of cil District 13 (CD13), which detached townhouses built in runs from Elysian Valley to close proximity to one another Hollywood and from Atwa- on a single lot—joining con- ter Village to parts of Kore- troversial developments City atown, is home to some of the Lights and Olive Hill, both city’s most heavily traveled less than a mile away. and walked streets, like Santa Angelenos have been inundated with March 7th election mailers mostly for Measure S, a controversial Monica, Hollywood and Sun- Proposed for the site are ballot initiative that seeks to change the way city officials approve some housing developments. -
Lukas Ligeti Is a Composer and Percussionist Living in New York
Lukas Ligeti | Biography Transcending the boundaries of genre, composer-percussionist Lukas Ligeti has developed a musical style of his own that draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica, as well as world music, particularly from Africa. Known for his non-conformity and diverse interests, Lukas creates music ranging from the through- composed to the free-improvised, often exploring polyrhythmic/polytempo structures, non-tempered tunings, and non-western elements. Other major sources of inspiration include experimental mathematics, computer technology, architecture and visual art, sociology and politics, and travel. He has also been participating in cultural exchange projects in Africa for the past 15 years. Born in Vienna, Austria into a Hungarian-Jewish family from which several important artists have come including his father, composer György Ligeti, Lukas started his musical adventures after finishing high school. He studied composition and percussion at the University for Music and Performing Arts in Vienna and then moved to the U.S. and spent two years at the Center for Computer Research in Music and Acoustics at Stanford University before settling in New York City in 1998. His commissions include Bang on a Can, the Vienna Festwochen, Ensemble Modern, Kronos Quartet, Colin Currie and Håkan Hardenberger, the American Composers Forum, New York University, ORF Austrian Broadcasting Company, Radio France, and more; he also regularly collaborates with choreographer Karole Armitage. As a drummer, he co-leads several bands and has performed and/or recorded with John Zorn, Henry Kaiser, Raoul Björkenheim, Gary Lucas, Michael Manring, Marilyn Crispell, Benoit Delbecq, Jim O’Rourke, Daniel Carter, John Tchicai, Eugene Chadbourne, and many others.