Call Me by Your Name the Irish Film Institute

Total Page:16

File Type:pdf, Size:1020Kb

Call Me by Your Name the Irish Film Institute OCTOBER 2017 CALL ME BY YOUR NAME THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. MYSTERY MATINEE IFI HORRORTHON Night of the Virgin This month’s secret screening, for which tickets cost just €5, IFI Horrorthon is back with another bloody feast of features will take place at 14.00 on Sunday 22nd. Sometimes it will be a from Thursday 26th to Monday 30th! With over 30 Irish preview, but not always; sometimes, it will be a title one might premieres showcasing the best of Irish and international expect to see at the IFI, but not always. Join us for this month’s films of the genre and judiciously chosen classics, this year’s screening, and expect the unexpected. festival will be among the most grisly yet. See page 14 for further details. SCHOOLS’ FRENCH FILM PROGRAMME Berlin Goodbye FESTIVAL End Happy The new IFI Schools’ Programme is up and running The IFI’s flagship festival, the IFI French Film Festival, and, like last year, will run from October to May so that will return for its 18th edition from November 15th to 26th. teachers can plan their whole year of school's activities Highlights of this year’s festival include Agnès Varda’s Visages, at the IFI. For more information and to make a booking Villages, Robin Campillo’s Cannes hit BPM (Beats Per Minute), for your students, please see the separate programme, and Michael Haneke’s Happy End. The festival will also include call Dee Quinlan or Richard Fallon on 01 679 5744 / a retrospective of the work of Jean-Pierre Melville. Full festival [email protected], or visit www.ifi.ie/learn details will be available from www.ifi.ie/frenchfest. 2 DIRECTOR’S NOTE This month sees returns of the annual IFI Horrorthon and the Dublin Arabic Film Festival… OCTOBER AT THE IFI of Arabia Lawrence IFI festival season is well and truly upon us once again. Ireland. We work with teachers and students, contribute to Hot on the heels of the successful IFI Documentary Festival, education policy and development, and promote the case for the Dublin Arabic Film Festival is set to return from October media literacy in national and international education debate. 6th – 8th. Curated by Jim Sheridan, this year’s programme At the end of September, we launched our new Schools’ once again features the very best of Arab film culture. Programme for the full academic year, which offers a range 2017’s programme is particularly strong with a key theme of film screenings, workshops, resources, teacher-training being the exploration of the place of women in Arabic society. and related events for children and young people around the Two films in this year’s selection are directed by women - our country during the forthcoming school terms. Tying in with opening night comedy Solitaire, and our closing night drama the Curriculum, this season we have many new titles and some Beauty and the Dogs. old regulars across a broad range of school subjects. To see the full programme, download the brochure for your students If one festival isn’t enough for you, this month we also see the or class at www.ifi.ie/learn. return our annual IFI Horrorthon for its 20th edition over the Bank Holiday weekend, which promises the usual gory thrills If you’re no longer of school-going age but still want to and spills. At the time of writing, the full programme is yet to brush up on your film knowledge, this term’s IFI Evening be announced, so to avoid any spoilers, please check out the Course, Comic Cuts, looks at the genre of film comedy. separate festival flyer or visit www.ifi.ie/horrorthon. But with Our six-week course looks at six very different comedies. over 30 titles already confirmed, most of which will receive Presenters, including comedian Alison Spittle and author their Irish premieres, it promises to be a great programme. Gerard Stembridge, will talk about a selection that covers See pages 14 and 15 for a sneak preview of what’s on offer. mainstream, silent, rom-com, Irish comedy, satire and the absurd. The course starts on October 10th but booking is Next month, as festival season continues, we’ll also be now open. welcoming back the IFI French Film Festival. So there’s plenty to keep you occupied at the IFI this We are delighted to be again working with the Mary Raftery autumn and winter! Journalism Fund after our enormously successful events over the last three years. This year, on October 13th, at a Ross Keane day of screenings, masterclasses and debate, Investigations Director 2017 will explore the changing environment for investigative documentary filmmakers. There are some great guests and speakers lined up (see pages 20 and 21) and it promises to be another unforgettable event. Also, this month, with students firmly established back at school around the country, things get even busier for IFI Education, which has the national remit for film education in 3 NEW RELEASES, IFI SEASONS & DOCS & IFI CLASSICS EVENTS CALENDAR BRIMSTONE OPENS SEPT 29TH DATE SCREENING TIME RETURN TO MONTAUK OPENS OCT 6TH 1ST IFI DOCUMENTARY FESTIVAL† KEVIN ROCHE: SUN 3RD OPEN CAPTIONED SCREENING: DAPHNE 13.30 THE QUIET ARCHITECT OPENS OCT 13TH TUES LOVING VINCENT OPENS OCT 13TH 4TH OPEN CAPTIONED SCREENING: DAPHNE 18.20 WED THE PARTY OPENS OCT 13TH FROM THE VAULTS: THE IRISH EVENTS NEWSREEL 18.30 I AM NOT A WITCH OPENS OCT 20TH 6TH IFI & DAFF: SOLITAIRE 20.00 LAWRENCE OF ARABIA (70MM) OPENS OCT 20TH FRI 7TH IFI & DAFF: TRAMONTANE 14.00 CALL ME BY YOUR NAME OPENS OCT 27TH SAT IFI & DAFF: GAZA SURF CLUB 16.15 GRACE JONES: 8TH IFI & DAFF: ALI, THE GOAT AND IBRAHIM 16.00 BLOODLIGHT AND BAMI OPENS OCT 27TH SUN IFI & DAFF: BEAUTY AND THE DOGS 18.10 10TH IFI & AEMI PROJECTIONS: VIVIENNE DICK 18.30 TUES EVENING COURSE: COMING TO AMERICA 18.30 GET SOCIAL! 13TH INVESTIGATIONS 2017: BEYOND BORDERS 11.00 FRI KEVIN ROCHE: THE QUIET ARCHITECT 18.30 Excited about this month’s programme? So are we! + PANEL DISCUSSION Tell your friends which film you’re planning to watch, 16TH THE BIGGER PICTURE: SATURDAY NIGHT FEVER 18.30 share your movie reviews and show us your best pics MON FEAST YOUR EYES: THE PARTY 19.00 on Instagram, Twitter and Facebook! 17TH EVENING COURSE: IT HAPPENED ONE NIGHT 18.30 Join the IFI Community online: TUES 22ND MYSTERY MATINEE 14.00 linkedin.com/company/irishfilminstitute SUN 23RD IFI FILM CLUB: I AM NOT A WITCH 18.15 @IrishFilmInstitute @IFI_Dub MON 24TH EVENING COURSE: IT 18.30 @IrishFilmInstitute TUES 25TH WILD STRAWBERRIES: A UNITED KINGDOM 11.00 WED GRACE JONES & FRIENDS LIVE 19.15 Open Captioned screening 26TH IFI HORRORTHON (SEE PAGE 14) THURS Audio Described screening 27TH IFI HORRORTHON (SEE PAGE 14) FRI WILD STRAWBERRIES: A UNITED KINGDOM 11.00 IRISH FOCUS: 4TH ACT 18.30 For bookings and film information, please see our 28TH IFI HORRORTHON (SEE PAGE 14) website, www.ifi.ie, or contact the IFI Box Office SAT on 01-6793477 (open 12.30 to 21.00 daily). 29TH IFI HORRORTHON (SEE PAGE 14) SUN IFI FAMILY: THE AMAZING MR BLUNDEN 11.00 For a breakdown of times and dates of IFI New 30TH IFI HORRORTHON (SEE PAGE 14) Releases, IFI Docs & IFI Classics, check out our MON weekly schedule on www.ifi.ie/weekly-schedule 31ST EVENING COURSE: 18.30 or the IFI ads in The Irish Times on Fridays. TUES SONGS FROM THE SECOND FLOOR You can also sign up to receive our weekly ezine by joining at www.ifi.ie/signup. † See our separate flyer or visit www.ifi.ie/docfest for more details. The F-rating is a classification for any film which is directed by a woman, is written by a woman, or features significant women on screen in their own right. 4 OCTOBER 2017 BRIMSTONE NEW RELEASE OPENS SEPT 29TH Mute midwife Liz (Dakota Fanning) is final confrontation. Filled with striking stricken with terror at the arrival of a imagery, the film often makes for bleak, EXCLUSIVELY AT IFI† charismatic new preacher (Guy Pearce) even harrowing viewing, but is carried to the small community in which she magnificently by its two leads. Dakota FILM INFO: lives with her husband and children in Fanning conveys the strength of Liz, a 149 mins, 2016, Netherlands- the old American West. Her unexplained true survivor, through her expressive France-Sweden-UK-Belgium- Germany, Digital fear is justified when the preacher, a man physicality, while Guy Pearce exudes Notes by Kevin Coyne of seemingly unbridled malevolence, implacable menace, with a Bible verse to targets her and her family. Across a forgive every sin, no matter how great. series of chapters, the link between the two is outlined as writer-director Martin Koolhoven fills in the details of Liz’s life story before the two meet for a RETURN TO NEW RELEASE MONTAUK IFI DOC OPENS OCT 6TH In this latest film from Volker Schlöndorff In his screenwriting début, Colm (The Tin Drum), world-weary Berliner Tóibín has pulled off a neat trick in his EXCLUSIVELY AT IFI† Max Zorn (Stellan Skarsgård) arrives in creation of Max, a character who is New York to promote his latest book, a riveting despite being pretty unlikeable, FILM INFO: fictionalised memoir of an old romance, self-absorbed and oblivious to the 105 mins, 2017, Germany- and to reunite with his young wife intellectual charms and emotional France-Ireland, Digital Notes by Sunniva O’Flynn Clara (Susanne Wolff).
Recommended publications
  • Film & Faith in Dialogue Also Inside
    May 2020 Issue No. 296 Visual Parables Film & Faith in Dialogue From Upper left, clockwise: I, the Worst of All; Clown of Freedom; American Factory; Laundromat Also Inside: Atlantics; Tigertail; & more Beginning new feature on INSIGHT Series Visual Contents May 2020 Issue No. 296 Parables Streaming Video I, the Worst of All ............................................................ 3 Editor, Reviewer Alone in Berlin ................................................................ 6 Dr. Edward McNulty The Laundromat ............................................................. 10 Publisher Atlantics ............................................................................ 13 David Crumm, ReadtheSpirit Tigertail ............................................................................. 16 Web Consultants Selah and the Spades .................................................... 19 Becky Hile Finding Grace .................................................................. 21 Michael Thompson Dads ................................................................................... 22 Columnist American Factory .......................................................... 24 Rev. Doug Sweet Reel Redemption ........................................................... 26 ISSN: 1064-6485 J.E.S.U.S.A. ........................................................................ 30 VISUAL PARABLES is published monthly as an Jump Shot ........................................................................ 32 on-line journal, and reviews are posted
    [Show full text]
  • 1 This Tournament Goes to Eleven III: Smell the Glove
    1 " This Tournament Goes To Eleven III: Smell The Glove Hosted by the University of Iowa, October 12-13, 2001 The AN Club Packet (by Matt Larson[Iowa]) Rules: Welcome to the AN Club packet - audio SOWlds for a video age. Each toss-up will consist of a clip from a movie, followed by a giveaway clue. Your job is to, at the very least, identifY the movie. Ifyou do this correctly, you will earn 5 points and a bonus for your team Furthennore, if you ring in during the audio clip, you may earn 5 bonus points for naming the actor or actress and another 5 for naming the character. You are not required to give this information. You may also give just one piece of bonus information, ifyou wish. However, if you attempt to give more than just the title of the move, and any answer ofthe group is wrong, it's a neg 5. Bonus questions will be filirly conventional. Unless stated otherwise ...on tossups, in the case of more than one character speaking, you must identifY the actor or character who speaks first for the bonus points. Also, in most cases, either the first or last name of a character is acceptable. Last, and probably least - you won't receive points for supplying the name of a title character on a toss-up. 1. [TRACK 01] F5P, identifY this 1998 film starring Cameron Diaz as the titular female obsession. [There's SomethingAboul Mary. Cameron Diaz) 2. [TRACK 03] F5P, identifY this 1990 film featuring Joe Pesci as mobster Tonnny DeVito.
    [Show full text]
  • AFI PREVIEW Is Published by the Sat, Jul 9, 7:00; Wed, Jul 13, 7:00 to Pilfer the Family's Ersatz Van American Film Institute
    ISSUE 77 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER JULY 8–SEPTEMBER 14, 2016 44T H AFI LIFE ACHIEVEMENT AWARD HONOREE A FILM RESTROSPECTIVE THE COMPOSER B EHIND THE GREAT EST A MERICAN M OVIES O F OUR TIME PLUS GLORIOUS TECHNICOLOR ★ ’90S C INEMA N OW ★ JOHN C ARPENT E R LOONEY TUNES ★ KEN ADAM REMEMBERED ★ OLIVIA DE HAVILLAND CENTENNIAL Contents AFI Life Achievement Award: John Williams AFI Life Achievement Award: July 8–September 11 John Williams ......................................2 John Williams' storied career as the composer behind many of the greatest American films and television Keepin' It Real: '90s Cinema Now ................6 series of all time boasts hundreds of credits across seven decades. His early work in Hollywood included working as an orchestrator and studio pianist under such movie composer maestros as Bernard Herrmann, Ken Adam Remembered ..........................9 Alfred Newman, Henry Mancini, Elmer Bernstein and Franz Waxman. He went on to write music for Wim Wenders: Portraits Along the Road ....9 more than 200 television programs, including the groundbreaking anthology series ALCOA THEATRE Glorious Technicolor .............................10 and KRAFT TELEVISION THEATRE. Perhaps best known for his enduring collaboration with director Steven Spielberg, his scores are among the most iconic and recognizable in film history, from the edge-of-your- Special Engagements .................. 14, 16 seat JAWS (1975) motif to the emotional swell of E.T. THE EXTRA-TERRESTRIAL (1982) and the haunting UCLA Festival of Preservation ...............14 elegies of SCHINDLER'S LIST (1993). Always epic in scale, his music has helped define over half a century of the motion picture medium.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES Presents in Association with TSG Entertainment a PACIFIC STANDARD / 26 KEYS Production Natalie Portman
    FOX SEARCHLIGHT PICTURES Presents In Association with TSG Entertainment A PACIFIC STANDARD / 26 KEYS Production Natalie Portman Jon Hamm Zazie Beetz Dan Stevens Colman Domingo and Ellen Burstyn Directed by………………………………………………………………………...Noah Hawley Screenplay by………………………Brian C Brown & Elliott DiGuiseppi and Noah Hawley Story by……………………………………………………Brian C Brown & Elliott DiGuiseppi Produced by………………………………………………………………..Reese Witherspoon …………………………………………………………………………Bruna Papandrea, p.g.a. ……………………………………………………………………………...Noah Hawley, p.g.a. …………………………………………………………………………….John Cameron, p.g.a. Executive Producers………………………………………………………………...Molly Allen ……………………………………………………………..…………………………Leigh Kittay ……………………………………………………………..……………………...Brian C Brown ………………………………………………………………………………….Elliott DiGuiseppi Director of Photography…………………………………………….Polly Morgan, ASC, BSC Production Designer……………………………………………………………..Stefania Cella Film Editor………………………………………………………………………….Regis Kimble Costume Designer………………………………………………………………Louise Frogley Music by……………………………………………………………………………….Jeff Russo Casting by………………………………………………………………………….Ronna Kress Music Supervisor………………………………………………………………..Maggie Phillips http://www.foxsearchlight.com/press Running Time: 124 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] -1- In LUCY IN THE SKY, Natalie Portman plays Lucy Cola, a strong woman whose determination
    [Show full text]
  • Election and Little Children
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Abject Humanism in Tom Perrotta Adaptations: Election and Little Children WYATT MOSS-WELINGTON One of the key figures in the development of a suburban ensemble cinema over the past two decades has been author Tom Perrotta, whose novels typically feature multi-focalised structures, blended affect, and suburban scrutiny. Two of his books were translated to cinema, Election (1999) and Little Children (2006), directed by Alexander Payne and Todd Field respectively, and more recently The Leftovers has been adapted as an HBO serial. Election and Little Children are both high-profile examples of the suburban ensemble dramedy, a millennial American filmmaking mode similarly featuring multiple protagonists, usually half sentimental and half satirical, set in different iterations of the American suburbs; other popular titles include American Beauty (Sam Mendes, 1999), Little Miss Sunshine (Jonathan Dayton and Valerie Faris, 2006) and The Kids Are All Right (Lisa Cholodenko, 2010). These films have often been called ‘human dramas’ and are an example of what I call narrative humanism. In this paper I wish to extend the scope of literary and narrative humanisms, using the Perrotta adaptations to articulate the role abjection might play in suburban ensemble cinema. The paper also demonstrates how a humanist hermeneutic method that accounts for the abject can produce a new, complex ethical inquiry that is focussed on honouring the challenges we face in living up to the prosociality humanism espouses. Narrative humanism refers to attempts to understand and record versions of human social complexity in narrative, the remit of the human drama.
    [Show full text]
  • Humanist Narratology and the Suburban Ensemble Dramedy
    Humanist Narratology and the Suburban Ensemble Dramedy Wyatt Moss-Wellington A thesis submitted in fulfilment of the requirements for the degree of: Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2017 DECLARATION OF ORIGINALITY This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Wyatt Moss-Wellington 2 ABSTRACT What is a “humanistic drama”? Although we might describe narrative works as humanist, and references to the humanistic drama abound across a breadth of critical media, including film and literary theory, the parameters of these terms remain elliptical. My work attempts to clarify the narrative conditions of humanism. In particular, humanists ask how we use narrative texts to complicate our understanding of others, and question the ethics and efficacy of attempts to represent human social complexity in fiction. After historicising narrative humanism and situating it among related philosophies, I develop humanist hermeneutics as a method for reading fictive texts, and provide examples of such readings. I integrate literary Darwinism, anthropology, cognitive science and social psychology into a social narratology, which catalogues the social functions of narrative. This expansive study asks how we can unite the descriptive capabilities of social science with the more prescriptive ethical inquiry of traditional humanism, and aims to demonstrate their productive compatibility.
    [Show full text]
  • Uchicagomagazine-Winter2020.Pdf
    MOVIEPOSTERS BERRY… ECONOMICS BOOK… FILMTO POLITICS… OF JAZZ NORTH… KOREAN STAMPS WINTER 2020 WINTER WINTER 2020, VOLUME 112, NUMBER 2 UCH_Winter2020 cover and spine_v4.indd 1 2/6/20 8:54 AM 200130_RemyMartin_Chicago.indd 1 11/25/19 1:11 PM EDITORˆS NOTES FOR YOUR VOLUME 112, NUMBER 2, WINTER 2020 CONSIDERATION EDITOR Laura Demanski, AM’94 SENIOR EDITOR Mary Ruth Yoe BY LAURA DEMANSKI, AM’94 ASSOCIATE EDITOR Susie Allen, AB’09 MANAGING EDITOR Rhonda L. Smith ART DIRECTOR Guido Mendez ALUMNI NEWS EDITOR Andrew Peart, AM’16, PHD’18 mong the highlights of this cinema-centric issue of the Maga- GRAPHIC DESIGNERS Laura Lorenz; Chloe Reibold zine is “Faculty Faves” (page 24), where we put four professors CONTRIBUTING EDITORS Jeanie Chung; on the spot to share their personal movie recommendations. I John Easton, AM’77; Carrie Golus, AB’91, AM’93; Lucas McGranahan; Brooke E. O’Neill, AM’04 enjoyed the results so much, I put the editors of the Magazine on that same spot. Editorial Office The University of Chicago Magazine, 5235 South Harper Court, Her favorite film(s), says senior editor Mary Ruth Yoe, are Chicago, IL 60615 documentaries. “I’ll never sing backup for rock stars but TELEPHONE 773.702.2163 I can rewatch 20 Feet from Stardom (2013). The late-life EMAIL [email protected] The University of Chicago Alumni Association documentaries by New Wave pioneer Agnès Varda—a favorite is Faces has its offices at 5235 South Harper Court, APlaces (2017)—show France through a lens both individual and uni- Chicago, IL 60615 TELEPHONE 773.702.2150 versal.
    [Show full text]
  • Jim's Video List 1 Filter: Minimum Score of 7 Or a Special Recommendation
    11/07/20 Jim's Video List 1 Filter: Minimum score of 7 or a special recommendation. This is a non-official, pseudo-scientific list of less-than-obvious movies that I've seen and are worth your viewing time, keeping in mind that I like many different kinds of movies. All ratings are just a quick guide to relative enjoyability and socially redeeming value (if any). Also included are films of suspect social value but which left me really glad I had seen them at least once. What results is a hodge-podge of films that should keep you from taking home a real turkey. Note: Subsections like "CULT" are sorted by year. 123... '71 8 Well-crafted action thriller in which a British soldier is separated from Strause, The Brothers (2014) Action / Drama [R] his unit during a street battle in Belfast and must make his way through the labyrinth of city streets and hidden agendas of those he meets. 10 Cloverfield Lane 8 A unique bit of tense, cross-genre fun as a young woman wakes up in Trachtenberg, Dan (2016) Thriller / Horror a secure bunker, saved from World War III by a survivalist. Maybe. Or [PG-13] maybe it's from something else. Or maybe she's not safe at all. Well, damn. 10 Items Or Less 7 In this small "day in two lives" comedy-drama, an actor researching a Silberling, Brad (2006) Drama / Comedy [R] part meets a tough but dejected cashier and pushes her along a path on which she was only taking tentative steps.
    [Show full text]
  • Note Music Mashups
    NOTE MUSIC MASHUPS: TESTING THE LIMITS OF COPYRIGHT LAW AS REMIX CULTURE TAKES SOCIETY BY STORM I. INTRODUCTION In an age where rapidly changing technology is transforming traditional methods of communication and expression, many wonder if the laws of the twentieth century will suffice in the new millennium.1 The Framers of the Constitution certainly did not anticipate the World Wide Web, and it is unlikely that the drafters of the Copyright Act of 1976 could have foreseen the difficulties that would arise in the digital era.2 Digital technology and the Internet have not only made infinite collections of unique art available, but they have also made it possible for peoSOHWRPL[DQGPDVKRWKHUV¶ ZRUNVZLWKOLWWOHGLIILFXOW\DQGQR authoriZation.3 Consequently, society is witnessing a shift away from passive involvement in culture toward a more active, participation- oriented scheme.4 The practice of borrowing ideas to create and inspire new art has never been as prevalent as it is now.5 One area that is increasingly affected by this shift is music.6 In fact, there is an entire JHQUHRIPXVLFFRPPRQO\NQRZQDV³PDVKXSV´GHGLFDWHGWRERUURZLQJ 1. See Lawrence Lessig, Free(ing) Culture for Remix, 2004 UTAH L. REV. 961, 964. 2. See LAWRENCE LESSIG, FREE CULTURE: THE NATURE AND FUTURE OF CREATIVITY 131 (2004). 3. See Edward Lee, Developing Copyright Practices for User-Generated Content, J. INTERNET L., July 2009, at 1, 13; Lessig, supra note 1, at 965; Michael Allyn Pote, Comment, Mashed-Up in Between: The Delicate Balance of ArtLVWV¶ ,QWHUHVWV /RVW $PLGVW WKe War on Copyright, 88 N.C. L. REV. 639, 646 (2010).
    [Show full text]
  • ELECTION M M
    2A Thursday, May 20,1999 Daily Nexus GETTING MODERN WITH WAITING FOR GODOT DIRECTOR PETER LACKNER The existential play “Waiting For Godot” is the Theatre the future, but recognize it in the present The relevance o f feeL I love theater that gives a ritual purpose, and we-have to UCSB production opening this weekend. Peter Lackner, the play is that people do need each other and the two main give the audience something special other than renting a who most recently directed Ensemble Theatre Company’s characters need each other. This play is one o f the most uni­ video. Theater is special because the actors are live. This ri­ “The Game o f Love and Chance,” directs the Nobel Prize­ versal plays I know that raises questions but does not give an­ tual should make you more aware o f your own life and see winning play. I sat down with Lackner, who fed me his inter­ swers. what we have in com m on as human beings. A lso, it gives the pretations and feelings about this controversial and compli­ H ow do the characters bring this across? feeling o f being in the present moment and bang aware of cated play that is sure to leave its audience with a new appre­ Pozzo, played by Jessica Green, is kind o f power hungry, the here and now and the space around us. ciation for their lives. controlling, ambitious, and he has Lucky, played by Jake Beckett makes reference to the audience, which could O ’Ceallaigh, w ith a rope tied around his neck.
    [Show full text]
  • Extensive Collection of Films
    POS Dept. Video Library Page 1 [Last updated April 2013] he'll only bail Tony out if he marries a sensible woman. The trouble is, Tony isn't the sensible type -- until he meets Eloise 12 ANGRY MEN. 1957. DVD (Eleanor Parker). This classic comedy from NR Frank Capra features the Oscar-winning Knowing full well that a guilty verdict means song "High Hopes." death, a jury of 12 men (including Jack Warden and Jack Klugman) must decide the fate of an 18-year-old boy accused of fatally A PASSAGE TO INDIA. 1984. BLU RAY stabbing his father. But only one juror PG (Henry Fonda) wants to take the time to Adventurous young Englishwoman Adela coolly deliberate the case. Sidney Lumet Quested (Judy Davis) journeys to colonial (Network) made his directorial debut with India with open-minded Mrs. Moore (Peggy this Oscar-nominated drama that illuminates Ashcroft). Ignoring English customs, the all the petty impediments on the path to women accompany a "native" named Dr. justice. Aziz on a tour of the Marabar Caves. The excursion turns ugly, however, when Adela emerges from the caves accusing Aziz of A CLOCKWORK ORANGE. 1971. BLU RAY rape. British authorities urge Adela to press R charges, but the truth isn't as obvious as the In this Stanley Kubrick classic based on government believes it to be. Anthony Burgess's novel, teenage miscreant Alex DeLarge (Malcolm McDowell) wanders aimlessly amid a bleak, futuristic urban A SEPARATION. 2011. DVD landscape, drinking drugged milk and PG-13 listening to Beethoven with his fellow An Iranian husband and wife split up over "droogs." But he also spends his time his decision to stay and care for his aging stealing, raping and beating innocent people father instead of leaving the country with his in nihilistic orgies of violence, all in an family.
    [Show full text]
  • Gothic Economies: Global Capitalism and the Boundaries of Identity
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 2002 Gothic economies: Global capitalism and the boundaries of identity Robert Adrian Herschbach University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Herschbach, Robert Adrian, "Gothic economies: Global capitalism and the boundaries of identity" (2002). Doctoral Dissertations. 118. https://scholars.unh.edu/dissertation/118 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]