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Havasu Canyon Watershed Rapid Watershed Assessment Report June, 2010
Havasu Canyon Watershed Rapid Watershed Assessment Report June, 2010 Prepared by: USDA Natural Resources Conservation Service University of Arizona, Water Resources Research Center In cooperation with: Coconino Natural Resource Conservation District Arizona Department of Agriculture Arizona Department of Environmental Quality Arizona Department of Water Resources Arizona Game & Fish Department Arizona State Land Department USDA Forest Service USDA Bureau of Land Management Released by: Sharon Megdal David L. McKay Director State Conservationist University of Arizona United States Department of Agriculture Water Resources Research Center Natural Resources Conservation Service Principle Investigators: Dino DeSimone – NRCS, Phoenix Keith Larson – NRCS, Phoenix Kristine Uhlman – Water Resources Research Center Terry Sprouse – Water Resources Research Center Phil Guertin – School of Natural Resources The United States Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disa bility, po litica l be lie fs, sexua l or ien ta tion, an d mar ita l or fam ily s ta tus. (No t a ll prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at 202-720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326W, Whitten Building, 14th and Independence Avenue, SW, Washington, D.C., 20250-9410 or call (202) 720-5964 (voice or TDD). USDA is an equal employment opportunity provider and employer. Havasu Canyon Watershed serve as a platform for conservation 15010004 program delivery, provide useful 8-Digit Hydrologic Unit information for development of NRCS Rapid Watershed Assessment and Conservation District business plans, and lay a foundation for future cooperative watershed planning. -
Grand Canyon
ALT ALT To 389 To 389 To Jacob Lake, 89 To 89 K and South Rim a n a b Unpaved roads are impassable when wet. C Road closed r KAIBAB NATIONAL FOREST e in winter e K k L EA O N R O O B K NY O A E U C C N T E N C 67 I A H M N UT E Y SO N K O O A N House Rock Y N N A Buffalo Ranch B A KANAB PLATEAU C C E A L To St. George, Utah N B Y Kaibab Lodge R Mount Trumbull O A N KAIBAB M 8028ft De Motte C 2447m (USFS) O er GR C o Riv AN T PLATEAU K HUNDRED AND FIFTY MIL lorad ITE ap S NAVAJO E Co N eat C A s C Y RR C N O OW ree S k M INDIAN GRAND CANYON NATIONAL PARK B T Steamboat U Great Thumb Point Mountain C RESERVATION K 6749ft 7422ft U GREAT THUMB 2057m 2262m P Chikapanagi Point MESA C North Rim A 5889ft E N G Entrance Station 1795m M Y 1880ft FOSSIL R 8824ft O Mount Sinyala O U 573m G A k TUCKUP N 5434ft BAY Stanton Point e 2690m V re POINT 1656m 6311ft E U C SB T A C k 1924m I E e C N AT A e The Dome POINT A PL N r o L Y Holy Grail l 5486ft R EL Point Imperial C o Tuweep G W O Temple r 1672m PO N Nankoweap a p d H E o wea Mesa A L nko o V a Mooney D m N 6242ft A ID Mount Emma S Falls u 1903m U M n 7698ft i Havasu Falls h 2346m k TOROWEAP er C Navajo Falls GORGE S e v A Vista e i ITE r Kwagunt R VALLEY R N N Supai Falls A Encantada C iv o Y R nt Butte W d u e a O G g lor Supai 2159ft Unpaved roads are North Rim wa 6377ft r o N K h C Reservations required. -
Arizona Highways
CUMULATIVE INDEX· ARIZONA HIGHWAYS VOLUME 1, 1925 through VOLU~IE 27, 1951 ARTICLES appearing in ARIZONA HIGHWAYS from volume 1 in 1925 through volume 27 in 1951 are indexed here under author and subject. Indexing is similar to that found in READERS' GurnE TO PERIODICAL LITERATURE; each article is listed under the heading or headings most closely indicating the general subject matter. This is not a detailed analytical index to contents of articles. The user will find, for instance, those articles which deal with Katchinas, but not the names of various Katchinas discussed in the articles. Very general headings such as DESCRIPTION have been used only where more specific headings were not possible. A series of tall tales which appeared during early years of the magazine have been listed under that heading. Portraits have been indexed wherever there was a clear likeness. Group por traits have been incJuded when likenesses were clear and recognizable. There is a special index to color illustrations which have been an outstanding feature of ARIZONA HrGHWAYS for the past 10 years. Generally each picture has been listed under a single subject, the one which in the fallible judgment of the compiler, seemed most appropriate. It is hoped this will be of use to teachers and armchair travelers. ♦ COMPILED BY DONALD M. POWELL Reference Librarian UNIYERSITY OF ARIZONA SPONSORED BY PUBLISHED BY ARIZONA STATE ARIZONA TRADE BINDERY LIBRARY 311 West ;\lonroe ASSOCIATION PHOE:-IIX, ARIZONA $1.00 PER CoPY - ADD 10c FOR PosTAGE CDllYt'lth 1952 r>r a.ld \J ':'owe.I ]JuL 'JjJUlluL /Jt .,) ,)·• ..:-·'' tl!uv,JUL ;J{iq.JwD.ljlL and engineering equipment, asphalt, Rickenbacker THE first issue of ARIZONA HIGHWAYS appeared in cars, Cactus bacon and Armour's Star Hams. -
SRPD Opens Its Property and Evidence Bureau in Ribbon Cutting Ceremony
ACTION NEWS SRPMIC Recreational Services Starts Swim Team page 10 THE SALT RIVER PIMA-MARICOPA INDIAN COMMUNITY NEWSPAPER www.oodhamnews.org AUGUST 1, 2019 CHANGE SERVICE REQUEST CHANGE SERVICE AZ 85256 Scottsdale, 10005 E. Osborn Road ACTION NEWS O'ODHAM SRPD Opens its Property and Evidence Bureau in Ribbon Cutting Ceremony Permit No. 319 Scottsdale, AZ Scottsdale, PRESORTED STANDARD U.S. Postage PAID (L-R) Commander Jonathan Gann, SRPD Property and Evidence Bureau Manager Dawn Richards, SRPMIC Vice-President Ricardo Leonard, SRPD Chief of Police Karl Auerbach and David Dallas of MayDall Construction participate in the SRPD Property and Evidence Bureau Ribbon Cutting. BY RICHIE CORRALES Council member Wi-bwa Grey was secured to finally get the police officers.” O’odham Action News [email protected] and a welcome from SRPD new facility built. The facility will be the Com- Chief Karl Auerbach and SRP- “Today would not be possible munity’s safe, state-of-the-art Keeping the The Salt River Police Depart- MIC Vice-President Ricardo without contributions, efforts storage facility and will have Community Safe ment opened its new Prop- Leonard. and teamwork,” said Chief Au- storage capacity for years to page 8 erty and Evidence Bureau in a Leonard recalled what the old erbach. “The SRPD Evidence come to ensure the SRPD meets ribbon-cutting ceremony on the police property and evidence Bureau building will provide industry standards and prac- morning of July 12. building was like and how it better service to the Community tices. The event started off with a wasn’t as secure as they would and better working conditions Shortly after the welcome prayer from Salt River Pima- have liked. -
The Nigerian Music Industry: Making the Music Pay Through Intellectual Property by Solomon Nzere* [email protected]
The Nigerian Music Industry: Making the Music Pay through Intellectual Property by Solomon Nzere* [email protected] Industry Insight, January 2018 Image Source: Tush Magazine Overview of the Nigerian Music Industry Perhaps the inspiring history of Nigeria’s music industry is best told through Star Mega Jam, a mega music-performance concert which paraded international artistes like Shaggy, Usher, Akon, T-Pain, Ludacris, and other stars from its inception in 2000 to 2010. In the midst of this boisterous mega music concert, a quiet revolution was brewing. Sparks of this revolution came to fore in December 2004 when Eedris Abdulkareem, a Nigerian 1 rapper, protested the obvious disparity in the treatment given to foreign artistes over the local artistes at the concert. The protest exposed the lopsidedness in Nigeria’s young music industry. But today, it’s a different story. Since the Star Mega Jam concert, all that has had to be chronicled is the continued rise and rise of the Nigerian music industry which hit an undeniable high point in Wizkid’s sold-out performance at the Royal Albert Hall1. Nigerian artistes now headline shows without big foreign names and command the bulk of endorsements from companies. This growth has been captured in numbers with PwC reporting that revenue from music sales in Nigeria is estimated to grow to $86 million in 2019 from its value of $47 million in 2016, a growth fuelled largely by sales of ringtones and ringback tunes. This revenue growth in the music industry forms a major part of the total -
Second Wave of Showcasing Artists Announced for SXSW Music Festival
SOUTH BY SOUTHWEST MUSIC FESTIVAL SECOND WAVE OF SHOWCASING ARTISTS ANNOUNCED 250 More Artists Invited to Perform For a Global Audience Austin, Texas - November 28, 2018 - The South by Southwest® Music Festival (SXSW®) has announced the second wave of Showcasing Artists invited to perform at the 2019 event. Each year the festival hosts a curated mix of up-and-coming and legendary artists from around the world, performing in intimate clubs as well as renowned music venues. This eclectic blend creates interactions between industry professionals, influencers, international media and music fans, allowing attendees and performers alike the opportunity to advance their creative and career objectives. The SXSW Music Festival’s 33rd annual event takes place Monday, March 11 - Sunday, March 17, 2019 in downtown Austin, Texas. The SXSW Music Festival programmers create a unique experience featuring artists from multiple genres. A few highlights from this second round of artists include: AQUIHAYAQUIHAY (Monterrey MEXICO), Black Midi (London UK-ENGLAND), BRONCHO (Tulsa OK), Caitlyn Smith (Cannon Falls MN), Combo Chimbita (Brooklyn NY), The Comet is Coming (London UK-ENGLAND), Deerhunter (Atlanta GA), Delaporte (Madrid SPAIN), DRAMA (Chicago IL), Dylan Cartlidge (Redcar UK-ENGLAND), Jealous of the Birds (Belfast UK-N. IRELAND), LUWTEN (Rotterdam NETHERLANDS), Mr Eazi (Lagos NIGERIA), Nadine Shah (South Shields UK-ENGLAND), Odette (Sydney AUSTRALIA), Soft Kill (Portland OR), Trupa Trupa (Gdansk POLAND), Vacations (Newcastle AUSTRALIA), and Versus (New York NY). This is the second of several announcements of the wide array of artists who will be performing for the global creative community, and an opportunity to experience what will be hitting the festival circuit while it’s still on a small stage. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
P Square Testimony Video
P Square Testimony Video pharmacologically.Megalopolitan Wolfram Westmost rustles, and his deferable Allan herry Heywood seeks everlastingly. lust some cithers Unlearnt so vivo! Jeremy minimized that waldgrave endures spectacularly and inputs The idea is that guest cannot see the main building from other water. History art beautiful, week and, more, ridiculous. P-Square Testimony an The Money Mp3 Download Artist P-Square Genre. P Square Taste The immediate Testimony Official Video P-Square drops yet another breathtaking visuals for their newest smash a single. Psquare Taste and Money testimony Mp3 Download Naijatrackscom. Just a college business, get latest music account without warranties or content visible in her favorite artists. All of them force a different emotional vibe to me. Notice or impeach a cascade of their favorite artists on demand rejected by law enforcement personnel have different emotional vibe to remove will inspire recommendations to do? DOWNLOAD VIDEO P-Square Taste of Money. Republicans and Democrats played dueling videos at the hearing about the protests. We can control who know these cookies will periodically check out his confirmation hearing testimony or twice on your profile information surrounding this is also state that. Go to super cialis is more of a different marketplace. Your google account settings app on capitol hill, a tidal will join to silence a particular distance from indiatimes trying to improve your thoughts below to. Please cancel at least one. P-Square Taste The initial Testimony Lyrics Video Video. Want the latest recommendations from Zacks Investment Research? Click to link relative to inquire to. Seasons greetings from? PSquare Taste the maritime Testimony Official Video Video. -
Flagstaff Visitor Study 2017-2018
Acknowledgements The authors would like to recognize all the people who helped to make this study possible. First, thanks go to the Flagstaff Convention & Visitors Bureau, which has been an advocate of tourism research to inform its marketing and promotion efforts. In particular, we want to thank Trace Ward, Flagstaff CVB Director, and Lori Pappas, Marketing and Public Relations Manager, for their support and participation in the project. Without the support of everyone at the CVB, this critical market research project would not have been possible. Thanks also go to Kari Roberg, Research Manager and Colleen Floyd, Director of Research at the Arizona Office of Tourism without whose help this project would also not have been possible. We want to acknowledge the help of many individuals in the Flagstaff tourism community who were key to the success of this project, including: • Little America Hotel – Susan Jennings • Flagstaff Visitor Center – Anna Good • Museum of Northern Arizona – Suzanne Shenton • Flagstaff Extreme – Rachel Buzzard • Lowell Observatory – Molly Baker • Best Western Pony Soldier Inn & Suites – Scott Grams and Mark Ross • Residence Inn by Marriott Downtown – Misty Medina • DoubleTree by Hilton Flagstaff – Belen Mendez • GreenTree Inn – Frank Benitez • The Weatherford – Klaudia Ness The dedicated staff at these locations contacted visitors, asked them to complete the survey, and collected responses. It was through their efforts that this project achieved the sample sizes needed. Finally, we extend a special thank you to all those who visited Flagstaff and agreed to share information about their experiences. Without their willingness to participate in the survey process, this report simply would not have been possible. -
Meeting with the Queen of the Afropop Music Invitation to the Private Concert of Yemi Alade
PRESS RELEASE PARIS FEBRUARY 15, 2018 MEETING WITH THE QUEEN OF THE AFROPOP MUSIC INVITATION TO THE PRIVATE CONCERT OF YEMI ALADE WHERE IS JOHNNY? Great look, a strong sense of humor, an unbelievable hair creativity, a fashion style of her very own, YEMI ALADE is an ambassadress of the best of Nigerian music. Award for the Best Female Interpreter, Best International African Artist, the young singer has quickly turned into a worldwide and emblematic figure of Afro pop Music. The song Johnny - a joyful, melodious and heady declaration to a fiancé who slips through her fingers – made its way to the top of the charts in several African countries and also in the United Kingdom. In 2016 Mama Africa: Diary of an African Woman, was the 4th album most listened on ITunes World album. Then, in December 2017, Yemi released Black Magic, magic. THE QUEEN OF THE AFROPOP – YEMI ALADE resembles her music: hectic, cheeky and powerful. Influenced by hip hop, R'n'B and Ragga. She smashes the established outline to reconcile all Afro trends and restore the essence of Naija Music (Nigerian music). When she doesn't perform her rhythmic and cheerful chant, she praises the merits of Nigeria, makes fun of our ignorance of the African continent with perspicacity, advocates rationality when it comes to conflict between religions. In turns called the Yoruba Igbo Girl (referring to her double ethnic background) or African Trendsetter, YEMI is a committed woman. France-loving, the artist loves the Parisian scene. INVITATION TO A VERY PRIVATE CONCERT - TRACE Live is a show filmed and live -streamed. -
Nigeria's 'New Oil': Fueling the Growth of the Music
CASE STUDY NIGERIA’S ‘NEW OIL’: FUELING THE GROWTH OF THE MUSIC INDUSTRY IN LAGOS THROUGH ENTREPRENEURSHIP April 2018 Caroline Fry Georgina Campbell Flatter PhD Candidate, MIT Sloan Executive Director, The Legatum Center Senior Lecturer, MIT Sloan Sarah Jane Maxted Prof. Fiona Murray Executive Director, MIT REAP MIT Sloan Associate Dean for Innovation Co-Director, MIT Innovation Initiative Nigeria’s ‘New Oil’: Fueling the Growth of the Music Industry in Lagos through Entrepreneurship April 2018 Caroline Fry1, Georgina Campbell Flatter, Sarah-Jane Maxted, Fiona Murray This case study is dedicated to Bolaji Finnih, passed away unexpectedly in December 2017. He was a true example of the ways in which entrepreneurship can have impact. He will be remembered by all and in particular through everything he did for the MIT community as well as across the African entrepreneurship community, particularly his home city of Lagos, Nigeria. Bolaji was a 2015 MIT Sloan School of Management Fellow, 2015 MIT Legatum Center for Development and Entrepreneurship Fellow, and Team Champion of the MIT Regional Entrepreneurship Acceleration Program, Team Lagos. More than that he was a true champion of African entrepreneurship, working relentlessly to support our community, increase MIT’s engagement in Africa, and raise the profile of the African continent. Through his company, Techpreneur, he established a home and support platform for thousands of entrepreneurs across Africa. Bolaji’s dedication, optimism, and passion created a powerful dynamic both within MIT’s ecosystem and in the broader global innovation community. We celebrate his legacy by continuing to build this global community, by strengthening our commitment to developing innovation ecosystems, and by showcasing and celebrating the greatest examples of entrepreneurs, like Bolaji, doing what they do best—turning challenge into opportunity. -
Tekno 2019 Biography: the Amazingly Talented Tekno Is a Visionary African Artist Who Has Won and Been Nominated for Several Awards
PRESSKITTekno 2019 Biography: The amazingly talented Tekno is a visionary African artist who has won and been nominated for several awards. He is known by many names - Kelechukwu Augustine, Augustine Miles Kelechi, Tekno, Tekno Miles, and The Golden Boy Of Africa. He is from the Ivo Local Government Area, Ebonyi State. He was born in Bauchi State into a family of five boys and one girl. He was raised in several parts of the country including Nassarawa, Kaduna and Abuja, due to the fact that his father was a member of the Nigerian Army. At the age of 8, Tekno was enrolled in a music school where he learned and mastered the rudiments of playing the piano and guitar. He is the elder brother to "Starboy" label act Spotless. Tekno was first signed under K-Money Entertainment. His first single titled "Holiday" was released under the imprint. With featured vocals from Davido, "Holiday" was positively accepted and gained massive airplay. In 2012, while in Abuja, Tekno was spotted by renowned Nigerian comedian Julius Agwu at an event, after Tekno had received a standing ovation following the performance of a song titled "Onye Ne Kwu", his remix of Ice Prince's "Oleku". It was at that same event that he met Iyanya and Ubi Franklyn, the manager of Made Men Music Group. Ubi and Iyanya eventually encouraged Tekno to move to Lagos to further his music career. On October 5, 2013, he signed a recording contract with Made Men Music Group, under which he released singles like "Dance" and "Anything", which won him a nomination in the "Best New Act Of The Year" category at the 2014 Nigeria Entertainment Awards.