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Kevin Burke and Cal Scott
WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax. -
Barbara Mandigo Kelly Peace Poetry Contest Winners
The Gathering by Ana Reisens Adult Category, First Place In the movie we sleep fearlessly on open planes because we cannot imagine any danger more tragic than those that have already passed. For weeks we have been arriving over the earth’s broken skin, over mountains and rivers, shaking the aching flagpoles from our shoulders. Now all the priests and imams and rabbis and shamans are gathered beside the others, teachers, brothers and kings and they’re sharing recipes and cooking sweet stories over fires. Suddenly we hear a voice calling from the sky or within – or is it a radio? – and it sings of quilts and white lilies as if wool and petals were engines. It’s a lullaby, a prayer we all understand, familiar like the scent of a lover’s skin. And as we listen we remember our grandmothers’ hands, the knitted strength of staying, how silence rises like warmth from a woven blanket. And slowly the lines begin to disappear from our skin and our memories spin until we’ve forgotten the I of our own histories and everyone is holy, everyone is laughing, weeping, singing, It’s over, come over, come in. And this is it, the story, an allegory, our movie – the ending and a beginning. The producer doesn’t want to take the risk. No one will watch it, he says, but we say, Just wait. All the while a familiar song plays on the radio and somewhere in a desert far away a soldier in a tank stops as if he’s forgotten the way. -
Mare of Easttown
** THESE MATERIALS ARE CONFIDENTIAL AND FOR INTERNAL USE ONLY ** MARE OF EASTTOWN Episode 107 "Sacrament" Written by Brad Ingelsby Directed by Craig Zobel PRODUCTION DRAFT - 10/04/19 BLUE PRODUCTION DRAFT - 10/29/19 PINK PAGES REVISED - 11/01/19 YELLOW PAGES REVISED - 12/18/19 GREEN PAGES REVISED - 1/13/20 SECOND WHITE PAGES REVISED – 2/03/20 SECOND BLUE PAGES REVISED – 2/14/20 SECOND PINK PAGES REVISED – 2/28/20 SECOND YELLOW PAGES REVISED – 3/11/20 SECOND GREEN PAGES REVISED – 8/20/20 THIRD WHITE PAGES REVISED – 9/04/20 THIRD BLUE PAGES REVISED – 9/17/20 THIRD PINK PAGES REVISED – 9/26/20 THIRD YELLOW PAGES REVISED – 9/30/20 THIRD GREEN PAGES REVISED – 11/01/20 © 2019 Home Box Office, Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, reproduced, sold or distributed by any means, or quoted or published in any medium, including on any web site, without the prior written consent of Home Box Office. Distribution or disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does not alter any of the restrictions previously set forth. 107 - Third Green Collated (11/01/2020) 1. 1 EXT. LEHIGH RIVER - FALLEN OAK TREE - LATE DAY 1 MARE advances deeper into the woods. The river is louder and angrier out here, the forest primeval. Up ahead, a towering old-growth white oak has fallen, impeding her path. She scales the massive trunk, climbing between limbs as crooked as witch fingers. And she presses on. 2 EXT. -
Awaken to Change 40 Days Devotional 2021
AWAKEN TO CHANGE 40 DAYS DEVOTIONAL 2021 THE JOURNEY ONE CHURCH ONE DEVOTION 40 DAYS #Journey40Days theJourney.cc Share What Impacts You #Journey40Days CONTENTS WEEK ONE .................................1 WEEK FOUR ..............................51 Day 1 ................................. 2 Day 21 ............................... 52 Day 2 ................................. 4 Day 22 ............................... 55 Day 3 ................................. 6 Day 23 ............................... 57 Day 4 ................................. 8 Day 24 ............................... 59 Day 5 ................................. 10 Day 25 ............................... 61 Day 6 ................................. 12 Day 26 ............................... 64 WEEK TWO ................................15 Day 27 ............................... 67 Day 7 ................................. 16 WEEK FIVE ................................71 Day 8 ................................. 18 Day 28 ............................... 72 Day 9 ................................. 20 Day 29 ............................... 74 Day 10 ............................... 22 Day 30 ............................... 77 Day 11 ............................... 25 Day 31 ............................... 79 Day 12 ............................... 27 Day 32 .............................. 81 Day 13 ............................... 30 Day 33 ............................... 84 WEEK THREE...........................33 Day 34 ............................... 87 Day 14 ............................... 34 WEEK -
ADX Is Based on Fate Core System and Fate Accelerated Edition (Found At
APOTHEOSIS DRIVE X IS A MACHINE AGE PRODUCTION DESIGNED AND WRITTEN BY DAVID A HILL JR and FILAMENA YOUNG Additional Writing by Jeremy Kostiew and David Gallo ART BY ARTHUR ASA, NICOLE CARDIFF, JENNA FOWLER, JEREMY KOSTIEW, SEAN PARRACK Cover Art By Laura Hamilton APOTHEOSIS DRIVE X IS RELEASED UNDER A CREATIVE COMMONS BY-SA-NC LICENSE #ADX is based on Fate Core System and Fate Accelerated Edition (found at http://www.faterpg. com/), products of Evil Hat Productions, LLC, developed, authored, and edited by Leonard Balsera, Brian Engard, Jeremy Keller, Ryan Macklin, Mike Olson, Clark Valentine, Amanda Valentine, Fred Hicks, and Rob Donoghue, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (http://creativecommons.org/licenses/by/3.0/). Fate™ is a trademark of Evil Hat Productions, LLC. The Powered by Fate logo is © Evil Hat Productions, LLC and is used with permission. The Fate Core font is © Evil Hat Productions, LLC and is used with permission. The Four Actions icons were designed by Jeremy Keller. FIND MORE AT HTTP://WWW.CREATIVECOMMONS.ORG INTRODUCTIONINTRODUCTION “Through the auspices of the gun, man is relieved of responsibilities- placing his faith in sister machine gun, brother bomb.” - Jim Marcus “Peace cannot be kept by force; it can only be achieved by understanding.” - Albert Einstein Welcome to the 25th century. What is Apotheosis Drive X? Apotheosis Drive X, or #ADX, is a game about humanity, giant robots, struggle, science, love, loss, sacrifice, and consequence. It’s a game about so very many things. In #ADX, you and a handful of friends portray a crew of robot pilots -or Titans, as we call them- and their friends, allies, loved ones, and supporters. -
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr. -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
Séamus Begley Trio Brings Together the Musical Gifts of the Irish Artists - Seamus Begley, Dezi Donnelly and Matt Griffin
The Séamus Begley Trio brings together the musical gifts of the Irish artists - Seamus Begley, Dezi Donnelly and Matt Griffin. One can experience the passion and intensity that these performers bring to the stage combined with an intimacy and warmth that will make you feel part of the performance. What sets them apart in the first place is their beefing-up of the rhythmic side of the music while maintaining a purity in the melodic playing and instrumentation. Edgy in their delivery, tunes and songs are given a powerful, dynamic new flavour. This is a celebration of Traditional Irish music and song that you have to experience. Their concerts provide stunning arrangements of traditional Irish masterpieces. Séamus Begley - Accordion & Vocals Séamus Begley is regarded as one of the finest Traditional Irish musicians and singers, having reshaped Irish traditional music over the last two decades. He has won Ireland's prestigious National Entertainment Award for Traditional Music for his acclaimed CD Meiteal (Working Together), recorded with Steve Cooney. His album with guitarist Jim Murray “Ragairne” was acclaimed Folk/Traditional album of the Year by “The Irish Times” and “Hot Press”, the leading music magazine in Ireland. His latest work, The Bold Kerryman is an album of songs, produced by John Reynolds (who has worked with Damien Dempsey, Seun Kuti, Sinead O’Connor, Passenger, Nusrat Fateh Ali Khan, Brian Eno and David Byrne) Séamus is the quintessential Irish musician - an eager storyteller known for his sharp wit and famous for pumping out tunes. He plays with an energy that is alarming, bringing a frisky spontaneity to his box-playing, belting out jigs, slides and polkas with rapid sprays of reckless ornamentation before making a sudden key change into a bitter-sweet air, sung or played on the accordion. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
Boston Irish March 2020
Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty. -
The Development of an Archive of Explicit Stylistic
CONCLUSIONS I trust I am offering to my countrymen an acceptable present: the gift has novelty, at least, to recommend it. Though Ireland has been long famed for its poetry and music, these subjects have never yet been treated of historically. I do not pretend to have done completely, what has lain so long undone: no doubt, many sources of information still remain unopened, and many documents unconsulted. However, I have marked out a path, which may facilitate the pursuit of those who shall hereafter follow me.1 It may be ironic to conclude this latest study of Irish traditional music with the words that Joseph Cooper Walker used to open what is regarded as the first book on the subject, yet the sentiment is shared. In many ways, the best of what both studies have achieved is to draw attention to the vastness of that which still remains unknown. Similarly to Walker, the focus of this study is not on comprehensiveness but on the investigation of a pathway that may be useful beyond the scope of this thesis. The fundamental objective of this research was to develop and refine a process through which an archive of explicit stylistic data could be constructed and then to determine what practical outcomes would emerge from working with explicit stylistic data in this way. One of the more interesting results of the project was that from conversations with other musicians and academics I found that the basic idea of codifying and using stylistic knowledge was not new. Kristiina Ilmonen, the former director of the Folk Music Department at the Sibelius Academy in Helsinki, told me that she uses the term ‘treasure box’, to describe the mental space where her musical knowledge is stored and from which she can select elements of it for use in performance. -
Promising Young Woman
Promising Young Woman Written and Directed by Emerald Fennell 1 INT. SWEET SIXTEEN’S DANCEFLOOR - NIGHT A super-depressing dancefloor on a Thursday night. 2-For-1 shots and a sticky floor. The kind of last-resort place people end up after work having accidentally nailed ten “just one” drinks. A bored DJ plays the DROELOE remix of “Boys” by Charlie XCX, while the thin and kind of tragic crowd dances. We linger on the men dancing in particular, their bodies, the sweat running down their backs as they grind and thrust. The slow-mo, the lascivious pan-up, the sort of erotic gaze normally reserved for oiled-up music-video hotties. Except we’re looking at regular dudes in chinos with absolutely no dancing ability. INT. SWEET SIXTEEN’S UPSTAIRS BAR - NIGHT By the bar, is a group of guys still in their work suits, ties loosened. They’re mostly good-looking, in their early- thirties, bantering and eyeing up the diminishing talent pool. Among them are JEZ, a shy, sweet guy who is clearly dying to leave, and PAUL, a sweaty Alpha-bro whose super- fragile masculinity is always one rejection away from shattering to pieces. PAUL Fuck her, man. It’s how things are done. It’s just a fucking round of golf! You’d think we were taking clients to a strip club or something- JIM -which we can’t anymore- PAUL -Exactly we can’t even do that anymore because of last year’s Christmas party. JEZ I think it’s because the golf club doesn’t let women play there.