Poet Laureate
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Researching a Single Journalist 1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Greenwich Academic Literature Archive 1 Researching a single journalist Alfred Austin John Morton In the introduction to the Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, Alexis Easley, Andrew King, and I identi- fied several periodical types our volume had not dwelt on in detail. Among these were party political journals. While several journals with loose political affiliations were discussed in passing (for example, Blackwood’s Edinburgh Review, which was founded as something of a Tory corrective to the Whig Edinburgh Review), they were not treated primarily as organs of political ideology. Before co-writing the introduction to the Routledge Handbook, I had already decided to undertake a study of Alfred Austin for this chapter; it is a genuine coincidence, although not an unhappy one, that at every stage of his career Austin betrayed a definitively Conservative outlook and founded one of the most influential late Victorian Conservative journals, the National Review. This chapter, in addition to considering Austin as a political journalist and establishing this as the primary factor behind his appointment to the laureateship, will also through practice demonstrate the difficulty – in fact near-impossibility – of researching one nineteenth-century journalist in isolation. Austin is nowadays remembered for what many would term the wrong reasons, chief among these his status as the apparently least deserving poet laureate in British history. I first came across his work when writing my PhD thesis, which investigated the critical and cultural legacy of Alfred Tennyson in the sixty or so years after his death. -
Laureateship Under the Reign of Queen Victoria
English Language and Literature Studies; Vol. 3, No. 4; 2013 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Laureateship under the Reign of Queen Victoria Mohammed Kasim Harmoush1 1 Faculty of Arts, King Abdul Aziz University, Jeddah, Saudi Arabia Correspondence: Mohammed Kasim Harmoush, Associate Professor of English, Faculty of Arts, King Abdul Aziz University, Jeddah, Saudi Arabia. E-mail: [email protected] Received: October 15, 2013 Accepted: November 1, 2013 Online Published: November 28, 2013 doi:10.5539/ells.v3n4p68 URL: http://dx.doi.org/10.5539/ells.v3n4p68 Abstract Many foreign learners of English in our Middle Eastern universities encounter terms such as poet laureate or laureateship without troubling themselves to search for the origin of these terms, or even taking enough time to specify their true meanings or identify the poets honoured with the title of poet laureate, and how the candidates are selected in Victorian times. This paper is designed to give answers to the above speculations. Upon reviewing many sources in this regard, we become sure that the title of Laureateship is often offered by the authority to a man of letters not necessary very well-known poet, but to a man who could serve the Queen by writing poems or articles celebrating her royal occasions and sharing her the same political taste. Keywords: laureateship, Victorian poets, Queen Victoria, Victorian times 1. The Main Discussion We believe that shedding light upon this topic is a useful and interesting undertaking in the present. This paper mainly focuses on the poets laureate of the Victorian period. -
December 2012
PRESS RELEASE July 2014 Poetry for the Palace Poets Laureate from Dryden to Duffy The Queen’s Gallery, Palace of Holyroodhouse 7 August – 2 November 2014 From William Wordsworth and Alfred, Lord Tennyson to Sir John Betjeman and Ted Hughes, some of Britain's most famous poets have held the position of Poet Laureate. This special honour, and appointment to the Royal Household, is awarded by the Sovereign to a poet whose work is of national significance. An exhibition opening at The Queen's Gallery, Palace of Holyroodhouse in August is the first ever to explore this royal tradition and the relationship between poet and monarch over 350 years. Through historic documents from the Royal Library and newly commissioned works of art, Poetry for the Palace: Poets Royal Collection Trust / Laureate from Dryden to Duffy marks the halfway point in the © Her Majesty Queen Elizabeth II 2014. tenure of the current Poet Laureate, Carol Ann Duffy. The Artwork by Stephen Raw exhibition includes original manuscripts and rare editions presented to monarchs by Poets Laureate from the 17th century to the present day, many personally inscribed, handwritten or illustrated by the poets themselves. Over three-quarters of the 52 items will go on display for the first time. Born in Scotland, Carol Ann Duffy was appointed the 20th Poet Laureate by The Queen in 2009 and is the first woman to hold the position. Her poems cover a range of subjects, from the Royal Wedding in 2011 (Rings) and the 60th anniversary of The Queen's Coronation (The Crown), to the publication of the Hillsborough Report (Liverpool) and climate change (Atlas). -
Queen Anne and the Arts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library TRANSITS Queen Anne and the Arts EDITED BY CEDRIC D. REVERAND II LEWISBURG BUCKNELL UNIVERSITY PRESS 14_461_Reverand.indb 5 9/22/14 11:19 AM Published by Bucknell University Press Copublished by The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannery Street, London SE11 4AB All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data <insert CIP data> ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America 14_461_Reverand.indb 6 9/22/14 11:19 AM CONTENTS List of Illustrations ix Acknowledgments xiii Introduction 1 1 “Praise the Patroness of Arts” 7 James A. Winn 2 “She Will Not Be That Tyrant They Desire”: Daniel Defoe and Queen Anne 35 Nicholas Seager 3 Queen Anne, Patron of Poets? 51 Juan Christian Pellicer 4 The Moral in the Material: Numismatics and Identity in Evelyn, Addison, and Pope 59 Barbara M. Benedict 5 Mild Mockery: Queen Anne’s Era and the Cacophony of Calm 79 Kevin L. -
Poet's Corner in Westminster Abbey
Poet’s Corner in Westminster Abbey Alton Barbour Abstract: Beginning with a brief account of the history of Westminster Abbey and its physical structure, this paper concentrates on the British writers honored in the South Transept or Poet’s Corner section. It identifies those recognized who are no longer thought to be outstanding, those now understood to be outstanding who are not recognized, and provides an alphabetical listing of the honored members of dead poet’s society, Britain’s honored writers, along with the works for which they are best known. Key terms: Poet’s Corner, Westminster Abbey, South Transept. CHRISTIANITY RETURNS AND CHURCHES ARE BUILT A walk through Westminster Abbey is a walk through time and through English history from the time of the Norman conquest. Most of that journey is concerned with the crowned heads of England, but not all. One section of the Abbey has been dedicated to the major figures in British literature. This paper is concerned mainly with the major poets, novelists and dramatists of Britain, but that concentration still requires a little historical background. For over nine centuries, English monarchs have been both crowned and buried in Westminster Abbey. The Angles, Saxons and Jutes who conquered and occupied England in the mid 5th century were pagans. But, as the story goes, Pope Gregory saw two fair-haired boys in the Roman market who were being sold as slaves and asked who they were. He was told that they were Angles. He replied that they looked more like angels (angeli more than angli) and determined that these pagan people should be converted to Christianity. -
Domine Dirige
Kevin J. Gardner is Associate Professor of English at Baylor University in Waco, Texas. A Betjeman scholar, he is the author of Betjeman and the Anglican Imagination (SPCK, 2010). He is also the editor of Faith and Doubt of John Betjeman: An anthology of his religious verse (Continuum, 2005) and Poems in the Porch: The radio poems of John Betjeman (Continuum, 2008). In addition to his work on Betjeman, he has published on a wide variety of literary figures over the years, and has a particular interest in twentieth-century writers who address issues of faith and religion. BETJEMAN ON FAITH An anthology of his religious prose Edited by Kevin J. Gardner First published in Great Britain in 2011 Society for Promoting Christian Knowledge 36 Causton Street London SW1P 4ST www.spckpublishing.co.uk Preface copyright © Kevin J. Gardner 2011 All other chapters copyright © the Estate of Sir John Betjeman 2011 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. SPCK does not necessarily endorse the individual views contained in its publications. Scripture quotations are taken from the Authorized Version of the Bible (The King James Bible), the rights in which are vested in the Crown, and are reproduced by permission of the Crown’s Patentee, Cambridge University Press. Extracts from The Book of Common Prayer, the rights in which are vested in the Crown, are reproduced by permission of the Crown’s Patentee, Cambridge University Press. -
Undergraduate Admissions by
Applications, Offers & Acceptances by UCAS Apply Centre 2019 UCAS Apply Centre School Name Postcode School Sector Applications Offers Acceptances 10002 Ysgol David Hughes LL59 5SS Maintained <3 <3 <3 10008 Redborne Upper School and Community College MK45 2NU Maintained 6 <3 <3 10011 Bedford Modern School MK41 7NT Independent 14 3 <3 10012 Bedford School MK40 2TU Independent 18 4 3 10018 Stratton Upper School, Bedfordshire SG18 8JB Maintained <3 <3 <3 10022 Queensbury Academy LU6 3BU Maintained <3 <3 <3 10024 Cedars Upper School, Bedfordshire LU7 2AE Maintained <3 <3 <3 10026 St Marylebone Church of England School W1U 5BA Maintained 10 3 3 10027 Luton VI Form College LU2 7EW Maintained 20 3 <3 10029 Abingdon School OX14 1DE Independent 25 6 5 10030 John Mason School, Abingdon OX14 1JB Maintained 4 <3 <3 10031 Our Lady's Abingdon Trustees Ltd OX14 3PS Independent 4 <3 <3 10032 Radley College OX14 2HR Independent 15 3 3 10033 St Helen & St Katharine OX14 1BE Independent 17 10 6 10034 Heathfield School, Berkshire SL5 8BQ Independent 3 <3 <3 10039 St Marys School, Ascot SL5 9JF Independent 10 <3 <3 10041 Ranelagh School RG12 9DA Maintained 8 <3 <3 10044 Edgbarrow School RG45 7HZ Maintained <3 <3 <3 10045 Wellington College, Crowthorne RG45 7PU Independent 38 14 12 10046 Didcot Sixth Form OX11 7AJ Maintained <3 <3 <3 10048 Faringdon Community College SN7 7LB Maintained 5 <3 <3 10050 Desborough College SL6 2QB Maintained <3 <3 <3 10051 Newlands Girls' School SL6 5JB Maintained <3 <3 <3 10053 Oxford Sixth Form College OX1 4HT Independent 3 <3 -
Download Master List
Code Title Poem Poet Read by Does Note the CD Contain AIK Conrad Aiken Reading s N The Blues of Ruby Matrix Conrad Aiken Conrad Aiken Time in the Rock (selections) Conrad Aiken Conrad Aiken A Letter from Li Po Conrad Aiken Conrad Aiken BEA(1) The Beat Generation (Vol. 1) Y San Francisco Scene (The Beat Generation) Jack Kerouac Jack Kerouac The Beat Generation (McFadden & Dor) Bob McFadden Bob McFadden Footloose in Greenwich Village Blues Montage Langston Hughes Langston Hughes / Leonard Feather Manhattan Fable Babs Gonzales Babs Gonzales Reaching Into it Ken Nordine Ken Nordine Parker's Mood King Pleasure King Pleasure Route 66 Theme Nelson Riddle Nelson Riddle Diamonds on My Windshield Tom Waits Tom Waits Naked Lunch (Excerpt) William Burroughs William Burroughs Bernie's Tune Lee Konitz Lee Konitz Like Rumpelstiltskin Don Morrow Don Morrow OOP-POP-A-DA Dizzy Gillespie Dizzy Gillespie Basic Hip (01:13) Del Close and John Del Close / John Brent Brent Christopher Columbus Digs the Jive John Drew Barrymore John Drew Barrymore The Clown (with Jean Shepherd) Charles Mingus Charles Mingus The Murder of the Two Men… Kenneth Patchen Kenneth Patchen BEA(2) The Beat Generation (Vol.2) Y The Hip Gahn (06:11) Lord Buckley Lord Buckley Twisted (02:16) Lambert, Hendricks & Lambert, Hendricks & Ross Ross Yip Roc Heresy (02:31) Slim Gaillard & His Slim Gaillard & His Middle Middle Europeans Europeans HA (02:48) Charlie Ventura & His Charlie Ventura & His Orchestra Orchestra Pull My Daisy (04:31) David Amram Quintet David Amram Quintet with with Lynn Sheffield Lynn Sheffield October in the Railroad Earth (07:08) Jack Kerouac Jack Kerouac / Steve Allen The Cool Rebellion (20:15) Howard K. -
Civic Subjects: Wordsworth, Tennyson, and the Victorian Laureateship
University of Alberta Civic Subjects: Wordsworth, Tennyson, and the Victorian Laureateship by Carmen Elizabeth Ellison A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Carmen Elizabeth Ellison Fall 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-62887-4 Our file Notre référence ISBN: 978-0-494-62887-4 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
The Poets and the Poetry of the Century
The Poets and the Poetry of the Century Alfred H. Miles *a*^. Southern Branch of the of University California ; Los Angeles Form L I V.Q, 'JUL 2 9 1984 Form L9-15/(<-10,'25 The POETS and the POETRY of the CENTURY The POETS and the POETRY of the CENTURY William Morris to Robert Buchanan Edited by ALFRED H. MILES HUTCHINSON & CO. 25, PATERNOSTER SQUARE, LONDON '" /^' r> ') i> •'5 .* ^, ^ n PREFATORY. This volume contains selections from the works of poets who were born during the fourth decade of the century,— poets, who at the time of this writing, are in most in cases the prime of life, and in the full vigour of their working powers ;—poets from whom much has been received, and from whom more may " yet be expected, whose names are as familiar in our ears as household words," and whose v.-ork has exercised more influence over the poetic literature of the latter part of the Victorian era, than that of any others, excepting only the work of Lord Tennyson and Robert Browning. The Editor's obligations in this connection are numerous and heavy. The high courtesy he has experienced at the hands of Mr. William Morris and Mr. Swinburne, would hardly find, in the delicacy and grace of the one or the torrent-force of the other, an adequate verbal equivalent. His sense of indebtedness to Mr. Theodore Watts, one of whose sonnets in this appears volume for the first time, be recorded but may not expressed. Dr. Garnett, the Hon. Roden Noel, Mr. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Title the First Female British Poet Laureate, Carol Ann Duffy
Title The first female British poet laureate, Carol Ann Duffy : a biographical sketch and interpretation of her poem 'The Thames, London 2012' Sub Title 英国初の女性桂冠詩人, キャロル・アン・ダフィーの経歴と作品, 「テムズ川, ロンドン2012年」の考察 Author 富田, 裕子(Tomida, Hiroko) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 2016 Jtitle 慶應義塾大学日吉紀要. 言語・文化・コミュニケーション (Language, culture and communication). No.47 (2016. ) ,p.39- 59 Abstract Notes Genre Departmental Bulletin Paper URL http://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN1003 2394-20160331-0039 Powered by TCPDF (www.tcpdf.org) The First Female British Poet Laureate, Carol Ann Duffy —a Biographical Sketch and Interpretation of her Poem ‘The Thames, London 2012’ Hiroko Tomida Introduction Although the name of Carol Ann Duffy has been known to the British public since she was appointed Britain’s Poet Laureate in May 2009, she remains an obscure figure outside Britain, especially in Japan.1 Her radio and television interviews are accessible, and the collections of her poems are easily obtainable. However, there are only a few books, exploring her poetry from a wide range of literary and theoretical perspectives.2 The rest of the publications are short articles, which appeared mostly in literary magazines and newspapers.3 Indeed her biographical sketches and analyses of her poems, especially the recent ones, are very limited in number. Therefore the main objectives of this article are to introduce her biography and to analyse one of her recent poems relating to British history. This article will be divided into two sections. In the first part, Duffy’s upbringing, and family and educational backgrounds, and her careers as a poet, playwright, literary critic and an academic will be examined.