Olivier Messiaen: a Research and Information Guide, Is Intended to fill This Important Need
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Signumclassics
126booklet 13/5/08 11:28 Page 1 ALSO AVAILABLE ON signumclassics Ragtime & Blue Brahms and Schumann Haydn Piano Sonatas Elena Kats-Chernin - Piano John Lill - Piano John Lill - Piano SIGCD058 SIGCD075 SIGCD097 Elena Kats-Chernin is a composer who Much-loved pianist, John Lill, plays John Lill returns to take the listener on a defies categorisation: a virtuosic pianist touchstones of the 19th-century romantic journey through the many moods of Haydn, and improviser, her compositions flow piano tradition. Lill is at his sparkling in brilliant performances of some from her like a fountain. This CD is best in this wonderful repertoire. composer’s most intriguing works for drawn from the small works she often the keyboard. writes for her own enjoyment - a cornucopia of rags, blues and heart- melting melodies. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 126booklet 13/5/08 11:28 Page 3 MESSIAEN: CHAMBER WORKS MESSIAEN: CHAMBER WORKS The general perception of Messiaen is of a always turned up at class with mountains of work 1. Fantaisie [8.59] composer who lived in some rarefied atmosphere (not guaranteed to ensure popularity!) and was of his own, floating far above the mundane, recognised as a young man likely to succeed. But Quatuor pour la fin du Temps material world. Given his preoccupation with any view of Messiaen as vague or indecisive in his 2. Liturgie de cristal [2.37] esoteric rhythms, sound-colours, theology and opinions needs to be set against the truth - for all birdsong, this is perhaps a reasonable judgment his pacific demeanour (and, in later years, 3. -
Departamento De Filosofía
DEPARTAMENTO DE FILOSOFÍA APROXIMACIÓN AL LENGUAJE DE OLIVIER MESSIAEN: ANÁLISIS DE LA OBRA PARA PIANO VINGT REGARS SUR L’ENFANT - JESÚS FRANCISCO JAVIER COSTA CISCAR UNIVERSITAT DE VALENCIA Servei de Publicacions 2004 Aquesta Tesi Doctoral va ser presentada a Valencia el día 12 de Febrer de 2004 davant un tribunal format per: - D. Francisco José León Tello - D. Salvador Seguí Pérez - D. Antonio Notario Ruiz - D. Francisco Carlos Bueno Camejo - Dª. Carmen Alfaro Gómez Va ser dirigida per: D. Román De La Calle D. Luis Blanes ©Copyright: Servei de Publicacions Francisco Javier Costa Ciscar Depòsit legal: I.S.B.N.:84-370-5899-6 Edita: Universitat de València Servei de Publicacions C/ Artes Gráficas, 13 bajo 46010 València Spain Telèfon: 963864115 UNIVERSIDAD DE VALENCIA FACULTAD DE FILOSOFIA Y CIENCIAS DE LA EDUCACION AREA DE ESTETICA Y TEORIA DEL ARTE APROXIMACION AL LENGUAJE DE OLIVIER MESSIAEN: ANALISIS DE LA OBRA PARA PIANO VINGT REGARDS SUR L´ ENFANT - JESUS TESIS DOCTORAL REALIZADA POR: FRANCISCO JAVIER COSTA CISCAR DIRIGIDA POR LOS DOCTORES: DR. D. LUIS BLANES ARQUES DR. D. ROMAN DE LA CALLE VALENCIA 2003 I N D I C E 1.- Introducción ........................................................................ 5 2.- Antecedentes e influencias estilísticas en el lenguaje de Olivier Messiaen ........................................... 10 3.- Elementos musicales del lenguaje de Messiaen y su aplicación en la obra para piano Vingt Regards sur l ´ Enfant - Jésus ........................................................ 15 4.- Vingt Regards sur l ´ Enfant - Jésus : Datos Generales. Características de su escritura pianística .................. 42 5.- Temática, simbología e iconografía en Vingt Regards sur l ´ Enfant - Jésus ........................................................ 45 6.- Análisis Formal de la obra .......................................... 67 7.- Evolución de los Temas de la obra: Estudio comparativo de su desarrollo y presentación ........ -
De Lully À Stravinsky Mercredi 20 Juin 2018 Musique
8 DE LULLY À STRAVINSKY MERCREDI 20 JUIN 2018 MUSIQUE DE LULLY À STRAVINSKY CATALOGUE N°8 Ce catalogue égrène les notes de trois siècles de musique, à travers lettres et manuscrits des plus grands génies : Lully, Mozart, Bee- thoven, Rossini, Liszt, Mendelssohn, Schumann, Berlioz, Brahms, Wagner, Tchaïkovski, Mahler, Debussy, Ravel, Puccini, Stravinsky, Bartók, Prokofiev, Poulenc, et tant d’autres. À côté de la musique française et de la musique allemande et autrichienne qui se taillent la part du lion, c’est toute l’Europe musicale qui défile entre ces pages. Les manuscrits musicaux sont d’une grande diversité : esquisses, pages d’album, manuscrits de travail, fragments ou manuscrits complets, comme celui de l’opéra de Massenet La Navarraise; musique religieuse ou profane, pièces pour piano, musique de chambre ou musique symphonique, mélodies ou opéras… Les lettres nous font entrer dans l’intimité ou dans le cabinet de travail du compositeur : correspondances familiales, lettres aux amis, lettres d’affaires et de soucis d’argent, mais aussi lettres aux librettistes, aux interprètes, aux éditeurs, lettres d’élèves au maître (Reynaldo Hahn ou Ernest Moret à Massenet), du maître à l’élève (la belle correspondance de Darius Milhaud); ou échanges de musiciens entre eux, comme la belle lettre de Liszt à Berlioz. Ce ne sont là que quelques-unes des pièces de ce catalogue qu’on peut lire comme on tourne les pages d’une partition… 1 INFORMATIONS ET SERVICES POUR CETTE VENTE SAS CLAUDE AGUTTES CLAUDE AGUTTES Président – Commissaire-priseur RESPONSABLE DE LA VENTE SOPHIE PERRINE Commissaire-priseur [email protected] Tél. -
God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . Ryan James Taussig University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Taussig, Ryan James, "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2853 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Ryan James Taussig entitled "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay, Jacqueline A. Avila Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) ! Sonic Environmentalism:! God, Nature, and Politics in Olivier Messiaen’s Des canyons aux étoiles . -
Cohesion of Composer and Singer: the Female Singers of Poulenc
COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers. -
Paul Éluard (1895-1952)
1/47 Data Paul Éluard (1895-1952) Pays : France Langue : Français Sexe : Masculin Naissance : Saint-Denis (Seine-Saint-Denis), 14-12-1895 Mort : Charenton-le-Pont (Val-de-Marne), 18-11-1952 Note : Poète. - Pseudonyme de Grindel, Eugène Émile Paul. - A aussi utilisé les pseudonymes Jean Du Haut et Maurice Hervent (pendant la Résistance) et Brun Domaines : Littératures Autres formes du nom : Didier Desroches (1895-1952) Jean Du Haut (1895-1952) Maurice Hervent (1895-1952) Eugène Grindel (1895-1952) Brun (1895-1952) ISNI : ISNI 0000 0001 2139 2910 (Informations sur l'ISNI) Paul Éluard (1895-1952) : œuvres (851 ressources dans data.bnf.fr) Œuvres textuelles (438) Anthologie des écrits sur l'art Un soupçon (1952) (1965) "Dons des féminines" Grain-d'aile (1951) (1951) de Valentine Penrose avec Paul Éluard (1895-1952) comme Auteur de l'envoi Tout dire La Jarre peut-elle être plus belle que l'eau ?, 1930-1938 (1951) (1951) "Dons des féminines" "Vignette pour les vignerons" (1951) (1951) de Valentine Penrose de Jacques Prévert avec Paul Éluard (1895-1952) comme Préfacier avec Paul Éluard (1895-1952) comme Destinataire de l'envoi data.bnf.fr 2/47 Data Hommage aux martyrs et aux combattants du ghetto de Hommages Varsovie (1950) (1950) Perspectives "L'Arbre à feu" (1949) (1950) de Angèle Vannier avec Paul Éluard (1895-1952) comme Préfacier Léda Guirlande d'Aragon (1949) (1949) Une Leçon de morale Je l'aime, elle m'aimait (1949) (1949) Picasso à Antibes Premiers poèmes, 1913-1921 (1948) (1948) A l'intérieur de la vue (1947) "Morceaux choisis" -
Autographeset Manuscrits Musicaux
CATALOGUE Autographes et manuscrits musicaux ARTS & AUTOGRAPHES Autographe.com Arts et Autographes Jean-Emmanuel RAUX, expert 9, rue de l’Odéon • 75006 Paris téléphone : 01 43 25 60 48 courriel : [email protected] RCS Paris B 422 788 604 Galerie ouverte du mardi au samedi inclus de 11h00 à 12h30 et de 14h00 à 18h00 Ce catalogue est notre sélection musicale. Il n’existe qu’en pdf. Vous pouvez retrouver tous les autographes musicaux et Opéra sur notre site internet en cliquant sur le lien : http://autographe.com/autographe-musique.php Vous y retrouverez plus de 600 documents. Pour commander : envoyez nous un email, nous y repondrons sous 24 heures. Tous les lots du pdf sont disponibles à la vente. Règlement : par chèque à l’ordre de Arts et Autographes ou par virement bancaire. Les lots seront postés dans les 48 heures, d’un bureau de poste ouvert. Nous pouvons vous garder les documents après règlement, jusqu’à votre passage à la galerie. courriel : [email protected] Catalogue autographes et manuscrits musicaux ALBÉNIZ 19007 ALBÉNIZ Isaac [Camprodon, Catalogne, 1860 - Cambo-les-Bains, 1909], pianiste et compositeur espagnol. Partition imprimée d’« Iberia » avec envoi autographe signé. Édition Mutuelle en dépot au Bureau d’Édition de la Schola Cantorum; 1er cahier. 35 X 28 cm ; 33 pages. Bon état général. Rare envoi autographe signé : « À mon tres cher Poujaud en toute affection Albeniz Paris 7 /4/ [1]906 » Iberia est considéré comme le chef d’œuvre d’Albéniz, un des sommets de la musique espagnole et de celle pour piano en général. -
Francis Poulenc Dalai
CSEREKLYEI ANDREA FRANCIS POULENC DALAI DOKTORI ÉRTEKEZÉS 2017 Liszt Ferenc Zeneművészeti Egyetem 28-as számú művészet- és művelődéstörténeti besorolású doktori iskola FRANCIS POULENC DALAI Louise de Vilmorin dalciklusok CSEREKLYEI ANDREA DOKTORI ÉRTEKEZÉS 2017 I Tartalomjegyzék Rövidítések II Köszönetnyilvánítás III Bevezetés IV 1. A dalokról 1 1.1. Hatások 1 1.2. A húszas évek 7 1.3. A harmincas évek eleje 9 1.4. Pierre Bernac 15 1.5. Fordulat 16 1.6. Háborús évek 18 1.7. A háború utáni évek 25 1.8. Az utolsó évtized 29 2. Kompozíciós technikák Poulenc dalaiban 36 2.1. Szövegválasztás, fordítások 36 2.2. Zongorakíséret, hangszerelés 38 2.3. Forma, szerkezet, dallam, harmónia 40 3. Louise de Vilmorin 44 4. Trois poèmes de Louise de Vilmorin (FP 91) 51 5. Fiançailles pour rire (FP 101) 63 6. Métamorphoses (FP 121) 85 7. Záró gondolatok 93 8. Függelék – A dalok jegyzéke 94 9. Bibliográfia 101 II Rövidítések André de Vilmorin André de Vilmorin: Essai sur Louise de Vilmorin. (Paris: Édition Pierre Seghers, 1962.) Audel 1978 Stéphane Audel: My friends and Myself. [Moi et mes amis.] Ford: James Harding. (London: Dennis Dobson, 1978.) Bernac 1977 Pierre Bernac: Francis Poulenc. The Man and His Songs. [Francis Poulenc et ses mélodies]. Ford: Winifred Radford. (London: Victor Gollancz, 1977.) Correspondance 1967 Francis Poulenc: Correspondance 1915-1963. (Paris: Éditions du Seuil, 1967.) Daniel 1982 Keith W. Daniel: Francis Poulenc. His Artistic Development and Musical Style. (Ann Arbor, Michigan: UMI Research Press, 1982.) Gyergyai Gyergyai Albert: „A szép kertésznő”. Kritika 17/4 (1979. ápr.) 19-21. Henri Hell 1958 Henri Hell: Francis Poulenc. -
La Schola Cantorum Dans La Vie Symphonique À Nantes De 1913 À 1947 Michelle Bourhis
La Schola Cantorum dans la vie symphonique à Nantes de 1913 à 1947 Michelle Bourhis To cite this version: Michelle Bourhis. La Schola Cantorum dans la vie symphonique à Nantes de 1913 à 1947. Art et histoire de l’art. Normandie Université, 2017. Français. NNT : 2017NORMR127. tel-01778946 HAL Id: tel-01778946 https://tel.archives-ouvertes.fr/tel-01778946 Submitted on 26 Apr 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE Pour obtenir le diplôme de doctorat Préparée au sein de l’université de Rouen Normandie SPÉCIALITÉ MUSIQUE La Schola Cantorum dans la vie symphonique à Nantes de 1913 à 1947 Présentée et soutenue par Michelle BOURHIS Thèse soutenue publiquement le 20 décembre 2017 devant le jury composé de Professeur des universités, Université de Jean-Christophe BRANGER Rapporteur Lorraine Maître de conférences, Université de Reims Florence DOÉ de MAINDREVILLE Examinateur Champagne Professeur agrégé HDR, École des hautes Laure SCHNAPPER études en sciences sociales-centre Georg Rapporteur Simmel Professeur des universités, Université de Yannick SIMON Directeur de thèse Rouen Normandie Thèse dirigée par Yannick SIMON, laboratoire CÉRÉdI REMERCIEMENTS Pour sa bienveillance et sa disponibilité, ses conseils précieux, pour la qualité des échanges que nous avons eus, je remercie vivement M. -
VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The further we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated Columbia pressings (1923- 1940) offer particularly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-‘14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or similarly related comments. VERTICALLY CUT RECORDS. There were basically two systems, the “needle-cut” method employed by Edison, which was also used by Aeolian-Vocalion and Lyric and the “sapphire ball” system of Pathé, also used by Rex. and vertical Okeh. -
EDISON CYLINDERS Blue Amberols Are Housed in Fine Quality Reproduction Edison Orange Boxes Or in Original Boxes
EDISON CYLINDERS Blue Amberols are housed in fine quality reproduction Edison orange boxes or in original boxes. Wax cylinders are in padded boxes, either original or appropriately protective. Any mold on wax cylinders is always described. All grading is visual and refers to the cylinders rather than the boxes. 4354. 2-M 17139. CÉCILLE MERGUILLIER [s]. DOMINO NOIR: Un fée (Auber). Just about 1-2. $40.00. 4355. 2-M 15897. FRANZISKA KRUG-ELFGEN [s]. SCHLARAFFENDLAND: Walzerlied (Schleif- fahrt). Just about 1-2. $40.00. 4356. 2-M 18070. PIERRE CORNUBERT [t]. LA DAME BLANCHE: Ah! quel plaisir d’être soldat (Boieldieu). Just about 1-2. $75.00. 4353. 4-M Wax Amberol B-152. LEO SLEZAK [t] STÄNDCHEN (Schubert). Just about 1-2. $75.00. 4351. 4-M Wax Amberol B-165. FLORENCIO CONSTANTINO [t]. TOSCA: Recondita armonia (Puccini). Just about 1-2. $75.00. 4348. 4-M Wax Amberol B-166. BLANCHE ARRAL [s]. MIGNON: Polonaise (Thomas). Just about 1-2. $40.00. 4350. 4-M Wax Amberol B-174. ADELINA AGOSTINELLI [s], ATTILIO PAROLA [t]. LA BOHÈME: O soave fanciulla (Puccini). Just about 1-2. $75.00. 4349. 4-M Wax Amberol 30044. MARIE RAPPOLD [s]. CHANSON PROVENÇALE (Dell’Acqua) Just about 1-2. $40.00. 4352. 4-M Wax Amberol 844. HENRI SCOTT [bs]. O’ER THE FRESH GREEN FIELDS (Chami- nade). Just about 1-2. $20.00. 4363. 4-M Blue Amberol 2388. CLEMENTINE DE VERE SAPIO [s], VERNON ARCHIBALD [b]. ROSE OF THE MOUNTAIN TRAIL (Brennan). Archibald sings the main tune about Rose, who we hear vocalizing in the distance on the Mountain Trail. -
Messiaen As Pianist: a Romantic in a Modernist World Christopher Dingle
© Copyrighted Material Chapter 2 Messiaen as Pianist: A Romantic in a Modernist World Christopher Dingle Scholars or performers might view the study of musical performance, whether live or recorded, as the exploration of creative confusion. Such an investigation feeds off the gap between the information provided by the composer (principally, though not exclusively, through the score) and the performer’s understanding of what is and is not conveyed explicitly and implicitly by that information. We might rationally think that such a gap would not exist when the composer and the performer are the same individual. Still, while every case differs, the gap can often appear to become a yawning chasm for composer-performers. This chapter explores the particular creative confusion that arises between the composer Olivier Messiaen and the performer Olivier Messiaen. Pierre Boulez, admittedly talking about Messiaen’s position in general, neatly encapsulated the conundrum in words readily applicable to Messiaen the performer. He described Messiaen as: a man who is preoccupied strongly with techniques, but who puts forward, in the first place, expression … . He has a kind of revolutionary ideal and at the same time a very conservative taste for what the essence of music is … . [T]hat’s a man who is exactly in the centre of some very important contradictions of this century.1 These contradictions become especially acute in considering Messiaen as composer-performer. Messiaen the composer was a man of many words, always happy to talk about his music. Despite the widespread availability of certain recordings, Messiaen the performer is rather less well known.