DOCSLIB.ORG

Cable WORSHIPFUL GRAND LODGE of FREE and ACCEPTED Tow MASONS of the PHILIPPINES

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cable WORSHIPFUL GRAND LODGE of FREE and ACCEPTED Tow MASONS of the PHILIPPINES VOL. 95 FIRST ISSUE, JUNE 2018 The THE OFFICIAL PUBLICATION OF THE MOSTCable WORSHIPFUL GRAND LODGE OF FREE AND ACCEPTED Tow MASONS OF THE PHILIPPINES ROMEO S. MOMO GRAND MASTER VOL 95 - 1 CABLE TOW | 1 CABLE TOW 04 Editorial - Harmony 05 Grand Master Message SAMUEL P. FERNANDEZ 07 GM Masonic Activities (Pictorial) Editor in Chief a. Constitution of M. Ibasco Lodge #432 (0933-081-0816) b. Dedication of Masonic Hall of Tuguegarao, Cagayan c. GLP Banca Donation, Hatid Eskwela 2018, VLADIMIR F. PELAEZ Brgy.,Pinaganakan, DRT, Bulacan Assistant Editor in Chief d. Constitution of Di-Na-Lupig Lodge #438 (0936-9921511) e. Constitution and Installation of Leon Kilat Lodge #437 ROMEO S. MUSNGI f. MD-R6A School Building Donation, Assistant Editor for Filipino Pavia, Iloilo (0949-9988117) g. Constitution of Primo Reyes Maniquis Lodge #440 h. Flag Raising Ceremonies EDILBERTO P. CARABBACAN i. Independence Day Associate Editor for Luzon j. Testimonial Dinner for the Past Grand Masters And (0917-5625057) Distinguished Masons k. Constitution and Installation of PerdonaAbraza OMAR M. ORIG Lodge #441 Associate Editor for Visayas l. Constitution of Rizal Shrine Lodge #434 (0915-7635464) m. RSM Dinner Fellowship n. Constitution of Pintong Silangan ERWIN L. PEPINO Lodge #435 Associate Editor for Mindanao o. Tree Planting at Eco Park, Quezon City (0917-6243587) p. Unveiling of Noli Me Tangere Lodge #42 Centennial Marker, GLP JOSE A. RONCESVALLES q. Constitution of Lumang Bayan Lodge #433 Circulation Manager r. Cornerstone Laying of San Jose (0918-9916012) s. Constitution of Tabak Lodge #436 t. Rite of Institution of Cabuyao City Lodge UD CONRAD P. LIM u. Rite of Institution of Davao De Oro Lodge UD Assistant Circulation Manager v. Plumb and Level Installation (0918-8003888) w. Courtesy Calls on GM Momo x. IMES Classes CHARLES G. AGAR 38 Date of Philippine Independence: Grand Lodge Photographer Fact Versus Fiction (0910-3510394) 43 My Memorable Encounter with Gen. Emilio F. Aguinaldo BENIGNO R. BUENAVENTURA 44 The History of Noli Me Tangere Lodge #42 Layout Artist 51 Jose Rizal: Martyr and Master Mason (0910-3510394) 59 Constitution of Blue Lodges 69 Pitak Pilipino - Ang Mga Gurong Mason JESUSANA S. ESCOBIA 71 A Momentous Mid-Summer Rendezvous of Two (0923-6041022) Jurisdictions Secretary 75 Labong Lodge No. 59 Activities 76 Batasan Lodge No. 381 Activities VOL 95 - 1 CABLE TOW | 3 EDITORIAL HARMONY Harmony Harmonyis a unifying force. It is not divisive causing discord and unwarranted disagreement. It is not sowing dissension, sowing discordance, sowing hostility. Harmony is rapprochement, understanding and finding common ground. It is not alienation or separation. It is not estrangement, to turn off anyone. Harmony is agreeing without being disagreeable. It is not conflict or contention. It is not opposing anyone for the sake of opposition. Harmony is coordination, collaboration and accommodation. It is not disorder or creating disturbance. It is not confusion or chaos. Harmony is like music - a vocal or instrumental sound having rhythm, melody and agreeable tonal qualities. It is not a cacophony, grating, raucous sound. It is not discordant or dissonant boom and thunder. Harmony is Masonry “formed and perfected in so much unanimity and concord.” It “enjoys every satisfaction and delight which disinterested friendship can afford.” It is “kindness and brotherly affection”, which is the distinguishing mark of conduct of Master Masons. SPF 4 | CABLE TOW VOL 95 - 1 MESSAGE MW ROMEO S. MOMO Grand Master hile what I occupy is called the MessageWGrand Oriental Chair, for the first 153 days in the office, it is very seldom you will find me sitting. Instead, I endeavoured to go around and be with the brethren. I am endeavouring to make the most out of these 365 days you my brethren have entrusted me to serve you. At my inaugural address in Davao, my opening statement was, venit tempus or Hence, in this first regular issue of The the time has come. I have said, the time Cabletow, we have devoted more on the has come to be more than we used to be, to activities your Grand Master and his team surpass ourselves, to be better Masons, to have attended, giving particular importance be of better service to the Fraternity, and to on the completion of the constitution of be of better assistance to the society. 10 new Lodges. Only one was done in the As I made my first step as your Grand Grand Lodge, the others, we devoted time Master, I requested you my brethren, to and effort, and purposely went to the town walk with me, side by side, on the level, or city where these Lodges are located. and as brothers. Then and now, I urge you This is to impress upon the brethren the to join hands with me as we continue to importance and solemnity of the Rite of labor on the remaining days of this 365-day Lodge Constitution, to let the brethren and journey and endeavour to achieve a more the public know the essence of having a Relevant and Streamlined Masonry for all. Masonic Lodge in their locality, VOL 95 - 1 CABLE TOW | 5 Organizations, and family of Masons. So far, a close to 150,000 trees were planted. MESSAGE My thanks to the DDGMs who are continuing this project. Medyomadami- and to impress upon the Masons therein dami pa ang bubunuin natin mga Kapatid. the enormous task of what it means to Hence at the soonest, we shall be launching be a Mason in a particular area - that of our second wave.Further, by September 15, becoming a good example of a citizen and coastal clean-up and mangrove planting an individual, for others to look up to and shall be undertaken. emulate. On Assistance to Public Education With the aim of propagating our tenets System, all DDGMs and Masonic and principles, we also had two Rites of Districts did their respective Balik Eskwela Institution for Cabuyao City Lodge U.D. Programs. This includes the refurbishment and Davao De Oro Lodge U.D. Further, of school buildings and classrooms, the we went to Tuguegarao and Batangas for the giving of school supplies, books, shoes and corner stone laying ceremonies of the new slippers, among others. We also turned Masonic Temples to be built therein. over a motorized bangkain Bulacan to In our effort to have a relevant Masonry, be used by teachers in reaching far flung not only for Masons but for our society, barangays to teach the Dumagat students. we focused on two important issues, We also went to Pavia, Iloilo and led the environment and education. Thus our turn over ceremony of new school building activities in line with these priority for Cabugao Elementary School. Little and programs were accorded reasonable space in simple as they may be, our effort will go a this issue. long way and will be cherished forever by the young students we have “Freemasonry is founded on assisted. We have, at least, made a difference in the the immutable laws of truth and lives of these children. justice, and its grand object is Much is to be done my to promote the happiness of the Brethren, given the very limited period we are called human race.” to perform. Let us continue Brother Mason, George Washington the course, neither faltering On environment, we launched our nor wavering. And with us being united, yearlong tree planting activity. We are working in harmony with each other, we aspiring to plant at least a million trees shall not fail. As aptly proclaimed by an to help make our environment better, not American President and Brother Mason, only for us, but for our children, for our George Washington, “Freemasonry is children’s children, for our future. Thus founded on the immutable laws of truth and lastJune 24, during the Feast of one of our justice, and its grand object is to promote Patrons, St. John the Baptist, we launched the happiness of the human race.” our tree-planting program. This nationwide Individually and collectively as an activity was coordinated with the support institution, we brethren shall serve our of the Local Government Units, various purpose. government agencies, Appendant and Allied Maraming salamat at mabuhay! 6 | CABLE TOW VOL 95 - 1 CONSTITUTION Masonic Activities M. IBASCO LODGE NO. 432, MAY 10, 2018 VOL 95 - 1 CABLE TOW | 7 DEDICATION OF MASONIC HALL Masonic Activities OF TUGUEGARAO, CAGAYAN, MAY 12, 2018 8 | CABLE TOW VOL 95 - 1 BRIGADA HATID ESKWELA Masonic Activities AT R-III BULACAN, MAY 30, 2018 VOL 95 - 1 CABLE TOW | 9 CONSTITUTION Masonic Activities DI-NA-LUPIG LODGE NO. 438, JUNE 1, 2018 10 | CABLE TOW VOL 95 - 1 CONSTITUTION AND INSTALLATION Masonic Activities LEON KILAT LODGE NO. 437, JUNE 2, 2018 VOL 95 - 1 CABLE TOW | 11 PAVIA ILOILO, JUNE 3, 2018 PAVIA SCHOOL BUILDING DONATION Masonic Activities 12 | CABLE TOW VOL 95 - 1 SCHOOL BUILDING DONATION Masonic Activities PAVIA ILOILO, JUNE 3, 2018 CABLE TOW | 13 | 13 CABLE TOW VOL 95 - 1 VOL CONSTITUTION PRIMO REYES MANIQUIS Masonic Activities LODGE NO. 440, JUNE 9, 2018 14 | CABLE TOW VOL 95 - 1 Masonic Activities FLAG RAISING CEREMONIES VOL 95 - 1 CABLE TOW | 15 INDEPENDENCE DAY AT LUNETA PARK PARK LUNETA AT INDEPENDENCE DAY WITH VP LENI ROBREDO, JUNE 12, 2018 Masonic Activities 16 | CABLE TOW VOL 95 - 1 INDEPENDENCE DAY AT GLP, Masonic Activities JUNE 12, 2018 CABLE TOW | 17 | 17 CABLE TOW VOL 95 - 1 VOL JUNE 12, 2018 INDEPENDENCE DAY AT GLP, GLP, AT INDEPENDENCE DAY Masonic Activities 18 | CABLE TOW VOL 95 - 1 TESTIMONIAL DINNER FOR THE PAST MASTER & DISTINGUISHED Masonic Activities MASONS, AT MANILA HOTEL, JUNE 12, 2018 CABLE TOW | 19 | 19 CABLE TOW VOL 95 - 1 VOL MASONS, AT MANILA HOTEL, JUNE 12, 2018 MASONS, AT TESTIMONIAL DINNER FOR THE PAST MASTER & DISTINGUISHED TESTIMONIAL DINNER FOR THE PAST Masonic Activities 20 | CABLE TOW VOL 95 - 1 CONSTITUTION PERDONA ABRAZA Masonic Activities LODGE NO.
Load more

Recommended publications
  • Representing Men's and Women's Speech: a Linguistic Analysis of Nick Joaquin's
    Representing Men’s and Women’s Speech: A Linguistic Analysis of Nick Joaquin’s “The Summer Solstice”1 Aileen O. Salonga Without a moment’s hesitation, he sprawled down flat, and, working his arms and legs, gaspingly clawed his way across the floor, like a great agonized lizard, the woman steadily backing away as he approached, her eyes watching him avidly, her nostrils dilating, till behind her loomed the open window, the huge glittering moon, the rapid flashes of lightning. She stopped, panting, and leaned against the sill. He lay exhausted at her feet, his face flat on the floor. She raised her skirts and contemptuously thrust out a naked foot. He lifted his dripping face and touched his bruised lips to her toes; lifted his hands and grasped the white foot and kissed it savagely—kissed the step, the sole, the frail ankle—while she bit her lips and clutched in pain at the window-sill; her body distended and wracked by horrible shivers, her head flung back and her loose hair streaming out the window—streaming fluid and black in the white night where the huge moon glowed like a sun and the dry air flamed into lightning and the pure heat burned with the immense intense fever of noon. (Joaquin, “The Summer’s Solstice” 38) Introduction The passage above comprises the last two paragraphs of “The Summer Solstice,” a popular and rather controversial short story in the Philippines written by Philippine National Artist for Literature Nick Joaquin. The short story’s popularity relies on a number of things: 1) it is one of the most anthologized of Joaquin’s works; 2) it seems to be one of Joaquin’s personal favorites, since he also wrote “Tatarin: A Witches’ Sabbath in Three Acts,” which is a drama version of the short story;2 and 3) its drama version was turned into a popular movie some years back, making the story familiar even among non-literary Filipinos.
    [Show full text]
  • Research Article
    39 Research article THE DOSTOEVSKY IN JOAQUIN’S SELECTED FICTION: TOWARDS DEVELOPING A FILIPINO MODEL OF COMPARATIVE STUDY IN LITERATURE1 Erwin L. Oamil Ma. Antoinette C. Montealegre Venancio L. Mendiola ABSTRACT This study probed how deep the Russian Dostoevsky had influenced the Filipino Nick Joaquin’s fiction using the former’s own selected works as the main touchtone. It utilized the descriptive analytical method of research focusing on content employing theories on comparative literature. The primary data in this study were culled from three novels and twenty selected short stories from each novelist, along with the leading critical thoughts of Bakhtin, Sartre, Foucault and Lacan. Cleaving to the comparative analytical design of this study, a model of comparative study in literature was developed. Specifically, the following questions were sought: What Dostoevskian elements and influences resonate in Joaquin’s fiction; What constructs inhere in Dostoevsky’s and Joaquin’s works?; What model for a comparative study in literature can be proposed? It is revealed that 16 elements and influences illuminated in the Russian fictionist’s representative works bound within Joaquin’s own texts. Relatively, the fictive worlds created by both novelists richly extend to the other spheres of human expression as sustained by select literary, philosophical, historical and psychological constructs, particularly Bakhtin’s novelistic discourse, Sartre’s stance on (dis)engagement, Foucault’s author-function, and Lacan’s consciousness theory. These findings affirm and reinforce Remak’s assertion that comparative literature is the study of literature beyond the confines of one particular country and its relationship with 1 Awarded the Best (Written) Dissertation at PNU in SY 2013-2014.
    [Show full text]
  • A Comparative Analysis of the Dostoevskian Elements and Influences in Joaquin’S Fiction
    PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Erwin Ligsay Oamil, 2019 Volume 4 Issue 3, pp. 1128-1147 Date of Publication: 30th January, 2019 DOI-https://dx.doi.org/10.20319/pijss.2019.43.11281147 This paper can be cited as: Oamil, E. L., (2019). Crossing The Bar: A Comparative Analysis of the Dostoevskian Elements and Influences in Joaquin’s Fiction. PEOPLE: International Journal of Social Sciences, 4(3), 1128-1147. This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. CROSSING THE BAR: A COMPARATIVE ANALYSIS OF THE DOSTOEVSKIAN ELEMENTS AND INFLUENCES IN JOAQUIN’S FICTION Erwin Ligsay Oamil Graduate Teachers Education Faculty Philippine Normal University, Taft. Ave., Manila, Philippines [email protected] Abstract This paper expounds how deep the great Russian fictionist Fyodor Dostoevsky had influenced his Filipino counterpart Nick Joaquin’s own works by applying comparative method of research. Sixteen (16) “Dostoevskian” elements and influences are found evident in Joaquin’s representative works, which further validate the Russian master’s timeless and universal relevance to the literary tradition. Joaquin for his part is already a titan of Philippine Literature, in his own respect, particularly in the English medium. His magnitude, however, can be tested further through the Dostoevskian standard, which is often used in comparison to the creative powers of other writers. By and large, this study contributes to the growth of comparative literature and Philippine studies.
    [Show full text]
  • Nick Joaquin Now: Texts, Contexts, and Approaches
    Ateneo de Manila University Archīum Ateneo Filipino Faculty Publications Filipino Department 2018 Nick Joaquin Now: Texts, Contexts, and Approaches Gary C. Devilles Ateneo de Manila University Jocelyn Martin Ateneo de Manila University Follow this and additional works at: https://archium.ateneo.edu/filipino-faculty-pubs Recommended Citation Devilles, G.S., Martin, J.S. (2018). Introduction: Nick Joaquin Now. Kritika Kultura, 30, 411-417. This Article is brought to you for free and open access by the Filipino Department at Archīum Ateneo. It has been accepted for inclusion in Filipino Faculty Publications by an authorized administrator of Archīum Ateneo. For more information, please contact [email protected]. Devilles & Martin / Introduction: Nick Joaquin Now 411 INTRODUCTION: NICK JOAQUIN NOW Texts, Contexts, and Approaches Gary Devilles Kagawaran ng Filipino Ateneo de Manila University [email protected] Jocelyn Martin Department of English Ateneo de Manila University [email protected] Abstract This Introduction to “Nick Joaquin Now: Texts, Contexts and Approaches” surveys the main critical works on Nick Joaquin’s oeuvre and presents an overview of the essays included in this Forum Kritika. Following the contributions of scholars such as Blanco, E. San Juan, Galdon, Gutierrez, Hau, Holden, Patke, Pison, and Serrano, this new collection of essays reveals novel readers and (re)readings of Joaquin. The editors treat Joaquin “not as an object of study but more as an effect to be explained, where we as ‘readers’ become the implied readers
    [Show full text]
  • Two Perspectives on Pidlippine Literature and Society
    TWO PERSPECTIVES ON PIDLIPPINE LITERATURE AND SOCIETY LUIS V. TEODORO, JR. EPIFANIO SAN JUAN, JR. Belinda A. Aquino Editor PHILIPPINE STUDmS OCCASIONAL PAPER NO.4 PHILIPPINE STIJDIES PROGRAM CENTER FOR ASIAN AND PAC!f1C STIJDIES UNIVERSITY OF HAW All JANUARY 1981 • • • • • • • • • • COPYRIGHT PHILIPPINE STUDIES PROGRAM CENTER FOR ASIAN AND PACIFIC STUDIES UNIVERSITY OF HAWAII 1981 • • • • • • • • • • • TABLE OF CONTENTS PREFACE. • • . • • • • • • • . • • • • . • • • • • . • • • • • • . • • • . • • • • • • • • • • • • • • • • • . • • • • • . • • • • • . v A. TOWARD THE INSURGENT SEVENTIES by Luis V. Teodoro, Jr. Has Literature in the Philippines a Future ••••••••••••.••.•••••••.•••••• l Variations on a Theme. • • • • • • • • • • • • • • • • • • • . • • • • • • • • • • • • • • • • • • • • • • • • . • • • • • 6 Language and Liberation. • • • • . • • • • • • • • • • • • • • • • • • • • • • • • • • • . • • • • • • • • • • • • • • . 12 The Smithy of Events. • • . • • • • • • • • • • • . • • • • • • • • • • • • • • • • • • • • . • • • • • • • • • • • • • • 16 The Filipino Predicament ••••••.•••••••.•••••••••••••••••...••••..••••••• 20 The Light of Dead Stars. • . • • • • • • • • • • • • • • • • • • • • • • • • • • . • • • • • • • • • • • • • • • . • • 23 B. FOR WHOM ARE WE WRITING -- THE FORCES OF U.S. IMPERIALISM OR THE NATIONAL DEMOCRATIC REVOLUTION? by Epifanio San Juan, Jr. Introduction. • . • • • • • • • • • • • • • • • • • • • • • • • . • • • • • • • • • . • • • • • • . • • • • • • • • • • • • • • • 28 The Context of Partisanship. • •
    [Show full text]
  • So, You to Be a Chef?
    CATALOG ANVIL ART | ANVIL BUSINESS | ANVIL FICTION AND LITERATURE | ANVIL ENTERTAINMENT | ANVIL GENERAL NONFICTION | ANVIL GENERAL REFERENCE | ANVIL HISTORY | ANVIL HEALTH, MIND AND BODY | ANVIL HUMOR | ANVIL INSPIRATIONAL | ANVIL PARENTING AND FAMILIES | ANVIL PROFILES AND BIOGRAPHIES | ANVIL SELF-HELP | ANVIL FOOD | ANVIL CLASSICS | PRIDE PRESS | ANVIL SPARK BOOKS | TAKE FIVE BOOKS TABLE OF CONTENTS NEW RELEASES 5 COMING SOON 39 Anvil Catalog ALL-TIME FAVORITES 49 Published and exclusively distributed by ANVIL PUBLISHING, INC. 7th Floor Quad Alpha Centrum Building 125 Pioneer Street Mandaluyong City 1550 Philippines Trunk lines: (+632) 477-4752; 477-4755 to 57 Fax: (+632) 747-1622 OUR imprints [email protected] [email protected] www.anvilpublishing.com ANVIL ART ANVIL FICTION AND LITERATURE ANVIL ANVIL ART celebrates creativity and individuality FICTION AND showcases a wide range of fiction LITEratURE Copyright © 2018 through its collection of titles on and creative nonfiction titles—literary Anvil Publishing, Inc. photography, visual arts, film, architecture, fiction, mystery and suspense, crime, and fashion. fantasy, historical, and romance—by All rights reserved. award-winning Filipino literary greats No part of this book may be reproduced in any form or by any means without as well as emerging new talent. written permission from the copyright owners. ANVIL BUSINESS ANVIL BUSINESS shares practical insights and tips, as well as Book design by Katherine F. Bercasio inspiring stories on establishing businesses ANVIL ENTERTAINMENT and making them grow amid the changing ANVIL features titles on the movers and shakers Printed in the Philippines ENTErtaINMENT environment, policies, and trends of the in the showbiz arena. entrepreneurial and economic world.
    [Show full text]
  • A Literary Analysis of Nick Joaquin's “May Day Eve”
    ISSN 2349-7831 International Journal of Recent Research in Social Sciences and Humanities (IJRRSSH) Vol. 4, Issue 4, pp: (152-156), Month: October - December 2017, Available at: www.paperpublications.org A Literary Analysis of Nick Joaquin’s “May Day Eve” Consuelo Dequito- Samson Mindanao State University-Maguindanao, Dalican, Datu Odin Sinsuat, Maguindanao, Philippines I. INTRODUCTION Known by his passionate expression of the Filipino people’s sentiments over their political conditions even before he became a known writer through his unique style, Nick Joaquin is this writer’s favorite. Although not a rabid reader like her idol, she had read and appreciated few of his works to include this piece “May Day Eve”. In fact, she smiles at the thought of how she and her friends tried during their college days the same incantation used by Agueda to see in advance the face of the person they were destined to marry. Like Agueda, their interest in the romantic suggestion of the story was so intense that they dared try the trick and like what happened to Agueda, they ended in trouble when they were reprimanded by their landlady after disturbing other boarders in the middle of the night. No doubt, Joaquin’s literary styles invoke interest as they suggest hidden mystery to the minds of his readers. This literary analysis of Nick Joaquin’s “May Day Eve” is the writer’s attempt to see through the “mirror” what really is the story all about. II. THE AUTHOR Nicomedes “ Nick” Joaquin a.k.a Quijano de Manila, 1917-2004 This Filipino artist is a novelist, poet, playwright, biographer and essayist in English.
    [Show full text]
  • Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society
    ISSN: 0041-7149 ISSN: 2619-7987 VOL. 91 • NO. 2 • NOVEMBER 2018 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Double Nora: A Japanese “Total Midnight All Over the Intercultural Performance Land Escaping Minute mitsuya mori by Minute into the Small Hours”: Historiography and Re-considering Brecht and Baroque Poetics in Nick Sartre On Theatre Joaquin’s A Question of Heroes alex taek-gwang lee vincenz serrano Nick Joaquin’s Apocalypse: Nature and Cultural History in Women and the Nick Joaquin’s “Doña Jeronima” Tragi-comedy of the lily rose tope “Unhappy Consciousness” e. san juan, jr. Joaquin’s The Woman Who Had Two Navels: Historical E. San Juan’s Creative Transformations Bereft of Oppositional Criticism Social Transformation francis sollano gabriel gonzalez Indexed in the International Bibliography of the Modern Language Association of America UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes.
    [Show full text]
  • Introduction: Nick Joaquin Now 411
    Devilles & Martin / Introduction: Nick Joaquin Now 411 INTRODUCTION: NICK JOAQUIN NOW Texts, Contexts, and Approaches Gary Devilles Kagawaran ng Filipino Ateneo de Manila University [email protected] Jocelyn Martin Department of English Ateneo de Manila University [email protected] Abstract This Introduction to “Nick Joaquin Now: Texts, Contexts and Approaches” surveys the main critical works on Nick Joaquin’s oeuvre and presents an overview of the essays included in this Forum Kritika. Following the contributions of scholars such as Blanco, E. San Juan, Galdon, Gutierrez, Hau, Holden, Patke, Pison, and Serrano, this new collection of essays reveals novel readers and (re)readings of Joaquin. The editors treat Joaquin “not as an object of study but more as an effect to be explained, where we as ‘readers’ become the implied readers that Joaquin’s works requires.” Following Nick Joaquin’s centennial, marked by, among others, the release of the movie Ang Larawan and the publishing of the Penguin version of his short stories, this Special Issue features Arong’s “Temporality in Nick Joaquin’s The Woman Who Had Two Navels”; Delos Reyes and Selman’s “The Female Monster: The Pre-Catholic Manifestation as a Response to Modern Anxiety in Selected Stories by Nick Joaquin”; Labayne’s “Bedeviling Quijano De Manila’s Discourses of the Devil’s Advocate and the Openness of Historical Interpretation”; and Lizada’s “When She Started Acting Queer: A Queer Gothic Reading of Nick Joaquin’s The Woman Who Had Two Navels.” Keywords Ang Larawan, identity, nation, Penguin Classics, readers Kritika Kultura 30 (2018): 411–417 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Devilles & Martin / Introduction: Nick Joaquin Now 412 About the Authors Gary C.
    [Show full text]
  • Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society
    since 1922 VOLUME 88 • NUMBER 2 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Subversions of Desire Prolegomena to Nick Joaquin E. San Juan, Jr. UNITAS Subversions of Desire Prolegomena to Nick Joaquin VOLUME 88 • NUMBER 2 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Subversions of Desire Prolegomena to Nick Joaquin E. San Juan, Jr. since 1922 Indexed in the International Bibliography of the Modern Language Association of America Copyright © E. San Juan, Jr. 2018 Reprinted with permission of E. San Juan, Jr., and Ateneo de Manila University Press. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced.
    [Show full text]
  • PHILIPPINES.Pdf
    ASEAN 20TH CENTURY LITERATURES SELECTED POEMS and SHORT STORIES from the PHILIPPINES 1 PHILIPPINES INTRODUCTION by Dr. Bienvenido Lumbera POEMS Alaala ng Hiroshima by Rolando Tinio Ako ang Daigdig by Alejandro G. Abadilla Isang Dipang Langit by Amado V. Hernandez Bonsai by Edith Tiempo Sa Pangungulila by Virgilio S. Almario SHORT STORIES The Day the Dancers Came by Bienvenido N. Santos The Summer Solstice by Nick Joaquin Tata Selo by Rogelio Sikat The God Stealer by F. Sionil Jose Editorial Committee: Genevieve Asenjo Romulo Baquiran, Jr. 2 INTRODUCTION MODERN PHILIPPINE LITERATURE by Dr. Bienvenido Lumbera Modern Philippine Literature is written in many languages, in English and Spanish and in native Philippine languages, principally Tagalog (now called Filipino, officially the National Language). Writing in English and Filipino makes up the greater part of published literature today. Tagalog poetry has a long history that dates back to pre-colonial times. The Spanish conquest in the sixteenth century, that Filipinos produced literature in that language. When the United States of America took over from Spain as the colonizing power in 1898, English was made the language of instruction in the school system set up by the Americans. The examples here presented are taken from the literature produced in English and Filipino. An early example of English writing is the poem FIRST, A POEM MUST BE MAGICAL by Jose Garcia Villa who wrote under the influence of early young modernist American poets. The poet was also a critic most vocal about his advocacy of writing purely for the sake of art. The fictionist Nick Joaquin wrote about upper-class Filipinos who aspire to recover their link to the culture of the past in spite of their Hispanized upbringing.
    [Show full text]
  • Nick Joaquin's Apocalypse
    Nick Joaquin’s Apocalypse Women and the Tragi-comedy of the “Unhappy Consciousness” E. San Juan, Jr. University of the Philippines, Diliman AbstrAct Beginning with the notion of experience exchanged via story-telling, this paper focuses on the evolving drama of consciousness variously rendered in Joaquin’s narratives. This drama has been rehearsed conceptually in Hegel’s critique of the “Unhappy Consciousness” in Phenomenology of Spirit. Torn between the patriarchal regime of the family and the necessity of survival in a bour- geois-capitalist milieu, Joaquin’s bifurcated subject (represented by characters in crisis) dissolves into the mirage of unifying myths or becomes reconciled to the alienating system by artistic fiat. Joaquin’s motive of attempting to recon- cile polarized memories and fantasies, a project of extracting universality from particularized dilemmas, symbolizes the predicament of the ilustrado class. Joaquin articulates the conscience of this embattled group whose legitimacy has been challenged by the sheer force of repressed natural drives. These energies were hitherto sublimated in subaltern negativity embodied in collective labor and resistance. Truthful to the ilustrado syndrome, Joaquin’s art is thus unable to resolve the dialectic of the “Unhappy Consciousness” within a materialist SAN Juan: NIck JoAqUIN’S ApocAlypSe UNITAS 40 historical frame, thus functioning as the testimony of mere utopian longing or the allegory of a compulsively repeated tragicomedy rescued from an embalmed past. Keywords bifurcated subject, ilustrado syndrome, Nick Joaquin, phenomenology, “Unhappy Consciousness” SAN Juan: NIck JoAqUIN’S ApocAlypSe UNITAS 41 When we say of things that they are finite, we mean thereby . that Not-being constitutes their nature and their Being .
    [Show full text]