DOCSLIB.ORG

Irving Kriesberg

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Irving Kriesberg Irving Kriesberg Selected Solo Exhibitions 1955 Curt Valentin Gallery, New York, NY 1957 Duveen-Graham, New York, NY 1961 The Jewish Museum, New York, NY Graham Gallery, New York, NY 1964 Graham Gallery, New York, NY Franklin Siden Gallery, New York, NY 1965 Graham Gallery, New York, NY 1966 Kumar Gallery, Delhi, India Gertrude Kasle Gallery, Detroit, MI 1972 The New School Associates, New York, NY Ingber Gallery, New York, NY 1978 Terry Dintenfass Gallery, New York, NY 1979 Fairweather–Hardin Gallery, Chicago, IL 1980 Terry Dintenfass Gallery, New York, NY Everson Museum of Art, Syracuse, NY Galerie Elizabeth, Chicago, IL 1981 Rose Art Museum of Brandeis University, Waltham, MA Fiedler Gallery, Washington, D.C. Jack Gallery, New York, NY 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected] 1982 Washington University, St. Louis, MO Zenith Gallery, Pittsburgh, PA Terry Dintenfass Gallery, New York, NY 1983 Jack Gallery, New York, NY 1985 Graham Modern, New York, NY 1987 Graham Modern, New York, NY The Gallery at St. Mary’s College of Maryland, Atwood Memorial Center’s Gallery, State University, MN Schick Art Gallery, Skidmore College, Saratoga Springs, NY 1990 Scheele Gallery, Cleveland, OH 1992 Katharina Rich Perlow Gallery, New York, NY 1994 Katharina Rich Perlow Gallery, New York, NY 1996 Peter Findlay Gallery, New York, NY 2000 Lori Bookstein Fine Art, New York, NY 2005 Lori Bookstein Fine Art, New York, NY Peter Findlay Gallery, New York, NY 2008 Lori Bookstein Fine Art, New York, NY 2012 Longview Museum of Fine Art, Longview, TX 1946 Room of Chicago Art: A. Raymond Katz and Irving Kriesberg, Selected Group The Art Institute of Chicago, Chicago, IL Exhibitions 1951 [New Talent Exhibition] Di Spirito; Kriesberg; Mintz, The Museum of Modern Art, New York, NY Contemporary Paintings and Sculpture, Curt Valentin Gallery, New York, NY Annual Contemporary Painting, The Whitney Museum of American Art, New York, NY 1952 15 Americans, The Museum of Modern Art, New York, NY 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected] 1953 Reg Butler; Bruno Cassina; Jan Cox; Irving Kriesberg; Alton Pickens, Curt Valentin Gallery, New York, NY 1955 Painters Under 35, Galleria Nazionale D’Arte Moderna, Rome, Italy 1960 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA New Forms – New Media I, Martha Jackson Gallery, New York, NY 1967 67th Annual American Exhibition: Directions in Contemporary Painting and Sculpture, The Art Institute of Chicago, Chicago, IL Contemporary Art at Yale No 5 : Paintings: Lennart Anderson, Irving Kriesberg, Richard Lytle, Yale University Art Gallery, New Haven, CT 1968 Directions I: Options, Milwaukee Art Center, Milwaukee, WI 1969 Human Concern/Personal Torment, The Whitney Museum of American Art 1972 Ten Independents, Solomon R. Guggenheim Museum, New York, NY 1984-86 Emotional Impact: New York School Figurative Expressionism (Traveling Show) 1986 Diptychs, Triptychs, Polyptychs, Graham Modern, New York, NY 1987 Carmen Cicero; Robert de Niro; Irving Kriesberg; Selina Trieff, Goldman-Kraft Gallery, Chicago, IL The Interior Self, Montclair Art Museum, Montclair, NJ 1989 Physicality, Graham Modern, New York, NY 1990 Expressionist Painting Naturally Inspired: Karl Schrag; Syd Solomon; Irving Kriesberg, Scheele Galleries INC., Cleveland, OH 1994 Fantasy and Myth, Anita Shapolsky Gallery, New York, NY 1995 Animals, Animals, Anita Shapolsky Gallery, New York, NY 2005 In Black and White, Lori Bookstein Fine Art, New York, NY 2006 Clay, Lori Bookstein Fine Art, New York, NY 2010 The Westbeth Pioneers Show, Wetbeth Gallery, New York, NY 2011 On the Wall / Off the Wall, Lori Bookstein Fine Art, New York, NY 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected] Alexandria Museum of Art, Alexandria, LA Selected Public Collections Allentown Art Museum, Allentown, PA Art Gallery of Nova Scotia, Nova Scotia, Canada Asheville Art Museum, Asheville, NC Brooklyn Museum, Brooklyn, NY Butler Institute, Youngstown, OH Cape Cod Museum of Art, Dennis, MA Chase Manhattan Bank, New York, NY Ciba-Geigy Corporation, Ardsley, NY Cincinnati Museum of Art, Cincinnati, OH, Corcoran Gallery, Washington, D.C. Crocker Art Museum, Sacramento, CA Davis Museum and Cultural Center, Wellesley College, Wellesley, MA Detroit Institute of Art, Detroit, MI Haggerty Museum of Art, Marquette University, Milwaukee, WI Herbert F. Johnson Museum, Ithaca, NY Housatonic Museum of Art, Bridgeport, CT Huntsville Museum of Art, Huntsville, AL The Jewish Museum, New York, NY Kemper Art Museum, Kansas City, MO 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected] Kresge Museum of Art, East Lansing, MI Longview Museum of Fine Art, Longview, TX MIT List Visual Arts Center, Cambridge, MA Muscarelle Museum of Art, Williamsburg, VA Mississippi Museum of Art, Jackson, MS Museum of Modern Art, New York, NY National Academy of Design, New York, NY Ringling Museum of Art, Sarasota, FL Rose Art Museum, Waltham, MA Smithsonian American Art Museum, Washington, DC St. Louis Museum of Art, St. Louis, MO Santa Barbara Museum of Art, Santa Barbara, CA The Speed Art Museum, Louisville, KY Scottsdale Museum of Contemporary Art, Scottsdale, AZ The Whitney Museum of American Art, New York, NY 1955 Ford Foundation Grant for “Looking at Pictures,” college text Commissions, Awards & Fellowships 1964 Ford Foundation Painting Award 1965-66 Fulbright Fellowship to India 1972 New York State Creative Artists Award 1973 State University of New York Research Fellowship Mural Commission, Beth Emet Temple, Evanston, IL 1974 New York State Creative Artists Award 1977 John Simon Guggenheim Foundation Memorial Award 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected] 1981 National Endowment for the Arts Award 1982 New York City Cultural Center, “Angry Dove” Banner 1993 Pollock-Krasner Fellowship 2002 Lee Krasner Lifetime Achievement Award 6 Le Van Mien vingallery.com D2, Thao Dien PH + 84 8 3519 4581 HCMC, Vietnam [email protected].
Load more

Recommended publications
  • Di Spirito, Kriesberg, Mintz : New Talent Exhibition, May 8-July 8, 1951 in the Penthouse
    Di Spirito, Kriesberg, Mintz : new talent exhibition, May 8-July 8, 1951 in the penthouse Date 1951 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3279 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art NEW TALENT EXHIBITION DI SPIRITO KRIESBERG MINTZ MAY S-1ULY 8, 1951 IN THE PENTHOUSE THE MUSEUM OF MODERN ART 11 WEST 53 STREET NEW YORK fir C^Uj-fL HoM/A LX~7~7 A little more than a year ago the Museum inaugurated its series of New Talent Exhibitions in the Penthouse. In the past the Museum has sponsored many artists not widely known and these small informal exhibitions are planned as an additional means to show little-known work which in the opinion of the Department of Painting and Sculpture merits the attention of the Museum's membership and the New York public. By "new" the Museum means artists who have not received a major one-man showing in New York City. It does not exclude artists whose work is known in other parts of the country or who are known for work in different fields. It also does not imply an age limit. This is the third exhibition in the series. While in the first two exhibitions artists from widely separated parts of the country were chosen, in this third showing the two painters and the sculptor included all come from nearby: New York City; Clifton, New Jersey ; and Utica, New York.
    [Show full text]
  • An Exceptional Inclusion: on Moma's Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian
    An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art Kathleen Ditzig Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 1, Number 1, March 2017, pp. 39-80 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2017.0002 For additional information about this article https://muse.jhu.edu/article/646477 [ Access provided at 26 Sep 2021 16:50 GMT with no institutional affiliation ] An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art KATHLEEN DITZIG The exhibition of the First Southeast Asia Art Conference and Competition in Manila in 1957 was one of the first post-war events that sought to bring together the then contemporary art from the region.1 What is unusual and worthy of study about this exhibition is that not only was it the first survey exhibition of Southeast Asia, it also included the Museum of Modern Art (MoMA) International Program’s travelling exhibition, Recent American Prints in Color.2 Little is known of the history behind the First Southeast Asia Art Conference and Competition. There have been no studies which recount in detail how the conference and competition came to be, who it served and what it represented.3 Even less is known about how the MoMA exhibition came to be included in this unprecedented platform. However, its inclusion as a participant in the one-room survey exhibition complicates an indigenous art organisation’s attempt to present Southeast Asia as a cultural region within an exhibitionary frame.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • David Owsley Museum of Art Ball State University Annual Report
    David Owsley Museum of Art Ball State University Annual Report For Fiscal Year Ending 30 June 2012 (front cover) Portrait of Francis Basset, 1777 Sir Joshua Reynolds British, 1723–1792 Oil on canvas, 50 X 40 inches Purchase: The Frank C. Ball Collection, gift of the Ball Brothers Foundation by exchange assisted by David T. Owsley via the Alconda Owsley Foundation 2011.006 1 Annual Report FYE 2012 David Owsley Museum of Art Ball State University Annual Report FYE 2012 2 Annual Report FYE 2012 Mission Statement The David Owsley Museum of Art cultivates lifelong learning and recreation in the visual arts through its collection of original works of art, engaging exhibitions, and educational programs for the university community and other diverse audiences. As adopted by the Ball State University Board of Trustees December 19, 2008 3 Annual Report FYE 2012 Director’s Foreword A change of the name of the Ball State University Museum of Art to the David Owsley Museum of Art was approved by the Ball State University Board of Trustees at their July 2011meeting. The change was celebrated at a dinner at the museum on October 6, 2011, attended by over one hundred friends, benefactors, Ball family members, and, of course, the honoree, David T. Owsley. On that occasion, Dr. Neil Harris, the Preston and Sterling Morton Professor Emeritus in the Departments of History and Art History at the University of Chicago, gave a brief survey of the history of American university museums and their evolution from repositories, to monuments to their donors, to institutions engaged with their larger communities.
    [Show full text]
  • A Finding Aid to the Dore Ashton Papers, 1849, Circa 1928-2014 in the Archives of American Art
    A Finding Aid to the Dore Ashton Papers, 1849, circa 1928-2014 in the Archives of American Art Valerie Vanden Bossche and Hilary Price Funding for the processing of a portion of this collection was provided the Smithsonian Institution Collections Care and Preservation Fund 2013 November 15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1962-1978, undated.............................................. 5 Series 2: Correspondence, 1952-2010, undated..................................................... 6 Series
    [Show full text]
  • A Finding Aid to the James Graham & Sons Gallery Records, 1815, 1821
    A Finding Aid to the James Graham & Sons Gallery Records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s, in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund May 25, 2012 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Alphabetical Files, 1902-1999, circa 1896 (bulk 1955-1986).................... 6 Series 2: Exhibition Files, 1947-2004, 1912.......................................................... 31 Series 3: Artists'
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • Contemporary American Painting and Sculpture
    ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARnM!TFXTURE KIOMR LliiHAKY AKOHITKTUKfc UNiVEIWTY OF ILLINOIS NOTICE: Return or renew all Library Malerlalst The minimum Fee for each Lost Book is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L16I—O-1096 ' » • .( ij.^.'. / »f T»^ 'A^Vc^ * • ir* ;' I n'V', ii'.mM :"! ii'vi '' > ' i: 1 "i .m'i ;:[ ' iv/iv/,''ir' ',!.;' ill ! i;'M,'i)">'i>''; I I I'^i'iii' , I ji II, >,M]' i,,i,ii, I * l'.',, i ! I i M!, ,.ll;!;J!-!;'!li^:*^'(WrM''^ I 1 ' ' I •,''',•1 ' , ill'' I fe!(''::!:ifi!'yi§li''i'!''';iVM^ »ntemporary American Painting and Sculpture] niversity off Illinois . -i&Sv i; z^' ii^ THE LIBRARY OF THE FEB ,?4iS5G UNIVERSITY OF ILLINOIS c ^MTifn? Y-^.m ARCWTEcnwi oi .n oi. =4 CONTEMPORARY AMERICAN PAINTING AND SCULPTURE University of Illinois, Urbana Sunday, February 27, through Sunday, April 3, 1955 Galleries, Architecture Building Co//ege of Fine and Applied Arts THE LIBRARY OF THE IVIAR 1 1955 iiMi\fFe<:rrv nr iiiiNrii5$ Copyright 1955 by the University of Illinois Manufactured in the United States of America RICKFP 5-^>/ ,^r^^ tIRRARY ARCHITCCTU8E 7 UMVfcXS.IY OF lumois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE LLOYD MOREY President of the University- ALLEN S.
    [Show full text]
  • The Museum of Modern Art 11 West S3 Street, Hew York 19, H
    THE MUSEUM OF MODERN ART 11 WEST S3 STREET, HEW YORK 19, H. Y. TELEPHONE:CIRCLE 5·8900 HUSEUHOFHODERNART 25th Anniversary Exhibition PAINrINGS}'ROMTHEMUSEm-lCOLLECTION U E C K LIS. T Note: Unless enclosed in parentheses, r:~ . $"(" 1 dates appear on the works themselves. The last two figures of the number indicate the date of accession. * Asterisk indicates acquisition not MoMAExh_0567_MasterChecklist preViously announced. Notes on new acquisitions are given on a separate sheet. FLOOR1. CEZANNETHROUGHTHEEARLY20THCE!<'TURY - Cezanne and his contemporaries - Seurat, van Gogh, Gauguin - Ensor, Redon - Rousseau - Bonnard, Rouault; Prendergast - Hatisse - The lesser "fauves"; Hodigliani - Expressionism in Central Europe Janke1 ADLER. Polish, 1895-1949. Worked in Germany and Great Britain. TwoRabbis. 1942. Oil on canvas, 33 7/8 x 44 1/8". Gift of Sam Salz. 1.49 Max BEC!(lvf.ANN.German,1884-1950. Worked in Amsterdam 1936-47; in U.S.A. 1947-50·. Familv Picture. 1920. Oil on canvas, 25 5/8 x 39 3/4". Gift of Mrs. John D. Rockefeller, Jr. 26.35 The Prodigal §Qn. (1921.) Three of a series of four gouaches on parc):llnent, 71/2 to 8 x 8". Purchase Fund. 263.39, ..zlR-'<':i'j,,)..{; &. ..J7 Departure. (1932-35.) Oil on canvas, triptych, center panel 84 3/4 x 45 3/8"; side panels each 843/4 x 391/4". Given anonymously (by exchange). 6.42.1-.3 Still Life with Candles. 1949; Oil on canvas, 35 x 55 7/8"; Purchase Fund. 2.50 I'age ;< Pierre BONNARD.French,1867-1947. Luncheon. (c.1927.) Oil on canvas, 161/4 x 24 1/2".
    [Show full text]
  • ED068004.Pdf
    DOCUMENT RESUME ED 068 004 HE 003 436 TITLE Empire State College. The Non-Residential College of the State University of New York. Bulletin 1971-72. INSTITUTION State Univ. of New York, Saratoga Springs. Empire State Coll. PUB DATE [71] NOTE 76p. AVAILABLE FROMEmpire State College, Coordinating Center, Saratoga Springs, New York EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Curriculum Development; Degree Requirements; *Educational Innovation; *Experimental Colleges; Experimental Programs; *Higher Education; *Nonresidential Schools; *Special Degree Programs ABSTRACT The bulletin of Empire State College, New York's non-residential college, describes the organization of the decentralized college, its educational philosophy and innovative educational program. The College's plan calls fora network of regional learning centers located within reasonable commuting distance for most New York state residents. Students and their Mentors work out individualized programs of study that are developed through a series of learning contracts. The contracts last forabout 3 months. The student's work is evaluated and anew contract is developed. The amount of time needed for award ofa degree depends upon the student's previous educational background and experience. (cs) U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS UEEH REPRO- DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIG INATING IT, POINTS OF VIEW OR OPIN IONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDU- CATION POSITION OR POLICY. EMPIRE STATE COLLEGE . BOARD OF TRIPSTEES SUM UNIVERSITY OF NEW YORK Slit' il. %.4 $ a. le 11 .1 V.ar 0 194$ Mrs. Maurice T. Moore, B.A., LL.D., L.H.D., Chairman ...New York City James J.
    [Show full text]
  • 1 David Cohen's Writings on Art, Lectures And
    DAVID COHEN’S WRITINGS ON ART, LECTURES AND EXHIBITIONS last updated June 2012 Books and Essays Books Henry Moore in the Bagatelle Gardens, Paris, photographs by Michel Muller with an essay by David Cohen (London: Lund Humphries, and New York: Overlook Press, 1993) an overview of Moore's work stressing the importance of landscape to his aesthetic; the book records an important outdoor exhibition staged the previous year in Paris Jock McFadyen: A Book about a Painter (London: Lund Humphries, 2001) By David Cohen, with contributions from Lewis Biggs, Humphrey Ocean, Bob and Roberta Smith, Hugo Williams, Tom Lubbock, Ian Dury, Mary Rose Beaumont, Duncan Macmillan, Jeffery Camp, and Will Self David Cohen Alex Katz Collages: A catalogue raisonné (Waterville, Maine: Colby College Mueum of Art, 2005) Published in conjunction with an exhibition at Colby College Museum of Art June 26 – September 18, 2005 Serban Savu (co-author Rozalinda Borcila) (Ostfildern: Hatje Cantz, 2011) Contributions to books and encyclopaedias “Francis Bacon”, “Jacob Epstein”, “Barbara Hepworth”, “Aristide Maillol”, “Ben Nicholson” and “Graham Sutherland” in International Dictionary of Artists and works by the above in International Dictionary of Art twin volumes edited by James Vinson (London: St. James's Press, 1990). "Herbert Read and Psychoanalysis" in Art Criticism since 1890: Authors, Texts, Contexts, edited by Malcolm Gee (Manchester: Manchester University Press, 1993) considers Read’s early interest in variety of psychoanalytic schools and their bearings on problems of literary criticism, proceeding to his growing interest in C.G.Jung and particular reference to Henry Moore The Annual Register: A Record of World Events 1994 edited by Alan J.
    [Show full text]
  • Analesiie12, UNAM, 1945. Catálogo De Exposiciones 1944
    DOI: http://dx.doi.org/10.22201/iie.18703062e.1945.12.392 CATALOQO DE EXPOSICIONES 1944 POI< JUSTINO FERNANDEZ Hace ocho años que iniciamos en estos Anales la publicación de los Catálogos anuales de exposiciones de arte, porque por experiencia sabe­ IDOs el interés que pueden tener y la utilidad que prestarán en el futuro. Es indudable que el movimiento artístico en nuestro país, especial­ mente en la ciudad de México, ha tomado un considerable incremento; hace diez años no eran frecuentes las exposiciones de arte y las de obras europeas rarísimas veces se veían; hoy, en cambio, DO sólo los pintores nacionales exhiben frecuentemente sino los extranjeros que aqtÚ residen y los que de paso para otros sitios se detienen a conocer México. pero es más, ya va siendo posible presentar exposiciones de arte modem9 de in­ terés universal y hasta el comercio de obras antiguas que, falsas o Yel'(Ia­ deras, encuentran un lugar en nuestras colecciones de inteligentes y pecios. Por todo 10' anterior hemos decidido que, a partir del próximo Catálogo, correspondttnte al año de 1945. la pub1icacióJ¡ se haga por separado. para darle mayor comodidad y amplitud y para facilitar su colecdonamiento. El año de 1944 marca Wl alto niveÍ en,.materia de exposiciones, al grado que me atrevería a decir que ya quisiéramos muchos o_~os como éste en el futuro." pos exposiciones sobre todas las demás atrajeron la atención en el año, una de ellas fué, naturalmente, la de PlCASSO, de quien por primera vez se pr~~ aquí. un acervo semejante de, sus obras; la otra fué la de OBOZCO, una de las más soberbias y emocionantes exposi­ ciones que hay;unos visto en muchos años y una de las mejores que hoy dia pueden verse en el mundo.
    [Show full text]