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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Valon Synty Suomalaiset Musiikkilehdet Osana Rockmuusikko Ville Valon Tähteyden Rakentumista 1997–2010
TAMPEREEN YLIOPISTO Maiju Karhunen Valon synty Suomalaiset musiikkilehdet osana rockmuusikko Ville Valon tähteyden rakentumista 1997–2010 Tiedotusopin pro gradu -tutkielma Maaliskuu 2013 TAMPEREEN YLIOPISTO Viestinnän, median ja teatterin yksikkö KARHUNEN, MAIJU: Valon synty. Suomalaiset musiikkilehdet osana rockmuusikko Ville Valon tähteyden rakentumista 1997–2010 Pro gradu -tutkielma, 114 s., 6 liites. (liite vain painetussa versiossa) Tiedotusoppi Maaliskuu 2013 Suomessa on ainoastaan kourallinen todellisia rocktähtiä. HIM-yhtyeen keulakuva Ville Valo on yksi heistä. Pro gradu -tutkielmani tarkoituksena on selvittää, miten suomalaiset musiikkilehdet ovat osallistuneet rocktähti Ville Valon tähtikuvan rakentumiseen lehtijuttujensa välityksellä. Valon tähtikuvan rakentumista tarkastelen suhteessa alan tutkimukseen ja kirjallisuuteen. Selvitän tutkielmani avulla myös hieman Valon suhdetta musiikkilehtien toimittajiin ja pohdin samalla, mitä Valo-tapaus kertoo suomalaisesta musiikkijournalismista. Päädyin tarkastelemaan Valon tähtikuvan rakentumista juuri musiikkilehdissä muun muassa, koska on loogista tutkia muusikon tähtikuvan muodostumista juuri musiikkilehdissä. Mukana tutkimuksessani on yhteensä viisi suomalaista musiikkilehteä: Inferno, Rumba, Rytmi, Soundi ja Sue. Tutkielmani teoriaosuus koostuu niin tähteyttä kuin musiikkijournalismia käsittelevästä kirjallisuudesta, sillä tutkimusaiheeni kannalta juuri tähteys ja musiikkijournalismi ovat ydinroolissa. Tutkimusmenetelminä tutkielmassani käytän määrällistä analyysia ja diskurssianalyysia. -
Megadeth Cristina Scabbia a Tout Le Monde Mp3 Download
Megadeth cristina scabbia a tout le monde mp3 download "A Tout le Monde (Set Me Free)" is a new, faster version of "A Tout le Monde". It is sung as a duet with Cristina Scabbia, singer of Italian metal band Lacuna Coil. Also, the new guitar solo (by Glen Drover) is longer than the original solo (by Marty Friedman). На этой странице вы можете слушать Megadeth — A Tout Le Monde и Найдено 12 mp3 на быстрых серверах: Cristina Scabbia) - (Radio Edit). Megadeth's video for A Tout Le Monde (Set Me Free) off the album United Download now on iTunes. На данной странице вы можете найти, слушать и скачать Megadeth A Tout Le Monde mp3. Cristina Scabbia) — A Tout Le Monde (Set Me Free). Ouvir e Baixar Megadeath A Tout Le Monde MP3. Megadeath-A Megadeath feat Cristina Scabbia-A Tout Le Monde (Set Me Free) Portada del. Megadeath. Megadeath feat Cristina Scabbia-A Tout Le Monde (Set Me Free) Portada del. Megadeath feat A Tout Le Monde (Megadeth Cover) ( | Tiempo: kbps). It is sung as a duet with Cristina Scabbia, singer of Italian metal band Lacuna Free tout le monde megadeth cristina scabbia mp3 music download, easily. Buy À Tout Le Monde [Set Me Free]: Read 1 Digital Music Reviews - "À Tout le Monde" is a song by American heavy metal band Megadeth, featured on their studio album Youthanasia. It was released as a single on February through Capitol Records. The song was later remade and reissued as "À Tout le Monde (Set Me Free)", featuring Cristina Scabbia of Lacuna Coil, . -
Video Games in the Supreme Court
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2017 Newbs Lose, Experts Win: Video Games in the Supreme Court Angela J. Campbell Georgetown University Law Center, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/1988 https://ssrn.com/abstract=3009812 This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Angela J. Campbell* Newbs Lose, Experts Win: Video Games in the Supreme Court Table of Contents I. Introduction .......................................... 966 II. The Advantage of a Supreme Court Expert ............ 971 A. California’s Counsel ............................... 972 B. Entertainment Merchant Association’s (EMA) Counsel ........................................... 973 III. Background on the Video Game Cases ................. 975 A. Cases Prior to Brown v. Entertainment Merchants Ass’n .............................................. 975 B. Brown v. Entertainment Merchants Ass’n .......... 978 1. Before the District Court ...................... 980 2. Before the Ninth Circuit ....................... 980 3. Supreme Court ................................ 984 IV. Comparison of Expert and Non-Expert Representation in Brown ............................................. 985 A. Merits Briefs ...................................... 985 1. Statement of Facts ............................ 986 a. California’s Statement -
Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Rock Is Life
Rock Is Life http://www.rock-is-life.com/reviewsinbrief.htm Reviews In Brief (2007) (2006) (2005) (2004) 2007 STARZ Greatest Hits Live MVD Entertainment Group 2007 "The live collection of the 70’s rockers greatest hits seems to capture the band in fine form. The CD is compiled from at least 3 different performances and while I found the sound to be adequate to mediocre, the quality of their material does seem to shine through. While I wouldn’t put the band in my own personal Top 10 of 1970’s rockers, they are pretty good. I think it is a shame I wasn’t musically aware in the 70’s because I probably would have liked the band. They’ve got a lively and energetic sound tied to that particular era and it does keep the ears engaged, even during the first half of the disc where the quality of the recording isn’t even as good as some bootlegs I’ve listened to over the years. The audio quality is the biggest problem I had with the entire disc. I think if you are going to reissue this type of album, you really need to make the sound more Official Site presentable than what a typical bootlegger could accomplish. You want to check out tracks like “Detroit Girls”, “Any Way That You Want It”, and “Cherry Baby” in particular, but surprisingly at least to me, each song is pretty good. Search Amazon: If you like the 70’s rock era, you probably know of the band. You’ll definitely like this release. -
AXS TV Canada Schedule for Mon. November 23, 2020 to Sun
AXS TV Canada Schedule for Mon. November 23, 2020 to Sun. November 29, 2020 Monday November 23, 2020 2:30 PM ET / 11:30 AM PT 6:00 AM ET / 3:00 AM PT Rock & Roll Road Trip With Sammy Hagar Tom Green Live Rock & Roll Beach Party - It’s a music festival Sammy-style. Join the Red Rocker for the first an- Marlon Wayans - Comrades in comedy convene Tom trades laughs with Marlon Wayans and nual High Tide Beach Party & Car Show. Vince Neil, Kevin Cronin, Eddie Trunk, Tre Cool, and Eddie Harland Williams. An American comedy dynasty is represented when actor/comedian/writer Money meet up with Sammy at the beach along with 14,000 of their closest friends. Marlon Wayans grabs a seat across from Tom. And he always brings it, whether plying his trade in sit-coms, feature films, or a sketch and variety series like In Living Color. The sardonic Williams, 3:00 PM ET / 12:00 PM PT an accomplished stand-up with a string of appearances on late-night TV, is currently starring in Live From Daryl’s House the sit-com Package Deal. Rob Thomas - Multi Grammy winner Rob Thomas teams up with Daryl Hall on hit songs like “3 AM” and “She’s Gone” on this episode of Live From Daryl’s House. 7:00 AM ET / 4:00 AM PT The Very VERY Best of the 70s 4:00 PM ET / 1:00 PM PT Amazing Toys - From silly to groundbreaking, these play things filled everyone with hours of fun. -
Ozzy Osbourne (From the 1987 Double Album TRIBUTE) Transcribed by Steve Rolbiecki Words and Music by Ozzy Osbourne, Bob Daisley and Randy Rhoads
SUICIDE SOLUTION (Live) As recorded by Ozzy Osbourne (From the 1987 Double Album TRIBUTE) Transcribed by Steve Rolbiecki Words and Music by Ozzy Osbourne, Bob Daisley and Randy Rhoads A Intro = 108 N.C.P A5 C5/A G5 A5 c c 1 g 4 W V V I 4 V V V V V V V V V } } V } } V V Gtr I [[[[[[[[[ T 2 5 0 2 5 0 2 A 2 5 0 2 5 0 2 B 0 x x x x 20 3 sl. sl. sl. B Verse 1 A5 C5/A G5A5 C5/A G5A5 C5/A G5A5 C5/A G5A5 3 4 g c c I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V eV V V 1/2 A.H. T 2 5 0 2 5 0 2 5 2 5 0 2 5 0 2 2 A 2 5 0 2 5 0 2 2 5 0 2 5 0 2 2 0 1 0 B 0 0 0 0 0 0 3 sl. sl. C C C C sl. sl. H P A5 C5/A G5 A5 C5/A G5 A5 A5 C5/A G5 A5 3 8 g c c I V V V V V V V V V V V } V V V V V V V V V eV V V V V V V } } T 5 0 2 5 0 2 2 5 0 2 A 2 5 0 2 0 2 0 5 0 2 0 1 0 1 0 5 0 2 B 0 x 0 3 x x sl. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Who Is This Colorful Pair? Mercyhurst Buys Land for $1.8 Million
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 The MERCIAD Vol. 78 No. 21 Mercyhurst College 501 E. 38th St. Erie, Pa. 16546 May 4, 2005 Mercyhurst buys land for $1.8 million began when Fairview and Girard High By Josh Wilwohl School superintendents, who, accord- Layout assistant ing to McQuillen, spoke to Mercyhurst about mirroring a North East to stu- With the decision to purchase 400- dents in the west county. acres of land in the western county for “They were an important voice in the new Girard campus, Mercyhurst set urging the college to offer programs (in into motion only the beginning stages that area),” he said. of a lengthy and diffi cult process. McQuillen feels that with the expan- Last week, the board of trustees voted sion of such programs will help increase to pay $4,500 per acre, or $1.8 million, the student population. to the Society of the Divine Word, in “With this new campus, we hope to order to purchase the land. attract a regional and national student According to Interim President population,” he said. Michael McQuillen, the purchase was However, in contrast to North East, fi nanced by transferring monies to the which has around 1200 students, Mer- endowment fund. cyhurst West plans to only begin with The idea, according to McQuillen, is 500 to 600 students and “later expand,” to sell a part of the land to regain the said McQuillen. money. Even with the buying of such a large “We can sell a portion of the property property, McQuillen noted that there to other developers and form more seemed to be “no opposition,” just money from the land in the endowment, some concern. -
Redalyc.ENSAYO CONTRA LA LEY DE PROHIBICIÓN DE
Redalyc Sistema de Información Científica Red de Revistas Científicas de América Latina, el Caribe, España y Portugal VARELA PEZZANO, EDUARDO ENSAYO CONTRA LA LEY DE PROHIBICIÓN DE VIDEOJUEGOS BÉLICOS EN VENEZUELA Jurídicas, vol. 7, núm. 2, julio-diciembre, 2010, pp. 111-122 Universidad de Caldas Manizales, Colombia Disponible en: http://www.redalyc.org/src/inicio/ArtPdfRed.jsp?iCve=129020014006 Jurídicas ISSN (Versión impresa): 1794-2918 [email protected] Universidad de Caldas Colombia ¿Cómo citar? Número completo Más información del artículo Página de la revista www.redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ENSAYO CONTRA LA LEY DE PROHIBICIÓN DE * VIDEOJUEGOS BÉLICOS EN VENEZUELA EDUARDO VARELA PEZZANO** COLEGIO MAYOR DE NUESTRA SEÑORA DEL ROSARIO Recibido el 29 de septiembre de 2010 y aprobado el 12 de diciembre de 2010 Resumen El 3 de marzo de 2010, la Asamblea Nacional venezolana promulgó la ley para la Prohibición de Videojuegos bélicos y Juguetes bélicos, un estatuto que prohíbe la fabricación, importación, distribución, compra, venta, alquiler y uso de videojuegos bélicos y juguetes bélicos en la República de Venezuela y sus demás espacios geográfi cos. Con el propósito de prevenir que esta iniciativa se repita, este ensayo desarrolla tres argumentos claves que rebaten la idea de implementar un estatuto con el mismo alcance que el venezolano. Palabras clave Videojuegos, violencia, libertad de expresión, clasifi cación ESRB, clasifi cación PEGI.del derecho. * El presente ensayo es parte de la investigación realizada por el autor para el libro derecho del entretenimiento para adultos, escrito en coautoria con la abogada Natalia Tobón Franco. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay