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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Arrow Rock • 2 Arrow Rock • 3 Vagabond Spirit, Hannah Lawson
Issue VI Spring 2015 Staff Table of Contents Editors ..............................................................................Zachary M. Alley Poetry Liz Arnold A Day in the Life: The Tale of Dr. CapiTillar, Danyelle Pullens...............5 Courtney Cox 10-42, Blake Fields...................................................................................12 Abby Edele Believing, You’ll See, Emily Bounds.......................................................13 Michael Edele Bookstore Limericks, Abby Edele..........................................................19 Brandon Evans Daniel Definitions, Daniel Coker.............................................................20 Jacob Grayson Don’t You Remember?, Danyelle Pullens...............................................31 Hannah Lawson Flatline, Blake Fields................................................................................32 Taylor Morris He Tells Me, Laine Johnson.....................................................................35 Aeriel Niccum Grecian Romance, Danyelle Pullens ..................................................... 36 Rebecca Spaggiari Influence, Abby Edele..............................................................................40 Kristine Wagner Hickory and White Paint, Emily Bounds.................................................41 Sing Me Purple, Hannah Lawson........................................................... 46 Faculty Advisor ................................................................... Spencer Hurst One Last Song, Liz Arnold.......................................................................47 -
Star Channels, September 23-29
SEPTEMBER 23-29, 2018 staradvertiser.com MAGNUM .0 2 Private investigator Thomas Magnum returns to TV screens on Monday, Sept. 24, when CBS doubles down on the reboot trend and reintroduces another fondly remembered franchise of yore with Magnum P.I. Jay Hernandez takes on the titular role in the reboot, while the character of Higgins is now female, played by Welsh actress Perdita Weeks. Premiering Monday, Sept. 24, on CBS. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | MAGNUM P.I. Back to the well ‘Magnum P.I.’ returns to the show was dropped in May. The person that the show wasn’t interested in being a 1:1 behind the controls is Peter M. Lenkov, a self- remake of its predecessor and was willing to television with CBS reboot professed fan of the ‘80s “Magnum” and a take big, potentially clumsy risks that could at- writer/producer on CBS’s first Hawaiian crime- tract the ire of diehard Magnum-heads. By Kenneth Andeel fest reboot, “Hawaii Five-0.” Lenkov’s secret Magnum’s second most essential posses- TV Media weapon for the pilot was director Justin Lin. Lin sion (after the mustache) was his red Ferrari, is best known for thrilling audiences with his and it turns out that that ride wasn’t so sacred, ame the most famous mustache to ever dynamic and outrageous action sequences in either. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 Permalink https://escholarship.org/uc/item/4ns5q1fv Author Camara, Anthony Christopher Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy In English by Anthony Christopher Camara 2013 © Copyright by Anthony Christopher Camara 2013 ABSTRACT OF THE DISSERTATION Dark Matter: British Weird Fiction and the Substance of Horror, 1880-1927 by Anthony Christopher Camara Doctor of Philosophy in English University of California, Los Angeles, 2013 Professor Joseph Bristow, Chair This dissertation examines the origins of British weird horror fiction, an understudied literary genre that had an extraordinary impact on later writers whose works appeared in popular magazines such as The Argosy (1882-1978) and Weird Tales (1923-1954). By far the most popular writer associated with the latter publication is H.P. Lovecraft, an American practitioner of cosmic weird horror whose astounding fictions have become emblematic of the genre in the mainstream imagination. This dissertation locates Lovecraft’s early modernist predecessors in British authors Vernon Lee (Violet Paget), Arthur Machen, Algernon Blackwood, and William Hope Hodgson. By tracking the evolution of the genre through these authors’ works, this study addresses the following question: “How does weird horror fiction distinguish itself from prior supernatural traditions, in particular the Gothic romance and the Victorian ghost story?” The chapters answer that inquiry by demonstrating that British weird horror fiction destabilizes scientific and philosophical accounts of physical matter, as well as the materialistic theories of ii biological life and the cosmos that issue from such accounts. -
Face the Raven
DOCTOR WHO SERIES 9 EPISODE 10 "Trap Street" by Sarah Dollard PURPLE SCRIPT 22/06/2015 (SHOOTING BLOCK 5) (c) BBC Wales 2015 DW9: EP10 "Trap Street" by Sarah Dollard PURPLE SCRIPT 22/06/15 1 INT. TARDIS - DAY 1 The empty TARDIS. The console phone begins to ring. And ring. The doors crash open, letting in a distant, unholy noise - like a howler monkey crossed with a fire alarm. Then - a joyful whoop from CLARA as she leaps in, high on adrenalin, covered from head to toe in strange alien pollen. CLARA Told you it’d work! THE DOCTOR staggers into the doorway, similarly covered. THE DOCTOR It very nearly ate you for dinner. CLARA Admit it. I totally saved your life. THE DOCTOR It wasn’t going to eat me. CLARA Then I totally saved you from having to marry a giant sentient plant thing. Oh come on! The bit where I jumped over the side? That was amazing! THE DOCTOR can’t fight a small smile. It was amazing. CLARA (CONT’D) Hah! I knew you were impressed! THE DOCTOR We can never come back here now. The second most beautiful garden in all of time and space and you had to go and - The TARDIS phone starts up again. They both stare at it, startled and wary. CLARA gestures - are you going to? THE DOCTOR, suspicious, waves for her to go right ahead. CLARA (the phone/cautious) Hello? She’s getting pollen on the console. THE DOCTOR moves her away, brushing down the TARDIS protectively. (CONTINUED) © BBC 2015 PRIVATE AND CONFIDENTIAL 1. -
Released with Audio Only Anim
Updated – 7/26/15 Released Lost – Won’t be released unless found Unreleased A – Released with Audio only Anim – Released with Lost video replaced by Animation CD – Audio only released on CD (Doctor Who: The Lost TV Episodes: Collections) Release Scheduled The First Doctor – William Hartnell Season 1 001 – An Unearthly Child (1–4) 002 – The Daleks (1–7) 003 – The Edge of Destruction (1–2) 004 – Marco Polo (1–7) CD 005 – The Keys of Marinus (1–6) 006 – The Aztecs (1–4) 007 – The Sensorites (1–6) 008 – The Reign of Terror (1–3,4–5Anim,6) CD Season 2 009 – Planet of Giants (1–3) 010 – The Dalek Invasion of Earth (1–6) 011 – The Rescue (1–2) 012 – The Romans (1–4) 013 – The Web Planet (1–6) 014 – The Crusade (1,2A,3,4A) CD 015 – The Space Museum (1–4) 016 – The Chase (1–6) 017 – The Time Meddler (1–4) Season 3 018 – Galaxy 4 (1–2,3,4) CD 019 – Mission to the Unknown (1) 020 – The Myth Makers (1–4) CD 021 – The Daleks' Master Plan (1,2,3–4,5,6–9,10,11–12) CD 022 – The Massacre of St. Bartholomew's Eve (1–4) CD 023 – The Ark (1–4) 024 – The Celestial Toymaker (1–3,4) CD 025 – The Gunfighters (1–4) 026 – The Savages (1–4) CD 027 – The War Machines (1–4) Season 4 028 – The Smugglers (1–4) CD 029 – The Tenth Planet (1–3,4) CD The Second Doctor – Patrick Troughton 030 – The Power of the Daleks (1–6) CD 031 – The Highlanders (1–4) CD 032 – The Underwater Menace (1,2,3,4) CD 033 – The Moonbase (1A,2,3A,4) CD 034 – The Macra Terror (1–4) CD 035 – The Faceless Ones (1,2,3,4–6) CD 036 – The Evil of the Daleks (1,2,3–7) CD Season 5 037 – The Tomb of the -
Beyond Gender?
Beyond gender? Abstract The purpose of this project is to look at the importance gender in the BBC show Doctor Who. This has been achieved by selecting ten focus characters for close analysis; five companions and five incarnations of the Doctor. The chosen characters are; Barbara Wright and the First Doctor, Tegan Jovanka and the Fifth Doctor, Ace and the Seventh Doctor, Rose Tyler and the Ninth Doctor, and finally Donna Noble and the Tenth Doctor. The analysis was based on a poststructuralist approach to the selected storylines of the show, in particular how the characters are influenced by gender roles and gender expectations. What this analysis showed was a tendency to stay close to the socially accepted norms of behaviour by males and females individually, although examples of pushing the boundary is also present. Based on the analysis, the discussion looked first at what values and personality traits which are shared by the selected companions, and secondly how the character of the Doctor has changed through the more than 50 years the show has existed. Interestingly enough, in both cases a tendency of a more mixed approach towards gender was uncovered, rather than an actual progress with the goal of achieving gender equality for the Time Lord and his companions. The overall purpose of this project is to answer; What is the importance of gender in relations to the characterisation of the Doctor and his female companions, in BBC’s Doctor Who, and how have these followed the progress of gender relations during the 54 years the show has been produced? 1 Table of content 1.0 Introduction ................................................................................................................................................ -
Mycelial Networker
THE OF Oxford Number 41 Doctor Who Trinity 2018 Society MYCELIAL NETWORKER Fungal reproduction and the Time Lords • Allegory in Ghost Light The Twelfth Doctor as storyteller • Twice Upon a Time Varsity Quiz 2018 • Jodie Whittaker • Colin Baker • Big Finish Number 41 Trinity Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 3 Editorial: ‘Change was possible. Change was here’ 4 Xenobiology Special: The Science of Whittaker J A 6 ‘Once Upon A Time, The End’: the Twelfth Doctor, Storyteller W S 11 Haiku for Smile W S 12 ‘Nobody here but us chickens’: The Empty Child B H 14 Running Towards the Future: new and old novelizations J W 20 The Doctor Falls No More: regeneration in Twice Upon a Time I B 23 Fiction: A Stone’s Throw, Part Three J S 29 2018 Varsity Quiz J A M K 36 The Space Museum W S 37 Looming Large S B R C 44 Paradise Lost: John Milton, unsuspected Doctor Who fan R B 46 The Bedford Boys: Bedford CharityCon 4-I I B 48 Mad Dogs and TARDIS Folk: the Doctor in Oxford J A 54 Mike Tucker: Bedford Charity Con 4-II I B 56 Big Who Listen: The Sirens of Time J S, R C, I B, A K, J A, M G, J P. M, P H 64 The Bedford Tales: Bedford CharityCon 4-III A K 67 Terror of the Zygons W S 68 Jodie Whittaker is the Doctor and the World is a Wonderful Place G H 69 The Mysterious Case of Gabriel Chase: Ghost Light A O’D Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Editorial assistance from Ian Bayley, Nancy Epton, Stephen Bell and William Shaw. -
Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction
F L A T L I N E C O N S T Flatline Constructs: R U C Gothic Materialism and T S Cybernetic Theory-Fiction Mark Fisher Forward by exmilitary Flatline Constructs Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction Mark Fisher Forward by exmilitary Exmilitary Press New York, New York Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction, Mark Fisher ISBN 978-0-692-06605-8 (print) Contents Forward i Introduction 2 Screams_Screens_Flatlines: Cybernetics, Postmodernism, 11 and the Gothic How an Android Must Feel — Cybernetics, Postmodernism, Fiction — Flatlines — Constructs — Second Naturalism Body Image Fading Down Corridors of Television Sky: 49 The Media Landscape and the Schizophrenic Implosion of Subjectivity Te Body without Image — Te Body without Organs and Intensive Quantities — Intensive Voyages and Cyberspace — Te Mediatized Body — Jumping out of our Skin — From Narcissism to Schizophrenia — Stim- ulating the Gothic Body: Videodrome — Tactile Power — Te Atrocity Exhibition — Atroci-TV — Catastrophe Management — Beyond the Pleasures of the Organs Xeros and Xenogenesis: Mechanical Reproduction 98 and Gothic Propagation Let Me Tell You About My Mother — Te Simulacrum’s Revenge — Sam- uel Butler and Surplus Value of Code — Nuptials Against Nature: Sorcery and propogation — Te Wasp Factory: Neuromancer — Capitalism and Isophrenia: Ashpool — Wintermutation: Neuromancer as Sorcerous Narrative Black Mirror: Hypernaturalism, Hyperreality, 138 and Hyperfction Never Mind Metaphor — Borges Doesn’t Make it into Cyberspace — Hyperreality and Postmodernist Fiction — Social Science/Social Science Fiction (How the True World Became a Simulation) — The Decline of the Shadow (or, the End of the Marvelous) — Mechanism and Animism (or, Gremlins in the Hyperreal) — Capitalism as Toy Story: Hyperfction, Strange Loops and Rhizomes — A Closing Parable: Hyperfction and In the Mouth of Madness Forward by Mark Fisher clicked send in 1999. -
SF&F Convention
Programming Schedule Listing Friday, July 3rd 12:00 PM Dr. Who Room DOCTOR WHO WORLD TOUR - EARTH INVASION (1 Hour - Video - Rating: G) Prior to the August 2014 launch of Season Eight, Peter Capaldi and Jenna Coleman, along with Stephen Moffat, set out on a world tour that took them to Seoul, Australia, Brazil, New York, and so many others to meet and greet millions of fans around the world. So if you've ever felt that you're the only one in your life who knows about the Doctor and his marvelous adventures, this your chance to find out that you're not, not NOT alone! Anime Room Plastic Memories 1-4 (4 Hours - Video - Rating: TV-14) In the near future, android companions have become commonplace, provided by a single corporation throughout the world, but there's a drawback to the technology. A wonderfully written sci-fi drama unfolds as the characters come to grips with the reality of this situation and the effect it has on their lives. Video Room Metropolis (3 Hours - Video) In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. 1:00 PM Dr. Who Room THE TIME OF THE DOCTOR (1 Hour, 30 Minutes - Video - Rating: G) Matt Smith's final full episode is filled with revelations, laughter, tears, terror, and (I don't think this is a spoiler) a regeneration. The Doctor dedicates his final life to defending the tiny town of Christmas on a remote planet from his greatest enemies. -
The Wall of Lies
The Wall of Lies Number 154 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA Final FINAL Adelaide, May--June 2015 WEATHER: Counter Earth Free Here’s to Doctor Who repeats! by staff writers ABC alone has 3¾ hours of Who repeats per week. From first broadcast gap in 1965, the ABCs commitment to Doctor Who has resulted in greater total hours of Who in Australia than any other country. In the 1960s 124 repeats (over 50 hours) of Who screened in South Australia with only eight episodes (three hours and twenty minutes) on BBC. Doctor Who logo ©2015 BBC. The 2010 documentary Cheques, Lies and Videotape put a price on the value of Australian O u N t copies of repeats; with one fan saying she’d No ow have given her “right arm” to have seen one of ! the frequent The Green Death broadcasts. K-9 continues his adventures in print by staff writers K-9 book crowd fund successful. As reported in The Wall of Lies 153 (March-April 2015), the pro- ducers of K-9 are bringing out a book devoted to the mechanical 50th Programme dog. The Essential Book of K-9 was the subject of a crowd fund- ing project run through Indiegogo.com, starting 17 January 2015 and ending 23 March. This campaign acted as a pre-order serv- O u N t ice for the book at a bargain price including postage and packing. No ow ! The crowd fund was considered successful, with £2,968 raised out of a £5,000 goal over 65 days. -
Deconstructing Clara Who. a Female Doctor Made Possible by an Impossible Girl
NARRATIVES / AESTHETICS / CRITICISM DECONSTRUCTING CLARA WHO. A FEMALE DOCTOR MADE POSSIBLE BY AN IMPOSSIBLE GIRL JARED ARONOFF Name Jared Aronoff self-reflexively critiqued by recent companion Clara Academic centre University of British Columbia, Vancouver, Oswald. The companion is traditionally relegated to the Canada role of a sidekick, with normative ideals perpetuated by E-mail address [email protected] the serial nature of the long-running series. These dictate the characterization of the companion, along with the KEYWORDS expression of their sexuality and agency, thus restrictively Doctor Who; companion; Clara Oswald; self-reflexive defining the exclusive space in which female characters feminist critiques; television. are allowed to occupy within Doctor Who. Where other characters had been unsuccessful, Clara succeeds in challenging this role by operating within the hegemonies ABSTRACT of the companion narrative to deconstruct them, claiming This paper explores the ways in which the role of the agency where other companions were unable to, and Doctor Who companion has been historically shaped by departing the show having essentially become the Doctor precedents that dictate the ways that female characters herself – paving the way for the casting of Jodie Whittaker function within the narrative, and how these traits were as the first female incarnation of the Time Lord. 17 SERIES VOLUME III, Nº 2, WINTER 2017: 17-30 DOI https://doi.org/10.6092/issn.2421-454X/7627 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X NARRATIVES / AESTHETICS / CRITICISM > JARED ARONOFF DECONSTRUCTING CLARA WHO. A FEMALE DOCTOR MADE POSSIBLE BY AN IMPOSSIBLE GIRL In the introduction to a 1986 illustrated book published as the overreliance upon monsters can arguably become repet- promotional material for the twenty-third season of Doctor itive and tiresome.