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Javier Camarena www.proopera.org.mx • año XXVIII • número 1 • enero – febrero 2020 • sesenta pesos ENTREVISTAS Elizabeth Blancke-Biggs Kate Burt Iván López Reynoso Carla López-Speziale ÓPERA MEXICANA Ópera del siglo XVIII: La ilustre desconocida ENSAYO Hacia los 250 años de Beethoven Elza van den Heever: “Me fascina interpretar a mujeres intensas”pro opera DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste Luis Gutiérrez Ruvalcaba Charles H. Oppenheim FUNDADOR Y DIRECTOR EMÉRITO Xavier Torres Arpi índice EDITOR Charles H. Oppenheim 4 Ópera en México [email protected] CORRECCIÓN DE ESTILO MEMORIAS DEL PALACIO Darío Moreno 7 Carlos Chávez y The Visitors COLABORAN EN ESTE NÚMERO Luis Gutiérrez Ruvalcaba ANIVERSARIO Ingrid Haas 8 Los 15 años de carrera de Javier Camarena Alejandro Herrera Luis Alberto Lerma Carmona José Noé Mercado CONCERTADORES Enid Negrete Hugo Roca Joglar 10 Iván López Reynoso: Gamaliel Ruiz Un profeta en su tierra Octavio Sosa Jorge Vázquez Pacheco David Zambrano de León PROTAGONISTAS 14 Elizabeth Blancke-Biggs: www.proopera.org.mx. “El rol de Minnie es helden Puccini” CORRESPONSALES EN ESTE NÚMERO VOCES Oxana Arkaeva 17 Carla López-Speziale: Renzo Bellardone Eduardo Benarroch “Sigo enamorada de la música” Francesco Bertini Jorge Binaghi 20 Ópera en los estados Jaume Estapa Federico Figueroa Daniel Lara CONCURSOS Maria Nockin José Nogueira 25 El Met en San Miguel: Gustavo Gabriel Otero Resultados del segundo año de audiciones Joel Poblete Ximena Sepúlveda Massimo Viazzo ENTREVISTA 26 Kate Burt, de Ópera Guanajuato AC: DISEÑO GRAFICO “Para ser artistas, hay que arriesgarse” Ida Noemí Arellano Bolio DISEÑO PÁGINA WEB 28 México en el mundo Carlota Calderón Arrechea - Hipatias IMPRESION PORTADA Grupo Gama. Soluciones Integrales. 30 Elza van den Heever: “Me fascina interpretar a mujeres intensas” GERENTE Carlos de la Garza REFLEXIONES ASISTENTE 34 Juan, ¿por qué no me miras? Rosalía Chalacha Granados ÓPERA MEXICANA Pro Ópera. Periodicidad bimestral. 36 Ópera del siglo XVIII: Año XXVIII número 1 enero-febrero 2020. Certificado de Reserva de Derechos al Uso Exclusivo La ilustre desconocida de Pro Ópera, A.C.: 04-2008-061711331300-102. Certificado de Licitud de Título No. 13084 y Certificado de Licitud de Contenido No. 10657, ENSAYO ambos de fecha 20 de Abril de 2005 38 Hacia los 250 años de Beethoven y con número de Expediente 1 / 432-05/16969, ante la Comisión Calificadora de Publicaciones y Revistas Ilustradas. Publicada por Pro Ópera, A. C. Domicilio de la publicación: OBITUARIOS Thiers 273-A, Col. Anzures, 11590, México, D.F. 44 Jessye Norman, Marcello Giordani y Teléfonos: 5254-4820, 5254-4825 y 5254-4826. Rolando Panerai www.proopera.org.mx E-mail: [email protected]. HOMENAJE Editor responsable: Pro Ópera, A.C. Impreso por: Grupo Gama. Soluciones Integrales. 46 Jessye Norman: Pascual Orozco 53. Col. San Miguel Iztacalco. El canto como ritual 08650 México, D. F. PORTADA El contenido de los artículos es responsabilidad Elza van den Heever exclusiva de los autores. DISCOS Todos los derechos están reservados. Prohibida la reproducción parcial o total del contenido sin el 47 La traviata; Ildar Abrazakov: Verdi; Foto: consentimiento por escrito de los editores. Jiyang Chen enero-febrero 2020 Jonas Kaufmann: Wien BENEFICIOS PRO OPERA, A.C. PRESIDENTE HONORARIO CONSEJO DE HONOR Ramón Vargas José Carral Escalante CONSEJO DIRECTIVO Leonardo Curzio Gutiérrez Gerardo Estrada Rodríguez PRESIDENTE Javier Lozano Alarcón Adriana Alatriste Lozano Carlos Francisco de la Mora Navarrete SECRETARIO Gerardo Suárez Reynoso Carlos Müggenburg Rodríguez Vigil Sergio Vela Treviño TESORERA EX PRESIDENTES Juanita Ayala Aranda Antonio y Josephine Dávalos (qepd) VOCALES Ignacio Sunderland José Galindo Monroy Elías Sheinberg Ana Elena Guerra Quintanilla Adolfo Patrón Luján Luis Gutiérrez Ruvalcaba Luis Rebollar Corona Marilú Herrera Benjamín Backal (qepd) Víctor Ortiz Ensástegui Ignacio Orendain Kunhardt Luis Alfredo Perezcano María Luisa Serrato de Chávez Ernesto Rimoch Lewinberg Anuar Charfén Pría David Rimoch Saraga Othón Canales Treviño Pro Ópera es una asociación civil sin fines de lucro que tiene como misión promover la afición y lograr que haya ópera de calidad en México. Para cumplir con esta misión Nuestros asociados recaba donativos con autorización del Servicio de Administración Tributaria para entregar recibos deducibles de impuestos. A cambio de estos donativos, la asociación otorga los BENEFACTORES DONADORES siguientes beneficios, según cada categoría: Manuel Álvarez y Loyzaga Adriana Alatriste Othón Canales Treviño José Galindo Monroy Benefactores Anuar Charfen Pría Ramón Pedroza Meléndez Luis Gutiérrez Ruvalcaba Felipe García Fricke Aportan un donativo anual de $50,000 pesos o más, y tienen como beneficio el derecho Marilú Herrera Roberto Gómez Aguado a reservar seis boletos en lugares fijos y cuatro adicionales en lugares preferentes para Yamile E. Kuri Harfush Bruno J. Newman Flores cada título de ópera en el Palacio de Bellas Artes. Jacques Levy Gloria Niño de Rivera Gumaro Lizárraga Martínez Ignacio Orendain Kunhardt Patrocinadores Ausencio Lomelín Luis Rebollar Corona Samuel Rimoch (qepd) Ana Stella Uhthoff (qepd) Aportan un donativo anual de $35,000 pesos o más, y tienen como beneficio el derecho López Velarde, Heftye y Soria. S.C. a reservar cuatro boletos en lugares fijos y cuatro adicionales en lugares preferentes para cada título de ópera en el Palacio de Bellas Artes. PATROCINADORES AFICIONADOS Peter Bauer Mengelberg Antonio Amerlinck Contribuyentes López Ricardo Bastón Fernando y Catalina Díaz Simon Blondin Aportan un donativo anual de $20,000 pesos o más, y tienen como beneficio el derecho Lombardo Margarita Díaz Rubio a reservar cuatro boletos en lugares fijos y dos adicionales en luneta 1 en lugares Víctor Ortiz Ensástegui Guillermo Flores Martínez preferentes para cada título de ópera en el Palacio de Bellas Artes. Roberto Núñez y Bandera Alicia García Cobos de Clark Santiago Paredes Fernanda Godínez Amigos José Alfredo Santos Asseo Eduardo Pérez Varona Casa Córdoba Eduardo Roldán Machaen Aportan un donativo anual de $15,000 pesos o más, y tienen como beneficio el derecho Teresa Soria a reservar dos en lugares fijos y dos más en luneta 1 en lugares preferentes para cada Carmen Sunderland CONTRIBUYENTES título de ópera en el Palacio de Bellas Artes. José Coballasi SIMPATIZANTES Rodolfo Kahn Pablo Becerril Donadores Andrea Labastida Mora Yomtov y Eugenia Béjar Mónica Buentello Aportan un donativo anual de $10,000 pesos o más, y tienen como beneficio el derecho Carlos y Mayra Müggenburg Roberto Núñez y Bandera Yolanda Chemor a reservar cuatro boletos en luneta 1 en lugares disponibles para cada título de ópera en Irma Dubost (qepd) el Palacio de Bellas Artes. Jorge Pinto Mazal Francisco Pallach Poupa Blanca Galindo Alfonso Solloa Junco Fernando González Aguilar Aficionados Rocío González Aportan un donativo anual de $8,000 pesos o más, y tienen como beneficio el derecho Ana Elena Guerra Quintanilla AMIGOS Renée Guindi a reservar dos boletos en luneta 2 en lugares disponibles para cada título de ópera en el Juanita Ayala Vicky Guindi Palacio de Bellas Artes. Juan Fábrega Cardelus Luz María Llorente Susana Romero de Chávez Ana María Mancisidor Beneficios generales para los socios de Pro Ópera: Raúl de J. Ramírez Degollado Manuel Marrón Jorge Antonio Salgado Jorge Alejandro Montes Jiménez • Información anticipada y reservación de boletos en preventa para las funciones Martínez de ópera organizadas por Pro Ópera y la Ópera de Bellas Artes. Natalia Peralta de Macías Adriana Salinas Julia Ruth Puga Luna • Suscripción por un año a la revista Pro Ópera. Jorge Antonio Sánchez Elena Quintanilla Derecho de reservación para viajes de Pro Ópera en México y el extranjero. • Cordero Dávila Cecilia Reyes Retana • Derecho de reservación para ciclos de conferencias de Pro Ópera. Rafael Sánchez Fontan Paulette Roffe de Marcus • Invitación a ensayos generales abiertos. David y Jennie Serur María Luisa Serrato de Chávez • Recibo deducible de impuestos. Aurel Zoepnek Marco A. Valle Informes: [email protected] 2020 Ópera en México por José Noé Mercado Morelli 37 La soprano Denis Andrea Vélez, poblana de 27 años de edad, se alzó como ganadora del primer lugar de la XXXVII edición del Concurso Nacional de Canto Carlo Morelli, cuyo concierto de fnalistas fue celebrado el domingo 17 de noviembre en el Teatro del Palacio de Bellas Artes con la participación de 10 jóvenes valores líricos procedentes de diversos estados de la República Mexicana. Vélez interpretó las arias ‘Depuis le jour’ de la ópera Louise de Gustav Charpentier y ‘Un bel dì vedremo’ de Madama Butterfy de Giacomo Puccini, que además de los 100 mil pesos del primer puesto, también le hicieron obtener el Premio de Ópera Francesa (diez mil pesos), el Premio Francisco Araiza (clases magistrales en Viena) y conciertos con la OFUNAM, la Filarmónica de Querétaro y la Filarmónica 5 de Mayo de Puebla. El segundo puesto (75 mil pesos) así como el Premio del Público- Pro Ópera “Rosita Rimoch” (50 mil pesos) y un concierto con la Los ganadores del Morelli 37 OFUNAM, se otorgaron a Carlos Alberto López, barítono jalisciense de 32 años de edad, mientras que en tercer lugar (50 mil pesos) se fascinantes por su contenido musical, lírico y dramático que transita ubicó la soprano quintanarroense de 25 años de edad Jennifer Mariel por el homenaje, el guiño, pero igual por la parodia, la trascendencia Velasco, quien de igual forma conquistó el Primer Lugar de Zarzuela y la irrelevancia, el fn y reinicio de un género: Le grand macabre (15 mil pesos) y el Premio Ópera de Bellas Artes (un papel en su del compositor húngaro Györgi Ligeti, se presentó en la Ciudad próxima temporada). Él interpretó ‘O Carlo, ascolta’ de Don Carlo de México los días 11 y 13 de octubre, como parte del 41 Foro de Giuseppe Verdi y ‘Nemico della patria’ de Andrea Chénier de Internacional de Música Nueva Manuel Enríquez; la primera en la Umberto Giordano, mientras que ella cantó ‘Sì, mi chiamano Mimì’ Sala Nezahualcóyotl del Centro Cultural Universitario, y la segunda de La bohème de Puccini y ‘Stridono lassù’ de Pagliacci de Ruggiero en el Teatro de Bellas Artes.
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