Performing the Passion of Christ in Postmodernity
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Rosemary Radford Ruether's Jesus: an Iconoclastic Liberator
TTJ 11.1 (2008): 117-129 ISSN 1598-7140 Rosemary Radford Ruether’s Jesus: An Iconoclastic Liberator Miyon Chung Torch Trinity Graduate School of Theology, Korea The integrity of the Christian tradition is indisputably grounded upon the person and work of Jesus Christ. The meaning of the Chris- tian confession that “Jesus Christ is the same yesterday and today and forever,”1 however, has produced exceedingly diverse interpretations for theological methods and content.2 With the arrival of feminist theo- logians in the middle of the twentieth century, the very credibility of the Christian tradition was retested for its content and relevance based on their insistence that there exists an inseparable causal relationship between gender experience, theological interpretations, and praxis.3 Spe- cifically, feminist theologians argue that orthodox Christology reflects predominantly androcentric patriarchal ideology and therefore has failed to communicate Jesus’ iconoclastic, subversive teaching and life against status systems, especially within religious communities. They, therefore, claim that “the Christ symbol must be reconstructed so that all who engage it may find in it a source of human liberation.”4 1. Heb 13:8 (NIV). 2. See, for example, Jaroslav Pelikan, Jesus Through the Centuries: His Place in the History of Culture (New Haven: Yale University Press, 1985). 3. Ann Loades, “Introduction,” in Feminist Theology: A Reader, ed. A. Loades (London: SPCK, 1990), 3. See also Ann Carr, “Is a Christian Feminist Theology Possible?,” Theological Studies 45 (1982): 295. 4. Maryanne Stevens, “Introduction,” in Reconstructing the Christ Symbol: Essays in Feminist Christology (New York: Paulist, 1993), 1. It should be noted that analyzing feminist methodologies of biblical hermeneutics and theology is almost impossible: because of “the overwhelming diversities.” But they do have a consistent starting point, the experience of oppression, and a goal which is liberation for all. -
The Passion of Christ on Television: Intertextuality As a Mode of Storytelling
religions Article The Passion of Christ on Television: Intertextuality as a Mode of Storytelling Stefan Gärtner Department of Practical Theology and Religious Studies, Tilburg University, P.O. Box 90153, NL-5000 LE Tilburg, The Netherlands; [email protected] Received: 2 October 2020; Accepted: 9 November 2020; Published: 13 November 2020 Abstract: The Passion is a contemporary performance of the passion of Christ live on stage, combined with pop music, city marketing, social media, and entertainment. The result is an encounter between the Christian gospel and traditional elements of devotion like a procession of the cross on the one hand, and the typical mediatization and commercialization of late modern society on the other. In this article, I will first briefly describe the phenomenon, including the different effects that the event has upon the audience and the stakeholders and benefits it has for them. It is one characteristic of The Passion that it allows for a variety of possible approaches, and this is, at the same time, part of its formula for success. Another characteristic is the configured intertextuality between the sacred biblical text and secular pop songs. In the second section, I will interpret this as a central mode of storytelling in The Passion. It can evoke traditional, but also new, interpretations of the Christian gospel. The purpose of the article is to interpret The Passion as an expression of constructive public theology. It is an example of how the gospel is brought into dialogue with secular society. Keywords: passion play; The Netherlands; public theology; intertextuality; The Passion 1. Introducing The Passion The television program The Passion is an example of public theology. -
John 11:47-53 People of the Passion: Caiaphas, the Schemer Midweek Lenten Service #1 Ash Wednesday March 6, 2011
John 11:47-53 People of the Passion: Caiaphas, The Schemer Midweek Lenten Service #1 Ash Wednesday March 6, 2011 Then the chief priest and the Pharisees called a meeting of the Sanhedrin. "What are we accomplishing?" they asked. "Here is this man performing many miraculous signs. If we let him go on like this, everyone will believe in him, and then the Romans will come and take away both our place and our nation." Then one of them, named Caiaphas, who was high priest that year, spoke up, "You know nothing at all! You do not realize that it is better for you that one man die for the people than that the whole nation perish." He did not say this on his own, but as high priest that year he prophesied that Jesus would die for the Jewish nation, and not only for that nation but also for the scattered children of God. So from that day on they plotted to take his life. (NIV) As we begin our Lenten sermon series titled "People of the Passion" we're going to begin by looking at the person some might well argue is the greatest villain of the Passion History. But it's probably not who you think. It's not Judas, always listed last of the 12 disciples, often with an ominous explanatory note along the lines of "who betrayed him." It's not Pilate, who was everything a judge is not supposed to be. It's Caiaphas. It was Caiaphas who got this whole thing started. Without Caiaphas, Judas and Pilate would not have entered the picture. -
After Pentecost July 25, 2021
Sermon Theme: " Don’t Stop Till You Get Enough.” Ninth Sunday Contemporary Worship 11:00 am after Pentecost July 25, 2021 ══Weekly News & Announcements══ Bake and “Buy” – Bread Weekend is next week July 31 and August 1: If you bake, bring your homemade goods to the kitchen. Whether you bake or not, then “buy” baked goods to help eradicate world hunger. Cash or checks only! Final week for the Gathering Space Giving Tree Christmas in July: Take an ornament. Follow directions to help the Camp Curtin YMCA, the Ecumenical Food Pantry, or the schools served by our Trinity Tutors. Outstanding speaker at Men’s Breakfast Gathering: “Global Christianity” Sat., Aug. 7, 8 am. Home of Bill and Sylvia Stotler, 7 Cheltenham Drive, Hummelstown. Speaker is Dr. A. Herbert Smith, Professor of Religion and Philosophy, McPherson College, Kansas. Email [email protected] so they know how much food to prepare. Or call church office for Stotlers’ phone numbers. Where’s the coffee? Sign the sheet in the Gathering Space to be contacted about helping to get our Sunday coffee hour re-started. Also sign the clipboard passed around during worship if you can help in other ways—lector, tech team, acolyte, more. YOU will feel great by serving! Summer Sundae Sing-Along: Sun., Aug 29, 6:30-7:30 pm, on the lawn Bring family, friends, lawn chairs, and loud voices to sing hymns and songs with our FaithX praise band. Yummy ice cream served by our Fellowship Team. You will not want to miss this! We will move inside if weather is not cooperative. -
The Passion and Resurrection According to John CRAIG R
Luther Seminary Digital Commons @ Luther Seminary Faculty Publications Faculty & Staff choS larship Winter 1991 The aP ssion and Resurrection According to John Craig R. Koester Luther Seminary, [email protected] Follow this and additional works at: http://digitalcommons.luthersem.edu/faculty_articles Part of the Biblical Studies Commons Recommended Citation Koester, Craig R., "The asP sion and Resurrection According to John" (1991). Faculty Publications. 126. http://digitalcommons.luthersem.edu/faculty_articles/126 Published Citation Koester, Craig R. “The asP sion and Resurrection According to John.” Word & World 11, no. 1 (1991): 84–91. This Article is brought to you for free and open access by the Faculty & Staff choS larship at Digital Commons @ Luther Seminary. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Luther Seminary. For more information, please contact [email protected]. Word & World 11/1 (1991) “TEXTS IN CONTEXT” Copyright © 1991 by Word & World, Luther Seminary, St. Paul, MN. All rights reserved. page 84 The Passion and Resurrection According to John CRAIG R. KOESTER Luther Northwestern Theological Seminary, St. Paul, Minnesota The Gospel of John moves like a pendulum. It begins at the high point by announcing, “In the beginning was the Word and the Word was with God and the Word was God” (1:1). Then the story unfolds in a downward arc, as the Word becomes flesh in the person of Jesus Christ. The first disciples receive Jesus gladly, hailing him as Rabbi, Messiah, Son of God, and King of Israel, and accompanying him to Cana’s wedding feast. But the pendulum continues to plunge downward, as the crowds become confused, skeptical, and hostile to Jesus’ claims; they charge that he is a blasphemer, try to stone him, and finally plot his execution. -
Queer Theology: Reclaiming Christianity for the LGBT Community Kelly Kraus
e-Research: A Journal of Undergraduate Work Volume 2 Article 4 Number 3 Vol 2, No 3 (2011) September 2014 Queer Theology: Reclaiming Christianity for the LGBT Community Kelly Kraus Follow this and additional works at: http://digitalcommons.chapman.edu/e-Research Part of the Christianity Commons, Gender and Sexuality Commons, and the Practical Theology Commons Recommended Citation Kraus, Kelly (2014) "Queer Theology: Reclaiming Christianity for the LGBT Community," e-Research: A Journal of Undergraduate Work: Vol. 2: No. 3, Article 4. Available at: http://digitalcommons.chapman.edu/e-Research/vol2/iss3/4 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in e-Research: A Journal of Undergraduate Work by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Kraus: Queer Theology: Reclaiming Christianity for the LGBT Community Queer Theology e-Research: A Journal of Undergraduate Work, Vol 2, No 3 (2011) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES Home > Vol 2, No 3 (2011) > Kraus Queer Theology: Reclaiming Christianity for the LGBT Community Kelly Kraus Key words, terms, concepts, names: queer, Christian theology, Bible, liberation theology, queer theology, sexuality, sinners, Jesus, Robert Goss The root of homophobia in the United States is the condemnation of homosexuality in the Church. By and large, Americans form their moral conscience based on the teachings of the church and so since the church condemns homosexuality, Americans blindly accept this teaching. This condemnation has done immense harm to the LGBT community and it is time for the LGBT community to reclaim Christianity. -
Golgotha on City Peripheries:Doi: 10.7592/FEJF2014.56.Baranieckathe Passion Play in Bydgoszcz Fordon
Golgotha on City Peripheries:doi: 10.7592/FEJF2014.56.baranieckaThe Passion Play in Bydgoszcz Fordon GOLGOTHA ON CITY PERIPHERIES: THE PASSION PLAY IN BYDGOSZCZ FORDON Kamila Baraniecka-Olszewska Abstract: Passion plays are gaining more and more popularity in Poland. Through participation, the faithful seek answers not only to their religious doubts, but also to the problems of the contemporary world. That is why some Easter play organizers decide to depart from the classic script of Passion plays, based on the Stations of the Cross, and to prepare for the audience performances which interpret political and social processes through the religious story. One such Passion play has been staged for over ten years in Bydgoszcz Fordon in Poland. This article examines how the concept of ritual efficacy can explain the particular impact of the Easter play on its participants. Keywords: Catholicism, contemporary religiosity, efficacy, Passion plays, performance, Poland This article has two principal purposes. First, I want to present one Polish Passion play that is, in my opinion, worth a separate study: namely the play staged in Bydgoszcz Fordon which is exceptional in comparison with the ma- jority of Passion plays all over the world. And second, through this example I would like to show how religious content is actualized by means of performance. Focusing on three iterations of the Fordon play, I describe three interpretation keys which allow us to grasp the process of actualization of Christ’s Passion. Simultaneously I show that the need of actualizing the Passion of Christ and giving it contemporary meanings related to present issues draws from the changing kind of the religious sensitivity of the faithful. -
The Sadness of Christ, Mary Basset's 1557 Translation
1 ST. THOMAS MORE’S HISTORY OF THE PASSION. Translated from the Latin by his granddaughter, MISTRESS MARY BASSET Edited in modern spelling with an Introduction by RIGHT REV. MGR. P. E. HALLETT LONDON BURNS OATES & WASHBOURNE LTD PUBLISHERS TO THE HOLY SEE NIHIL OBSTAT: LAURENTIUS P. EMERY, M.A., Censor Deputatus. IMPRIMATUR THOMAS, Archiepiscopus Birmingamiensis. BIRMINGAMIAE, die 31a Januarii, 1941. MADE AND PRINTED IN GREAT BRITAIN FOR BURNS OATES & WASHBOURNE LTD I94I 2 INTRODUCTION The History of the Passion closes the long list of works, both Latin and English, written by St. Thomas More. His imprisonment in the Tower lasted from April 17, 1534, to July 6, 1535, the day of his martyrdom. From the beginning he knew that he was never likely to regain his freedom and determined to make the best possible use of his time as a preparation for death. In all sincerity he expressed his satisfaction at obtaining so valuable a period of quiet and recollection for prayer and study. To Margaret Roper, his beloved daughter, he wrote of his appreciation of the grace of God that ‘hath also put in the king towards me that good and gracious mind, that as yet he hath taken from me nothing but my liberty, wherewith (as help me God) his grace hath done me great good by the spiritual profit that I trust I take thereby, that among all his great benefits heaped upon me so thick I reckon, upon my faith, my 1 imprisonment even the very chief.’ Similarly on another occasion he said to her: ‘They that have put me here ween they have done me a high displeasure.’.. -
Jesus Through the Eyes of Caiaphas and Pilate Matthew 26-27 “Then The
Jesus through the Eyes of Caiaphas and Pilate Matthew 26-27 “Then the high priest tore his clothes and said, ‘He has blasphemed!’” “But he gave him no answer, not even to a single charge, so that the governor was greatly amazed.” Caiaphas and Pilate. Priest and politician. Religion and politics. I think it no coincidence that, in Matthew’s Gospel, the hearing Jesus is given before the Sanhedrin (the religious council) mirrors the one-man trial he is given before Pilate, religion and politics being two sides of the coin of unbelief. In the house of Caiaphas, where the Sanhedrin has gathered, Caiaphas says to Jesus, “Have you no answer [to your accusers]? What is it that they testify against you?” Jesus is silent. Then the high priest asks him directly if he is the Messiah, the Son of God. Jesus responds, “You have said so.” Caiaphas is enraged. In the praetorium, the order is reversed. Pilate asks Jesus, “Are you the King of the Jews?” Jesus responds, “You say so.” Then Pilate asks Jesus, “Do you not hear how many accusations they make against you?” Jesus is silent. Pilate is amazed until he is afraid. To ask how Caiaphas saw Jesus is to ask how religion (our seeking God) sees revelation (God seeking us). From the standpoint of revelation, religion is a human assumption and assertion that contradicts revelation. Therefore when revelation comes to us, we do not believe. If we did, we would listen, but in religion we talk. If we did, we would let God claim us, but in religion, we grasp at God. -
European Reformation & Oberammergau
European Reformation & Oberammergau 2020 - 12 Days 1 = Overnights = Start City = End City Day 1: Board your overnight transatlantic flight Day 2 Arrival in Geneva, Switzerland: Transfer to your hotel. Balance of the day is at leisure. At 6 pm, meet your Tour Director, then enjoy this evening’s welcome dinner with your traveling companions. (D) Day 3 Geneva: Your orientation tour of Geneva, the city where John Calvin and John Knox preached, includes the United Nations Headquarters, Red Cross Headquarters, the World Council of Churches Headquarters, and a stop at the REFORMATION MONUMENT. Also visit ST. PETER’S CATHEDRAL, where John Calvin served. Balance of the day is at leisure. (B) Day 4 Geneva–Zurich–Heidelberg, Germany: After a comfortable drive to Zurich, join your Tour Director for a walk through the Old Town, and visit GROSSMUNSTER CHURCH, the mother church of the Reformation in Switzerland under Ulrich Zwingli. Also see the Helferei where Zwingli lived. Then, visit FRAUMUNSTER CHURCH, known for Chagall’s setained-glass windows. Enter Germany, drive past the Black Forest, and arrive in Heidelberg. Walk through its narrow, cobblestone streets and take pictures of the famous red-walled castle. (B,D) l Day 5 Heidelberg–Worms–Mainz–Rhineland: Two highlights today. First, stop in Worms, where the Imperial Council passed judgment on Luther in 1521. Visit the CATHEDRAL where Luther presented his case, as well as TRINITY CHURCH and the famed REFORMATION MONUMENT. Next to Mainz to visit the GUTENBERG MUSEUM and to see original copies of the Bible before you continue to your hotel in the Rhineland. -
A Guide to Producing Them!
A GUIDE TO PRODUCING THEM! Producing a Passion Play | Page 1 of 46 CONTENTS Why do a Passion Play? 4 First Steps 5 Organisation 6 Now I’ve got a Committee, what next? 10 How do I raise funds? 12 What about the land and setting? 14 How do I sell tickets? 16 How do I publicise the production? 17 Schools 20 How do I get a cast? 21 What do I do at rehearsals? 22 What about children in the cast? 25 What about a set? 26 What props will I need? 28 What costumes will I need? 28 What makeup will I need? 31 Do I need animals? 32 What about Sound? 33 Production Team 37 What about Safety? 41 So what actually happens on the day? 45 Useful contacts 46 APPENDICES Delegation of Authority Job Descriptions Planning Matrix Data Protection Application for funding letter to Churches Standing order form Donation form Press Release Website advertising list Church contacts information Photocall press release Schools Letter Schools Risk Assessment Education Information Call for Volunteers Letter of Agreement for paid workers Rehearsal Schedule Producing a Passion Play | Page 2 of 46 Cast Details Casting list Actors notes Character Sheet Character Research Script example Child Protection Policy Cross Spec. and planning Props List Costume Measurements Sound Tender information Music Cues Mic plot Health and Safety Policy – Dundas Health and Safety Policy – Easter play Risk Assessment Route plan example Council letting forms Security Performance Day Timetable Producing a Passion Play | Page 3 of 46 WHY DO A PASSION PLAY? Why not? Working on these plays is a fabulous way to reach out to your community and to work within that community, bringing the message of Jesus to each generation in a fresh and inspiring manner. -
Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images
Heavenly Venus: Mary Magdalene In Renaissance Noli Me Tangere Images by Michelle Lambert-Monteleon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and American Studies College of Arts and Sciences University of South Florida Major Professor: Naomi Yavneh, Ph.D. Mario Ortiz, Ph.D. Ruth Banes, Ph.D. Date of Approval: May 20, 2004 Keywords: magdalen, women, art, gender, sexuality © Copyright 2004 , Michelle Lambert-Monteleon Acknowledgments I would like to thank the entire Humanities department at USF for inspiring me as an undergraduate and graduate student to pursue my dream of becoming a professor of the humanities. Special thanks to Drs. Helena Szépe and Mario Ortiz for helping me to achieve my goal without any prior knowledge of my abilities. Your dedication is laudable. Dr. Ruth Banes, thank you for your guidance and for keeping me on the right track throughout my journey. And, of course, many thanks to Dr. Naomi Yavneh, who motivated, encouraged, supported, guided, and befriended a formerly befuddled and insecure student and helped her to become a confident woman ready to take on the world. I will forever be in your debt. I would also like to express my appreciation to my parents, Jerry and Betty Lambert, for supporting my endeavors in every way possible. Finally, a very special thank you to my husband, Chris Monteleon, whose indefatigable patience and unconditional love allowed me to pursue my goal unhindered. Table of Contents List of Figures ii Abstract