JD, DB, Sonny, Sunny, and Holden
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The Catcher in the Rye Chapter Summaries
THE CATCHER IN THE RYE CHAPTER SUMMARIES Chapters 1–2 Summary: Chapter 1 Holden Caulfield writes his story from a rest home to which he has been sent for therapy. He refuses to talk about his early life, mentioning only that his brother D. B. is a Hollywood writer. He hints that he is bitter because D. B. has sold out to Hollywood, forsaking a career in serious literature for the wealth and fame of the movies. He then begins to tell the story of his breakdown, beginning with his departure from Pencey Prep, a famous school he attended in Agerstown, Pennsylvania. Holden’s career at Pencey Prep has been marred by his refusal to apply himself, and after failing four of his five subjects—he passed only English— he has been forbidden to return to the school after the fall term. The Saturday before Christmas vacation begins, Holden stands on Thomsen Hill overlooking the football field, where Pencey plays its annual grudge match against Saxon Hall. Holden has no interest in the game and hadn’t planned to watch it at all. He is the manager of the school’s fencing team and is supposed to be in New York for a meet, but he lost the team’s equipment on the subway, forcing everyone to return early. Holden is full of contempt for the prep school, but he looks for a way to “say goodbye” to it. He fondly remembers throwing a football with friends even after it grew dark outside. Holden walks away from the game to go say goodbye to Mr. -
This Book Was First Published in 1951 by Little, Brown and Company
This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. -
Tactile Imagery and Narrative Immediacy in JD Salinger's
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" Angelica Bega-Hart Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2641 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Angelica E. Bega-Hart, 2011 All Rights Reserved Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J.D. Salinger’s “Blue Melody,” “A Girl I Knew,” and “Just Before the War with the Eskimos” A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. by Angelica Elizabeth Bega-Hart A.S. Richard Bland College, May 1998 B.A. Virginia Commonwealth University, May 2001 M.A. Virginia Commonwealth University, December 2011 Director: A. Bryant Mangum, Ph.D. Professor, Department of English Virginia Commonwealth University Richmond, Virginia December, 2011 ii Acknowledgements A thesis is such a large undertaking; and this one, like most, could never have come to fruition without the support of many friends and colleagues. First and foremost, I gratefully acknowledge the patience, rigor and support put forth by my thesis advisor, Dr. -
I. About the Author
The Catcher in the Rye Name:_____________________________________Date:___________________ Webquest – The Catcher in the Rye http://sites.google.com/site/craff214/home “People never notice anything” (9). Today you will be completing a Webquest to give you some background information that will help you to understand the novel and Holden as a narrator a little bit better. You should go to the site above and follow the directions. Take notes and complete the worksheet. You will be quizzed on some of this material in class on Wednesday. Be sure you read carefully! I hope you find some of this interesting. Whatever you do not complete in class will be homework! I. ABOUT THE AUTHOR 1. FIVE FACTS ABOUT THE AUTHOR Fact 1 Fact 2 Fact 3 Fact 4 Fact 5 2. How might World War II have affected J.D. Salinger and his writing? 3. What kind of lifestyle does J.D. Salinger live? 4. What is ironic about the author’s own son, Matt Salinger? The Catcher in the Rye II. SETTING THE SCENE FOR THE BOOK After reading “Interview with the Author” a. In the first interview, Interview with an Author in 1953 by Shirley Blaney, Salinger says he started writing Catcher in the Rye in the year __________ and ended in the year __________. b. In this same interview, what was Salinger’s response to the question that asks if this novel is autobiographical? HISTORICAL CONTEXT – List at least 5 major events/ideas going on during the time Salinger wrote his novel. a. b. c. d. e. III. -
NPR ISSUES/PROGRAMS (IP REPORT) - March 1, 2021 Through March 31, 2021 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - March 1, 2021 through March 31, 2021 Subject Key No. of Stories per Subject AGING AND RETIREMENT 5 AGRICULTURE AND ENVIRONMENT 76 ARTS AND ENTERTAINMENT 149 includes Sports BUSINESS, ECONOMICS AND FINANCE 103 CRIME AND LAW ENFORCEMENT 168 EDUCATION 42 includes College IMMIGRATION AND REFUGEES 51 MEDICINE AND HEALTH 171 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 26 POLITICS AND GOVERNMENT 425 RACE, IDENTITY AND CULTURE 85 RELIGION 19 SCIENCE AND TECHNOLOGY 79 Total Story Count 1399 Total duration (hhh:mm:ss) 125:02:10 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 645 Fresh Air FA 41 Morning Edition ME 513 TED Radio Hour TED 9 Weekend Edition WE 191 Total Story Count 1399 Total duration (hhh:mm:ss) 125:02:10 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 03/23/2021 0:04:22 Hit Hard By The Virus, Nursing Homes Are In An Even More Dire Staffing Situation Aging and Retirement WEEKEND EDITION SATURDAY 03/20/2021 0:03:18 Nursing Home Residents Have Mostly Received COVID-19 Vaccines, But What's Next? Aging and Retirement MORNING EDITION 03/15/2021 0:02:30 New Orleans Saints Quarterback Drew Brees Retires Aging and Retirement MORNING EDITION 03/12/2021 0:05:15 -
AM Salinger Press Release FINAL Prnewswire
Press Contact: Natasha Padilla, WNET 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , #AmericanMasters THIRTEEN’s American Masters Series Presents Exclusive, Never-Before-Seen Director’s Cut of Shane Salerno’s Salinger Documentary as 200 th Episode Season 28 premieres nationally with Salinger Tuesday, January 21 at 9 p.m. on PBS (check local listings) Preview video and connect with other cultural icons at pbs.org/americanmasters “Extraordinary” —Ken Burns “Mesmerizing…it’s impossible not to be drawn into the drama of the story” —Kenneth Turan, Los Angeles Times “Salinger is a valuable and engrossing biography of the author of arguably the most beloved American novel of the 20th century” —Richard Roeper, Chicago Sun Times (New York, NY — Jan. 6, 2014) THIRTEEN’s American Masters launches its 28 th season with the series’ 200 th episode: the exclusive director’s cut of Shane Salerno’s documentary, Salinger , premiering nationally Tuesday, January 21, 9-11:30 p.m. on PBS (check local listings) with 15 minutes of new material not seen in theaters. Featuring never-before-seen photographs, personal stories and moments from J.D. Salinger’s (Jan. 1, 1919 – Jan. 27, 2010) life and harrowing service in World War II, Salerno’s new director’s cut expands his intimate portrait of the enigmatic author of The Catcher in the Rye . American Masters was the first to close a deal with Salerno for Salinger , securing the exclusive domestic television rights to the documentary in January 2013. -
JD Salinger Exhibition to Unveil Photographs, Letters and Notebooks | Boo
JD Salinger exhibition to unveil photographs, letters and notebooks | Boo... https://www.theguardian.com/books/2019/oct/07/jd-salinger-exhibit-new... JD Salinger exhibition to unveil photographs, letters and notebooks New York Public Library exhibit will show a mix of personal and literary effects, and will run for three months JD Salinger in 1952. Photograph: San Diego Historical Society/Getty Images Tom McCarthy in New York Mon 7 Oct 2019 12.14 EDT When the writer JD Salinger died in 2010, his literary agent issued a statement saying that “in keeping with his lifelong, uncompromising desire to protect and defend his privacy, there will be no service”. That was then. Next week, the curtain of privacy behind which Salinger carefully guarded his personal life will be lowered further, with a major exhibition at the New York Public Library. The exhibit, which will be free to the public and is scheduled to run for three months, will present a mix of personal and literary effects, ranging from the original typescript of The 1 of 3 10/7/2019, 5:42 PM JD Salinger exhibition to unveil photographs, letters and notebooks | Boo... https://www.theguardian.com/books/2019/oct/07/jd-salinger-exhibit-new... Catcher in the Rye, revised by the author, to a bookcase from Salinger’s bedroom filled with books from his personal library. The exhibit was organized by Salinger’s son Matt Salinger, widow Colleen Salinger and the library’s special collections department. “He was a famously private man who shared his work with millions but his life and non- published thoughts with less than a handful of people, including me,” Matt Salinger said in a statement. -
Catcher in the Rye Unit
Catcher in the Rye Unit English 1-2 Curriculum Guide Version 1.0: September 2009 1 Table of Contents: Catcher in the Rye Activity Page # Introduction to Unit 3 Unit Template with Learning Plan 5 Student Progress Monitoring 8 Academic Vocabulary 10 Pre-assessment 11 Culminating Assessment: Writing an Analytical Essay 14 Differentiation 16 Note that the majority of the lesson plans and activities are found in the original curriculum packet, which appears at the end of this unit guide. See the Learning Plan for suggested activities. 2 Introduction From the original curriculum packet (edited slightly): Upon learning that The Catcher in the Rye had been selected as a Core Book for the Ninth Grade, all members of our group struggled to suppress the questions: What? How? Freshmen? Thus, we chose to come together and find the answers by developing the curriculum necessary to support this potentially daunting task. To be clear, all of us believe in rigor and in assisting our students to tap unknown strengths, but we also recognize the impact that Holden Caulfield has on students who are his same age. For freshmen, new to the experience of high school and only just entering adolescent arrogance, the subtleties of Holden’s struggle may be lost. To make Holden more accessible, we have chosen to begin this unit by focusing on the collective teen experience—weighing and discussing societal and parental expectations, peer pressure, limitations, and privileges. With this base, we then move on to introducing the idea of point-of-view. Students will transition from personally analyzing Holden’s choices in the early chapters of the novel to critiquing his behavior in the mindset of a specific role— parent, doctor, teacher, or peer. -
Salinger's Depiction of Trauma in the Catcher in The
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 9, pp. 1825-1828, September 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.9.1825-1828 Salinger‘s Depiction of Trauma in The Catcher in the Rye Wan Roselezam Wan Yahya Faculty of Modern Languages and Communication, University Putra Malaysia, Malaysia Ruzbeh Babaee Faculty of Modern Languages and Communication, University Putra Malaysia, Malaysia Abstract—Although J. D. Salinger’s The Catcher in the Rye (1951) is one of the most widely read novels in American literature, it has usually been prohibited in academic centers across the US from its publication. While many things were taboo and banned in 1950s America, Salinger talks about them frankly through his novel. From the time of its first publication, The Catcher has been seen as a depiction of trauma for many adolescents and young readers who have observed themselves opposed to the values of America. Salinger pursues a style of romantic individualism and sees society as innately corrupt. As a “trauma fiction,” The Catcher exhibits the author’s tormented relation to the war. The present study explores the root of trauma through the protagonist of the novel. Index Terms—trauma, war, sex, 1950s America I. INTRODUCTION The Catcher in the Rye begins with the sixteen years old Holden Caulfield‘s despair departure from what might be the last in a series of schools that fail to nurture, inspire and support him, persuaded via a troublesome odyssey in New York. The story is written from the advantage of an ―adult‖ who wants to relive that earlier time through his following life time and criticizes himself for contentment and not knowing better. -
Few Self-Accounts, Whether Autobiography Or Novel, Display Quite So Ostensibly Disaffecting a Take-It-Or-Leave-It Bravura As the Catcher in the Rye
19 FLUNKING EVERYTHING ELSE EXCEPT ENGLISH ANYWAY: HOLDEN CAULFIELD,AUTHOR The imagination also has a history … the imagination is also part of autobiography. Leonard Cohen, Interview (2006) 1 Few self-accounts, whether autobiography or novel, display quite so ostensibly disaffecting a take-it-or-leave-it bravura as The Catcher in the Rye. From Holden’s opening disparagement of his early childhood as “all that kind David Caulfield kind of crap” through to his last, peremptory “that’s all I’m going to tell about”,2 J.D. Salinger has his narrator sound the very model of scepticism about whether indeed we do “really want to hear about it” (3). Yet given the book’s spectacular popularity since its publication in 1951, clearly only the most obdurate of readers have proved resistant to wanting to hear about it and to Holden’s different virtuoso flights of scorn or dismay or selective approval. Yet however Holden has most come to be regarded – one of the classic isolates of modern times, the savvy but endlessly vulnerable witness to crassness and bad faith, post-war American adolescence itself – he also engages to become the catcher of his own broken self. That is, he invites a conscious, at times near conspiratorial, tryst with his reader, a reciprocal, and so redeeming, companion awareness. In giving notice, at virtually every turn, of the need to establish a usable signature in life, so he shows himself, knowingly or not, as nothing other that the author-in-waiting of The Catcher in the Rye. To that end, and in kind, he consciously and recurrently reaches out to the reader 1 Interview with Leonard Cohen, PBS News Hour Poetry Series, 29 June 2006. -
Alienation in J. D Salinger's the Catcher in the Rye (1952)
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research جامعة 8 ماي 1945\ قالمة University of 8 Mai 1945 / Guelma كلية اﻻداب و اللغات Faculty of Letters and Languages قسم اﻻداب و اللغة اﻹنجليزية Department of Letters and English Language Alienation in J. D Salinger’s The Catcher in the Rye (1952) A Dissertation Submitted to the Department of English in Partial Fullfilment of the Requirements for the Degree of Master in Anglophone Language, Literature and Civilizations Board of Examiners Chair: Ms. Soumia MOUMENE - (MAB) University of 8 Mai 1945/ Guelma Supervisor: Mrs. Meryem BOUREGAA - (MAB) University of 8 Mai 1945/ Guelma Examiner: Mrs. Laila AIOUNI - (MAB) University of 8 Mai 1945/ Guelma Submitted by: Supervised by: Marwa HADJABI Mrs. Meryem BOUREGAA 2016/2017 Acknowledgments First and foremost, I would like to thank God whose never-ending grace and provision encourages me to successfully accomplish this work. I would like to express my sincere gratitude to my supervisor Mrs. BOUREGAA Meryem for her patience and immense knowledge. Her guidance and extraordinary support helped me in this thesis process. I could not have had imagined having a better supervisor and mentor. A special consideration goes to my family, for their advice, their patience, and their faith, because they always understand. Dedication I dedicate this work to God who is my chief guider. I dedicate it to my supervisor Mrs. BOUREGAA Meryem for her valuable guidance and support, i am forever grateful. For my parents, i hope that this humble achievement will complete the dream that you had for me all those many years ago when you chose to give me the best education you could. -
The Genesis of Theme in Salinger: a Study of the Early Stories
The genesis of theme in Salinger: a study of the early stories Item Type text; Thesis-Reproduction (electronic) Authors Taiz, Nard Nicholas, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 05:33:52 Link to Item http://hdl.handle.net/10150/317934 THE GENESIS OF THEME IN SALINGER: A STUDY OF THE EARLY STORIES by Nard Nicholas Taiz A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission? provided that accurate acknowl edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the inter ests of scholarship« In all other instances9 however, permission must be obtained from the author.