DOCSLIB.ORG

Don Wilcox List of Published Stories and Books

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Don Wilcox List of Published Stories and Books Don Wilcox list of published stories and books: 1. The Pit of Death (Amazing Stories, July 1939) 2. Ray Lattimer Series: Wives in Duplicate (Amazing Stories, August 1939) 3. Ray Lattimer Series: When the Moon Died (Amazing Stories, September 1939) 4. Ebbtide Jones Series: Whirlpool in Space (Amazing Stories, November 1939) [as Miles Shelton] 5. Dictator of Peace (Amazing Stories, November 1939) 6. Ben Gleed Series: Ben Gleed, King of Speed (Amazing Stories, December 1939) 7. The Robot Peril (Fantastic Adventures, January 1940) 8. The Gift of Magic (Fantastic Adventures, January 1940) [as Miles Shelton] 9. Let War Gods Clash! (Fantastic Adventures, February 1940) 10. The Whispering Gorilla (Fantastic Adventures, May 1940) 11. Lester Allison Series: Slave Raiders from Mercury (Amazing Stories, June 1940) 12. Mirrors of Madness (Amazing Stories, July 1940) 13. Mystery of the Mind Machine (Amazing Stories, August 1940) 14. Ebbtide Jones Series: The Girl in the Whirlpool (Fantastic Adventures, August 1940) [as Miles Shelton] 15. Champlin Fights the Purple God (Amazing Stories, September 1940) 16. The Voyage That Lasted 600 Years (Amazing Stories, October 1940) 17. The Invisible Wheel of Death (Amazing Stories, January 1941) 18. Lester Allison Series: Battering Rams of Space (Amazing Stories, February 1941). 19. Secret of the Stone Doll (Fantastic Adventures, March 1941) 20. Invisible Raiders of Venus (Amazing Stories, April 1941) 21. Three Eyes in the Dark (Fantastic Adventures, May 1941) 22. The Lost Race Comes Back (Amazing Stories, May 1941) 23. Ben Gleed Series: The Iron Men of Super City (Amazing Stories, May 1941) 24. Ebbtide Jones Series: Ebbtide Jones' Atom Constrictor (Fantastic Adventures, June 1941) [as Miles Shelton] 25. Taxi to Jupiter (Amazing Stories, August 1941) 26. Secret League of Six (Fantastic Adventures, August 1941) 27. Queen of the Living Puppets (Fantastic Adventures, October 1941) 28. The Man from the Future (Fantastic Adventures, November 1941) 29. The Stevedore of Jupiter (Amazing Stories, November 1941) 30. Mr. Eee Conducts a Tour (Fantastic Adventures, December 1941) 31. Rainbow of Death (Fantastic Adventures, January 1942) 32. Ben Gleed Series: The Fiend of New London (Amazing Stories, February 1942) 33. Disciples of Destiny (Part 1 of 2) (Amazing Stories, March 1942) [cover] 34. Disciples of Destiny (Part 2 of 2) (Amazing Stories, April 1942) 35. The Perfect Trap (Amazing Stories, April 1942) [as Miles Shelton] 36. Dwellers of the Deep (Fantastic Adventures, April 1942) 37. Bull Moose of Babylon (Fantastic Adventures, April 1942) 38. Mademoiselle Butterfly (Fantastic Adventures, May 1942) 39. The Man Who Turned to Smoke (Fantastic Adventures, June 1942) 40. Ebbtide Jones Series: Ebbtide Jones on the Warpath (Fantastic Adventures, June 194) [as Miles Shelton] 41. The Eagle Man (Fantastic Adventures, July 1942) 42. Robotcycle for Two (Amazing Stories, September 1942) [as Max Overton] 43. An Angel with Four Faces (Fantastic Adventures, September 1942) 44. The Deadly Yappers (Fantastic Adventures, September 1942) [as Max Overton] 45. The Hollow Planet (Amazing Stories, October 1942) 46. The Leopard Girl (Fantastic Adventures, October 1942) 47. The Ice Queen (Fantastic Adventures, January 1943) 48. Lester Allison Series: Earth Stealers (Amazing Stories, June 1943) 49. The Great Brain Panic (Amazing Stories, July 1943) 50. Craig’s Book (Fantastic Adventures, July 1943) 51. Chariot of Death (Fantastic Adventures, August 1943) 52. World of the Paper Dolls (Fantastic Adventures, October 1943) 53. Magnetic Miss Meteor (Amazing Stories, March 1944) 54. Man from the Magic River (Fantastic Adventures, June 1944) 55. Cats of Kadenza (Fantastic Adventures, October 1944) 56. Fair Exchange (Fantastic Adventures, October 1944) [as Miles Shelton] 57. Invasion Dust (Amazing Stories, December 1944) 58. The Devil's Pigs (Fantastic Adventures, January 1945) 59. Taggart's Terrible Turban (Fantastic Adventures, January 1945) 60. The Singing Skulls (Fantastic Adventures, April 1945) 61. The Scarlet Swordsmen (Amazing Stories, June 1945) 62. The Voice from Venus (Amazing Stories, September 1945) 63. The Serpent Has Five Fangs (Fantastic Adventures, December 1945) 64. Woman's Island (Fantastic Adventures, December 1945) [as Miles Shelton] 65. The Sapphire Enchantress (Fantastic Adventures, December 1945) [as Cleo Eldon] 66. The Land of Big Blue Apples (Fantastic Adventures, May 1946) 67. March of the Mercury Men (Amazing Stories, August 1946) 68. The Red Door (Fantastic Adventures, November 1946) 69. Great Gods and Little Termites (Amazing Stories, December 1946) 70. The Secret of Sutter's Lake (Amazing Stories, January 1947) 71. Princess of the Sea (Fantastic Adventures, January 1947) [cover] 72. Desert of the Damned (Amazing Stories, May 1947) [cover] 73. Confessions of a Mechanical Man (Amazing Stories, May 1947) [as Buzz-Bolt Atomcracker] 74. The Kettle in the Pit (Amazing Stories, October 1947) 75. The Giants of Mogo (Amazing Stories, November 1947) 76. The Rikit of Mars (Amazing Stories, January 1948) 77. Secret of the Serpent (Fantastic Adventures, January 1948) 78. The Ocean Den of Mercury (Amazing Stories, June 1948) [as Miles Shelton] 79. The Lavender Vine of Death (Fantastic Adventures, September 1948) 80. The Eye of the World (Part 1 of 2) (Fantastic Adventures, June 1949) [as Alexander Blade] 81. The Eye of the World (Part 2 of 2) (Fantastic Adventures, July 1949) [as Alexander Blade] 82. The Iron Men of Venus (Amazing Stories, February 1952) 83. Queen of the Floating Island (Amazing Stories, March 1952) 84. The Battle of the Howling Hatchet (Amazing Stories, April 1952) 85. Fifty Thousand Nuggets (Amazing Stories, June 1952) 86. The Man Nobody Knew (Fantastic Adventures, June 1952) 87. Too Old to Die (Amazing Stories, July 1952) 88. Mars Invites You (Fantastic Adventures, August 1952) 89. Orphan of Space (Fantastic Story, Vol. 4, No. 2, August 1952) 90. The Slave Maker (Fantastic Adventures, September 1952) 91. The Mad Monster of Mogo (Amazing Stories, November 195) 92. Tombot! (Science-Adventure, Spring 1954 – Vol. 1, No. 11, Page 2) 93. The Fires of Kessa (Other Worlds Science Stories, November 1956) 94. Graygortch (Fantastic, April 1957 – Pages 99-116) 95. The Serpent River (Other Worlds Science Stories, May 1957) 96. The Smallest Moon (Boys’ Life, October 1957; The Boys’ Life Book of Outer Space Stories, 1964) 97. Blueflow (The Camelot Chronicles: Heroic Adventures From the Time of King Arthur, edited by Mike Ashley, New York: Random House, August & September 1992) 98. ESSAY: Some Echoes From the Windy City (Pulp Vault, 1989 – No. 5) Young Adult Books by Don Wilcox: Basketball Star (Little, Brown and Company, Boston & Toronto). 1955, 242 pages. Joe Sunpool (Little, Brown and Company, Boston & Toronto). 1956, 261 pages. Castle on the Campus (Little, Brown and Company, Boston & Toronto). 1959, 232 pages. David’s Ranch (Jullian Messner, Inc., New York). 1954, 64 pages. Don Wilcox Ghostwritten Books: Nikoline’s Academy by Margaret Maw (Oxford University Press). 1951, 249 pages. The Doctor’s Wyoming Children by Woods Hocker Manley (Exposition Press, New York). 1953, 266 pages. .
Load more

Recommended publications
  • FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
    NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in­ Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend­ vestigate the possibilities of such an companion magazine to Famous contains several items of consider­ ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com­ new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special­ twenty fans could be induced to pay to read the famous classics of yester­ pictorial review of all Popular Pub­ izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa­ Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma­ Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form.
    [Show full text]
  • Eng 4936 Syllabus
    ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice.
    [Show full text]
  • Science Fiction's Inception in Interwar Pulp Magazines
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines Zachary Doe CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/760 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Amazing Stories: Science Fiction’s Inception in Interwar Pulp Magazines By Zachary Doe Submitted in Partial Fulfillment of the requirements for the degree of Master of Arts (English), Hunter College, The City University of New York 2021 04/17/2021 Professor Jeff Allred Thesis Sponsor 04/17/2021 Professor Alan Vardy Second Reader 2 The approach to the imaginary locality, or localized daydream, practiced by the genre of [Science Fiction] is a supposedly factual one. Columbus’ (technically or genealogically non-fictional) letter on the Eden he glimpsed beyond the Orinoco mouth, and Swift’s (technically non-factual) voyage to ‘Laputa, Balnibarbi, Glubbdubdrib, Luggnagg and Japan,’ stand at the opposite ends of a ban between imaginary and factual possibilities. Thus, SF takes off from a fictional (‘Literary’) hypothesis and develops it with extrapolating and totalizing (‘scientific’) rigor– in genre, Columbus and Swift are more alike than different. –Darko Suvin, “On the Poetics of the Science Fiction Genre” Science Fiction is not about the future; it uses the future as a narrative convention to present significant distortions of the present.
    [Show full text]
  • Amazing Stories Volume 01 Number 02
    4 lew York City CONTENTS In Our Next Issue: Contents for May "DOCTOR HACKENSAWS SECRETS", by Clement Fezandie, by popular requests. A new and hitherto un- of the Earth A Trip to the Center published story of the great and illustrious Dr. Hacken- saw, which can not fail to hold your interest from start to finish. Mesmeric Revelation "THE RUNAWAY SKYSCRAPER", by Murray Lcin- Fourth Dimension, in which the great By Edgar Allan Poe ster, a story of the Metropolitan Life skyscraper in New York vanishes into the Fourth Dimension. One of the most surprising tales The Crystal Egg we have ever read. (This story was scheduled for the By H. G. Wells May issue, but had to make room for the Jules Verne The Infinite Vision "THE SCIENTIFIC ADVENTURES OF MR. FOS- DICK", by Jack Morgan. Perhaps you did not know it, By Charles C. Winn - but there can be excellent humor in scieotifiction. One, most excruciatingly funny stories, which at From the Atom {Sequel) of the The Man same lime is an excellent piece of scientifiction, is By G. Peyton Wertenbaker [i:!td "Mr. Fosdick Invents the Seidl immobile." "A TRIP TO THE CENTER OF THE EARTH"-', . Off On a Comet (Conclusion) Jules Verne, (second installment), wherein our heroes have now penetrated to subterranean depths and find a By Jules Verne ., tremendous number of surprises. "WHISPERING ETHER" by Charles S. Wolfe, a radio story that holds your interest and injects iiuite a few Illustrates this month's stoi new thoughts into a well-known subject. One of the Wells.
    [Show full text]
  • On Amazing Stories
    Science Fiction September 16. Amazing. Andrew Goldstone [email protected] Office hours: Mondays 3:00–5:00 Murray 031 sf-f13.blogs.rutgers.edu last time 1. Genre: thematic, formal, pragmatic a. lots of themes, but any required (“science”?) b. formal: Suvin’s novum c. pragmatic: Gernsback’s educative/prophetic mission 2. Classification and hierarchy: pathways to status a. “validated by cognitive logic” (Suvin) prestige of scientific reason b. oppositions: mere fact; mere fantasy c. “social” or “historical” bearing status pathways True, even after one subtracts the more or less supernatural tales…90 percent of SF will have plot structures escaping from history into Westerns, additive sensationalist adventures, or rehashes of mythography. However, as Kant said, a thousand years of any given state of affairs do not make that state necessarily right. Suvin, Metamorphoses, 83 status pathways Science fiction is a polemical genre, arguing its case, declaring its position… Its social commitments and technological investments mean that SF inevitably has a far more overt political identity than other genres. Gelder, Popular Fiction, 71 status pathways I am, by trade, a science-fiction writer. That is, the fiction I’ve written so far has arrived at the point of consumption via a marketing mechanism called “science fiction.” William Gibson, “Rocket Radio” (1989) “strategy of condescension” (Bourdieu) medium Paper is the old internet. “JustAPerson,” September 14, 2013 medium Life archive on Google Images, via pulpmags.org status AMAZING STORIES is a new magazine, facing an uphill fight for recognition by the reading public, and there can be no question about your interest in a magazine of this kind, which is the first to come out with scientifiction.
    [Show full text]
  • Nelson Slade Bond Collection, 1920-2006
    Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007.
    [Show full text]
  • Science Fiction Book Club Interview with Eric Leif Davin (Aug
    Science Fiction Book Club Interview with Eric Leif Davin (Aug. 2021) Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote "Pioneers of Wonder: Conversations with the Founders of Science Fiction." as well as "Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965." John Grayshaw: What is the Gernsback era? Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s. Bill Rogers: Professor Davin, have you done much research on early Russian science fiction, particularly that written after the October Revolution? If so, what do you think it contributed to the genre, or was it too isolated due to the external reaction to the revolution to have much effect beyond Russia? I’ve not done much research on early Russian SF. My feeling is that the handful of Russian SF films were more influential than the print versions. This might be seen in the impact they had on Fritz Lang’s “Metropolis,” a German film, which is currently playing in Berlin in the year 2021. Eva Sable: Has the function of the editor changed much from Gernsback's day to today? Is an editor more or less directive of the content, for example? No, the job of the editor has not basically changed.
    [Show full text]
  • Science Fiction, Technology Fact
    BR-205 SCIENCESCIENCE FICTION,FICTION, TECHNOLOGYTECHNOLOGY FACTFACT INTRODUCTIONINTRODUCTION ArtworkArtwork hashas playedplayed anan influentialinfluential andand centralcentral rolerole inin sciencescience fictionfiction literature.literature. ItIt hashas partlypartly defineddefined thethe scopescope ofof thethe genregenre andand hashas broughtbrought thethe startlingstartling andand imaginativeimaginative visionsvisions ofof outerouter space,space, explorationexploration ofof otherother worlds,worlds, interplanetaryinterplanetary spaceflightspaceflight andand extraterrestrialextraterrestrial beingsbeings intointo thethe mindsminds andand consciousnessconsciousness ofof thethe generalgeneral public.public. InIn magazinesmagazines andand books,books, filmfilm andand television,television, advertisingadvertising andand video,video, thethe artist’sartist’s visionvision hashas transformedtransformed wordswords intointo dazzlingdazzling andand compellingcompelling imagesimages thatthat stillstill liftlift thethe spiritsspirits andand brightenbrighten thethe soul.soul. A range of books gives wonderful examples of book and magazine covers, as well as paintings, illustrations and film posters, depicting science fiction themes and scenes. They trace the history and development of science fiction art, giving many examples of the images behind the stories, noting the technologies and ideas inherent in the pictures, and describing the lives and works of the artists and illustrators. Pulp magazines, with their lurid covers and thrilling, violent,
    [Show full text]
  • $25.00 $40.00 Per Month for a Top Box Ad Per Month for a Leaderboard Ad
    ADVERTISING RATES NOVEMBER 2013 www.AmazingStoriesMag.com One of the most iconic names in the fields of science fiction, fantasy and horror is back as an online social magazine site. Amazing Stories provides meaningful, insightful content with multiple daily posts, from nearly 120 contributors, covering all of the topics of interest to genre fans including science fiction, fantasy and horror literature, comics, anime, film, television, gaming, modeling, writing, publishing and fandom itself. Amazing Stories has been conceived as a social magazine, a place where genre fans can not only read great fiction(*) and interesting articles, but a place where they can share their interests – and discover new ones. SPECIAL OFFER Amazing Stories is beginning its advertising program by targeting small presses and indie (self-published) authors (as well as smaller companies offering products and services related to genre), with a special discount offer: $25.00 $40.00 per month for a Top Box Ad per month for a Leaderboard Ad Both ads will deliver over 1,000 impressions per day and over 30,000 impressions per month. Ad space is limited to insure performance for each advertiser. Reservations for space are on a first-come, first-served basis. Consult the remainder of this document for details about the advertising program and the website. 1 ADVERTISING RATES NOVEMBER 2013 DEMOGRAPHICS Amazing Stories' audience is as diverse as its contributors, which is what one would expect from a social website designed to appeal to genre fans. The audience is roughly evenly divided between males and females; ages range from teens to octogenarians; the LGBTQ community is well-represented, as are various 'isms.
    [Show full text]
  • Amazing Stories V14n02
    PRISONER By HARL VINCENT FEBRUARY * 20e ! Better start gargling with listerine, Mister you've got WHEN the sniffles, a Listerine Antiseptic reac chill, and your throat feels irri- back on throat surfaces to tated, it's a sign that germs are prob- lions of the secondary in ably at work in mouth and throat. germs that many author Sometimes they can be killed in help to complicate a cold a sufflcient numbers or kept under it so troublesome. control so that Nature can halt the Actual tests showed gen infection . throw off the cold. tions on mouth and throat If you have any symptoms of ranging to 96.7% even lf> trouble, start gargling with full after the Listerine Antisepti strength Listerine Antiseptic and Up to 80% one hour later. keep it up. Countless people say it's In view of this evidence, d a wonderful first aid and 8 years of think it is a wise precautio scientilic research back them up. Listerine Antiseptic systeri Tests during this period actually- during fall, winter, and sprinj showed fewer and milder colds for when colds are a constant rri Listerine Antiseptic users . fewer the health of the entire famj] sore throats, too. Lambert I'harmac-al Co.. SI. La NOTE HOW LISTERINE GARGLE REDUCED GE FOR COLDS I'he cwo drawings at left illustrate li range AND in germ reductions on mouth an surfaces in test cases before and after Listerine Antiseptic. Fifteen minutes <t SORE THROAT gling, germ reductions up u> 96.7* wer and even one hour after, germs were duced as much as 80%.
    [Show full text]
  • 64956712011.Pdf
    Palabra Clave ISSN: 0122-8285 Universidad de La Sabana Bertetti, Paolo Fandom e industria culturale: la nascita del fandom di fantascienza negli Stati Uniti Palabra Clave, vol. 20, no. 4, 2017, October-December, pp. 1142-1160 Universidad de La Sabana DOI: https://doi.org/10.5294/pacla.2017.20.4.11 Available in: https://www.redalyc.org/articulo.oa?id=64956712011 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Fandom e industria culturale: la nascita del fandom di fantascienza negli Stati Uniti Paolo Bertetti1 Recibido: 2017-01-19 Aprobado por pares: 2017-05-15 Enviado a pares: 2017-02-14 Aceptado: 2017-05-30 DOI: 10.5294/pacla.2017.20.4.11 Para citar este artículo / to reference this article / para citar este artigo Bertetti, P. (2017). Fandom e industria culturale: la nascita del fandom di fantascienza negli Stati Uniti. Palabra Clave 20(4), 1142-1160. DOI: 10.5294/pacla.2017.20.4.11 Abstract Già da tempo è stato evidenziato come le attività di fandom siano una real- tà complessa, luogo elettivo di pratichegrassroots di creatività e resistenza, ma anche oggetto di colonizzazione e cooptazione da parte dell’industria culturale, in una dinamica nella quale gli stessi fan si pongono come co-ar- tefici. Si tratta di un elemento che è evidente nelle politiche deifranchising transmediali e nella cult-testualità televisiva contemporanei, ma che si può ritrovare in forme diverse nella storia del fandom fin dalle sue origini.
    [Show full text]
  • Tales of Innovation and Imagination
    SP-546 SP-546 Tales of Innovation and Imagination Tales Tales of Innovation and Imagination Selected Stories from the 2003 Clarke-Bradbury International Science Fiction Competition SP-546 September 2004 Tales of Innovation and Imagination Selected Stories from the 2003 Clarke-Bradbury International Science Fiction Competition Sponsored by European Space Agency Maison d’Ailleurs OURS Foundation Moonfront iv Publication: Tales of Innovation and Imagination: Selected Stories from the 2003 Clarke-Bradbury International Science Fiction Competition (ESA SP-546, September 2004) Edited by David Raitt, Barbara Warmbein Published and distributed by ESA Publications Division ESTEC, Noordwijk, The Netherlands Artwork by Eva Ekstrand All images are from the collection Maison d’Ailleurs / Agence Martienne: M. Luros for Science Fiction Quarterly (vol. 1, no. 4, Feb. 1952), M. Smith for Amazing Stories (vol. 22, no. 2, Feb. 1948), Amazing Stories (vol. 13, no. 1, Jan. 1939), Thrills Incorporated (no. 11), J.S. Krupa for Amazing Stories (vol. 21, no. 4, April 1947), Analogue (Nov. 1957), Gamma (vol. 2, no. 1, 1964), De Soto for Fantastic Novels Magazine (vol. 4, no. 4, Nov. 1950), Super Science Stories (vol. 1, no. 1, Aug. 1940), Emsh for Amazing Stories (vol. 37, no. 6, June 1963), J. Coggins for Galaxy Science Fiction (British edition, no. 36), A. Khan for Amazing Stories (vol. 40, no. 10, Feb. 1967), Emsh for Future Science Fiction (no. 31, winter 1956-57), G. Morrow for Amazing Stories (vol. 39, no. 6, June 1965) Printed in The Netherlands Price EUR
    [Show full text]