Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Tchaikovsky Rachmaninoff Piano Trio Trio Élégiaque No.1
95632 Tchaikovsky Rachmaninoff Piano Trio Trio élégiaque No.1 Klára Würtz · Dmitri Makhtin · Alexander Kniazev Tchaikovsky’s negative sentiments towards the piano trio were clearly set out in a letter of October 1880 to his patron, Nadezhda von Meck, in response to her enthusiastic praise for one composed by her resident pianist – a young Frenchman Piotr Ilyich Tchaikovsky (1840-1893) Sergei Rachmaninoff (1873-1943) called Claude Debussy (a piece long thought lost but rediscovered in 1985). In Piano Trio in A minor Op.50 “In 4. Trio élégiaque No.1 rejecting her hint that he should write something similar, Tchaikovsky elaborated on memory of a great artist” in G minor 13’16 his antipathy to the format, not only on principle – the characteristics of violin, cello 1. Pezzo elegiaco: Moderato assai – and piano being in his view inherently incompatible – but for the purely subjective Allegro giusto 18’26 reason that their combination would be “pure torment” for him (notwithstanding 2. Tema con variazioni: the passages for exactly those instruments in the second movement of the recently Andante con moto 18’16 completed Second Piano Concerto). While conceding that other composers, notably 3. Variazione finale (Allegro Beethoven Mendelssohn and Schumann, had produced excellent examples, he could risoluto e con fuoco) e coda not be tempted in that direction. And that seemed to be that. (Andante con moto-Lugubre) 7’33 The sudden death in Paris of Nikolai Rubinstein on March 23rd 1881 seems to have been the catalyst for an abrupt change of mind. Although their relationship had always been prickly – Rubinstein had famously damned the First Piano Concerto as, among other things, badly written and vulgar – it was based on solid friendship and mutual respect and Tchaikovsky was devasted by the news. -
Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970
THE SOLOISTS KINSHI TSURUTA, born in Ebeotsu Asahi- kawa in the Hokkaido Prefecture, is a player of the traditional Japanese instru- ment, the biwa. In November 1961 she appeared on stage for the first time since World War II in a joint recital. On film she has been heard in the music of Takemitsu for Kwaidan. She and Katsuya Yokoyama created the music for a series of television dramas, Yoshitsune, broadcast by NHK. photo by Dick Loek Takemitsu wrote a new work for Kinshi Tsuruta and Mr Yokoyama called Eclipse, played at the Nissei Theater in May 1966. KATSUYA YOKOYAMA, a leading player of the shakuhachi, was born in Kohnuki Numazu, Shizuoka Prefecture. He is known for his interpretation of almost all the new music written for his instrument in Japan. He is also a member of 'Sanbonkai', a trio of Japanese instrumentalists. His playing has been heard in the film scores by Take- mitsu for Seppuku and Kwaidan as well as in the television series Yoshitsune. His tra- SM^^^^M^^^^*. JJ. photo by Dick Loek ditional instrument is a bamboo flute, and his technique has been inherited from his teacher, Watazumi. Both Kinshi Tsuruta and Katsuya Yokoyama have taken part in the recording of November steps no. 1 with the Toronto Symphony, conducted by Seiji Ozawa, for RCA. EVELYN MANDAC, born in the Philippines, took her degree in music at the University of the Philippines. She then studied for several years at Oberlin College and the Juilliard School of Music. Last season she appeared with the Orchestras of Honolulu and Phoenix, with the Oratorio Society of New York and the Dallas and San Antonio Symphonies. -
Dvarionas Vadim Gluzman Residentie Orkest Den Haag Neeme Järvi
Erich Wolfgang Korngold © Korngold Family Estate KORNGOLD · DVARIONAS VADIM GLUZMAN RESIDENTIE ORKEST DEN HAAG NEEME JÄRVI Balys Dvarionas Photo kindly provided by the Lithuanian Music Information and Publishing Centre BIS-CD-1822 BIS-CD-1822_f-b.indd 1 10-05-17 10.55.23 KORNGOLD, Erich Wolfgang (1897–1957) Concerto in D major for Violin and Orchestra 24'59 Op. 35 (1945) (Schott) 1 I. Moderato nobile 9'08 2 II. Romance. Andante 8'39 3 III. Finale. Allegro assai vivace 6'59 DVARIONAS, Balys (1904–72) · 4 Pezzo elegiaco ‘Prie ežerelio’ (‘By the lake’) 5'18 (1946–47) for violin and orchestra (Karthause-Schmülling) Concerto in B minor for Violin and Orchestra 29'44 (1948) (Karthause-Schmülling) 5 I. Andante semplice – Allegro strepitoso 15'31 6 II. Andante molto sostenuto 8'36 7 III. Vivo 5'23 TT: 60'55 Vadim Gluzman violin Residentie Orkest Den Haag Neeme Järvi conductor 2 his programme features three works for violin and orchestra composed in the three years following the end of World War II, by two composers whose Tfates were very different. One is world-famous, at least for his film music – the other known, outside his native land, only to a few cognoscen ti; one was an exile from his homeland – the other an ‘internal exile’ within his homeland, his music celebrating his people’s national aspirations under a suc ces sion of over bear - ing foreign powers. But the two are united in their music’s heartfelt and unabashed romanticism. Erich Wolfgang Korngold’s early career resembles that of Mozart, with whom he shared one of his forenames. -
Numerical Listing
SEQ DISC NO LABEL CDN PRICE PERFORMER DESCRIPTION a a THREE FOR TWO! ON ALL ITEMS PRICED AT £5.00, ONE- THIRD (1/3) OFF ALL ORDERS FOR 3 OR MORE a a 23776 0 10 1441-3 Supraphon, blue m A1 £10.00 Talich, Vaclav Vol. 1. Suk: Serenade for Strings; Asrael; Ripening. Czech PO c 22047 1 11 1106 Supraphon s A1 £5.00 Vlach SQ Beethoven: Quartets, Opp.18-1; 18-6 bb 22524 1 11 1755 Supraphon s A1 £5.00 Prague SQ Lubomir Zelezny: Clt. Quintet; Wind Quintet; Piano Trio. Prague Wind Quintet, Smetana Trio bb 23786 10 Penzance, USA m A1 £8.00 Callas, Maria, s Wagner: Parsifal, Act 2. Baldelli, Modesti, Pagliughi, -Gui. Live, 20.xi.50. In Italian a 22789 1007831 VdsM, References m A1 £7.00 Kreisler, Fritz, vn Beethoven; Sonatas 5, "Spring"; 9, "Kreutzer". F. Rupp, pf bb 23610 101 Rara Avis, lacquer m A-1- £10.00 Ginsburg, Grigory, pf Liszt: Bells of Geneva, Campanella, Rigoletto, Spanish Rhapsody / Weber: Rondo brillante / Chopin: Etudes, Op.25, 1-3. From 78s, semi-private issue b 22800 12T 160 Topic m A1 £7.00 Folk Songs of Britain, 1 Child Ballads 1. Various artists (field recordings) e 22707 13029 AP DGG, Archiv, Ger., m A1 £40.00 Schneiderhan, Wolfgang, vn Bach: Partita 2, D minor, for solo violin. Sleeve: buff, gatefold 10" bb 22928 133 004 SLPE DGG, Ger., tulip, 10" s A1 £12.00 Bolechowska, Alina, s Chopin: Lieder. S. Nadgrizowski, pf a 22724 133 122 SLP DGG, Ger., red, tulip, s A1 £12.00 Markevitch, Igor, dir Mozart: Coronation Mass. -
Gettysburg Symphony Orchestra
he Serving Baltimore/Washington/Annapolis . J January/February 2003 Circulation: 27,000 Johns Hopkins News Russian pianist The- Baltimore Alexander Shtarkman solp with the Shostakovich's in Hail Peabody Lady Macbeth of Dedication Mtsensk >age 3 Orchestra guest conducted by Leon Fleisher -jf V V**5. Yuri Temirkanov programs Russian composer with the Baltimon Symphon S B U R G A city-wide celebration Lori Hultgrei* with Peabody Symphony Orchestra Page 7 Peabodv Chamber Opera presents Berlin/Munich double bill Page 8 Young Dance classes at Preparatory Page 16 2 Peabody News January/February 2003 [ERNO N CULTURAL DISTRICT * MOUNT VERNON CULTURAL DISTRICT • MOUNT VERNON CULTURAL DISTRICT * MOUNi #19 FIND YOUR KNIGHT IN SHINING ARMOR jf *" For 99 other fun things to do, visit www.mvcd.org i MOUNT VERNON CULTURAL DISTRICT NEIGHBORHOOD Baltimore School for the Arts * Basilica of the Assumption * Center Stage * Contemporary Museum * Garrett Jacobs Mansion 100 * Enoch Pratt Free Library * Eubie Blake National Jazz Institute and Cultural Center * The George Peabody Library * Maryland •THINGS TO DO! I Historical Society * The Peabody Institute * The Walters Art Museum January/February 2003 Peabody News 3 1 John. Js * Hopkins : Peabody News lifts I The Award Winning wamm Newspaper of the Baltimore/ Washington Cultural Corridor Published by the Peabody Richard Goode awarded Conservatory of Music, George Peabody Medal Baltimore. First he played a magical recital. Then at the end of his October 29 program, Richard Goode was presented with the Circulation: -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
EINO TAMBERG JOANNA TENTATA Ballet Suite RESIDENTIE ORKEST
EINO TAMBERG BIS-CD-1677 © Kaupo Kikkas EINO TAMBERG JOANNA TENTATA ballet suite SYMPHONIC DANCES · CONCERTO GROSSO RESIDENTIE ORKEST DEN HAAG NEEME JÄRVI BIS-CD-1677_f-b.indd 1 10-04-21 15.08.29 TAMBERG, Eino (b. 1930) Suite from the ballet ‘Joanna Tentata’ 30'00 Op. 37a (1972) (Manuscript) 1 1. Kurjadest vaimudest vaevatud nunnad / The all-possessed nuns 4'50 2 2. Ringtants / Round dance 3'10 3 3. Koraal / Chorale 4'34 4 4. Palved ja kired / Prayers and passions 4'43 5 5. Pidutser rahvas / Feasting people – attacca – 5'01 6 6. Vürastused / Delusions – attacca – 3'42 7 7. Kirgastus. Meeleheide / Transfiguration. Despair 3'25 Symphonic Dances, Op. 6 (1957) (Edition 49) 21'21 8 I. Moderato – Allegro giocoso 6'32 9 II. Andante sostenuto 7'41 10 III. Allegro giusto e molto marcato 6'50 2 Concerto grosso, Op. 5 (1956) (Edition 49) 24'30 for flute, clarinet, trumpet, alto saxophone, bassoon and piano with percussion, harp, and strings 11 I. Allegro moderato – Allegro 9'21 12 II. Adagio 8'56 13 III. Allegro molto, quasi toccata 6'00 Martine van der Loo flute · Hans Colbers clarinet Gertjan Loot trumpet · Arno Bornkamp alto saxophone Dorian Cooke bassoon · Hans Eijsackers piano TT: 77'03 Residentie Orkest Den Haag Zino Vinnikov leader Neeme Järvi conductor 3 or more than fifty years, Eino Tamberg has remained an influential figure in the musical life of Estonia in many capacities – as a composer F and teacher, and a respected adviser in various fields. Tamberg was born in Tallinn on 27th May 1930, and studied composition at the Tallinn Con servatory, graduating in 1953. -
Toru Takemitsu Compositor Transversal Osesp 2015
MINISTÉRIO DA CULTURA, GOVERNO DO ESTADO DE SÃO PAULO E SECRETARIA DA CULTURA APRESENTAM TORU TAKEMITSU COMPOSITOR TRANSVERSAL OSESP 2015 O MAGO DOS SILÊNCIOS, POR JO TAKAHASHI 2 CRONOLOGIA 6 OBRAS DE TAKEMITSU NA TEMPORADA 2015 DA OSESP 8 GRAVAÇÕES RECOMENDADAS 12 PRINCIPAIS OBRAS 14 DoIS TEXTOS DE TAKEMITSU 16 2 O MAGO DoS SPOR ILJO ETAKAHASHINCIOS 3 SUGESTÕES DE LEITURA m dos aspectos que tornam a cultura japo- nesa tão hermética — e fascinante — para os ocidentais é o culto ao vazio, revelado Peter Burt especialmente nas artes tradicionais e no THE MUSIC OF TORU TAKEMITSU Uzen-budismo. Na arquitetura clássica e nos jardins, CAMBRIDGE UNIVERSITY PRESS, 2001 os espaços vazios criam tensões que tornam o diá- logo entre dois eixos mais dinâmicos. Nas gravuras Toru Takemitsu ukiyo-e, esses vazios potencializam expectativas CONFRONTING SILENCE: contidas, como a espera por uma chuva que tarda a SELECTED WRITINGS cair. O fato é que o vazio, na cultura japonesa, não SCARECROW, 1995 significa ausência. Pelo contrário, trata-se de um espaço intervalar de grande potência expressiva, Francisco F. Feliciano que extrapola molduras e atinge os sentidos mais FOUR ASIAN CONTEMPORARY COMPOSERS: THE INFLUENCE subliminares. Esse vazio não é estático, mas um OF TRADITION IN THEIR WORKS elemento de inflexão que prepara para um próximo NEW DAY, 1983 salto — um momento em suspensão dramática. Toru Takemitsu (1930-96) soube extrair a po- Alain Poirier tencialidade do vazio e inseri-la na linguagem da TORU TAKEMITSU música contemporânea, sobretudo na forma do MICHEL DE MAULE, 1996 silêncio, que, para ele, era tão importante quanto qualquer nota musical. -
Oxana Yablonskaya
Oxana Yablonskaya Oxana Yablonskaya’s charismatic piano playing and profound interpretations have brought her acclaim for over thirty years. Known for her powerhouse virtuosity, exquisite sensitivity, and deep emotional drive, Ms. Yablonskaya has enchanted audiences worldwide. Oxana Yablonskaya was born in Moscow. As an adolescent, she attended The Moscow Central School for the gifted children under the tutelage of great Anaida Sumbatyan, with whom she worked with until the age of 16. She later studied at the Conservatory of Moscow with the legendary Aleksandre Goldenweiser. At 22, she began a professional relationship with Tatiana Nikolayeva in the Doctorate Program, later acting as her assistant at the Moscow Conservatory. Following graduation with high honors, she was introduced to the Western World in Paris at the Jacques Long-Thibaud Competition in 1963, the Rio de Janeiro Competition in 1965, and the Vienna Beethoven Competition in 1969. She won top prizes in all three competitions, and received numerous invitations for return engagements, but because of the Cold War, was not allowed to do so. While still in the USSR, Ms. Yablonskaya performed Shostakovich’s Piano Concerto #1 with the Moscow Philharmonic under conductor Yury Simonov at the Composers Jubilee Concert in the Kremlin. She was the first performer to play Rodion Shchedrin’s “Basso Ostinato,” which became her signature piece. Her status as a consummate professional was heightened by many prominent Soviet and foreign composers dedicating their music to her. Despite the reputation she had earned within the Soviet Union and being a prize winner of three international competitions, she was never permitted to play outside the Eastern Bloc. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre