Mut Precinct Report 2017—English
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Cleopatra II and III: the Queens of Ptolemy VI and VIII As Guarantors of Kingship and Rivals for Power
Originalveröffentlichung in: Andrea Jördens, Joachim Friedrich Quack (Hg.), Ägypten zwischen innerem Zwist und äußerem Druck. Die Zeit Ptolemaios’ VI. bis VIII. Internationales Symposion Heidelberg 16.-19.9.2007 (Philippika 45), Wiesbaden 2011, S. 58–76 Cleopatra II and III: The queens of Ptolemy VI and VIII as guarantors of kingship and rivals for power Martina Minas-Nerpel Introduction The second half of the Ptolemaic period was marked by power struggles not only among the male rulers of the dynasty, but also among its female members. Starting with Arsinoe II, the Ptolemaic queens had always been powerful and strong-willed and had been a decisive factor in domestic policy. From the death of Ptolemy V Epiphanes onwards, the queens controlled the political developments in Egypt to a still greater extent. Cleopatra II and especially Cleopatra III became all-dominant, in politics and in the ruler-cult, and they were often depicted in Egyptian temple- reliefs—more often than any of her dynastic predecessors and successors. Mother and/or daughter reigned with Ptolemy VI Philometor to Ptolemy X Alexander I, from 175 to 101 BC, that is, for a quarter of the entire Ptolemaic period. Egyptian queenship was complementary to kingship, both in dynastic and Ptolemaic Egypt: No queen could exist without a king, but at the same time the queen was a necessary component of kingship. According to Lana Troy, the pattern of Egyptian queenship “reflects the interaction of male and female as dualistic elements of the creative dynamics ”.1 The king and the queen functioned as the basic duality through which regeneration of the creative power of the kingship was accomplished. -
Egyptian Interest in the Oases in the New Kingdom and a New Stela for Seth from Mut El-Kharab
Egyptian Interest in the Oases in the New Kingdom and a New Stela for Seth from Mut el-Kharab Colin Hope and Olaf Kaper The study of ancient interaction between Egypt and the occupants of regions to the west has focused, quite understandably, upon the major confrontations with the groups now regularly referred to as Liby- ans from the time of Seti I to Ramesses III, and the impact these had upon Egyptian society.1 The situ- ation in the oases of the Western Desert and the role they might have played during these conflicts has not received, until recently, much attention, largely because of the paucity of information either from the Nile Valley or the oases themselves. Yet, given their strategic location, it is not unrealistic to imagine that their control would have been of importance to Egypt both during the confrontations and in the period thereafter. In this short study we present a summary of recently discovered material that contributes sig- nificantly to this question, with a focus upon discoveries made at Mut el-Kharab since excavations com- menced there in 001,3 and a more detailed discussion of one object, a new stela with a hymn dedicated to Seth, which is the earliest attestation of his veneration at the site. We hope that the comments will be of interest to the scholar to whom this volume is dedicated; they are offered with respect, in light of the major contribution he has made to Ramesside studies, and with thanks for his dedication as a teacher and generosity as a colleague. -
Precinct of Mut at South Karnak
COPYRIGHTED MATERIAL / FOR PROMOTIONALPURPOSE ONLY COPYRIGHTED MATERIAL / FOR PROMOTIONALPURPOSE ONLY COPYRIGHTED MATERIAL / FOR PROMOTIONALPURPOSE ONLY The American University in Cairo Press Cairo New York First published in 2021 by The American University in Cairo Press 113 Sharia Kasr el Aini, Cairo, Egypt One Rockefeller Plaza, 10th floor, New York, NY 10020 www.aucpress.com Copyright © 2021 by Richard A. Fazzini and Betsy M. Bryan All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Dar el Kutub No. 19391/19 ISBN 978 977 416 973 1 Dar el Kutub Cataloging-in-Publication Data Fazzini, Richard A. The Precinct of Mut at South Karnak: an Archeaological Guide, Richard A. Fazzini, Betsy M. Bryan.— Cairo: The American University in Cairo Press, 2021. p. cm. ISBN 978 977 416 973 1 COPYRIGHTED MATERIAL / FOR PROMOTIONALPURPOSE ONLY 1. Egypt, Antiquities I. Bryan, Betsy M. 932 1 2 3 4 5 25 24 23 22 21 Designed by Rafik Abousoliman Printed in China Table of Contents Who Was Mut? 7 Eye of Re Goddesses 7 Stories of Sekhmet and the Eye of Re 8 Sekhmet Statues 10 The Mut Precinct: Exploration 13 Tomb of Khabekhenet 14 Early Exploration 15 Modern Exploration 18 The Early Mut Precinct 19 The Precinct Entrance 21 Between the Propylon and the Mut Temple 22 The Horwedja Chapel 23 The Mut Temple 25 The Porches 26 The Hut-ka Chapel of Nesptah 27 COPYRIGHTED -
Teacher's Guide for Calliope
Teacher’s Guide for Calliope Majestic Karnak, Egypt’s Home of the Gods September 2009 Teacher’s Guide prepared by: Nancy Attebury, B.S. Elementary Ed., M.A. Children’s Literature. She is a children’s author from Oregon. In the Beginning pg. 4 (Drawing conclusions) Use pgs. 3 and 4 and the facts below to get answers. FACT: Karnak structures are north of Luxor today, but were inside the city of Thebes long ago. QUESTION 1: How would the area of Thebes compare in size to the city of Luxor? FACT: Karnak was the site of local festivals. QUESTION 2: What good would it do to have Karnak in the middle of Thebes instead of on the edge? FACT: King Montuhotep II, a 11th Dynasty king, conquered many centers of power. QUESTION 3: Why could Montuhotep II unify Egypt? FACT: Set and Horus poured “the waters of life” over the pharaoh Seti I. QUESTION 4: Why were the “waters of life” important to a ruler? Karnak Grows pg. 5 (Gathering information) Place Hatshepsut, Senwosret, Amenhotep III, Thurmose III, and Amenhotep I in the correct blanks. Ruler’s name What the ruler did Added a new temple to honor Mut, Amun’s wife. Added a building that became the Holy of Holies. It was called Akh-Menu Remodeled a temple that had been damaged by floodwaters. Made a temple four times larger than it was before. Destroyed the front of Senwosret’s old temple. A Beehive of Activity pg. 8 (Deducing) Use the article from p. 8 and the map plans on p. -
Two Semi Erased Kushite Cartouches in the Precinct of Mut at South Karnak
two semi-erased kushite cartouches in the precinct of mut 95 TWO SEMIERASED KUSHITE CARTOUCHES IN THE PRECINCT OF MUT AT SOUTH KARNAK Richard A. Fazzini Brooklyn Museum William Murnane is perhaps best known for his of his theory: Claude Traunecker and Françoise work in New Kingdom Egypt, but his interests Le Saout of the Centre Franco-Égyptien d’Étude were more far ranging than that. For example, des Temples de Karnak arranged for a latex cast in the 1990s he became involved with the ques- to be made of the cartouche on the stela, and both tion of the name of Taharqa in the entrance way they and Bill agreed that the traces must belong of the Second Pylon of the Temple of Amun at to Nefertumkhure, the prenomen of Taharqa.5 Karnak.1 The same prenomen exists in a crypt in the Mut Much earlier, soon after I began work in the Temple (Fig. 2). Precinct of Mut at South Karnak in 1976, I ben- Margaret Benson and Janet Gourlay reported efited from conversations with Bill concerning that they uncovered crypts in “Room f,” which is Ptolemaic inscriptions at the site. At the time, Bill the Mut Temple’s central bark shrine (Fig. 3) and was also engaged in attempting to establish the another chamber which they did not specify. They date of a much damaged stela in the first court described these as “small stone-lined vaults, too of the Amun Temple before the south wing of low to stand upright in, and had probably been the Second Pylon (Fig. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
The Covenant with Mut: a New Interpretation of Isaiah 28:1-22
Vêtus (Î) Testamentum BRILL Vêtus Testamentum 60 (2010) 212-240 bnll nl/vt The Covenant with Mut: A New Interpretation of Isaiah 28:1-22 Christopher Β. Hays* Fuller Theological Seminary, Pasadena, CA, United States Abstract Many difficulties and perplexities in Isa 28 1-22 can be resolved by reading the text as a con demnation of the Judeans' seeking protection from Assyria by means of a covenant with one of Egypt's major deities, the mother goddess Mut Her close association with the Egyptian throne would have given her the "right" to make a covenant, her protective aspect explains why those in distress would seek her, her motherhood explains why the Judeans who seek her are charac terized as children, the prominence of drunkenness and flowers in her cult explains the appear ance of those elements in Isaiah 28 She also was associated with the underworld as a protectress of the dead, and it is likely that her name sounded very much like the Hebrew word ΠΙΟ, "death", making Isaiah's double entendre a natural play on words Other features of the text such as the overwhelming flood refer to the Neo-Assynans, Isaiah warns that Egypt and Mut cannot protect Judah from their assault Keywords cult of the dead, Egypt, death, Israelite religion, wordplay, paronomasia, syncretism, drunkenness Isaiah 28:1-22, which revolves around the reference to a "covenant with mwi\ has been subject to numerous interpretations. Although much of the work that has been done is helpful and basically accurate, the passage still seems at best a bit disjointed, due -
Glossary Ancient Egyptian Art and Culture
Ancient Egyptian Art and Culture Glossary Africa Africa is the world's second-largest and second most-populous continent, after Asia. At about 12 million square miles it covers 20% of the Earth's total land area. Egypt is located on the Northeast corner of the African continent. Amphora A large pottery or stone vessel, usually with one or more handles and used as storage or transport container for liquids or solids. Amulet A small token, such as a hieroglyphic symbol or figurine of a god, believed to provide magical protection or other benefits to its wearer. Ankh The ankh is a hieroglyphic symbol meaning “life” and “to live.” lt was worn by many ancient Egyptians as an amulet, and is frequently depicted in art being extended by the gods. Apis Bull The Apis bull was a sacred oracle housed in the temple of Ptah at Memphis. The bulls were well treated throughout their lifetimes, given divine status as the embodiment of the god Ptah, and were mummified upon death. The Apis bulls, and later the mothers of the Apis bulls (sacred to Isis) were buried at Saqqara. Artistic perspective Egyptians used variations in size to indicate importance in their art. Viewpoints also changed within images to show the strongest characteristics of objects and people. Faces were always shown in profile, eyes were large, and legs were often shown in exaggerated poses. Artifact An artifact is something that was made by a person in the distant past. Clothing, pottery, furniture, tools, and art are all artifacts. Atef The atef is a crown with an ostrich plume on each side and horizontal ram’s horns underneath. -
UCLA Encyclopedia of Egyptology
UCLA UCLA Encyclopedia of Egyptology Title Feathers Permalink https://escholarship.org/uc/item/4737m1mb Journal UCLA Encyclopedia of Egyptology, 1(1) Author Teeter, Emily Publication Date 2010-09-25 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FEATHERS الريش Emily Teeter EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Teeter, 2010, Feathers. UEE. Full Citation: Teeter, Emily, 2010, Feathers. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz00256swd 1054 Version 1, September 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz00256swd FEATHERS الريش Emily Teeter Federn Plumes Throughout Egyptian history, feathers appear in purely utilitarian settings and also in ritual contexts where they ornament crowns and personify deities. Feathered fans were used to signal the presence of royal or divine beings, and feathers identified certain ethnic types. Feathers are known from representations and also actual examples recovered primarily from tombs. ظھر الريش عبر تاريخ مصر القديمة في سياقات نفعية بحتة، باﻹضافة إلى بعض السياقات الطقسية حيث استخدم الريش لتزيين التيجان ولتمثيل اﻵلھة؛ واستخدمت المراوح الريشية لﻹشارة إلى وجود كائنات ملكية او إلھية، كما ميز الريش بعض اﻹنتماءات العرقية. يعرف الريش من خﻻل ظھوره ممثﻻً بمناظر بالمقابر والمعابد وأيضاً من خﻻل العثور على أمثلة حقيقية لريش تأتي أغلبھا من المقابر. eathers appear frequently in ancient Egyptian iconography, F they are referred to in texts, and they are incorporated into hieroglyphic writing. -
Mud-Brick Architecture
UCLA UCLA Encyclopedia of Egyptology Title Mud-Brick Architecture Permalink https://escholarship.org/uc/item/4983w678 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Emery, Virginia L. Publication Date 2011-02-19 Peer reviewed eScholarship.org Powered by the California Digital Library University of California MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Emery, 2011, Mud-Brick Architecture. UEE. Full Citation: Emery, Virginia L., 2011, Mud-Brick Architecture. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb 1146 Version 1, February 2011 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0026w9hb MUD-BRICK ARCHITECTURE عمارة الطوب اللبن Virginia L. Emery Ziegelarchitektur L’architecture en brique crue Mud-brick architecture, though it has received less academic attention than stone architecture, was in fact the more common of the two in ancient Egypt; unfired brick, made from mud, river, or desert clay, was used as the primary building material for houses throughout Egyptian history and was employed alongside stone in tombs and temples of all eras and regions. Construction of walls and vaults in mud-brick was economical and relatively technically uncomplicated, and mud-brick architecture provided a more comfortable and more adaptable living and working environment when compared to stone buildings. على الرغم أن العمارة بالطوب اللبن تلقت إھتماما أقل من العمارة الحجرية من قِبَل المتخصصين، فقد كانت في الواقع تلك العمارة ھي اﻷكثر شيوعا في مصر القديمة، وكان الطوب اللبن (أوالنيء) المصنوع من الطمي أو الطين الصحراوي مستخدما كمادة بناء بدائية للمنازل على مدار التاريخ المصري واستخدمت إلى جانب الحجارة في المقابر والمعابد في جميع المناطق وخﻻل جميع الفترات. -
Sales 2017 Thinking Symbols.Pdf
Pultusk Academy of Humanities ACTA ARCHAEOLOGICA PULTUSKIENSIA Vol. VI Thinking Symbols Interdisciplinary Studies Edited by Joanna Popielska-Grzybowska & Jadwiga Iwaszczuk Department of Archaeology and Anthropology PUŁTUSK 2017 Scientific Editors: Joanna Popielska-Grzybowska, Jadwiga Iwaszczuk Proof-reading in English by Jo B. Harper & Joanna Popielska-Grzybowska DTP by Jadwiga Iwaszczuk Graphics by Jadwiga Iwaszczuk Cover design by Jakub Affelski All rights reserved © Copyright 2017 by the Pultusk Academy of Humanities, 2017 Second edition Publisher: Pultusk Academy of Humanities ul. Daszyńskiego 17, 06-100 Pułtusk tel./fax (+48 23) 692 50 82 e-mail: [email protected] Internet: www.ah.edu.pl ISBN 978-83-7549-311-5 Realised on behalf of the publisher: Przedsiębiorstwo Poligraficzno-Wydawnicze “Graf” – Janusz Janiszewski 04-663 Warszawa ul. Błękitna 87A tel. 501 376 898 e-mail: [email protected] Contents Preface .....................................................................................................................................7 *** James Cogswell, Cosmogonic Tattoos: epistemic limits and the will to adorn ..................9 Sebastian Szymański, Music as a symbol of communication ............................................ 17 *** Lidia Ambroziak, Mind maps in creative knowledge gaining process by students ...........19 Ivan Badanjak, Codex Gigas as the symbol of the occult ...................................................25 Nicholas Campion, Astrology: the survival of an ancient symbolic language ...................