E Sixth Annual Berkshire Symphonic Festival
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STEINWAY THE INSTRUMENT OF THE IMMORTALS The Enchanted Hour! Who has not known those fragile, mystic interludes when all the world seems good, and hope is bright? They are a real and deepening part of life. And music of all the arts can best evoke such moods. A clear voice singing . some dark and haunting air . these have an unexampled power to stir the heart . Music belongs to every age. It is instinctive in the child. It fires the gayety of youth. In later life it is a constant inspiration and delight. And to all, even the least accomplished, music offers solace, joy, escape . moments of enchantment which nothing can dispel. Music and the Steinway piano . enjoyment of them is not limited by ability or circumstance. Because the Steinway is primarily a piano for the Home . and for that home which must regard any expenditure with care. Considering the excel- lence of this instrument the price is small, for it will last for generations. Come to the Steinway rooms; play, listen; the excellence of the Steinway will impress you deeply. *THE NEW STEINWAY GRAND PIANO in EBONIZED FINISH is ONLY *THE NEW STEINWAY PIANINO s ONLY This exquisite instrument is a full-scale $50 Liberal terms on all new Steinways .$885 vertical piano-7 gaoctaves. Amazing tone — direct action — craftsman construction. Used pianos accepted in part payment. Mahogany, $550 Walnut, $575 STEINWAY HALL STEINWAY & SONS 109 WEST 57th STREET, NEW YORK, N. Y. REPRESENTED IN MASSACHUSETTS AND NEW HAMPSHIRE BY M. STEINERT & SONS CO../, In c. SPRINGFIELD BOSTON WORCESTER 162 Boylston Street 1217 Main Street 308 Main Street E SIXTH ANNUAL BERKSHIRE SYMPHONIC FESTIVAL THE BOSTON SYMPHONY ORCHESTRA SERGE KOUSSEVITZKY, Conductor SERIES A Thursday, August 3, 8.30 p. m. Saturday, August 5, 8.30 p. m. Sunday, August 6, 3.30 p. m. SERIES B Thursday, August 10, 8.30 p. m. Saturday, August 12, 8.30 p. m. Sunday, August 13, 3.30 p. m. 1 9 3 9 )`ANGLEWOOD Between Stockbridge and Lenox In the Berkshires, Massachusetts SERGE KOUSSEVITZKY BOARD OF TRUSTEES of ghe aerkshire GlymiIonic gestival, cgnc. MISS ROBINSON SMITH, President NORVAL H. BUSEY, JR., Vice-President GEORGE W. EDMAN, Clerk HENRY W. D WIGHT, Treasurer MILTON B. WARNER, Attorney Mrs. William Felton Barrett Mrs. Henry A. Francis Edward S. Rogers Mrs. Gorham Brooks Mrs. Charles C. Griswold Mrs. Arthur F. Schermerhorn Philip Marshall Brown Mrs. John B. Lloyd Albert Spalding William L Bull Mrs. John C. Lynch Robert K. Wheeler Mrs. Bruce Crane Mrs. Elisabeth C. T. Miller Laurence R. Connor John F. Noxon, Jr. HAROLD V. RUBACK, Mrs. Carlos M. de Heredia Miss Mary Parsons Executive Secretary THE ADVISORY BOARD ADAMS HARTFORD, CONN. NORTHAMPTON Mrs. Theodore R. Plunkett Mrs. Blanchard W. Means Miss Dorothy Bement Mrs. James Cashin HILLSDALE, N. Y. Bernard O'Shea AMHERST Mrs. Alexander Bloch PITTSFIELD Mrs. S. D. Goding HINSDALE Mrs. Robert H. Colton BECKET Miss Alma Haydock POUGHK EEPSIE, N. Y. Miss Esther McCormick HOLYOK E Miss Rebecca Rider BELLOWS FALLS, VT. Mrs. Richard Towne George Dickinson Mrs. Edwin Miner HOUSATONIC RICHMOND BENNINGTON, VT. Mrs. Charles Giddings Miss Inez Eldridge Ronald Sinclair HUDSON, N. Y. SALISBURY, SHARON Mrs. Otto Luening Mrs. Otis H. Bradley LAK EVIL L E, CONNECTICUT BOSTON KINDERHOOK, N. Y. Mrs. Maurice Firuski Mrs. Walter Atherton James E. Leath SCHENECTADY, N. Y. M. A. DeWolfe Howe LAN ESBORO Mrs. Dudley Diggs Mrs. Henry K. White Miss Margery Whiting SOUTH HADLEY BRATTLEBORO, VT. LEBANON VALLEY Mrs. Edward Hazen C. H. Presbrey, Jr. Mrs. Harry Adams SPRINGFIELD BROCKTON LEE Mrs. Hollis Carlisle Miss Marjorie R. Shaw Miss Kathleen Hayden STOCKBRIDGE BROOKFIELD LENOX Mrs. John C. Lynch Mrs. Blanchard W. Means Miss Estelle Hutchinson TORONTO, CANADA BURLINGTON, VT. Lester Roberts Sir Ernest MacMillan Harlie E. Wilson Los ANGELES, CALIFORNIA TORRINGTON, WINST ED, LITCHFIELD CANAAN AND TWIN LAKES, CONN. Mrs. Robert Osgood COLEBROOK, CONNECTICUT Miss Agatha Canfield MAINE Mrs. Bertrand Peck CHATHAM, N. Y. Mrs. Allan Craig (Bangor) TROY, N. Y. Miss Annabelle Terrell MARBLEHEAD Mrs. A. W. Bray CHESTER Mrs. Carl Dreyfus TYRINGHAM Elmer J. Smithies MIDDLEBURY, VT. Mrs. Harry C. Holloway DALTON Lewis J. Hathaway SOUTH WORCESTER COUNTY Mrs. Bruce Crane MILLB ROOK, N. Y. Mrs. Noah Nason (Westboro) DES MOINES, IOWA Miss Dorothea Wheaton WESTFIELD Mrs. Doris Adams Hunn MONTCLAIR, N. J. Mrs. John B. O'Brien DOUGLASTOWN, L. I., N. Y. Mrs. Clifford W. Elting WEST STOCKBRIDGE Mrs. Blaine J. Nicholas MONTEREY Miss Delphine Jastram DUBLIN, N. H. Mrs. Earle Stafford Mrs. Edward T. Thaw MONTREAL, CANADA WILLIAMSTOWN EASTHAMPTON Mrs. Graham Drinkwater Charles L. Safford Frederick Hyde NEW BOSTON Roderick Danaher GREAT BARRINGTON, SHEFFIELD Mrs. Norton Perkins WINDSOR, CUMMINGTON NORTH EGREMONT, SOUTH EGREMONT NEW ORLEANS, LOUISIANA Mrs. Elisabeth C. T. Miller Mrs. George L. Taylor Mrs. Justin Godchaux WOODSTOCK, N. Y. Henry Wigeland NORFOLK, CONNECTICUT Mrs. Frank London GREENFIELD Mrs. David Goodnow WORCESTER Mrs. Frere Champney NORTH ADAMS Mrs. Frank C. Smith Harold Leslie Mrs. Shelley W. Potter Mrs. Frederick Williams TANGLEWOOD COMMITTEE JOSEPH FRANZ, Chairman Traffic Box Office LIEUTENANT JOHN F. MCLAUGHLIN GORDON SIMPSON SERGEANT WARNER F. EATON Parking Ushers MAJOR J. BRUCE MCINTYRE WILLARD M. SISTARE FRED N. CUMMINGS Stale Engineer Transportation GRENVILLE N WILLIS CHARLES E. WILLIAMS Housing Superintendent of Tanglewood LESTER ROBERTS WARD J. GASTON For Special Notices See Page 46 ;111E^fEf 00,tIS“Eff E ff011 VAI OE (At 0 100 t I ttrItAil o li tirof Er r E (tghttt(tti t litapqittltt UFF IFIIEFEE F ccrc i; ;;;JF rt,Pil!i t ! 111-171:lft. With its estate-like setting at the entrance to Central Park, the Plaza boasts a location unique in time-saving as well as scenic advantages. It is the strategic starting point not only for trips to the World's Fair but to the countless attractions which the metropolis has to offer the visitor. Subway station at the Plaza direct to the World's Fair. No advance in rates during World's Fair The Plaza has advised its patrons throughout the World that rates will remain the same during the World's Fair. Single from $7 Double from $9 Suites from $15 Henry A. Rost, President and Managing Director e-1)1.C1 Z Fke,:74‘ 4 First Programme THURSDAY EVENING, August 3, at 8.30 o'clock BACH . Brandenburg Concerto No. 3 in G major for string orchestra (with the Sinfonia from the Cantata "Christ lag in Todesbanden") Allegro moderato Sinfonia Allegro RIMSKY-KORSAKOV . "Scheherazade," Symphonic Suite (after "The Thousand Nights and a Night)" Op. 35 I. The Sea and Sindbad's Ship II. The Story of the Kalandar Prince III. The Young Prince and the Young Princess IV. Festival at Bagdad. The Sea. The Ship goes to Pieces against a Rock surmounted by a Bronze Warrior. Conclusion. INTERMISSION OF TWENTY-FIVE MINUTES BRAHMS . . Symphony No. 1 in C minor, Op. 68 I. Un poco sostenuto; Allegro II. Andante sostenuto III. Un poco allegretto e grazioso IV. Adagio: Allegro non troppo, ma con brio Recordings of the Orchestra may be had at the Festival Record Shop—main house on concert grounds—conducted each season by The Music House of Northampton, Massachusetts. The Thursday Morning Club of Great Barrington invites you to patronize its refreshment tent. Cushions for Rent. Kindly keep, and use this complete program for all concerts. k COMBINING convenience with charm and dignity- \ \ The Westbury attracts distinguished guests from everywhere. Ideally located in the quiet East side residential section—adjacent to Central Park . shopping and theatrical centers. Single, Double Rooms and Suites Available Furnished or Unfurnished Serving Pantries DAILY RATES SINGLE $5 UP DOUBLE $7 UP SUITES $10 UP Direction KARL P. ABBOTT Ross W. Thompson, Mgr. 6 HISTORICAL AND DESCRIPTIVE NOTES By JOHN N. BURK (Reprinted by permission of the Boston Symphony Orchestra, Inc.) CONCERTO, G MAJOR, No. 3 (OF THE BRANDENBURG SET) FOR THREE VIOLINS, THREE VIOLAS, THREE VIOLONCELLOS, WITH BASS BY THE CEMBALO (WITH THE SINFONIA FROM THE CANTATA "CHRIST LAG IN TODESBANDEN") By JOHANN SEBASTIAN BACH Born at Eisenach on March 21, 1685; died at Leipzig on July 28, 1750 rr HE set of Brandenburg concertos can be looked upon as an experiment in various -I- instrumental combinations. Of the six, this one is unique in being written for strings only, and in having no intervening slow movement to bring the customary contrast between the two allegros. The original title runs "Concerto 3zo a Ire Violini, tre Viole, e tre Violoncelli col Basso per it Cembalo," but the score definitely gives a place to the string basses, doubling the 'cellos, whereby the "cembalo" becomes merely a reinforcing instrument, unessential in the general balance. Bach thus divides his forces into three complete and equal string orchestras. At times, as in the first exposition, the three parts for each kind of instrument are in unison, making an ensemble of only three distinct voices (though the players themselves are dis- tributed), giving a special sense of integration and solidity. At times the three parts (for violins, violas, or 'cellos) are at variance, giving an infinite diversity and richness in contra- puntal imitation. Using brief rhythmic figures, Bach establishes and sustains an astonishing vitality in their varied manipulation. "The two movements," writes J. A. Fuller-Maitland, "make up a composition that is surely without a rival as the expression of a frank and fear- less joy, a joy from which everyday mirth is not excluded and which yet is well fitted for a tribute of spiritual exultation." Philip Spitta speaks of the first movement as "instinct with life and genius." He draws the attention to a particular passage (from the 78th bar) which he considers "as fine as anything in the whole realm of German instrumental music; the chief subject is given out in the second violin part, the first violin then starts an entirely new subject which next appears on the second violin, drawing in more and more instru- ments, and is at last taken up by the third violin and the third viola, and given out weightily on their G strings; this is the signal for a flood of sound to be set free from all sides, in the swirl of which all polyphony is drowned for several bars.