Lietuvos muzikologija, t. 21, 2020 Iván César MORALES FLORES A “Special Period in Times of Peace”: Emergence, Exodus, and Evasion on the Cuban Music Map of the 1990s „Ypatingasis taikos meto laikotarpis“. Iškilimas, emigracija ir laviravimas XX a. paskutinio dešimtmečio Kubos muzikiniame žemėlapyje University of Oviedo, Luis Muñiz 4, Basement B, 33009, Oviedo, Asturias, Spain
[email protected] Abstract The political changes that shook Eastern Europe between 1989 and 1991 brought about one of the biggest fractures in Cuba’s political and so- ciocultural life after the triumph of the revolution. Consequently, the Cuban musical map of the 90s was marked by two main events: the boom of timba in popular dance music and the exodus of most of the island’s classical composers. As we will see, evasion was a feature shared by both music scenes. In the case of timba, it was manifested in the development of musical and performatic resources of radical complexity and social background; while in contemporary classical music, it was manifested in the increasing expansion of the work of its composers in the new spaces of the Cuban diaspora. The effect of this historic moment in Cuban society is evident both in the multifaceted physiognomy that music acquires on the island and abroad as well as in the social and cultural uses music entails as a process of constructing new identities. Deepening these complex dynamics is the main objective of our proposal, which is approached from a sociological, cultural, and musicological perspective by authors such as Frith (1987), Clifford (1988), Bhabha (1994), Hall (1996), Brah (1996), Braziel and Mannur (2003), and García Canclini (2008).