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NI 240217 Rosario Castellanos.Pdf
Senado de la República, 24 de febrero de 2017 ROSARIO CASTELLANOS: UN ESFUERZO DIPLOMÁTICO DE ACERCAMIENTO CULTURAL ENTRE MÉXICO E ISRAEL1 El Centro de Estudios Internacionales Gilberto Bosques presenta la segunda entrega de la serie de Notas Informativas sobre destacados intelectuales del siglo XX y sus aportaciones a la diplomacia mexicana. En esta ocasión es el turno de una de las más importantes representantes de las letras en México y quien, aunque brevemente, representó a México en el exterior con una misión diplomática eficaz y hasta hoy recordada: Rosario Castellanos. 1 Fuente: Episodios de la Diplomacia Mexicana, “Rosario Castellanos: las palabras y las danzas de México en Israel “, p.247, número 103, Secretaría de Relaciones Exteriores, enero-abril de 2015. Introducción: la labor del diplomático Los representantes de México en el exterior han sido participes de primer orden en la historia del país. En general, destacan grandes actores en la creación de la identidad y del Estado nacional que han servido como representantes de los intereses de México en el exterior. Aquellos que, además de su labor diplomática, han estado cercanos al mundo de la cultura, tienen también la ventaja de conocer la tradición mexicana del mundo de las letras, del teatro o la poesía, además de la historia y la vida pública de su país. La investidura del intelectual va, sin lugar a dudas, más allá de la de los representantes reconocidos por la calidad diplomática respectiva sino también, y quizá más importante aún, por su pluma, su voz, sus ideas o pensamientos, convirtiendo así su propia personalidad y su trabajo creativo en el motor del intercambio entre las sociedades. -
The Horned Frog in Play Descriptions of the Important at Election—Hickey Number 39
■-Jf <<-"■' - -+#" CAMPUS NEWS COMPLETELY COVERED BY DEPARTMENT OF ifOURNALISM STUDENTS Attend the Dance Tomorrow Night Of filial Student Body Publication of Texas Christian University VOLUME 34 FORT WORTH, TEXAS, SEPTEMBER 27, 1935. NUMIiER 2 162 Honor Roll Saam To Announce Announcer. Conference Games Boooe to Present Feature Story Band Chooses Students Listed Student Will Give Description Football Team Of The Cowans Helen Moody of Rice—L. S. U. Tilt Traces History For Spring Term Saturday Night, At Stag Dinner For Third Time The story of a former T. C. U. Byrum JSaam, juhior in the Uni- journalism instructor and his wife, a Seniors Lead Classes versity and announcer for radio sta- Mayor Jarvis to Intro- graduate of the University who won Bacus Made President With 57—Freshmen tion KTAT, will broadcast play-by- duce Guests—Invoca- beauty pages in the Horned Frog in play descriptions of the important at Election—Hickey Number 39. her junior and senior years in the Southwest Conference football games tion by Gresham. University, is one of the features of Vice-president. over the Southwest Broadcasting' last week's issue of. Editor and Pub- System network, according, to an an- 19 Make "A" Grades lisher, the outstanding trade journal nouncement made last week. " 2 Prices for Dinner Uniforms Ordered in the field of journalism. The first of these broadcasts, the 11 Fort Worth Students The couple are Mr. and Mrs. Jos- Board of Trustees Announces Rice-L. S. U. game, will be broadcast School Spirit Demonstration to Included in Perfect eph B. Cowan. Cowan was an in- New Suits —. -
Delphian Anddentralqlewsdypists
T H E 1 9 4 4 DELPHIAN Published by THE SENIOR CLASS NEW PHILADELPHIA HIGH SCHOOL NEW PHILADELPHIA, OHIO D ale D u n n * * * Business Manager Jane Patrick * * * E ditor In this period of conflict and dis order, the Delphian Staff feels that it is fitting and proper to pay tribute to the men and women who are so gal lantly defending our rights against our enemies. ☆☆ It is, therefore, w ith great pride that we dedicate this book to the students and faculty of our school who have made sacrifices to uphold the cause of liberty wherever it is being threatened. "Maj estic monarck or "I pledge allegiance to tke Flag tk e sky of tke United States of America Tke sign of kope and and to tke Repuklic for wkick it triumpk kigk. stands, one Nation indivisikle, pause to salute you! witk likerty and justice for all. ☆ ☆ ☆ ☆ This year in publishing the Delphian, we have tried to in clude the things which you would want to remember. If in a few years you look back through your Delphian and are able to recall happy mem ories of your days in Senior High , we will, in a small way, have attained our purpose. ☆☆☆ NTS ☆ ☆ ☆ ☆ o DSDICA1I0N O ADMINISTRATION DIVISION o CLASSOS DIVISION O ACTIVITIES DIVISION oATOLTTICS DIVISION J ( M ? Ol Q s t j J oum a& ajcflwt/ a t f o j l v q DELPHIAN C~ 8 -3 DELPHIAN J. B. RUDY, Principal B. S. in Ed., Wooster College M. A., Ohio State University E il e e n G r e e n Secretary to the Principal g- 9 ~3 Left to right—-Mr. -
Chess As a Key to Solving Nabokov's Korol', Dama, Valet
CHESS AS A KEY TO SOLVING NABOKOV’S KOROL’, DAMA, VALET James Murray Slater A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Slavic Languages and Literatures. Chapel Hill 2009 Approved by: Radislav Lapushin Madeline Levine Christopher Putney ABSTRACT James Murray Slater: Chess as a Key to Solving Nabokov’s Korol’, dama, valet (Under the direction of Professor Radislav Lapushin) This thesis examines the role of chess in Nabokov’s novel, Korol’, dama, valet , and how the struggle between the narrator and the protagonist, Martha-Marta , can be justified by using chess as a key. The first portion of my analysis is based on the role of the diegetic narrator in an attempt to subvert Martha’s movements toward autonomy. In explaining the narrator’s subversion of Martha, I explore the nature of the protagonists, the movement of the narrative, and the structure and parameters of the novel in relation to it being a figurative game of chess. Furthermore, Martha’s attempts at dominance are examined in connection to the concept of past-reconstruction. I conclude my analysis by ushering in unifying intersections of plot and characterization in Nabokov’s later work. ii TABLE OF CONTENTS Chapter I. INTRODUCTION……………….……………………………….………1 II. NARRATIVE DIEGESIS, PROTAGONISTS AND CHESS…………..11 III. BLADVAK VINOMORI AS THE AUTHOR INCARNATE….………28 IV. MARTHA’S STRUGGLE FOR AUTHORIAL CONTROL…...………32 V. NABOKOV & REINVENTION……………………………….………..40 APPENDICES…………………………………………………………………………...46 WORKS CITED OR CONSULTED ………………………………………………....…52 iii CHAPTER 1 INTRODUCTION Бархатный стук в голове : это ходят фигуры резные . -
An Ethnography of Old Harbor and Ouzinkie, Alaska
BLACK DUCKS AND SALMON BELLIES An Ethnography of Old Harbor and Ouzinkie, Alaska by Craig Mishler Technical Memorandum No. 7 A Report Produced for the U.S. Minerals Management Service Cooperative Agreement 14-35-0001-30788 March 2001 Alaska Department of Fish and Game Division of Subsistence 333 Raspberry Road Anchorage, Alaska 99518 This report has been reviewed by the Minerals Management Service and approved for publication. Approval does not signify that the contents necessarily reflect the views and policies of the Service, nor does mention of trade names or commercial products constitute endorsement or recommendation for use. ADA PUBLICATIONS STATEMENT The Alaska Department of Fish and Game operates all of its public programs and activities free from discrimination on the basis of sex, color, race, religion, national origin, age, marital status, pregnancy, parenthood, or disability. For information on alternative formats available for this and other department publications, please contact the department ADA Coordinator at (voice) 907- 465-4120, (TDD) 1-800-478-3548 or (fax) 907-586-6595. Any person who believes she or he has been discriminated against should write to: Alaska Department of Fish and Game PO Box 25526 Juneau, AK 99802-5526 or O.E.O. U.S. Department of the Interior Washington, D.C. 20240 TABLE OF CONTENTS List of Tables ...............................................................................................................................iii List of Figures ...............................................................................................................................iii -
UNIVERSITY of CALIFORNIA RIVERSIDE the Neoindigenista
UNIVERSITY OF CALIFORNIA RIVERSIDE The Neoindigenista Novel of Rosario Castellanos and the Historical Origins of Political and Cultural Conflicts La novela neoindigenista de Rosario Castellanos y las raíces históricas de conflictos políticos y culturales A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Spanish by Noé Ruvalcaba December 2011 Dissertation Committee: Dr. Raymond L. Williams, Chairperson Dr. James A. Parr Dr. David Herzberger Copyright by Noé Ruvalcaba 2011 The Dissertation of Noe Ruvalcaba is approved: ____________________________________________________ ____________________________________________________ ____________________________________________________ Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION The Neoindigenista Novel of Rosario Castellanos and the Historical Origins of Political and Cultural Conflicts La novela neoindigenista de Rosario Castellanos y las raíces históricas de conflictos políticos y culturales by Noé Ruvalcaba Doctor of Philosophy, Graduate Program in Spanish University of California, Riverside, December 2011 Dr. Raymond L. Williams, Chairperson This study analizes Balún Canán (1957) and Oficio de tinieblas (1962) by Rosario Castellanos as discourses that reflect the origins of political, social and cultural problems that have emerged through the imposition of western economic and religious systems on indigenous lands. Many of these systems originated from Medieval Spain. I propose that these novels -
®I? Mi© and Were Graduated in the Year of 1880
"There's a lanjruasre lhat is Mute; a Silence that Speaks" NUMBER TWELVE INDIANAPOLIS, IND., MARCH 16, 1934 VOLUME FORTY-SIX gie Carson and Jessie Patton were the only ones that remained through the full ten year course iinna ®i? mi© and were graduated In the year of 1880. Philip J. Hasenstab, a member of Ibeir class, left in 1879, in Mr. Gillet had taught ord°r to enter the preparatory department of Na in the Ohio school and tional Deaf-Mute College (now Gallaudet College.) superintended the Tennes and was graduated there in 1885 Thomas Carson see school when Dr. Mc died about a year after admission. Others were 1 ntire engaged him lo dropped one by one. or a few at a time, none of leach here. Dr. Mclntire them reaching the-eighth or the Junior year. himself had studied for Some were given honorary discbarge upon finish the ministry, but was ing the primary department studies. drawn into the Ohio Laura A Bartels went to the California School school to teach ihe deaf. when her parents moved to tbat slate in 1875 or Dr. Latham had finished 1870. She was married and some years later she his medical studies, but died. Jacob Solmaugh left school by- that time he iurued to tbe work of and some years later moved to Missouri,and is yet educiting deaf children, to be heard from or about. Jo epb J.Thompson first in Ouio and then was transferred to the Illinois School, and was -•?, here. Coming to assume, last beard from a> running his own harness shop his work here, he bad to in Iowa. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road Ann Arbor, Ml 48106-1346 USA 313 761-4700 800 521-0600 Order Number 9401192 A selected bibliography of music for clarinet and one other instrument by women composers Richards, Melanie Ann, D.M.A. The Ohio State University, 1993 UMI 300 N. -
Vol. 20, No. 2 June 2014
Vol. 20, No. 2 June 2014 Inside 2 TO BE A CHRISTIAN STEWARD 3 SUMMERFEST JUNE 2014 4 BAPTISMS/NEW FAMILIES 5 SCHOOL NEWS 5 STEWARDSHIP NOTABLES 6 AROUND THE PARISH 7 Around The parISh (conT’d) 8 PICTURES AROUND THE PARISH T C AT H O L I C C H U R C H H E B A P T I S J O H N T O F S T. E T T E R A N E W S L A LITTLE BIT OF THIS ~ A LOT MORE OF THAT! Gratefulness is the all people, the environment. We were created in the image Root of Religion ~ Life ~ of the divine to be stewards of all creation, our little acre of no maybes~ the world and beyond. Practice gratefulness! Gratefulness is deeper and A Story ~ nothing more ~ maybe~ richer than thankfulness. Gratefulness is a trust that “I shall never forget the jeep ride I had in early 1955 when life itself - ‘kind or harsh, a lumber merchant drove me up Mt. cushman in Vermont. happy or sad’ is good, all near the mountaintop, I noticed some six-inch deciduous Father Tom is a gift. The gift is the seedlings. I asked when they would be good for lumber, opportunity either to fully and he said, ‘in 2015.’ Since that was far beyond his span accept or to change what the moment brings. of years, I asked why he planted the trees and he replied, Practice gratefulness! ‘because my grandfather planted some on the other side of the mountain for me.’” Plant seed, practice gratefulness! Stewardship ~ a thought nothing more ~ Living Story~ Connie Schnapf ~ of gratefulness ~ no maybe~ maybes~ Stewardship is a way of life. -
End-Of-Life Care Planning Guide
End-of-Life Care Planning Guide INSIDE This RESOURCE PG. 10 Starting EOL Conversations PG. 18 Essential Legal Documents PG. 51 Funerals & Burial A RESOURCE FOR PLANNING END-OF-LIFE CARE End-of-Life Care Planning is not an easy subject, but with the right support, you can make decisions that honor your EOL wishes. Everyone who believes in me This manual serves as a guide to help inform you and your families with will have eternal life. information, resources, and tools to make thoughtful end-of-life John 3:15 decisions. And in so doing can offer peace of mind to everyone! A resource of the Office of Aging Ministry, Archdiocese of Galveston-Houston © 2020 End-of -Life Care Planning Guide A Planning Guide For End-of-Life Care Office of Aging Ministry Archdiocese of Galveston-Houston 2020 Prayer Leader: St. Paul VI once reflected: In our youth, the days are short and the years are long. In old age the years are short and the day’s long. Somebody should tell us, right from the start of our lives that we are dying. Then we might live to the limit every minute of every day. Do it! I say, whatever you want to do, do it now! There are only so many tomorrows! All: Heavenly Father, thank you for the gift of life! Grant that we recognize the brevity of this earthly journey so that we might abide more fully in your loving Presence. Guide us in building your Kingdom of love and mercy until that day when we shall be united with you and the communion of saints and angels. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Beil & Howell Information Company 300 North Zeeb Road, Arm Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE RANDOLPH SLAVE SAGA: COMMUNITIES IN COLLISION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Ross Frederick Bagby, M.A. -
Vampires in Balún Canán: the Monstrous and Dzulum
8 Vampires in Balún Canán: The Monstrous and Dzulum Ariel Zatarain Tumbaga This essay studies the significance of the Dzulum, a venerated supernatural presence of indigenous origins, as it pertains to the lives of the women in Rosario Castellanos’s Balún Canán (1957). It is an examination of the Dzulum as a kind of monster created by the feminist author in her celebrated Indigenista novel, which protests the abuses of the Tzeltal-Mayan people by nonindigenous (or Ladino) Mexicans. Balún Canán, which takes place during the agrarian reforms of President Lázaro Cárdenas (1934–1940) and the confiscation of large estates and redistribution of lands to the rural indigenous and mestizo poor, focuses on the violent tensions provoked by these socioeconomic changes. But it also tackles the question of the marginalization of women in rural Mexico in a post-Revolution period when Cardenismo also promoted women’s rights and suffrage––unfulfilled promises, contends Anna Macías, until 1953, and not fully exercised until 1958, a year after the publication of Balún Canán (Against All Odds 145–46). Citing an inventory of stereotypes and myths as evidence, in addition to the legal maze into which Mexico consigns its women citizens, Macías concludes that “in general, Mexican men view women as ‘others,’ not as equals” (158). Is the Dzulum a symbol of the indigenous insurrection placed at the center of the novel, a consequence of the 1930s agrarian reforms and indigenismo politics? Could the Dzulum represent Mexican masculinity Writing Monsters: Essays on Iberian and Latin American Cultures Hispanic Issues On Line 15 (2014) 141 ♦ VAMPIRES IN BALÚN CANÁN: THE MONSTROUS AND DZULUM and the power it holds over the nation’s women? The representative qualities of the Dzulum pivot on whether one reads Balún Canán as an Indigenista or a feminist novel (about the gendered subaltern).