End-Of-Life Care Planning Guide
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Acoustic Analysis of English Codas by Mandarin Learners of English
SST 2012 Acoustic Analysis of English Codas by Mandarin Learners of English Nan Xu and Katherine Demuth Child Language Lab, Linguistics Department, ARC Centre of Excellence in Cognition and its Disorders, Macquarie University [email protected] this coda voicing contrast as Mandarin does not allow for stop Abstract codas, but with increased exposure to native English, their Mandarin has a much more limited segmental inventory than production should match more closely that of native English English, and permits only nasals in coda position, presenting a speakers [6]. Production studies of native English-speaking challenge for learners of English. However, previous studies adults show that there are many potential cues to stop coda have mainly explored this issue using perceptual transcription. voicing, including the duration of the preceding vowel, This study provides an acoustic analysis of coda consonant presence of a voice bar (i.e., low-frequency periodicity productions by Mandarin L2 learners of Australian English. indicating continued vocal fold vibration after oral closure), The results indicate that they produced voiceless stop and closure duration and the presence of aspiration noise produced fricative codas well, but exhibit considerable difficulty with after the oral release [5, 9, 11]. However, the results from [6] voicing contrasts and coda clusters. These findings and their showed that, regardless of length of exposure to English, theoretical implications for current models of L2 learning are Mandarin speakers had non-native acoustic measures for coda discussed. voicing contrasts (closure duration, vowel duration, and changes in F1) and used voice bar to indicate voicing on less Index Terms: Mandarin, English, second language learning, than 20% of the target /d/ codas. -
PREAMBLE Co-Dependents Anonymous Is a Fellowship of Men and Women Whose Common Purpose Is to Develop Healthy Relationships
PREAMBLE Co-Dependents Anonymous is a fellowship of men and women whose common purpose is to develop healthy relationships. The only requirement for membership is a desire for healthy and loving relationships. We gather together to support and share with each other in a journey of self-discovery- learning to love the self. Living the program allows each of us to become increasingly honest with ourselves about our personal histories and our own codependent behaviors. We rely upon the Twelve Steps and Twelve Traditions for knowledge and wisdom. These are the principles of our program and guides to developing honest and fulfilling relationships with ourselves and others. In CoDA we each learn to build a bridge to a Higher Power of our own understanding, and we allow others the same privilege. This renewal process is a gift of healing for us. By actively working the program of Co-Dependents Anonymous, we can each realize a new joy, acceptance, and serenity in our lives. WELCOME (Short Version) We welcome you to Co-Dependents Anonymous - a program of recovery from codependence, where each of us may share our experience, strength, and hope in our efforts to find freedom where there has been bondage, and peace where there has been turmoil in our relationships with others and ourselves. Codependence is a deeply-rooted, compulsive behaviour. It is born out of our sometimes moderately, sometimes extremely dysfunctional family systems. We attempted to use others as our sole source of identity, value, well-being, and as a way of trying to restore our emotional losses. -
The Horned Frog in Play Descriptions of the Important at Election—Hickey Number 39
■-Jf <<-"■' - -+#" CAMPUS NEWS COMPLETELY COVERED BY DEPARTMENT OF ifOURNALISM STUDENTS Attend the Dance Tomorrow Night Of filial Student Body Publication of Texas Christian University VOLUME 34 FORT WORTH, TEXAS, SEPTEMBER 27, 1935. NUMIiER 2 162 Honor Roll Saam To Announce Announcer. Conference Games Boooe to Present Feature Story Band Chooses Students Listed Student Will Give Description Football Team Of The Cowans Helen Moody of Rice—L. S. U. Tilt Traces History For Spring Term Saturday Night, At Stag Dinner For Third Time The story of a former T. C. U. Byrum JSaam, juhior in the Uni- journalism instructor and his wife, a Seniors Lead Classes versity and announcer for radio sta- Mayor Jarvis to Intro- graduate of the University who won Bacus Made President With 57—Freshmen tion KTAT, will broadcast play-by- duce Guests—Invoca- beauty pages in the Horned Frog in play descriptions of the important at Election—Hickey Number 39. her junior and senior years in the Southwest Conference football games tion by Gresham. University, is one of the features of Vice-president. over the Southwest Broadcasting' last week's issue of. Editor and Pub- System network, according, to an an- 19 Make "A" Grades lisher, the outstanding trade journal nouncement made last week. " 2 Prices for Dinner Uniforms Ordered in the field of journalism. The first of these broadcasts, the 11 Fort Worth Students The couple are Mr. and Mrs. Jos- Board of Trustees Announces Rice-L. S. U. game, will be broadcast School Spirit Demonstration to Included in Perfect eph B. Cowan. Cowan was an in- New Suits —. -
Delphian Anddentralqlewsdypists
T H E 1 9 4 4 DELPHIAN Published by THE SENIOR CLASS NEW PHILADELPHIA HIGH SCHOOL NEW PHILADELPHIA, OHIO D ale D u n n * * * Business Manager Jane Patrick * * * E ditor In this period of conflict and dis order, the Delphian Staff feels that it is fitting and proper to pay tribute to the men and women who are so gal lantly defending our rights against our enemies. ☆☆ It is, therefore, w ith great pride that we dedicate this book to the students and faculty of our school who have made sacrifices to uphold the cause of liberty wherever it is being threatened. "Maj estic monarck or "I pledge allegiance to tke Flag tk e sky of tke United States of America Tke sign of kope and and to tke Repuklic for wkick it triumpk kigk. stands, one Nation indivisikle, pause to salute you! witk likerty and justice for all. ☆ ☆ ☆ ☆ This year in publishing the Delphian, we have tried to in clude the things which you would want to remember. If in a few years you look back through your Delphian and are able to recall happy mem ories of your days in Senior High , we will, in a small way, have attained our purpose. ☆☆☆ NTS ☆ ☆ ☆ ☆ o DSDICA1I0N O ADMINISTRATION DIVISION o CLASSOS DIVISION O ACTIVITIES DIVISION oATOLTTICS DIVISION J ( M ? Ol Q s t j J oum a& ajcflwt/ a t f o j l v q DELPHIAN C~ 8 -3 DELPHIAN J. B. RUDY, Principal B. S. in Ed., Wooster College M. A., Ohio State University E il e e n G r e e n Secretary to the Principal g- 9 ~3 Left to right—-Mr. -
"Courts Have Twisted Themselves Into Knots": US Copyright Protection for Applied Art
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2016 "Courts Have Twisted Themselves into Knots": US Copyright Protection for Applied Art Jane C. Ginsburg Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, and the Torts Commons Recommended Citation Jane C. Ginsburg, "Courts Have Twisted Themselves into Knots": US Copyright Protection for Applied Art, COLUMBIA JOURNAL OF LAW & THE ARTS, VOL. 40, P. 1, 2016; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 14-526 (2016). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/2000 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. [For Columbia Journal of Law & the Arts, 100916; rev 200916; 051016] “Courts have twisted themselves into knots”: US Copyright Protection for Applied Art Jane C. Ginsburg, Columbia University School of Law* Abstract: In copyright law, the marriage of beauty and utility often proves fraught. Domestic and international law makers have struggled to determine whether, and to what extent, copyright should cover works that are both artistic and functional. The U.S. Copyright Act protects a work of applied art "only if, and only to the extent that, its design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article." While the policy goal to separate the aesthetic from the functional is clear, courts' application of the statutory "separability" standard has become so complex and incoherent that the U.S. -
Chess As a Key to Solving Nabokov's Korol', Dama, Valet
CHESS AS A KEY TO SOLVING NABOKOV’S KOROL’, DAMA, VALET James Murray Slater A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Slavic Languages and Literatures. Chapel Hill 2009 Approved by: Radislav Lapushin Madeline Levine Christopher Putney ABSTRACT James Murray Slater: Chess as a Key to Solving Nabokov’s Korol’, dama, valet (Under the direction of Professor Radislav Lapushin) This thesis examines the role of chess in Nabokov’s novel, Korol’, dama, valet , and how the struggle between the narrator and the protagonist, Martha-Marta , can be justified by using chess as a key. The first portion of my analysis is based on the role of the diegetic narrator in an attempt to subvert Martha’s movements toward autonomy. In explaining the narrator’s subversion of Martha, I explore the nature of the protagonists, the movement of the narrative, and the structure and parameters of the novel in relation to it being a figurative game of chess. Furthermore, Martha’s attempts at dominance are examined in connection to the concept of past-reconstruction. I conclude my analysis by ushering in unifying intersections of plot and characterization in Nabokov’s later work. ii TABLE OF CONTENTS Chapter I. INTRODUCTION……………….……………………………….………1 II. NARRATIVE DIEGESIS, PROTAGONISTS AND CHESS…………..11 III. BLADVAK VINOMORI AS THE AUTHOR INCARNATE….………28 IV. MARTHA’S STRUGGLE FOR AUTHORIAL CONTROL…...………32 V. NABOKOV & REINVENTION……………………………….………..40 APPENDICES…………………………………………………………………………...46 WORKS CITED OR CONSULTED ………………………………………………....…52 iii CHAPTER 1 INTRODUCTION Бархатный стук в голове : это ходят фигуры резные . -
WHOM SAY YE THAT I AM? (An Easter Cantata) by LYLE HADLOCK
WHOM SAY YE THAT I AM? (An Easter Cantata) BY LYLE HADLOCK Flute ¡ 4 ú ú . j ú Ï ú Ï. Ï Ï . & 4 Î Ï Ï Ï bÏ Ï J bú ¢ (spoken narration) He lived here on earth 2000 years ago. He was the only person that was without sin and completely without blemish. 4 j & 4 w Ï Ï Ï Ï Ï Ï Piano w mp ú. Ï Ï bú. Ï ú úÏ. bú. Ï w w ú ú ? 4 w w w ú ú w = 6 Fl. ¡ Ï Ï ú. ú Ï. Ï & Ï ú Ï Ï Ï ú Ï. J J w ¢ He is known by many names, but most commonly as Jesus Christ. Let's step back in time to clearly understand the role our Savior played, His love, and the sacrifice He made for us. & Ï ú ÏÏ Ï w w ú. Ï Ï Pno ú. Ï Ï ú Ï Ï w ú. Ï Ï w w w ? ú ú ú ú ú ú ú ú w w w 11 = U Ï Fl. ¡ j Ï. Ï & Ï Ï Ï. Ï ú. Î Î J w ¢ Countless Old Testament prophecies proclaimed His birth, His life, and His sacrifice. Matthew tells us "When Jesus (came unto His disciples and) asked, Whom do men say that I the Son of Man am? U Ï Ï ú ÏÏ ú Ï Ï Ï & Ï ú Ï ú Ï ú. Ï Pno ú Ï Ï ú. Ï mf . j Ï Ï ? ú ú ú. Ï ä ú Ï #w ú ú #ú. -
Dialect Use Within a Socially Fluid Group of Southern Resident Killer Whales, Orcinus Orca
The University of Southern Mississippi The Aquila Digital Community Master's Theses Fall 12-2014 Dialect Use Within a Socially Fluid Group of Southern Resident Killer Whales, Orcinus orca Courtney Elizabeth Smith University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/masters_theses Part of the Animal Studies Commons, and the Zoology Commons Recommended Citation Smith, Courtney Elizabeth, "Dialect Use Within a Socially Fluid Group of Southern Resident Killer Whales, Orcinus orca" (2014). Master's Theses. 61. https://aquila.usm.edu/masters_theses/61 This Masters Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Master's Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi DIALECT USE WITHIN A SOCIALLY FLUID GROUP OF SOUTHERN RESIDENT KILLER WHALES, ORCINUS ORCA by Courtney Elizabeth Smith A Thesis Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved: Dr. Stan Kuczaj_______________________ Committee Chair Dr. Alen Hajnal_______________________ Dr. Sheree Watson____________________ Dr. Karen Coats______________________ Dean of the Graduate School December 2014 ABSTRACT DIALECT USE WITHIN A SOCIALLY FLUID GROUP OF SOUTHERN RESIDENT KILLER WHALES, ORCINUS ORCA by Courtney Elizabeth Smith December 2014 Resident killer whales, Orcinus orca, of the Northeastern Pacific form stable kinship-based matrifocal associations and communicate with group-specific repertoires of discrete calls (dialects) that reflect these associations. The gradual fission of matrilines is usually consistent with dialect variations among groups that may manifest as differences in call usage at the repertoire level or subtle structural differences of the calls themselves. -
An Ethnography of Old Harbor and Ouzinkie, Alaska
BLACK DUCKS AND SALMON BELLIES An Ethnography of Old Harbor and Ouzinkie, Alaska by Craig Mishler Technical Memorandum No. 7 A Report Produced for the U.S. Minerals Management Service Cooperative Agreement 14-35-0001-30788 March 2001 Alaska Department of Fish and Game Division of Subsistence 333 Raspberry Road Anchorage, Alaska 99518 This report has been reviewed by the Minerals Management Service and approved for publication. Approval does not signify that the contents necessarily reflect the views and policies of the Service, nor does mention of trade names or commercial products constitute endorsement or recommendation for use. ADA PUBLICATIONS STATEMENT The Alaska Department of Fish and Game operates all of its public programs and activities free from discrimination on the basis of sex, color, race, religion, national origin, age, marital status, pregnancy, parenthood, or disability. For information on alternative formats available for this and other department publications, please contact the department ADA Coordinator at (voice) 907- 465-4120, (TDD) 1-800-478-3548 or (fax) 907-586-6595. Any person who believes she or he has been discriminated against should write to: Alaska Department of Fish and Game PO Box 25526 Juneau, AK 99802-5526 or O.E.O. U.S. Department of the Interior Washington, D.C. 20240 TABLE OF CONTENTS List of Tables ...............................................................................................................................iii List of Figures ...............................................................................................................................iii -
®I? Mi© and Were Graduated in the Year of 1880
"There's a lanjruasre lhat is Mute; a Silence that Speaks" NUMBER TWELVE INDIANAPOLIS, IND., MARCH 16, 1934 VOLUME FORTY-SIX gie Carson and Jessie Patton were the only ones that remained through the full ten year course iinna ®i? mi© and were graduated In the year of 1880. Philip J. Hasenstab, a member of Ibeir class, left in 1879, in Mr. Gillet had taught ord°r to enter the preparatory department of Na in the Ohio school and tional Deaf-Mute College (now Gallaudet College.) superintended the Tennes and was graduated there in 1885 Thomas Carson see school when Dr. Mc died about a year after admission. Others were 1 ntire engaged him lo dropped one by one. or a few at a time, none of leach here. Dr. Mclntire them reaching the-eighth or the Junior year. himself had studied for Some were given honorary discbarge upon finish the ministry, but was ing the primary department studies. drawn into the Ohio Laura A Bartels went to the California School school to teach ihe deaf. when her parents moved to tbat slate in 1875 or Dr. Latham had finished 1870. She was married and some years later she his medical studies, but died. Jacob Solmaugh left school by- that time he iurued to tbe work of and some years later moved to Missouri,and is yet educiting deaf children, to be heard from or about. Jo epb J.Thompson first in Ouio and then was transferred to the Illinois School, and was -•?, here. Coming to assume, last beard from a> running his own harness shop his work here, he bad to in Iowa. -
Notes on Daakie (Port Vato): Sounds and Modality
Proceedings of the Eighteenth Meeting of the Austronesian Formal Linguistics Association (AFLA) Lauren Eby Clemens Gregory Scontras Maria Polinsky (dir.) AFLA XVIII The Eighteenth Meeting of the Austronesian Formal Linguistics Association Harvard University March 4-6, 2011 NOTES ON DAAKIE (PORT VATO): SOUNDS AND MODALITY Manfred Krifka Zentrum für Allgemeine Sprachwissenschaft, Berlin & Humboldt-Universität zu Berlin Table of Contents Preface i Byron Ahn Tongan Relative Clauses at the Syntax-Prosody 1-15 Interface Edith Aldridge Event Existentials in Tagalog 16-30 Laura Kalin and TP Serialization in Malagasy 31-45 Edward Keenan Manfred Krifka Notes on Daakie (Port Vato): Sounds and Modality 46-65 Eri Kurniawan Does Sundanese have Prolepsis and/or Raising to 66-79 Object Constructions? Bradley Larson A, B, C, or None of the Above: A C-Command 80-93 Puzzle in Tagalog Anja Latrouite Differential Object Marking in Tagalog 94-109 Dong-yi Lin Interrogative Verb Sequencing Constructions in 110-124 Amis Andreea Nicolae and How Does who Compose? 125-139 Gregory Scontras Eric Potsdam A Direct Analysis of Malagasy Phrasal 140-155 Comparatives Chaokai Shi and A Probe-based Account of Voice Agreement in 156-167 T.-H. Jonah Linl Formosan Languages Doris Ching-jung Yen and Sequences of Pronominal Clitics in Mantauran 168-182 Loren Billings Rukai: V-Deletion and Suppletion The Proceedings of AFLA 18 NOTES ON DAAKIE (PORT VATO): SOUNDS AND MODALITY* Manfred Krifka Zentrum für Allgemeine Sprachwissenschaft, Berlin & Humboldt-Universität zu Berlin [email protected] The paper reports from ongoing field work on Daakie (South Ambrym, Vanuatu), also known as Port Vato. -
Editors' Note of Squawking Seagulls and The
THE BIBLE & CRITICAL THEORY Editors’ Note With this issue, the review section of Bible & Critical Theory begins a new series of “Books and Culture” review essays. Alongside traditional scholarly book reviews of select new titles in biblical studies, these review essays will feature critical, scholarly engagements, written by established biblical scholars, of books and general culture which are not, per se, directly addressing “biblical scholarship.” At times, the intersection with biblical studies will arise because of an author’s use of Bible—implicit or explicit—in a creative or literary work. Others, however, will feature books that closely intersect with history, literature, economics and cultural studies, critical theory and philosophy, or other fields of scholarship of interest to readers of Bible & Critical Theory. Leading off the series is Peter J. Sabo’s fine engagement with Karl Knausgaard. We welcome your suggestions for books of interest and hope that you find these essays stimulating. Please address your comments and suggestions for future titles to review (or reviewers of interest) to the Book Review Editor, Robert Paul Seesengood, at the address provided by the journal. We hope you enjoy this series. * Of Squawking Seagulls and the Mutable Divine: Karl Ove Knausgaard’s A Time for Everything (With Reference to My Struggle) Books & Culture Review Essay P.J. Sabo An albino, reclusive Noah; a raving, delusional Abel; an asthmatic, kind-hearted, but misunderstood Cain; a solipsistic, hermitic Ezekiel—these versions of biblical characters (among others) can be found in Karl Ove Knausgaard’s A Time for Everything. This novel is idiosyncratic and defies rigid definitions.