Copper Coins of Vima Kadphises in the National Museum of Pakistan, Karachi

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Copper Coins of Vima Kadphises in the National Museum of Pakistan, Karachi Ancient Pakistan, Vol. XXIII 103 Copper Coins of Vima Kadphises in the National Museum of Pakistan, Karachi Gul Rahim Khan and M. Nasim Khan Introduction Cribb, 2005 & 2008, 67; Loeschner, 2008, 15-18). The National Museum of Pakistan Karachi possesses more than sixty thousand coins of The coins of this ruler are common and various dynasties and states that were issued frequently found in the Oxus Valley and circulated in different eras. The coins of (Zeymal, 1997, 90-94; Abdullaev, 2004, 272- ancient dynasties of this region represented 79), Afghanistan, Pakistan and the Gangetic by the museum are in immense number. region in India (Altekar, 1950, 121-23; Jain, Amongst these the Kushan dynasty, which is 1965, 118-19 & 1966, 1-5; Srivastava, 1986, known to have ruled from 1st to 4th century 142-43; Srivastava, 1980 & 1989, 119-23; CE, is well known for its coins struck both in Gupta, 1994, 22-31). According to gold and copper. The gold coins of this numismatic evidences, Vima Kadphises had dynasty (including earlier dynasties) and extended the Kushan rule further east beyond copper coins of the two emperors i.e. the limits of Mathura. In these regions the Kanishka and Huvishka lying in the National coins of this ruler are normally reported in Museum of Pakistan are already published hoards which found together with the coins by the author in various research journals of his successors i.e. Kanishka and Huvishka. (Khan, 2009/a; 2009/b & 2010/a). In this respect it is the 4th paper of a series of the This was Vima Kadphises who originated the Kushan coins lying in the cabinet of the true Kushan coinage, which thereafter with National Museum of Pakistan, Karachi. little modifications adopted and developed by the subsequent rulers of the dynasty. He As evident from the title, this paper is based started the gold coins of dinar standard (8.00 on the copper coins of Vima Kadphises, third gm) and the heavy copper of tetra-drachm emperor of the Kushans. Earlier this ruler unit (c. 17 gm). These coins were further had long been considered as the son and known in other denominations as well. In the successor of Kujula Kadphises but during the time of Huvishka the copper coins were then second half of 20th century he was placed issued in one denomination, which after the nameless king ‘Soter Megas’ and progressively struck in reduced weight by now is firmly confirmed in the same position him and the successors (Khan, 2010/b & after the discovery of the Rabatak inscription 2011). The credit also goes to Vima (Sims-Williams & Cribb 1996 & Sims- Kadphises who introduced the full length Williams, 2008, 53-68). In this way he was figure of monarch in standing position shown the third ruler in succession after Kujula on the obverse of his copper coins. The basic Kadphises and Vima Taktu. The reign of idea of standing figure was derived from the Vima Kadphises was occurred in the reverse design of the Parthian king Gotarzes, beginning of 2nd century and would likely to who ruled from 40/41 to 51 AD (Mukherjee, have concluded before 127 CE, i.e. 1960, 110). The king is shown standing beginning of Kanishka Era (Falk, 2001, 127- frontally with head turned to left and right 33 & 2004, 167-73; Bopearachchi, 2007, 50; hand sacrificing over altar. He wears long Ancient Pakistan, Vol. XXIII 104 kaftan over tunic, loose trousers and heavy blobs. But on some fine examples as boots of the Kushan style. This type of described by Perkins the lateral heads are standing figure was uniformly appeared on distinguishable i.e. human and horned animal his all copper coins and a rare specimen of (prob. antelope) (Perkins, 2007). In this silver (Rosenfield, 1967, 25). This style of respect Bopearachchi (2007, 43-44) and standing figure became the characteristic Srinivasan (2008, 132) also have the same feature of the Kushan coinage and was views of three-headed Śiva found on the commonly used by all the successors. With coins of Vima Kadphises. the case of Huvishka, this figure is rarely seen on the copper coins but not known on The copper coins of this ruler are usually his gold. The gold coins of Huvishka were known in three denominations such as tetra- struck with variety of other designs mostly drachm (c. 17 gm), di-drachm (8.5 gm) and taken from Vima Kadphises’ gold but not drachm (4.2 gm) units of Attic standard. This shown in standing position as cited above. kind of weight analysis representing copper coins of Vima Kadphises and other Kushan The reverse of copper coins of Vima rulers was elaborately discussed by Kadphises bears a single design i.e. Śiva (or MacDowall (1960). The heavy unit coins Oesho) standing with his mount, bull. The (tetradrachm) of this ruler are more common figure of Śiva is shown standing frontally than the lower denominations of copper. and bull standing behind the deity is facing Besides this, the copper issues generally fall to right. The deity holds a trident in his into two categories: (a) monolingual coins raised right hand and animal’s pelt or and (b) bilingual coins. The monolingual drapery in the left leaning against bull’s coins contain a Greek legend on the reverse, hump. Śiva wears beaded string over his left and reel and beaded border on the obverse. shoulder and transparent mantle where erect These coins are generally suggested to have phallus is visible and the folds of mantle are issued from Bactria. But Robert Bracey has a clearly seen over his lower body particularly different opinion regarding the production of the legs. Moreover, the figure bears three- these issues and considered them the initial pronged flames at top of the head and stage coinage of Vima Kadphises (Bracey, sometimes he is shown with prominent 2010, 42). The bilingual coins have a Greek breasts. Joe Cribb elaborately discussed this legend on the obverse and Kharoshthi on the deity and identified all varieties of the figure reverse were likely to have issued to the appeared on the gold and copper coins of south of the Hindu-Kush. Each category is Vima Kadphises and successors (Cribb, further classified into sub-varieties by the 1997). In this analytical study, he noted two cited above weight units. normal and four exceptional varieties of Śiva on the coins of Vima Kadphises. Looking to the number of Vima’s copper with other Great Kushan rulers like Kanishka On the copper coins of Vima Kadphises, the and Huvishka, the coins of this ruler are reverse figure seems to be three-headed Śiva, comparatively less common. Accordingly the as interpreted by John Perkins (2007). Many National Museum of Pakistan contains forty good examples of the National Museum of one coins of this ruler as compare to the Pakistan such as nos. 1, 3, 5, 6, 11, 13, 14, ninety one coins of Kanishka (Khan, 2009/b) 22, 23, 25, 27, 28, 31 and 37 bear similar and fifty six of Huvishka (Khan, 2010/a). evidence, which further strengthen the views The catalogue of coins of the Punjab of three-headed Śiva highlighted by Perkins. Museum Lahore also represents same kind of The lateral heads are usually seen as side statistical data about these coins i.e. thirty Ancient Pakistan, Vol. XXIII 105 two of Vima Kadphises, 108 each of Perkins who identified three-headed Śiva Kanishka and Huvishka (Whitehead, 1914, figure on the copper coins of Vima also 183-207). classified the bilingual issues into three sub- groups (Perkins, 2007, 36). His classification These coins are well reported and discussed is generally focused on the style of legend, in every catalogue related to the Kushan altar variations, heads of Śiva, letter forms period. There is no major dispute about the and word deterioration. Robert Bracey while sequence and attribution of the copper coins conducting extensive work on the die study of this ruler. However in the beginning of of gold and copper coins of this ruler marked numismatic studies of the Kushans some four varieties of the bilingual issues of scholars have placed Vasudeva copper along copper. The order of these varieties is as with Vima Kadphises. This arrangement was follows: D1, A1, A2 and B1 (Bracey, 2010, made due to the close similarities of the coin 42-44). The first three varieties are designs of both the rulers (Masson, 1834; corresponding with the first bilingual series Thomas, 1858; Wilson, 1841). and the fourth with the second bilingual series of Mitchiner. Bracey’s classifications Recent Work on Vima’s Copper are almost similar with those of Perkins but he observed many new elements like the As described above, the two-grouped number of spikes in a club, tip of sword classification i.e. monolingual series of coins underneath the kaftan of ruler, design of and bilingual series of the copper coins of altar, style of legend and words composition Vima Kadphises has been the well known particularly in the Greek legend. His way of mechanism on the basis of which these coins classification is very sensible and helpful to were usually catalogued in the early works. understand the scheme of Vima coinage. But in the result of recent scholarships the Further, he is very conscious about the bilingual coins of Vima Kadphises are distribution and sequence of these varieties further classified into several varieties. In and the coins of the last group are treated this regard Michael Mitchiner’s separately and considered them the different classification is very comprehensive who style of coinage (Bracey, 2010, 42-44).
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