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Arts & Culture Plan South Australia 2019
Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’. -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Samstag International Visual Arts Scholarships Samstag
The Anne & Gordon Samstag International Visual Arts Scholarships samstag ’95 The 1995 Anne & Gordon Samstag International Visual Arts Scholarships samstag University of South Australia ’95 samstag Mehmet Adil Marika Borlase Catherine Brennan Kate Daw Ruth Fazakerley Susan Fereday Matthÿs Gerber Marcia Lochhead Sue Saxon Lucy Turner Megan Walch Foreword his publication witnesses the achievement of eleven artists who were Tawarded Anne & Gordon Samstag International Visual Arts Scholarships, tenable for twelve-months of study overseas, commencing from 1995. These nine women and two men are beneficiaries of Gordon Samstag’s vision to level the playing field for Australian artists, whom he knew to be as good as their international peers, but restricted unreasonably by geographic isolation. Consequently, this third group of Samstag Scholars will soon be embarking on lengthy and enviable creative adventures in New York, Utrecht, London, San Francisco, Los Angeles, Glasgow and Dundee. Following the good news of their award, the preparations which “Samstagers” must make to secure their overseas study opportunity are, invariably, complex and taxing. For example, while under no obligation to enrol in formal degree courses, their project must nevertheless demonstrate a full commitment to studio practice under the bona fides of an appropriate institution. Negotiations for acceptance into a preferred institution can be arduous and slow. While concerned primarily with artistic development and enrichment, the Samstag experience is thus distinguished also by endeavour and Matthÿs GERBER self-reliance. Moreover, when confronted L'Origine du Monde #1 1992 oil on canvas directly by the formidable dimensions 200 x 300 of international contemporary art, scholarship recipients may discover, beneficially, that their own indigenous artistic character is distinct and viable. -
Meeting Every E Pectation
MEETING EVERY E PECTATION Centrally located, this brand new hotel is From a small meeting in a brand new the smart choice for the savvy business boardroom, to a relaxed cocktail event in events traveller. Offering exactly what you The Great Room, or group accommodation need – simple and smart meetings, a close to our partner venues and Adelaide’s great night’s sleep in a high quality hotel convention centres, we’re meeting your with fast and free Wi-Fi and free breakfast. every expectation. FACILITIES DIMENSIONS LAYOUT EQUIPMENT 1 Meeting Room 5m wide x 8m long Flip chart and markers 40 square metres 40 square metres White board 1 Sales & Marketing 3m ceiling height 55inch LCD TV professional on-site Located on level one Teleconferencing Room capacity of 16 Natural light equipment Laptop connectivity ABOUT HOLIDAY INN EXPRESS ADELAIDE CITY CENTRE • 245 rooms • Tea and coffee making facilities • Complimentary in-room Wi-Fi • Self-service laundry and ironing facilities • Quality bedding with your choice of firm or soft pillows • Power showers YOU’RE IN GOOD COMPANY DINING MENU Meet smart at Holiday Inn Express Adelaide City Centre. Need some additional fuel to get you through the day? From room hire to full day meetings and catering, our Choose from a variety of ready-made meals, drinks and boardroom is the perfect space for your event. Excite coffee available 24 hours a day from The Great Room. your guests with modern facilities and complimentary in-room wifi. Our full day and half day delegate packages We are partnering with Vittoria Food & Beverage and have everything you need and nothing you don’t. -
Adelaide Fringe and the Adelaide Festival
Australian Services Union SA + NT Branch The ASU campaigns for fairness and equality in our workplaces, communities + globally Join the union for social justice activists 08 8363 1322 Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2019 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide is our biggest yet with 181 shows featuring a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. The Adelaide Festival was at the forefront of this transformation; since its launch in 1960 they have been showcasing diverse shows from all around the world. In 1974 the Fringe released its first Souvenir Programme, beginning its evolution into what is now the largest arts festival in the Southern Hemisphere. Each year, both go from strength to strength. The Arts bring us together, and help to create and celebrate our diversity. When we offer access to art in all its forms, we improve the quality of life for everyone in our community. Through the Arts we have a chance to see the world from a new perspective, and at its best, art can inspire us to take action for a fairer world. -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
As a Sponsor of the 2015 Adelaide Festival, Graduates, Students And
As a sponsor of the 2015 Adelaide Festival, graduates, students and staff of the University of South Australia are entitled to a 10% discount on the following 2015 Adelaide Festival performances: To book: To access this discount book tickets at BASS on 131 246 or online at www.bass.net.au. Ensure to quote or enter the promotional code ‘SPONSOR’ when booking tickets to receive the 10% discount. *please note; transaction fees apply If you have any questions, please do not hesitate to contact Sarah on 8216 4487 or via [email protected] Tommy (UNITED STATES) Her Majesty’s Theatre (MUSIC) The Who’s iconic 1969 rock opera Tommy launched the band to international stardom and inspired re-interpretations in film, opera, a stage musical and more. Now, in the 50th anniversary year of The Who, the staggeringly successful double album is re-interpreted in a radical new way. Led by Eric Mingus and Hal Willner, this re-working of the classic features an eclectic cast of rock and roll raconteurs in the starring roles, including Gavin Friday. Friday 27 February – Saturday 28 February 8.00pm Code: SPONSOR Sunday 1 March 6.00pm Ticket: from $71 (save $7pp) Danny Elfman’s Music from the films of Tim Burton (United States) Adelaide Entertainment Centre (MUSIC) Danny Elfman and Tim Burton are responsible for some of the most famous film score collaborations of our time including Batman, The Nightmare Before Christmas, Edward Scissorhands, Beetlejuice and Alice in Wonderland. Elman’s striking music is performed by the full might of the Adelaide Symphony Orchestra, a soaring choir and Elfman himself, alongside excerpts, sketches and storyboards of Burton’s strange and beautiful gothic worlds. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Adelaide Festival Centre’S Adelaide French Festival 11–13 Jan 2019
ADELAIDE FESTIVAL CENTRE’S ADELAIDE FRENCH FESTIVAL 11–13 JAN 2019 MUSIQUE THÉÂTRE DANSE GASTRONOMIE FAMILLE ADELAIDE FESTIVAL CENTRE’S ADELAIDE WELCOME FRENCH FESTIVAL 11–13 JAN 2019 CONTENTS Welcome to the second South Australia and We’re thrilled to welcome edition of Adelaide French France share a friendly some of the very best Festival, a celebration association dating back artists from France as we 2 Win a Trip to Brittany 22 French Perfume of creativity and to the peaceful meeting in celebrate the return of 3 Ladylike Lily Masterclass collaboration between 1802 of Matthew Flinders Adelaide French Festival Junior Sous Chef France and Australia. and Nicolas Baudin at in 2019. 3 The Midnight Revolution 23 Workshop French culture has helped Encounter Bay. The program will feature 4 Monchichi shape the modern world Our maritime connection an eclectic program of 23 A Taste of Brittany and, enriched by its great has grown into a powerful music, theatre, dance, 6 L'après-midi d'un foehn Zero Dimension ethnic diversity, France economic partnership food, wine, art, fashion and - Version 1 24 continues to be a leading as we prepare to build film, including a number 8 Lumières! 24 Soleil-Cherrueix creative powerhouse. the next generation of of exclusive performances 24 14 Juillet To align with the State’s Australian Defence Force just for Adelaide. 9 Revêrie Électronique critical relationship submarines in Adelaide. In its second year, we are 10 The Piping Shrike 24 Terrarium with Brittany, Adelaide We could not build this excited to announce the Brass Band 25 Out of Silence: Festival Centre has been relationship with France 2019 festival will shine a working closely with without including a light on the beautiful 11 Bon Vivant Dinner Marcel Marceau local government, arts celebration of the arts of French region of Brittany. -
Fred Williams
FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art -
Heritage Politics in Adelaide
Welcome to the electronic edition of Heritage Politics in Adelaide. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. The whole document is fully searchable. Enjoy. Heritage Politics in Adelaide For David and for all the other members of Aurora Heritage Action, Inc. Explorations and Encounters in FRENCH Heritage Politics EDITED BY JEAN FOinRNASIERO Adelaide AND COLETTE MROWa-HopkiNS Sharon Mosler Selected Essays from the Inaugural Conference of the Federation of Associations of Teachers of French in Australia Published in Adelaide by University of Adelaide Press Barr Smith Library The University of Adelaide South Australia 5005 [email protected] www.adelaide.edu.au/press The University of Adelaide Press publishes externally refereed scholarly books by staff of the University of Adelaide. It aims to maximise the accessibility to its best research by publishing works through the internet as free downloads and as high quality printed volumes on demand. Electronic Index: this book is available from the website as a down-loadable PDF with fully searchable text. Please use the electronic version to complement the index. © 2011 Sharon Mosler This book is copyright. Apart from any fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission. -
T H E a U Ss Ie M O Ss Ie
RAAF’s 90th Birthday The Royal Australian Air Force marked its 90th birthday with an annual commemorative service in Canberra and the addition of Battle Honours to the RAAF Memorial while there was a display of historic planes at the service's birthplace in Victoria. The Chief of Air Force, Air Marshal Mark Binskin AO used his address as an opportunity to re- member those that gave their lives in service to Australia over the last 90 years. The RAAF was formed on March 31, 1921, with Point Cook its sole base. "We have aeroplanes that date back to the 1930s," Air Commodore Ron Luke said at Point Cook. "When you look at the difference in technology between those aircraft and what we're operating today with Super Hornets and C-17 transports, it's really quite amazing”. The general public gathered to see the Roulette acrobat team perform and more than 60 aeroplanes, including Spitfires and Mustangs and Hudson bombers, 1930s vintage airliners, DC- 3s, plus an assortment of other aero- planes. While this was happening F/A-18 jets Air Marshal Mark Binskin AO lays a wreath at flew over Canberra, as people gathered the Canberra Ceremony at Anzac Parade to mark the anniver- sary. More squadrons have been formally added to the RAAF memorial, recognising those who served in the Philippines in 1944, the Malayan Peninsular and Ubon Thailand in the 1960s, and more recently East Timor and Iraq. Retired RAAF Squadron Leader Denis Macneall said he has fond memo- ries as a member of 75 Squadron in Malaysia.