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Puppetry Research Guide 2012 1 The UNIMA Research Commission THE UNIMA DIRECTORY OF PUPPET THEATRE RESEARCHERS By Ida Hledíková PhD 2012 2 INTRODUCTION UNIMA Research Commission proposes you a new version of “Directory of Puppet Theatre Researchers”. Our version is in fact a continuation of work elaborated by our predecessors – members of previous Research Commissions of UNIMA. The first edition of the “Directory” was published in Warsaw in 1991. In this innovated version are published those researchers from the previous issues who answered us and it also presents the new names of researchers and theorist of puppet theatre from all over the world. This contemporary index is supplemented by new persons and includes 183 names. According to the bibliographies it is obvious, that most of them respond to our appeals. Not starred are entries of those individuals who were in personal contact with us or those the information on whom was sent by UNIMA National Centres. In an introduction of one of the previous editions the former President of Research Commission Edi Majaron wrote, that this way of publication seemed to be oldfashioned in the world of new communication technologies. On one hand he was right, but on the other hand, thanks to those “oldfashioned” Directories we could continue. In all these documents including this newest version from 2012 year are chronicled researchers and their works. When comparing the first (1991) and the last version (2012) of the Directory we can see how many people dedicated their research to writing on puppetry since then. The researchers and their works have become at the same time a part of puppetry, a part of its history. They all create a cultural heritage. That is why we can consider all mentioned UNIMA directories of puppetry researchers a part of UNIMA memory. That is why such work as this one is also meaningful in the modern Information Society. Information on human sources and results of their research in a form of our Directory is a good aid for all who want to find researchers in different parts of the world and be informed about topics of their research. It is useful not only for reseachers but for everybody who is interested in puppets, puppet theatre, its origin, history and dramaturgy. Those are students, dramaturges, directors, various creators, amateurs, but also employees of libraries, museums and others professional workplaces as well. Many colleagues and UNIMA National Centres from different parts of the world have participated on this task. I would like to thank all of you who helped us update this issue not forgetting the Presidents and members of the last UNIMA Research Commissions, who worked on previous printed as well as electronic issues H. Jurkowski, M. Waszkiel, E. Majaron, J.McCormick, B. Pratasik, K. Smith. Assoc. Prof. Ida Hledíková M.A. PhD President of the UNIMA Research Commission 2008 – 2012 The editor stipulates the right for non-completed information. Because of a number and diversity of formats it was not possible to verify and complete all (cca 2500) bibliographical statements. 3 1. Dr. ABBOTT, Chris (Mr.) Address: King's College London Dept. of Education & Professional Studies Franklin-Wilkins Building London SE1 9NN UK Telephone: 020 7848 3165 Fax: 020 7848 3182 E-mail: [email protected] List of publications: An East Anglian Odyssey: The Story of the DaSilva Puppet Company. Wisbech: Wisbech & Fenland Museum, 2006. Reviews in Puppet Notebook. Animations Online. Other (non-puppet) academic publications listed on www.kcl.ac.uk/education/cabbott.html. Research: Puppets in pantomime (for the UK-based pantomime website It's Behind You). 2. ABRAMS, Steve (Mr.) Address: 4809 Warrington Ave Philadelphia, PA 19143 USA Telephone: 215-726-6793 E-mail: [email protected] List of publications: Encyclopedia Mondiale Des Arts De La Marionnette. Edited by Henryk Jurkowski and Thieri Foulc, North American Editor: Steve Abrams, Amerique du Nord, pp. 49-52, Bread and Puppet Theatre, pp. 115-116, Etast-Unis, pp. 255-260, Jim Henson, pp. 337-338, and other articles. L’Entretemps, Montpellier: UNIMA, 2009. A Timeline of Puppetry in America. A special publication of Puppetry Journal, edited by Paul Eide, with Alan Cook and Steve Abrams. Puppeteers of America, 2001. American Puppetry: Collections, History Performance. Edited by Phyllis T. Dircks, foreward by Steve Abrams, McFarland and Co, Jefferson North Carolina, 2004. Foreward pp. 1-2, and Appendix A: Selected Additional Puppetry Collections, pp. 285-293. A Panorama of New York Puppetry. In E Pur Si Muove UNIMA Magazine #4 2005 (annual), Charleville-Mézières, p. 61. Notes on Puppets and Dance. In Puppetry International, issue 18, 2005, pp. 30-31. 4 Basil Twist's Dogugaeshi. In Puppetry International, issue 17, 2005, pp. 38-39. The American Puppet: A History of Puppetry in America. Bristol, CT: Mazarella Brothers, Productions, 2001. 60 articles and reviews, (selection): Gender Bender Defender. In Spring, Vol. 50 # 3, 1999, p. 13. Master Puppeteers. In Puppetry Journal, Vol. 54 # 2, Winter 2002, p. 25. Puppets on Broadway. In Puppetry Journal, Vol. 55, # 2, Winter 2003, pp. 28, 30. Little Shop of Horrors, review. In Puppetry Journal, Vol. 55, # 2, Winter 2003, p. 10. Puppetry Obie Winners. In Puppetry Journal, Vol. 55, # 2, Winter 2003, p. 9. Ave Q, review. In Vol. 55 # 2, Winter 2003, pp. 3-4. On Broadway. In Vol. 55 # 2, Winter 2003, pp. 2-3. Thirty Year of UNIMA Citations. In Puppetry Journal, Vol. 56 # 2, Winter 2004, pp. 2-3. It Gets Better: Gay Puppeteer. In Puppetry Journal, Vol. 62 # 2, Winter 2010, pp. 25-27. War Horse. Review. In Puppetry Journal, Vol. 62, # 3, Spring 2011, pp. 2-4. 3. ADAM, Marthe (Ms.) * Address: Département de théâtre, Université du Québec Case postale 8888, Succursale Centre-Ville Montréal, Québec, H3C 3P8 Canada E-mail: [email protected] List of publications: Le théâtre de marionnettes actuel: ambiguîté, provocation, recherche. Cahiers de théâtre jeu. Montreal, Canada, 1989, No. 51, pp. 70-89 (French). Analyse comparative du jeu du marionnettiste/Manipulator dans le théâtre de marionnettes traditionnel au XIXe siécle et du jeu du manipulateur/Acteur dans le nouveau théâtre au XXe siécle. Mémoire de maîtrise déposée á l´Université du Québec á Montréal, 1991, 105 pp. (French). Research: Direction and acting in puppet theatre. 5 4. ALISEITSCHIK, Galina (Ms.)* Address: F. Skorina pr. 16 – 78 22050 Minsk Belorussia List of publications: Kukly, maski, litsa (Puppets, Masks, Characters), editor, author of a contribution. Minsk, 1998, p. 112. Belorusskij Teatr Kukol. Tradicija i experimenty (Belorussian Puppet Theatre. Traditions and Experiments). In Kukly, maski, litsa. Minsk, 1998, p. 26. Jascik s kuklami (A Box with Puppets). In Teatralnyj almanach. Minsk, 1999, p. 80. Kukla v drevneslavjanskich kalendarnych obrjadah (The Puppet in Old Slavonic Calendar Festivals). In Teatralnyj almanach. Minsk, 1999, pp. 35-41. Journal Teatr Cudes. Editor in chief, author of contributions. Moscow, No. 0, 1, 2, 2000, 2001. Koljada – prazdnik zimnogo solncevorota (Carol – Festival of Winter Solstice). In Teatr Cudes, Journal No. 1. Moscow, 2001, pp. 16-19. Lutskije misterija (Lutsk´s Mysteries). In Teatr Cudes, Journal No. 1. Moscow, pp. 8-9. Prazdnichnyje misterija drevnih Slavjan (Festival Mysteries of Old Slavs). In Duhovnaja energia teatra. Vitebsk, 1995, pp. 43-75. Kukly i maski v prazdnike koljady (Puppets and Masks in Carol´s Festival). Paper. International symposium on Nativity Mystery. Lutsk, January, 2001. 5. Prof. ALLEGRI, Luigi (Mr.) Address: Via Castagnola, 41 43100 Parma Italy Telephone and Fax: +390521988377 E-mail: [email protected] Institution: Università degli studi di Parma, Dipartimento dei Beni Culturali e dello Spettacolo Piazzale della Pace 7/A 43100 Parma Italy Tel.: +390521281248, fax +390521533659 6 List of publications: Per una storia del teatro come spettacolo: il teatro di burattini e di marionette (Through the History of Theatre as a Spectacle: Marionette and Puppet Theatre). Parma: Studi e Archivio della Comunicazione, 1978. Dal teatro di burattini al teatro di figura: un’ipotesi di trasgressione realizzata (From Marionette Theatre to Puppet Theatre: a Hypothesis of the Realized Transgression). Quaderni di teatro, 1986, No. 31. L’angelo e la maschera: la marionetta nel teatro del Novecento (The Angel and the Mask: the Marionette in the Theatre of the 20th Century). Report at conference of Saintes 1988, published in Pulcinella: Una maschera tra gli specchi, by Franco Carmelo Greco. Napoli: E.S.I., 1990. Pulcinella e i burattini (Pulcinella and the Puppets). In Pulcinella: Una maschera tra gli specchi, cit. Un don Cristóbal d’autore: il teatro per burattini di Federico Garcia Lorca (A Don Cristóbal of the Author: the Theatre for Puppets by Federico Garcia Lorca). In Pulcinella e le arti dal Cinquecento al Novecento, by Franco Carmelo Greco. Napoli: Electa, 1990. Dal filosofo al folle: la marionetta nel Medioevo (From the Philosopher to the Crowd: the Marionette in the Middle Ages). In Il mito dell’automa. Teatro e macchine animate dall’antichità al Novecento, by Umberto Artioli and Francesco Bartoli. Florence: Artificio, 1991. La marionetta e l’Angelo, nel mondo (The Marionette and the Angel of the World). Il teatro contemporaneo e il mito della marionetta, Il castello di Elsinore, 1991, No. 12. La marionetta fra tradizione e utopia (The Marionette between Tradition and Utopia). In Storia del teatro moderno e contemporaneo. III. Avanguardie e utopie del teatro. Il Novecento, by Roberto Alonge and Guido Davico Bonino. Turin: Einaudi, 2001. Don Cristóbal nel teatro per burattini di Federico García Lorca (Don Cristóbal in the Puppet Theatre by Federico García Lorca). Homenaje and Luis Quirante, eds. Rafael Beltrán, Marta Haro, Josep Lluís Sirera, Antoni Tordera. Estudios teatrales, Vol. I, Universitat de València, 2003. De l’acteur romantique au mythe de la marionette. Hypothèse pour une modélisation (From the Romantic Actor to the Myth of the Marionette.
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