The Echo: November 18, 2005
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The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million. -
Thank God/ They're Free by Ana Rodriguez God
LEAGUE for Catholic rights forming P3 WATERFRONT place for sailors marks 1st P3 DANCING priests spread The the Gospel PI 3 Archdiococese of Miami Volume XXIII No. 4 January 23,1981 Price 25<t 'Thank God/ they're free By Ana Rodriguez God. They're free.' But how many of us Voice Staff Writer have literally knelt down to thank God? Thanking Him is more than just Tuesday, January 20, 1981. A day an expression. Ifs supposed to be a that will live forever in the hearts and prayer." minds of all Americans. And that's exactly what South Florida Thank God. They're free. Catholics were doing. That was the heartfelt cry, born of 14 Meanwhile, across the United States, months of waiting, agonizing, and Catholic bishops and clergymen of hoping only to have hopes dashed, other faiths also offered thanks and that rose first as a whispered prayer prayers to God. Several praised the ef- and later in the form of churchbells forts of former President Carter in pealing, car horns honking and sirens bringing the lenghtly crisis to a screaming, from the depths of people peaceful conclusion. all over the United States on that Pope John Paull II, in Rome, declared Tuesday afternoon. he was "profoundly pleased" with the THE IRANIAN captors, after what success of the negotiations and the seemed like one final maneuver freedom for the 52. designed to humiliate the United THE POPE went on to bless the freed States and prolong a nation's agony, former hostages and their families "in had released the 52 hostages they had the years ahead." been holding since November 4,1979. -
At the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10Th November
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 207 October Oxford’s Music Magazine 2012 Alphabet Backwards photo: Jenny Hardcore photo: Jenny Hardcore Go pop! NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net DAMO SUZUKI is set to headline The album is available to download this year’s Audioscope festival. The for a bargain £5 at legendary former Can singer will www.musicforagoodhome.com. play a set with The ODC Drumline at the Jericho Tavern on Saturday NIGHTSHIFT PHOTOGRAPHER 10th November. Damo first headlined Johnny Moto officially launches his Audioscope back in 2003 and has new photo exhibition at the Jericho SUPERGRASS will receive a special Performing Rights Society Heritage made occasional return visits to Tavern with a gig at the same venue Award this month. The band, who formed in 1993, will receive the award Oxford since, including a spectacular this month. at The Jericho Tavern, the legendary venue where they signed their record set at Truck Festival in 2009 backed Johnny has been taking photos of deal back in 1994 before going on to release six studio albums and a string by an all-star cast of Oxfordshire local gigs for over 25 years now, of hit singles, helping to put the Oxford music scene on the world map in the musicians. capturing many of the best local and process. Joining Suzuki at Audioscope, which touring acts to pass through the city Gaz Coombes, Mick Quinn and Danny Goffey will receive the award at the raises money for homeless charity in that time and a remains a familiar Tavern on October 3rd. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
WHAT the F? Donald Glover Headlines Comedy Event
TAKE A DIP IN BATHS AT THE LOFT PAGE 7. VOLUME XLIII, ISSUE XXIV THURSDAY, JANUARY 13, 2011 WWW.UCSDGUARDIAN.ORG WHAT THE F? Donald Glover Headlines Comedy Event “Community” actor will perform at the first large-scale comedy festival, where “Last Comic Standing” first-season winner Dat Phan will also perform. By Jonathan Kaslow * Contributing Writer Illustration by Rebekah Hwang onald Glover, who performed the ballroom is at maximum capacity. As nizers will need to nd a new source of at the Sun God Festival last a result, the show will be oversold. ose funding. year, will be back on campus who cannot get into the main venue may WTF will not, unlike the Sun God Dnext month to headline the Winter be able to watch a live feed of the show Festival, feature student organizations Triton Festival comedy event. at the Lo. or vendors. Artist merchandise will be “Donald Glover was our rst choice,” “It’s called ‘festival’ because we also available for purchase. AVP of Concerts and Events Brian Wong have [programming at] the Lo on that e show represents a shi on the said. “It just worked out perfectly. He got night,” Wong said in an e-mail. “Cur- part of the A.S. Concerts and Events of- such a great response at Sun God. We re- rently, [it’s] an overow for the ballroom. ce, as the majority of the shows it puts ally wanted him back.” We are looking into a live feed so people on are concerts. Pham said that other He will be joined at the festival by who couldn’t get into the ballroom can shows were considered, but the council comedian Dat Phan, a San Diego native still enjoy the show.” decided a comedy show would be a good who won the rst season of NBC’s “Last e event is designed to be an an- event for Winter Quarter. -
Fall 2005 of Rifle Magazine
Table of Contents Welcome to the fall edition 3-RiFLe-Fall 2005 of RiFLe Magazine. Blogging 3 Blogging Down the House WRFL 88.1 fm is excited to host another semester of great In the days before the Fox News Channel, Americans Down the House programming to further accommodate the listening needs of were forced to receive their information through non-corpo- Matt Jordan 4 Music Reviews campus and the community. Bringing quality radio to Lexing- rate-sponsored outlets. It was the town crier who broke the and a band interview. Through a little bit of searching through blogs, 7 All Age Venue Round-up ton is a top priority for the WRFL staff and volunteers and we story of England’s invasion, and he did so without taking a one should be able to find a wealth of information on even the tiniest August hope you are satisfied with the experience known as Radio break for live coverage of a celebrity trial. In the music in- of bands. 8 Free Lexington. dustry, we find ourselves torn between two similar options Another important factor to consider when becoming 10 We eat small children!!! This issue of RiFLe has an awesome interview with Sufjan Ste- - the corporate and slick, or the amateur, but heartfelt. a frequent blog patron is that you find one that fits your personal taste. 11 Outside the Spotlight vens as well as tons of record reviews, comics, show reviews While magazines such as Rolling Stone and Spin Because most focus on a very specialized area of music, it’s key to find and more. -
Hiv Alliance Event Featuring Piksix
K k NOVEMBER 2018 K g VOL. 30 #10 H WOWHALL.ORGk carols that still haunted us. We included a few original tunes and called our wintry mix The Darkest Night Of The Year. We played a special “darkest night” release concert on winter solstice in an old theater in Cincinnati. Folks began snatching up copies and seemed to agree that they hadn’t heard anything quite like it. “We began playing concerts around the Midwest every December and found that the rooms were usually packed full of people who had bundled in out of the cold with prized compatriots. Hats and scarves abounded. If you stepped outside during intermission, you could make ghosts with your breath in the crisp night air. And it was dark – oh so dark: a time of year with its own music. “A decade later, in 2006, we released our first full collection of original Christmas/holiday songs called Snow Angels. What is it OVER THE RHINE CHRISTMAS SHOW about Christmas music and the On Sunday, December 2, the originals, which invoke hard times public radio station in Cincinnati. the radio broadcast, because we undeniable gravitational pull it Community Center for the and celebrate the survival of the It was Christmastime and began receiving inquiries as to exerts on some songwriters? So Performing Arts proudly welcome’s least fit.” apparently they thought we were whether we had recorded any of many Christmas songs had already Over The Rhine’s Christmas Show Over the Rhine will return to up to the task. We worked up a our Christmas songs. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Essex Green • Tralala • Totalt Jävla Mörker • Gentleman • the Pipettes Ed Harcourt • the Doits • Ebb • Existensm
Nummer 5 • 2006 Sveriges största musiktidning Essex Green • Tralala • Totalt jävla mörker • Gentleman • The Pipettes Ed Harcourt • The Doits • Ebb • Existensminimum • Molotov Jive • The Motorcycle Boy ME?X?JUNIJPDF ME?X ?JUNIJPDF ME?X ?JUNIJPDF Groove 5 • 2006 Gentleman sidan 7 Tre frågor till Ed Harcourt sidan 7 Att dela eller inte Se upp! sidan 7 Visst är det uppfriskande att följa priset att betala är ju bara urholkat Essex Green sidan 8 fildelningsdebatten som blossat upp personligt livsrum som ju inte är kvan- i samband med Storebrors tillslag i tifierbart på samma sätt. I kriget mot Titta en bilkrasch! sidan 8 Sverige på order av Bush den yngre. terrorismen måste vi ju alla räkna med Wolfmother sidan 9 Denna gång har globala vinstintressen att vårt privatliv inte längre förblir lika tagit av sig silkesvantarna och istället privat. Eller? Vad skulle Aldous Hux- Favvoplattor sidan 9 skjutit sig i foten. Några mäktiga före- ley säga? Eller George Orwell? Omslag The Pipettes sidan 10 tagsledare har likt Shakespeares skugg- Är det inte en gång för alla dags EMI Totalt jävla mörker sidan 10 figur Jago viskat i George W:s öra och att lagstifta bort vår fria vilja och fått svenska myndigheter att ta i med unika behov? Hur intresserade är vi Groove är en oberoende musiktidning The Doits sidan 12 hårdhandskarna. Man har därmed egentligen av att ta alla dagliga job- som ges ut av Musiktidning i Göteborg AB. Ebb sidan 12 lyckats med konststycket att alienera biga beslut själva, är det så självklart Groove åtminstone en hel generation trafi- att det är nödvändigt att vi ska kunna Box 112 91 Existensminimum sidan 12 kanter på informationsmotorvägen – utbyta idéer och information med 404 26 Göteborg Molotov Jive sidan 13 generationsklyftan har sällan öppnat varandra utan statliga riktlinjer? Telefon 031–833 855 sig så tydligt som sommaren 2006. -
English Version
dDamage Title: Shimmy Shimmy Blade Label: Tsunami-Addiction Release date: 6 Novembre 2006 Distribution: Discograph Both Hanak brothers, known under the name of dDamage, play an indescribable electronic music, violent and melodic at the same time, juggling with hip-hop beats, riffs of guitars and heat of analog synths. With tended flow, their music lets appear a rare sensitivity, skilfully camouflaged behind intense “boom tchack” of modern cruelty. After two long years of intense work, these terrible children of the electronic music bring out again from the studios with a fortnight tracks, on which are invited the crême of the independent hip-hop scene. We can find Bigg Jus there (former member of the legendary new Yorkean band Company Flow) and his comparse Orko Eloheim (NMS / Project Blowed) for two on-vitaminized tracks, overloaded of intergalactic synths. Dose One, leader of the bands Subtle and Clouddead, makes his appearance beside the emblematic figures of French hip hop,TTC , in an opera of digital maths-rock. Mike Ladd rewards us with a featuring full of rapologic brick breakage, botching the walls of samples with blows of punchlines with a detonating force. We can also see Tes (Lex Records), feeling at ease on dynamic rock’ n roll, then teletransported in Zapp&Rogers’ talk-box. Also Crunc Tesla, Atlanta’s crunky south based rapper, posing his flow in a war of synthetic violins and vibrating basses. Or Stacs of Stamina, in an exercise of zigzag where the beats take sometimes the shape of anti-personal mines. dDamage leaves then rifles to pump, on the explosive “S.I.N.” track, where the dance is carried out by the rapper Sin, Sizzerb member affiliated with the new Yorkean scene Dipset/Diplomats. -
Kurve Zur Hymne
# 2009/46 dschungel https://jungle.world/artikel/2009/46/kurve-zur-hymne Kurve zur Hymne Von Michael Saager <none> Yoni Wolf, Kopf des Trios Why?, ist nicht so übereifrig, wie es auf den ersten Blick ausschaut. Die Veröffentlichung von »Alopecia« liegt zwar erst ein Jahr zurück, und schon gibt es wieder ein neues Album, aber »Eskimo Snow« entpuppt sich dann doch nur als Produkt, das derselben Aufnahmesession entstammt wie »Alopecia«. Das allerdings hört man nicht unbedingt, leider. »Alopecia« verhalf dem Trio aus Cincinnati zum verdienten Durchbruch, weil es griffige Indiepop-Hooklines, fette, immer komplexe Beats und Yoni Wolfs Lyrics zu verbinden wusste. Insbesondere die Ohrwurmqualitäten des Vorgängers vermisst man nun auf »Eskimo Snow« – man muss die Stücke schon einige Male hören, um sich ihre Melodieverläufe merken zu können. Das Fehlen einprägsamer Melodien ist keine Schwäche an sich, fällt aber bei diesem Album umso deutlicher ins Gewicht, als »Eskimo Snow« aus Songs besteht, die dem Indie- Folk nahestehen oder der Psychedelic-Pop-Songwriter-Tradition entspringen. Und weil Produzent Mark Nevers (von Lambchop) der Ansicht war, scharfe Konturen müssten nicht unbedingt sein, wabert »Eskimo Snow« nun über lange Strecken einigermaßen orientierungslos vor sich hin. Glücklicherweise gibt es ein paar Ausnahmen, die so wundervoll sind, dass man die schwachen Stücke gerne verzeiht: Hier kriegt das Mäandernde die Kurve und wird mit assoziativer Selbstverständlichkeit alsbald in einen Refrain überführt, der hymnischer nicht sein könnte. Why?: Eskimo Snow (Tomlab/Indigo) © Jungle World Verlags GmbH. -
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.