F Re Nch Wo Ods Fe Stival Ofthe Pe Rforming A

Total Page:16

File Type:pdf, Size:1020Kb

F Re Nch Wo Ods Fe Stival Ofthe Pe Rforming A us a call at your sports team do this also season? welcome your We photos and any creative writing you may want to have a performance or concert coming up? Have you seen or spoken friends? to French How Woods did see in print. Itʼs Let us know what is going on in camp your friends life. love to Your hear what you are doing. Do you THE THE PERFORMER IS YOUR NEWSLETTER!!! See yourself in the French Performer. Woods The Performer is only as good as the contributions we receive from community. the French Woods F r e n c h W o o d s F e s t i v a l 1-800-634-1703 o f t h e your your All the news that’s fit to print. P e r f o r m i n g A r t s big chance! us Write at at The www. frenchwoods.com www. You can also send You us . e-mail at PERFORMER March 2005 Vol XV #7 P.O. Box 770100, Coral P.O. 33077-0100 Springs, FL . We all . love hearing We from you! [email protected]. 1-800-634-1703 954-346-7455 in FL Visit our website Visit or give Happy St. Patrick’s Day! French Woods Festival French Woods Of Arts the Performing WINTER OFFICE PO Box 770100 Coral Springs, Florida 33077 Informing The French Woods Community D e a r F r e n c h w o o d i t e , B e t h B a c k s t a g e J u s t R e g i s t e r e d ! Summer 2005 is fast approaching & Alli Aaronson Mikael Dubinsky Jonathon Jugo Natalie Neubert Ethan Solomkin With the coming of spring we all know that Ashley Alman Sarah Dutton Daniel Kahan Paul Neubert Cassi Sosa camp is just around the corner. Have you started your things look great! You will see from the show Stephanie Alman Rebecca Duvall Kapiolani Kassal Willa Nielsen Mark Sosa Sean Altman Sophia Edelstein Caitlin Kearney Trisha Nussbaum Andrew Stavis countdown yet? Registrations continue to pour in and descriptions at the center of this Newsletter, the Camila Alvarez Devin Ellis Michelle Keck Mica Oʼ Brien Aaron Taslitz David Banks Mellissa Ellowitz Andrew Keener Jonathan Pace Laura Thomas weʼre glad that French Woods is in your plans for line up is wonderful and we are all gearing up for Jeremy Banks Alexandereya Esquibel Michael Kelly Isabella Parisot Edwin Thompson Iv 2005. If you have any friends that are interested have Alana Barouch Max Federman Julia Kessel Jasmine Parkins Lucie Touroul some fantastic performances! Roxanna Barrios Jonathan Foster Samuel Kessler Madeleine (Coco) Paul-Henriot Malachi Trent them call today. Aitan Ben-Joseph Lexi Franc Cydney Korek Catherine Perry Phoenix Trent Scott Berger Priscilla Frank Danny Kornfeld Jack Petricone Kelly Truitt I am headed to New York to meet new and Maddie Besser Erica Freedman Rachel Korsen Kyo Pincus Susan Vandine old Frenchwoodites. Meanwhile applications continue Speaking of Performances, on a recent trip Dana Blechman Haley Freedman Karalyn Lacey Tara Pine Alexandra Vernon Sophie Blum Mark Frykman Danielle Landau Rebecca Plotnick Abdiel Vivancos to arrive for counselor positions. to NY, I was able to see a few wnderful shows, Jesse Bordwin Tatyana Gardner Rebecca Julian Pratt Eleanor Vorys In the next few weeks you will receive your Alicia Boschetti Daniel George Landman Sam Pratt Michael Waknine including The recent release of Spamalot, which Naomi Braun Lily Glimcher Emily Lanster Jesse Pruitt Rachel Walden forms for bunk placement. I intend to start on the Maggie Brennan Kira Goidel Sarah Lazar Jared Reisch Rachel Waldman features alumni Steven Rosen and The 25th Dana Bronstein Kath Goldberg Will Meredith Ribeiro David Wallace requests just as soon as they arrive in the office. Make Dillon Brout Charlotte Goodman Levatino Brenne Rimberg Rebecca Wallace sure you send in your requests. Donʼt assume I know Annual Putnam County Spelling Bee, which will Daniel Burns Sarah Gorayeb Melly Levay Aaron Roach Margaret Walter Brett Bushell Tyler Gustinger Rachel Lind Britney Roach Julio Sharp- Wasserman or I already have it. We work directly from these be moving to Broadway, produced Brian Bushell Emma Gutman Zachary Lindberg Andrea Rocha Julie Waters Megan Carey Sam Gutman Julia Lofthouse Hannah Rosen Gabe Weintraub forms. Send them in. by alum David Stone! In my Ryan Carey Catherine Haas Melissa Lopez Elan Rosenfeld Geoff Weiss Keep your letters, phone calls, pictures, Juliette Roman Chick Emily Harris Abigail Lopian Philip Ruderman Samantha Vogt White opinion, these are two of the best Danielle Cohen Emily Hauser Daniel Lopian Morgana Russino Anestasia Wiley faxes and e-mail coming. We always enjoy hearing Scott Crepea Maria Hauser Rebecca Lopian Stephen Sabbag Sarah Wilmot shows of the season! Rachel Damin Jordan Hemingway Katie Marlow Emma Sander Mollie Wodenshek from you. Be on the lookout for important papers. Loulou David Stephanie Hennings Jordan Martino Elisa Scaldaferri Brittany Wolf Information and forms should be arriving in your mail- Sarah David Tessa Holliday Jonathan Maurer Jessica Schiff Rachel Yoes Rachelle Davidowitz Sophia Bennett- Holmes Christine Mcintosh Tori Senicki Avery H. Yurman box shortly. They provide both you and us important See you this summer! Jamie Davis Jessica Honovich Rebecca Lily Michell Ari Faber Shaw Lex Zee information. Stay in touch! Ariel Delman Pamuz Huberman Harris Milgrim Levi Faber Shaw Brandon Zemel Jonathan Demar George Mccook Hulbert Ashley Miskoff Maya Faber Shaw Jade Diplacido David Hyler Jacqueline Molnar Fallon Sloman Beth Carissa Donnelly Maria Jacob Faith Mulroy Nicole Sloman Kathleen Dreisbach Bristol Jones Sean Nanos Zoe Snow Bergen Youth Orchestra Fondly, Presents M a r c h Jason Robert Brown Ron And …Many Broadway Stars B i r t h d a y s ! In 1 Morgan Davis Saida Makhmudzade Barry Van Deerlin April Walsh Alisha Feldman 11 Cody Sherrin 19 Rose Heller 26 Brian Aronow The American Premier of Kristin Guerin Jenny Sonenberg Sarah Korn Lexi Franc The Full Orchestra Version Julia Katz Elizabeth Woodham 20 Samantha Austin Josh Oleyourryk Alison Klein Doran Zimmerman Liza Friedman 27 Lana Caster Of Kyo Pincus 12 Claire Mullany Alexandra Mautone Jason Marx Zachary Sherrin Colin Poindexter 22 Dana Blechman Lexee Mcentee “Song For A New World” 2 Rachelle Davidowitz Jenna Turow Jacob Dunn Devon Zdatny with the Diana Kaplen 13 Alexandra Adolph Matthew Grossman 28 Eli Hockstein 3 Lee Burwasser Andrea Adolph Victoria Petrosky Koby Liliana Omansky BYO Symphony conducted by Sam Longenecker Klara Auesbach Jesse Pruitt Brandon Powers IN THIS ISSUE Nicole Weishoff Maraquette Koss Marisa Zable 29 Kate Kaplan Eugene Minor 5 Ashley Lehrer Emily Scheiber 23 Erica Granor Logan Knoerzer 6 Sydney Manas 14 Emily Jacobs Sarah Radov 30 Allison Shafir -A Benefit For the BYO- Katelyn Slepp 15 Jonathon Jugo Stephen Sabbag Rachel Walden Sunday, Natalie Yubas Katie Lemmon Maya Faber Shaw 31 Anna Shakeshaft *CAMPER & STAFF 7 Andrea Parente Stacey Matzkin 24 Thomas Hecker May 1, 2005, at 4:00pm 8 Alli Aaronson 16 Nora Casper Beth Sheil Peter Norton Symphony Space Rebecca Heath Lauren Goldberg Danielle Stoller NEWS Wei Yin Petersen Sydney Griffith Adam Uslan 95th and Broadway Charlotte Rosenberg Jamie Putman 25 Tyler Brown *RON, BETH & ISAAC New York City (212) 864-5400 9 Eddie Chwalisz 17 Arielle Berne Sam Hulsey Gannon Dalton Paul Neubert Dylan Jenks Tickets $55.00 Ian Feldman Britney Roach Charly Sarah Klinman *SESSION TWO SHOWS Margaux Grober 18 Phillip Skokos Abby Olan $35.00 (Senior and Students) 10 Eliza Claire Brown Lindsey Tipograph Jenna Roth Special “Meet the Performers Gala” Limited tickets available. HAPPY BIRTHDAY TO YOU!! S t a f f N e w s C a m p e r N e w s After spending a couple of weeks travelling in New York and Boston, including a Kenny Marks, Stephen Scarpulla, and Four Westfield NJ French Woods week staying with Brian Warsdale in Brooklyn, with Lauren Gillies, Matt Bond and Evan Christiana Anbri (students of the Professional campers will be performing on March 4th, Englezos, Kristen Twynam-Perkins has settled down to life in Toronto. I am working a temp Performing Arts School in New York City 5th , and 6th in Roosevelt Intermediate job in an office and am trying to see as much of the city as possible. Sheʼs performing in Curtain along with other campers Tracey Mellon, Tom School production of Little Shop of Horrors. Call Players April production of Oklahoma as a dancer/ensemble. She is looking so forward to Wolfson, Lily Corvo, Tim Ehrlich, Spencer Julian Seltzer will play the part of Seymour, returning to French Woods again this year and canʼt wait for another summer of fun, friendships, Oberman, Sharon Halevy, Alex Kirshner Amanda Chang will portray Audrey, Adam laughter and amazing memories. and billions more FWFers) were recently seen Ziering is The Interviewer, and Jena Roth is on a new TV talk show The New Yorkers. They a Ronnette. They all are thrilled. Cassie Pascoli is having a fabulous time in London and is planning to attend another performed a tap number on TV and Stephen was Particle concert there soon! interviewed live. Everyone from PPAS sends Misha Lambert.ʼs family had a big their love up to that heavenly Hancock haven and party and Alexa Lebersfeld, Lana Caster all the wonderful people who live for it. Watch who were featured singing in harmony for I s a a c ’ s C o r n e r out summer ʻ05, here they come! the crowd. I canʼt believe that as of March 1st, there are only 103 days left until we start our new session 1 in the year 2005!!!!! Dan (Loogie) Hockstein will be performing Mitchell Salmon will be in his schoolʼs Kathy and I just returned from our hiring trip to Dublin, Manchester, Leeds, and London.
Recommended publications
  • Senior Musical Theater Recital Assisted by Ms
    THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b.
    [Show full text]
  • Audience Insights Table of Contents
    GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11
    [Show full text]
  • Spotlight on Learning Oliver
    Spotlight on Learning a Pioneer Theatre Company Classroom Companion Pioneer Theatre Company’s Student Matinee Program is made possible through the support of Salt Lake Oliver County’s Zoo, Arts and Music, Lyrics and Book by Lionel Bart Parks Program, Salt Dec. 2 - 17, 2016 Lake City Arts Council/ Directed by Karen Azenberg Arts Learning Program, The Simmons “Bleak, dark, and piercing cold, it was a night for the well-housed and Family Foundation, The fed to draw round the bright fire, and thank God they were at home; Meldrum Foundation and for the homeless starving wretch to lay him down and die. Many Endowment Fund and hunger-worn outcasts close their eyes in our bare streets at such times, R. Harold Burton who, let their crimes have been what they may, can hardly open them in Foundation. a more bitter world.” “Please sir, I want some more.” – Charles Dickens, Oliver Twist (1837) All these years after Charles Dickens wrote these words, there are still Spotlight on Learning is provided families without homes and children who are hungry. to students through a grant As this holiday season approaches, I am grateful for health, home, and family provided by the — but am also reminded by Oliver! to take a moment to remember those less George Q. Morris Foundation fortunate. I thank you for your support of Pioneer Theatre Company and wish you the merriest of holidays, and a happy and healthy New Year. Karen Azenberg Approx. running time: Artistic Director 2 hours and 15 minutes, including one fifteen-minute intermission. Note for Teachers: “Food, Glorious Food!” Student Talk-Back: Help win the fight against hunger by encouraging your students to bring There will be a Student Talk-Back a food donation (canned or boxed only) to your performance of Oliver! directly after the performance.
    [Show full text]
  • Oliver-Programme.Pdf
    7 – 17 December at 7.30pm (no Sunday performance) Matinees 10 & 17 December at 2.30pm OLIVER!by Lionel Bart Free when mailed to £1 Loft Members notes from the DIRECTOR A Dickens of a musical Oliver! is a stage musical with both music and lyrics by Lionel Bart, and was the first musical adaptation of a famous Charles Dickens work to become a stage hit. It premiered in the West End in 1960, enjoying a long run, and a subsequent successful run on Broadway, followed by numerous tours sparkling musical score that includes a host and revivals both here and the US. It was of well-known songs including Food, Glorious made into the famous musical film of the Food, Where is Love, Consider Yourself, Pick a same name in 1968, which featured an all- Pocket or Two and As Long As He Needs Me. star cast including Ron Moody, Oliver Reed, As a director, I relish challenges Shani Wallis and Jack Wild with Mark Lester which continue to stretch the skills and in the title role, and which went on to win imagination. This has included musicals such no less than six Academy Awards from as the Sondheim classic, Sweeney Todd, 11 nominations! Godspell and previous Christmas treats Oliver! has also been performed literally like Scrooge and RENT. Oliver! requires a thousands of times in British schools, highly skilled and committed team to bring particularly in the 1970s, when it was by the show to our stage – a stage where far the most popular school musical. Indeed you would not normally expect to see a the director himself appeared in an all-male show of this size – and putting the whole production in 1970 as a member of Fagin’s thing together has been a huge theatrical gang, following on from his performance challenge for the team.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved.
    [Show full text]
  • Theatrical Company Spotlight
    Official Newsletter of the Spotlight Theatrical Company Fostering an outlet for creative youth and community, while seeking to produce vibrant, quality entertainment that enriches, engages and educates. February 2018 INSIDE: • President’s Report • Youth Theatre Information • Oliver! opens 9th February - closes 4th March • Ken Ludwig's Baskerville - A Sherlock Holmes Mystery • NEW TICKET PRICING & DIRECTIVE The SpotlightKieren McGinley Theatrical - Flynn Company Nolan Proudly PresentsZander Engel-Bowe Understudy Orchestral Arrangements by Books, Music, & Lyrics by William David Brohn Lionel Bart Facebook f-Logo Print & Packaging / CMYK / 150 dpi / .psd Facebook f-Logo Print & Packaging / CMYK / 150 dpi / .psd Spotlight Theatre is a Choreographed by Directedfoundation memberby of the Vocal Direction by Jamie AndrewGold Coast Theatre Alliance. Caroline Watt Cockroft-Penman Taylor MAIN THEATRE BOOK & PAY 9 FEBRUARY - (07) 5539 4255 3 MARCH 2018 WWW.SPOTLIGHTTHEATRE.COM.AU By arrangement with Hal Leonard Australia Pty. Ltd, exclusive representative of Cameron Mackintosh and the Southbrook Group. 2018 MEMBERSHIPS JOIN/RENEW DUE 1ST JANUARY NOW! Copy of Constitution and other documents available Spotlighter Februaryonline 2018 or by request. 2 The Spotlight Theatrical Company Proudly Presents Books, Music, Orchestral & Lyrics by Arrangements by
    [Show full text]
  • Sing a Musical Theatre Recital
    If! Sing A Musical Theatre Recital An Honors Thesis (HONRS 499) by Kevin M. McDaniel Thesis Advisor - Alexandra Christina Kocoshis Ball State University Muncie, Indiana April 2003 Expected Date of Graduation May 2004 - .;5pCo 1/ 1l1e :,i.s J-1) 215J - . Z4- Abstract A musical theatre recital is an unusual and creative project to undertake. While the majority of recitals are composed of classical works, a theatrical recital includes songs from the realm of musical theatre, and must include acting as well as the songs. It therefore develops a singer's vocal and physical performance. "If I Sing, " A Musical Theatre Recital was developed to expand and showcase my talents as a musical theatre major and performer. I chose songs that represented a variety of shows from the history of musical theatre, ranging from 1937 to the present. My goal was to educate those people who were not familiar with many musicals by helping them expand their knowledge of musicals. I did this by giving the audience members a tour of musical theatre history through the songs. Personally, my songs were choices that helped me expand my repertoire. While a few songs were ones that I have become accustomed to performing for years, most were songs that I have wanted to perform for a long while, but have never had the opportunity or reason. All the songs were personal favorites of mine, but were also songs that stretched me to my vocal limits. Several songs challenged me vocally, while others challenged my acting ability. Also, the recital was a challenge to sing.
    [Show full text]
  • “Consider Yourself One of Us”: the Dickens Musical on Stage and Screen
    Text Matters: A Journal of Literature, Theory and Culture Number 7 Drama, Performance, Media / Emma Article 13 & Edvard October 2017 “Consider Yourself One of Us”: The Dickens Musical on Stage and Screen Anthony Barker University of Aveiro Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Recommended Citation Barker, Anthony. "“Consider Yourself One of Us”: The Dickens Musical on Stage and Screen." Text Matters: A Journal of Literature, Theory and Culture, no.7, 2020, pp. 241-257, doi:10.1515/texmat-2017-0013 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Volume 7, Number 7, 2017 DOI: 10.1515/texmat-2017-0013 Anthony Barker University of Aveiro “Consider Yourself One of Us”: The Dickens Musical on Stage and Screen A BSTR A CT Charles Dickens’s work has been taken and adapted for many different ends. Quite a lot of attention has been given to film and television versions of the novels, many of which are very distinguished. The stage and screen musical based on his work, essentially a product of the last fifty years, has been neither as studied nor as respected. This paper looks at the con- nection between Dickens’s novels, the celebration of “London-ness” and its articulation in popular forms of working-class music and song.
    [Show full text]
  • “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens's
    “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels Marc Napolitano A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by Advisor: Allan Life Reader: Laurie Langbauer Reader: Tom Reinert Reader: Beverly Taylor Reader: Tim Carter © 2009 Marc Napolitano ALL RIGHTS RESERVED ii ABSTRACT Marc Napolitano: “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels (Under the direction of Allan Life) This project presents an analysis of various musical adaptations of the works of Charles Dickens. Transforming novels into musicals usually entails significant complications due to the divergent narrative techniques employed by novelists and composers or librettists. In spite of these difficulties, Dickens’s novels have continually been utilized as sources for stage and film musicals. This dissertation initially explores the elements of the author’s novels which render his works more suitable sources for musicalization than the texts of virtually any other canonical novelist. Subsequently, the project examines some of the larger and more complex issues associated with the adaptation of Dickens’s works into musicals, specifically, the question of preserving the overt Englishness of one of the most conspicuously British authors in literary history while simultaneously incorporating him into a genre that is closely connected with the techniques, talents, and tendencies of the American stage. A comprehensive overview of Lionel Bart’s Oliver! (1960), the most influential Dickensian musical of all time, serves to introduce the predominant theoretical concerns regarding the modification of Dickens’s texts for the musical stage and screen.
    [Show full text]
  • University of Hawai'i at Hilo Theatre
    UH Hilo Performing Arts Department Master Production List 1979- 2020 Musicals GIVE MY REGARDS TO BROADWAY - A Musical Revue AMAHL AND THE NIGHT VISITORS by Gian Carlo Menotti CAROUSEL by Rodgers and Hammerstein OLIVER by Lionel Bart SOUTH PACIFIC by Rodgers and Hammerstein MY FAIR LADY by Lerner and Loewe FLOWER DRUM SONG by Rodgers and Hammerstein FIDDLER ON THE ROOF by Stein and Bock THE SOUND OF MUSIC by Rodgers and Hammerstein CABARET by Kander and Ebb I DO! I DO! by Jones and Schmidt YOU’RE A GOOD MAN CHARLIE BROWN by Clark Gesner archy and mehitabel by Joe Darion and Mel Brooks AN EVENING OF OPERA SCENES, Conceived by Margaret Harshbarger JESUS CHRIST SUPERSTAR by Tim Rice and Andrew Lloyd Weber** THE MIKADO by Gilbert and Sullivan WEST SIDE STORY by Bernstein and Sondheim (1988) I’M GETTING MY ACT TOGETHER AND TAKING IT ON THE ROAD, by Joan Micklin Silver & Julianne Boyd ANNIE by Thomas Meehan A.....MY NAME IS ALICE by Joan Micklin Silver, Julianne Boyd LITTLE SHOP OF HORRORS by Ashman & Menken NUNSENSE by Dan Goggin MUSIC MINUS ONE by George Furth, starring Leslie Uggams* * World Premiere EASY STREET: AN AMERICAN DREAM, by Wendell Ing * * World Premiere CAMELOT by Lerner and Lowe WORKING, THE MUSICAL A CHRISTMAS CAROL, by Bedloe, Wood, & Shapcott AMAHL AND THE NIGHT VISTORS, by Gian-Carolo Menotti SWEENEY TODD, by Stephen Sondheim INTO THE WOODS, by Stephen Sondheim GUYS AND DOLLS, by Frank Loesser A LITTLE NIGHT MUSIC, by Stephen Sondheim COMPANY, by Stephen Sondheim 100 YEARS OF BROADWAY, A Musical Revue OKLAHOMA, by Rodgers
    [Show full text]
  • Score Alfred Music Publishing Co. Finn
    Title: 25th Annual Putnam County Spelling Bee, The - score Author: Finn, William Publisher: Alfred Music Publishing Co. 2006 Description: Score for the musical. Title: 42nd Street - vocal selections Author: Warren, Harry Dubin, Al Publisher: Warner Bros. Publications 1980 Description: Vocal selections from the musical. Contains: About a Quarter to Nine Dames Forty-Second Street Getting Out Of Town Go Into Your Dance The Gold Digger's Song (We're In The Money) I Know Now Lullaby of Broadway Shadow Waltz Shuffle Off To Buffalo There's a Sunny Side to Every Situation Young and Healthy You're Getting To Be a Habit With Me Title: 9 to 5 - vocal selections The musical Author: Parton, Dolly Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Nine to Five Around Here Here for You I Just Might Backwoods Barbie Heart to Hart Shine Like the Sun One of the Boys 5 to 9 Change It Let Love Grow Get Out and Stay Out Title: Addams Family - vocal selections, The Author: Lippa, Andrew Publisher: Hal Leonard Publishing Corporation 2010 Description: Vocal selections from the musical. includes: When You're an Addams Pulled One Normal Night Morticia What If Waiting Just Around the Corner The Moon and Me Happy / Sad Crazier than You Let's Not Talk About Anything Else but Love In the Arms Live Before We Die The Addams Family Theme Title: Ain't Misbehavin' - vocal selections Author: Henderson, Luther Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Ain't Misbehavin (What Did I Do to Be So) Black and Blue (Get Some) Cash For Your Trash Handful of Keys Honeysuckle Rose How Ya Baby I Can't Give You Anything But Love It's a Sin To Tell A Lie I've Got A Felling I'm Falling The Jitterbug Waltz The Joint is Jumping Keepin' Out of Mischief Now The Ladies Who Sing With the Band Looking' Good But Feelin' Bad Lounging at the Waldorf Mean to Me Off-Time Squeeze Me 'Tain't Nobody's Biz-ness If I Do Title: Aladdin and Out - opera A comic opera in three acts Author: Edmonds, Fred Hewitt, Thomas J.
    [Show full text]
  • Don Tiff Collection Finding Aid (PDF)
    University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch ………………………………………………………………. 2 Scope and Content ………………………………………………………………. 2 Series Notes ………………………………………………………………………. 3 Series I: Sheet Music ………………………………………………………………. 4 Series II: Songbooks ………………………………………………………………. 10 Series III: Manuscript Scores ………………………………………………………. 24 Series IV: Photographs ………………………………………………………. 24 Series V: Miscellaneous ………………………………………………………. 25 MS136-Don Tiff Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Don Tiff was born September 7, 1910. The pianist, composer and arranger performed in the orchestras of Jan Garber, Raymond Scott and others; as well as led his own bands. In addition, he oversaw other musical endeavors, including serving as Musical Director at the Orpheum Theatre in Kansas City. Among his original compositions are Sunburst, Carmel By The Sea, and A Million And One Pine Trees. Tiff died September 23, 1998. SCOPE AND CONTENT The Don Tiff Collection was donated to the Dr. Kenneth J. LaBudde Department of Special Collections by Mrs. Don Tiff and was delivered to the department by Don F. Downing. The collection focuses on Tiff'‟s extensive collection of sheet music and songbooks. Additional material include eight 8x10 photographs, several of which include Tiff; and two original scores by Tiff, Carmel By The Sea and A Million And One Pine Trees. Other miscellaneous items include three programs from the Orpheum Theatre from 1936, where Tiff acted as musical director; a song request card; and a newspaper clipping about Tiff. MS136-Don Tiff Collection 2 University of Missouri-Kansas City Dr.
    [Show full text]