JUNE 2013 Actors’ Equity: 100Years of Playing “We don’t stop playing Volume 98 because we grow old. Number 5 We grow old because we stop playing.” EQUITYNEWS — George Bernard Shaw A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices Members Overwhelmingly McColl’s Contract Renewed Ratify New Four-Year for Three-YearTerm LORT Contract quity has extended the contracts, supervises Equity’s Salary Increases,Technology contract of Executive professional staff in four regional EDirector Mary McColl for offices (New York, Los Angeles, another three-year term, Chicago and Orlando) and Improvements Highlight effective January 2014. The works closely with the Council to Agreement decision was a unanimous vote establish goals, develop and at a special meeting of the implement national policy and y a margin of 97.2% meaningful salary increase, Council on May 1, 2013. execute Equity’s long-term members have 12.55% over a four-year period, “Mary has brought a focused, strategic plans. In addition, she Boverwhelmingly ratified a coming out of a three-year disciplined and highly effective serves as Equity’s new four-year LORT contract period in which salaries were leadership to AEA,” said representative and lead governing employment in 55 frozen,” said Executive Director President Nick Wyman. “She spokesperson with the media, theatres represented by the Mary McColl, who served as has been a champion not only labor, bargaining partners and League of Resident Theatres Equity’s Chief Negotiator. for Equity actors and stage Mary McColl. government officials. and 16 independent not-for-profit “Since 2008, LORT theatres managers, but for the entire “I’m pleased to continue the theatres. have continued to suffer entertainment industry.” (SETA). Ms. McColl has also work we’ve started on behalf of Of the 2,150 valid ballots that economic challenges as a result Describing her stewardship overseen the renovation of the this extraordinary membership,” were received, 2,090 members of decreased income from and advocacy on behalf of the New York offices (including she said. “This is an exciting approved the contract and 45 government funding sources as members, President Wyman construction of a new Audition time in Equity’s 100-year history. voted no. The term of the new well as corporate and individual pointed to the accomplishments Center), as well as the purchase I look forward to working with agreement is from February 18, donations,” Ms. McColl added. in her first term, including the of a new office building in Los the elected leadership to 2013 to February 12, 2017. “The decline in their subscription successful negotiation of three Angeles. address the challenges that our “In only six negotiating bases has required a greater of AEA’s biggest contracts— As Executive Director, Ms. industry faces.” sessions, our negotiating team reliance on unpredictable single Production, League of Resident McColl oversees the collective Ms. McColl joined Equity’s was able to fulfill its strategy and ticket sales. It was in this Theatres (LORT) and Short bargaining process for more staff as Executive Director in focus on increasing environment that Equity entered Engagement Touring Agreement than 30 national and regional January 2011. compensation in all categories in into the negotiations, so I am the contract and making very pleased with the results.” significant improvements in work Recognizing the continued and audition rules. As a result, growth in digital marketing and Mary Lou Westerfield Steps Down we were able to achieve a (continued on page 2) as Western Regional Director Sixteen Elected to Council Career at Equity Spans 40Years ixteen members—ten Following are the results: fter a long career on professionally and personally,” from the Eastern Region, EASTERN REGION the Equity staff, Mary said Mary Lou. “I’ve been one from the Central S Principal Five-Year Term Lou Westerfield will extremely lucky in my career Region and five from the A Jeanne Lehman (incumbent) step down as Western Regional and I’m very proud to have Western Region—have been Director/Assistant Executive played a role in the many elected to the Council. Ballots Linda Cameron (incumbent) Director at the end of 2013. achievements Equity has made were tabulated on May 23, 2013 Kristen Beth Williams She will continue with Equity, on behalf of the membership. by Election Services Solutions. (incumbent) working on several key projects But as I reflected over these There were 5,347 total valid Diane Nicole through the end of May, 2014, last few months, I knew I would ballots cast, of which 2,295 Richard Topol at which time she will retire. not ask for another contract were cast electronically. Jeff Williams (incumbent Chorus) The announcement, which term. When presented with the Not elected: Mark Zimmerman, Mary Lou explained was based opportunity to work on Jonathan Brody, Buzz Roddy, on what is best for her and her important projects for Equity, I Scott McGowan, Tom Helmer husband Ernie, was made at quickly accepted. It’s the best of Mary Lou Westerfield. the May National Council both worlds and I look forward Chorus Five-Year Term meeting. to staying involved.” Allyson Tucker (incumbent) been truly honored to be the “I’ve given a lot of thought to She expressed her gratitude Western Regional Director. I Mark Aldrich (incumbent) where my life should be - both to everyone, saying: “I have have enjoyed great Scott Watanabe relationships with the Western Not elected: Staés Kmieé,c Regional Board, our western Ben Liebert liaisons and our staff, both in Chorus One-Year Term Los Angeles and nationally. I Jeff Applegate am grateful for their support CENTRAL REGION and especially to Mary Principal Five-Year Term [McColl], for her support and Richard Shavzin understanding.” Not elected: Liz Pazik (continued on page 2) WESTERN REGION Principal Five-Year Term Index Robin Gammell (incumbent) Members ratify new Nancy Daly LORT contract...... 1 DeBorah Sharpe-Taylor Election results ...... 1 NEWS Not elected: Abner Genece, From the President...... 3 Aaron Wilton, Joshua M. Bott The Gypsy Robe 2012-13 season ..7 Stage Manager Five-Year Term Centennial feature: Stage

UITY Managers wear many hats...... 8 James T. McDermott

Q Liaisons from across the country gather with President Nick Wyman and National news ...... 11 (incumbent) 165 West 46th Street New York, NY 10036 Address Service Requested Second Class Postage Paid in New York, NY E Executive Director Mary McColl and staff in New York for a day-long Letters ...... 16 Linda M. Tross (incumbent) meeting to discuss regional and national issues of importance. 2 / EQUITY news JUNE 2013

Westerfield Steps Down in 1990 as a Business Rep in Area Liaison the Los Angeles office. In 1991 Congratulations to continued from page 1 Hotline system she became the Associate Equity’s Tony Award ® Mary Lou was named to her Director of The Actors Work Call 877-AEA-1913 current post in 2008 after six Program, where she was Nominated Members months of juggling the responsible for outreach to the Equity has a National toll-free entertainment community for responsibilities on an interim BEST PERFORMANCE BY AN Who’s Afraid of Virginia hotline system for members who funding and program promotion basis while still working as the ACTOR IN A LEADING ROLE Woolf? live in Area Liaison and office as well as acting as a peer National Director, Policy. Mary IN A PLAY Shalita Grant, Vanya and Sonia cities. The number is 877-AEA- adviser and intake officer. In Lou oversaw all operations, Tom Hanks, Lucky Guy and Masha and Spike 1913 (honoring the year of Eq- 1995, she returned to Equity as collective bargaining and Nathan Lane, The Nance Judith Ivey, The Heiress uity’s founding). Each Area the National Director, Policy. contracts in the Western Tracy Letts, Edward Albee’s Judith Light, The Assembled Liaison city has its own exten- She continued in that position Region and served as an Who’s Afraid of Virginia Parties sion, where members can ac- until her appointment as the integral part of Equity’s Woolf? Condola Rashad, The Trip to cess news and information in Western Regional leadership team. David Hyde Pierce, Vanya and Bountiful their region. “Mary Lou has been a Director/Assistant Executive Director. Sonia and Masha and Spike BEST PERFORMANCE BY AN (1) Dial 877-AEA-1913 dedicated member of the Tom Sturridge, Orphans ACTOR IN A FEATURED Equity family who has won the In addition to her (2) Dial your city extension: BEST PERFORMANCE BY AN ROLE IN A MUSICAL admiration and respect of responsibilities, Mary Lou has ACTRESS IN A LEADING Charl Brown, Motown The 811 Atlanta members and staff alike,” said been an integral part of ROLE IN A PLAY Musical 812 Austin/San Antonio Executive Director Mary Manhattan Plaza where she Keith Carradine, Hands on a 813 Boston McColl. “As a member of staff, serves as Chair of the Policy Laurie Metcalf, The Other Hardbody 814 Buffalo/Rochester she called upon her first-hand Committee, which is Place responsible for advising Will Chase, The Mystery of 815 Chicago experience, both as a Amy Morton, Edward Albee’s management regarding the Who’s Afraid of Virginia Edwin Drood 816 Cincinnati/Louisville performer and a member of Gabriel Ebert, Matilda The Council, to address challenges, issues and needs of performing Woolf? 817 Cleveland Musical provide insightful advice and artists/support personnel and Kristine Nielsen, Vanya and 818 Dallas/Fort Worth Terrence Mann, Pippin help shape policies that benefit reviews applications of Sonia and Masha and Spike 819 Denver our members. Although I know prospective tenants. For several Holland Taylor, Ann BEST PERFORMANCE BY AN 820 Detroit she will retire next May, I am years, she and Conard Fowkes Cicely Tyson, The Trip to ACTRESS IN A FEATURED 821 Florida – Central happy to know that she will managed the 25-person VITA Bountiful ROLE IN A MUSICAL 822 Florida – South work on projects for us and office in New York. She is the BEST PERFORMANCE BY AN Annaleigh Ashford, Kinky 823 Houston share her expertise until then.” Executive Secretary of the Four ACTOR IN A LEADING ROLE Boots 824 Kansas City Reflecting upon her decision As and has served on several IN A MUSICAL Victoria Clark, Rodgers + boards, including Career 825 Las Vegas and her future, Mary Lou said, Bertie Carvel, Matilda The Hammerstein’s Cinderella Transition for Dancers, Theatre 826 Los Angeles “Over the holidays my husband Musical Andrea Martin, Pippin Authority, Inc. and the Actors 827 Milwaukee/Madison Ernie and I took a cruise on the Santino Fontana, Rodgers + Keala Settle, Hands on a Fund Western Council. 828 Minneapolis/St Paul Danube. That trip helped me to Hammerstein’s Cinderella Hardbody Prior to joining Equity on the 829 Nashville realize change can be good Rob McClure, Chaplin Lauren Ward, Matilda The and that there a lot of things staff side, Mary Lou appeared Musical 830 New Orleans Billy Porter, Kinky Boots still to be experienced and we in numerous stage productions, 831 New York Stark Sands, Kinky Boots BEST BOOK OF A MUSICAL don’t want to miss any of them. including Follies, Ballroom, 832 Philadelphia BEST PERFORMANCE BY AN Harvey Fierstein, Kinky Boots As wonderful as Los Angeles Most Happy Fella and Zorba. ACTRESS IN A LEADING 833 Phoenix/Tucson is, our journey will take us back She served as the Second Vice BEST DIRECTION OF ROLE IN A MUSICAL 834 Pittsburgh to New York, where we have so President of both Equity and its A MUSICAL 835 San Diego many close friends and family. sister performing arts union, Stephanie J. Block, The Jerry Mitchell, Kinky Boots Screen Actors Guild. She also Mystery of Edwin Drood 836 San Francisco And that, for us, is very BEST CHOREOGRAPHY served on the Equity Council Carolee Carmello, Scandalous 837 Seattle exciting.” Jerry Mitchell, Kinky Boots for 18 years and the SAG Valisia LeKae, Motown The 838 St. Louis An Equity member since Chet Walker, Pippin Board for ten years. Musical 839 Washington DC/Baltimore 1973, Mary Lou joined the staff Patina Miller, Pippin SPECIAL TONY AWARD FOR Laura Osnes, Rodgers+ LIFETIME ACHIEVEMENT IN Hammerstein’s Cinderella THE THEATRE New URTA Contract BEST PERFORMANCE BY AN Paul Libin ACTOR IN A FEATURED REGIONAL THEATRE AWARD Includes 11% Salary Hike ROLE IN A PLAY Huntington Theatre (Boston) Danny Burstein, Golden Boy TONY HONOR FOR Over Four Years Richard Kind, The Big Knife EXCELLENCE IN THE Billy Magnussen, Vanya and THEATRE t its meeting on Christian Hainds served as Chief Sonia and Masha and Spike Career Transition for Dancers Tuesday, May 21, 2013, Negotiator, with staff support Tony Shalhoub, Golden Boy Peter Lawrence Council ratified a new from each office city. Courtney B. Vance, Lucky Guy EQUITYNEWS A The actresses who created Editor: DICK MOORE four-year agreement with the Summing up the BEST PERFORMANCE BY AN the title role of “Matilda” on Associate Editor: HELAINE FELDMAN University Resident Theatre negotiations, Hainds reported ACTRESS IN A FEATURED Broadway, including Association (URTA), which that URTA theatres were subject Equity News Advisory Committee ROLE IN A PLAY Equity members Bailey includes significant not only to economic but Christine Toy Johnson, Chair Carrie Coon, Edward Albee’s Ryon and Milly Shapiro (Eastern) improvements in salaries and political pressures. “In an Nancy Daly (Western) other provisions. environment wherein state Diane Dorsey (Central) Nicole Flender (Eastern) Equity achieved an 11% governments are continually (including provisions for actors Bruce Alan Johnson (Eastern) salary increase over the four- attempting to fill budgetary LORT Contract Ratified with disabilities), health Stas’ Kmiec’ (Eastern) year agreement, with a 2% deficits and score political points continued from page 1 Kevin McMahon (Western) contributions and the LORT Liz Pazik (Central) increase in year one, and 3% by cutting back funding to higher promotional opportunities for transfer rule. Barbara Roberts (Western) increases in years two, three education, our bargaining theatres, Equity and LORT Melissa Robinette (Eastern) LORT is the second largest and four. Improvements were partners found themselves in an worked together to create terms Buzz Roddy (Eastern) group of employers for Equity made in the area of safe and unstable fiscal state.” that will serve both EQUITY NEWS (ISSN: 00924520) is members (after the Production sanitary (including protections He added that the tenor of constituencies by using media to published monthly except for com- Contract) and is the largest for members working on inclined the negotiations was one of build creative alliances, develop bined issues in Jan./Feb., July/Aug., group of not-for-profit employers. Oct.,/Nov., by Actors' Equity playing surfaces, while they are cooperation and of mutual future audiences and encourage In 2011-2012, LORT theatres Association, 165 West 46th Street, backstage or onstage) as well problem solving, and with a the work of new authors and New York, NY 10036. Telephone: as fire safety protocol, among “lean-and-mean” bargaining composers. Further, in generated almost 58,000 work (212) 869-8530. Periodicals weeks and $59.6 million in postage paid at New York, NY. and others. Improvements were also strategy. “As a result, we recognition of how actors additional mailing offices. Copyright made to the working conditions achieved all of our goals.” communicate and do business, member earnings. 2003, Actors' Equity Association. for Stage Managers. There are currently 26 URTA LORT will now be required to Equity’s negotiating team was Subscription price for non-members Negotiations were held in the theatres covered under the provide high-speed internet chaired by Councillor Joe of Actors' Equity Association: $25 NY Equity Office on April 17-18, agreement. During the term of access in all actor housing. Zaloom and included members per year. Postmaster: Send address changes to Equity News, 165 West 2013. The negotiating team was the last contract, URTA Other improvements were from all job categories (Principal, 46th St., New York, NY 10036. chaired by Councillor David Sitler. generated 5,757 workweeks for achieved in the areas of Chorus, Stage Manager) from all Senior Business Representative Equity members. auditions, EEO language three regions. JUNE 2013 EQUITY news / 3 Christine Toy Johnson From the Receives 2013 PRESIDENT Rosetta LeNoire Award Putting the Gold in Your Golden Years hristine Toy Johnson, an A member of Council since actor/writer/producer/ 1992, Co-Chair of the Eastern good news. We have a defined year. So, if you are relatively Equity Councillor and Region’s Equal Employment By Nick Wyman C benefit pension plan (a rare and healthy physically and staunch advocate for diversity Opportunity Committee and a ou’re probably not wondrous creature in today’s financially, it once again pays to and inclusion in the member of the joint AEA- thinking about retirement world), which means that a bad wait. entertainment industry, received Broadway League EEO – for two reasons. One, Y investment or a market Once you decide to begin Equity’s 2013 Rosetta LeNoire Committee, Ms. Johnson is a you like your work so you’re not downturn will not diminish your your pension, your amount is Award at the Eastern Regional founding member of AAPAC, the counting the days until you’re pension. Secondly, you earn a also reduced if you choose to Membership Meeting in New Asian American Performing Arts eligible for retirement (you’re year towards vesting with only share your benefit through a York on April 12, 2013. Coalition, and has served on the probably more worried about TWO weeks of work for which Joint and Survivor Benefit so The award was presented by Board of the Alliance for when you can next start working pension contributions are made; that your spouse or other actor/producer/writer/director Inclusion in the Arts for 13 than when you can finally stop and, depending on when your beneficiary continues to receive (currently Motown The Musical years. In addition, Ms. Johnson working). Two, you’re probably employment took place, you 50% (or 75% or 100%) of your on Broadway) and recipient of has been recognized by the years if not decades away from could vest under the Pension monthly pension payment upon Equity’s Paul Robeson Award in Japanese-American Citizens that eligibility. No matter what Plan in as few as five years. age you are, it might be your death. So you have some Thirdly, if (like me) you plan to instructive to revisit some of the choices to make: when to take continue acting after you start pension/retirement issues your pension and what sort of taking your pension, your I wrote about in “Three pension to take (single annuity pension continues to grow with Requests.” It is never too soon or 50%, 75% or 100% Joint and to start planning – and this from each job. Survivor.) These choices will a man whose two-step financial The Summary Plan affect the amount of your plan is 1) win the lottery and 2) Description or SPD (available pension, but long before you live forever. online at www.equityleague.org) retire, your choices can affect Common wisdom says the will tell you everything about the size of your pension. financial security of your golden your pension plan. If you are the Your pension is composed of years should rest on three legs: type who reads annual reports two parts: an accrual of 3% of Social Security, savings and a on the beach, the SPD is for what you have earned in salary pension. Two of those legs are you.You could also call or visit and an $11 per month credit for funded by your employers and the Equity-League Fund Office every year’s vesting credit you one is your responsibility — to have them review your have accumulated. That’s why, guess which one of my three retirement plans and options. just as you strive to get your 12 legs is all but missing? Don’t be For the rest of you, here are a weeks of employment for health like your president: pay yourself couple of useful pieces of coverage, you should do your Christine Toy Johnson’s proud parents Tom and Mary Toy help first. Put money away, preferably information. darnedest to work at least two celebrate her award. (Photo: Stephanie Masucci) in an IRA or your 401(k) where it Every year you get a weeks in every calendar year can grow on a tax-deferred document from the Equity- because each year in which you 2010, Charles Randolph-Wright, League for her “exemplary basis. League Fund Office detailing work at least two weeks adds who hailed Ms. Johnson for her leadership and dedication,” and As for Social Security, your your “total estimated annual $132 per year to your pension. many accomplishments, both on in 2012, received the Asian- Full Retirement Age (FRA) is accrued pension benefit:” what So if you were to live another 20 stage and off, for her American Arts Alliance Wai 66, but you can take it as early you would get if you took your years after you retire, you would “determination to change things Look Award for Outstanding as 62 or as late as 70. If you can pension at age 65 as a Single receive a total of $2,640 for and make a difference” and for Service to the Arts. afford to wait, wait: based on Life Annuity. That last those two weeks. Not a bad the work she does and the The Rosetta LeNoire Award, current calculations, a monthly statement has two critical salary. people she has touched. established in 1988, recognizes benefit of $2,000 at 66 will only components: “at age 65” and You probably won’t live Ms. Johnson, “overwhelmed” outstanding artistic contributions be $1,500 if you take it at 62 “Single Life Annuity.” Taking your forever and you may not win the to be acknowledged by her to the universality of the human and it will be $2,640 if you take Equity-League pension before lottery, but you now have a peers, thanked everyone for the experience in American Theatre. it at 70. The rule of thumb is if age 65 (and you can take it golden ticket in your wallet that honor, including her parents, The award is given to an you will live until 78, wait for 66 anytime once you reach 60), gives you a shot at putting some who were in attendance, who individual, theatre or producing and if you will live until 82, wait reduces your benefit by one-half more gold in your golden years. taught her she “could do organization with an exemplary for 70. (Go to percent for every month you are Get two weeks of work this everything she wanted to do.” record in the hiring or promotion www.livingto100.com for a quick younger than 65 – or 6% per year and every year in the She would most like to be of ethnic minorities, female life expectancy guesstimate.) year. Conversely if you wait future that you possibly can, and remembered, she said, “as actors and actors with As for the third leg, your beyond 65 (and you have to I will see you in a couple someone who loved the theatre disabilities through multi-racial Equity-League Pension, I have take it by age 70.5), your decades at auditions for Firs in and tried very hard to make it and/or non-traditional casting. some good news and some pension increases by one Cherry Orchard and Nonno in more inclusive.” good news — and some more percent per month or 12% per Night of the Iguana.

Congressmen that America as part of our national and world Remington is also an AEA Equity Goes to Washington needs the 2014 budget line for consciousness. For the first time, member. We were greeted the National Endowment for the the entire lecture with warmly and congratulated on our By Buzz Roddy Illinois and Virginia as we fanned Arts (NEA) to be restored to performances was live upcoming centennial by not only out to take our message to $155 million—not as a streamed, and can be seen in its NEA folk, but various members n April, a delegation from electeds. AAD is an annual event beautification project, but to entirety at: of Congress and arts Actors’ Equity descended organized by Americans for the fuel the arts as an economic www.artsusa.org/events/ organization leaders. upon the halls of Congress in I Arts. AEA is not only a member engine. 2013/aad. A great advocate for As an advocacy tool, nothing Washington, DC to join dozens of American for the Arts, but the arts himself, Mr. Ma joined has the impact of in-person, of other arts organizations as One of the highlights of this served as a national co-sponsor us in visiting congressional personalized messages to those part of Arts Advocacy Day 2013 eventful two days was the annual of AAD. (AAD). Councillors Peggy Nancy Hanks lecture at the JFK offices. who make policy and control the Thorpe, Jennie Ford, Jess W. Arts funding is often one of Center for the Performing Arts, Equity was present at AAD’s purse strings. Equity made the Speaker III and I, along with the first things in the sights given this year by Yo-Yo Ma. White House briefing where we arts—especially theatre—a Eastern Regional Director and of governments when slashing Interspersed with performances met with acting NEA Chair, Joan tangible, living entity to our General Counsel Tom Carpenter spending in these days of by Mr. Ma and special guests, Shigekawa, who took over from government leaders, and and National Director of austerity and the Sequester. the capacity crowd in the Rocco Landesman upon his impressed the importance of Communications Maria Somma, Equity wanted it known that Kennedy Center’s Concert Hall retirement (a new Chair will be arts as the ultimate stimulus formed the Equity contingent. arts in America are responsible was awed not only by world- named later this year), as well as package. We broke into groups to for $135 billion in domestic class musical performances, but Ralph Remington, who serves augment state teams from economic activity every year.* by an inspiring message about as the NEA’s Director for Theatre *Americans For The Arts California, Michigan, New York, We told Senators and how the arts matter in our lives and Musical Theatre. Mr. study 2012 4 / EQUITY news JUNE 2013

THEATRE Eastern Region Saint Vincent Summer SPOTLIGHT Theatre is a Family Affair performance space our Equity members are also n 1969, the curtain rose for audiences didn’t take to right grateful that the theatre the first time on a unique away. This had an impact on our continues to exist. Philip Winters Inew undertaking in Latrobe, financial stability. Mom (Patricia) has been working at SVST Pennsylvania: the Saint Vincent and I (and our executive almost every year for close to 20 Summer Theatre. It is situated director, Father Bonaventure years. “I keep going back on the campus of a Catholic Curtis, O.S.B.) have made because the experience is so Benedictine College and was growing our audiences and great,” he says. “The Reilly founded by a Benedictine monk, getting the theatre financially family of producers and Father Tom Devereux. The healthy a priority. We are making directors is friendly, kind and theatre was originally composed some progress. Our attendance caring. They show true concern of St. Vincent students, but as last summer was up 62% over for actors, as they are actors Father Tom recognized that “by that of 2009, but we still have a themselves. The facilities are top Appearing in It’s a Wonderful Life at SVST are (l to r): Philip far the primary element in way to go.” notch. The audiences are solid Winters, Michael Fuller, David Cabot, Renata Marino and Patricia Reilly. creating high quality theatre is a One way the Reillys are every year, and they come high quality company of actors,” about it, as the experience both informal outdoor setting to enjoy it became an Equity theatre in on a professional and personal popcorn, hot dogs and drinks on 1985. level is like none other. Artistic warm summer evenings. It’s a Father Tom remained at the Director Colleen Reilly chance to unwind, reflect on the helm even after suffering a continues with passion the 45- show, and meet the kind of debilitating stroke in 2003. He year legacy of sharing the people who support us in this died in 2008. Joe Reilly, who collaboration of live theatre, of art form we love.” worked with Father Tom and connecting union artists, David Cabot echoes these was the Artistic Director of the students at St. Vincent and theatre for many years, died the sentiments. “The St. Vincent audiences. The result is not only Summer Theatre is a wonderful following year and his daughter a sense of artistic vitality and place to work. The college Colleen Reilly succeeded him in camaraderie, but also a community is so supportive of that post. (Actually, Colleen had profound unity of generations.” the theatre and those who work been at the theatre since 1974 “Working at SVST has been there. The administration has when her mother, Pat Reilly, one of the highlights of my year been behind the theatre for 40+ then pregnant with her, played since I began working with them years and the greater Latrobe the pregnant Rosabella in The over ten years ago,” says and Greensburg areas have Most Happy Fella.) Patricia, an Michael Fuller. “It actually rivals shown great enthusiasm and AEA member, is now the the Christmas season in my loyalty. Those who have worked theatre’s producer and business Almost, Maine at SVST featured Karen Baum and Kevin Daniel book. The theatre has here, or now work here, know it manager and also continues to O’Leary. established an audience base as a very professionally run perform with the company, that loves what we do and organization which produces usually once or twice a summer. helping is to forego salary (for knowing that they are going to keeps coming back for more. high quality work. We also know When Father Tom died, the their administrative duties, not have a great time and enjoy a There’s a family atmosphere it as one of the most fun places theatre’s attendance began to when Patricia performs under summer night out in a beautiful that is maintained through a fun decline. “That was in line with Equity contract). “We hope to be setting. Mostly, though, it’s the and cooperative working to work. The producer and national trends,” says Colleen, able to pay ourselves in the not- way that we are treated by the environment in rehearsals that Artistic Director seem to require “but in our case it was too-distant future,” Colleen says. staff and the members of the feels more like play than work. all who come there—patron or exacerbated by a few difficult “But right now insuring the college that keep us coming Still, the results are always top theatre professional—to do challenges that came all at theatre survives and thrives is back.” notch. I particularly enjoy the good work and have a good once—our founder and the only our priority. We are very grateful This summer will be Karen tradition of the after-show time doing it. Who could ask for producer the theatre had ever for the support of Saint Vincent Baum’s fifth at SVST. “There is Cabaret, a unique feature of more? had suffered a debilitating Archabbey and College; without simply an inexplicable feeling of SVST that brings together the Who could ask for more, stroke and we moved into a new them, the theatre wouldn’t exist.” joy that I feel even thinking audience and performers in an indeed? Central Region Kansas City’s Unicorn: The Real Deal

s the song says: Director Cynthia Levin and the member once said to me that “Everything’s up to date Unicorn have committed she felt a deep connection to Ain Kansas City”—and themselves to locally-based the Unicorn because she feels that includes the Unicorn actors and designers, which she’s supporting her neighbors Theatre. It’s “the real deal,” says helps greatly in allowing us to when she attends. It’s true,” Equity Member Walter sustain ourselves as full-time Walter enthuses, adding, “we Coppage, who’s done 16 shows artists. Having that kind of are very fortunate to have so there. “It’s like home to me. And support also aids in the growth much support from a growing it is to a lot of Kansas City of our acting pool, which is audience base that’s eager to actors. Producing Artistic thriving with talent. An audience attend the amazing work that the Unicorn produces that reflects the diversity and richness of all our cultures.” Equity Member Chioma Anyanwu agrees. “The Unicorn Theatre gave me my first professional job out of college,” she says, “and the first thing I Walter Coppage dances with Nedra Dixon in Unicorn’s production really noticed was the sense of of Ruined. camaraderie and everyone’s full dedication to the art/piece and that stretch their abilities with Nigerian, born in Columbia, MO. bringing it to life. Cynthia Levin parts that they normally may not Talk about not being afraid to chooses pieces that will have been considered for in take a risk! She makes her challenge the audience, but will most places. I had the rare and audiences see all different also test the theatre itself. I feel wonderful privilege of playing a people in all different ways; that she has given actors roles blonde, dance team valley girl makes you see men as women, and I’m a 100% full-blooded makes you sympathize with the JUNE 2013 EQUITY news / 5 villain, question the hero, City is astounding. We are also “I truly enjoy working for the plays and help the playwrights’ Star drama critic Giles Fowler question yourself. Any time I get coming up on our 30th Unicorn Theatre as a Stage words come to life. We also do wrote: “There is something the opportunity to perform at the anniversary of being an Equity Manager,” says Equity Member many plays that have been about the place, something Unicorn, I take it.” theatre,” she continues. “We Tanya Brown. “We are part of recently nominated for Tonys about the spirit and guts, that This commitment to diversity were one of the first theatres to the National New Play Network, and Pulitzer Prizes.” make you want to see it thrive.” is also reflected in the fact that join when the Small which allows us to produce The Unicorn started in 1974 And thrive it has! more than 25 years ago, Professional Theatre (SPT) world premieres and rolling when three UMKC theatre By 1981 the name was Unicorn presented the world contract was created. I am very world premieres. We not only graduates rented an old changed to Unicorn Theatre, it premiere of Doin’ The Reality proud of that. Before that, the received Missouri Arts Council Rag, utilizing the talents of five choice was LORT or an LOA, funding to stage an original physically-challenged actors. which was impossible for a script and Cynthia Levin, who And later, Unicorn solidified its small theatre.” had joined the company in 1979 position as the only professional “I feel the success of the as a resident director and stage theatre company in Kansas City Unicorn comes from the manager, became Producing to consistently produce plays by material being produced there. Artistic Director. Three years and about African-Americans. It It’s groundbreaking, raw and later, it was an Equity theatre. In also was the first theatre in the one with a simplicity you don’t 1986, Unicorn moved to its region to obtain the rights to often find,” says Equity Member current location, an 80-year old produce Tony Kushner’s epic Vanessa Severo. “You don’t go brick garage transformed into a Angels in America. to the Unicorn to see dragons modern, intimate theatre with a For her part, Cynthia Levin, breathing fire, or spectacle, you thrust stage and seating also an Equity member for 30 go for the story, which is capacity of 150, and has never years who has spent her “entire presented in a straightforward looked back. adult life at the Unicorn,” says, “It way with no apologies. My The following years have is going to be our 40th season experiences working at the brought sold-out houses, great next year of producing Unicorn have been my most acclaim and recognition, contemporary, provocative memorable because the increased foundation grants, theatre which has never played material being done is bare renovation and expansion, in Kansas City, or sometimes in bones with nothing to hide. And growth in subscriptions despite the entire Midwest region, or I don’t think actors get that a national economic crisis, the Vanessa Severo with Rufus Burns in Unicorn’s The Motherf**ker sometimes, anywhere at all. We opportunity very often. If there is With The Hat. opening of The Jerome Stage, a are coming up on our 300th a new play that has surfaced more intimate 120-seat theatre production and 57 of them have covering topics which spark work on new plays, but have the warehouse in the historic River and the rebranding of the been world premieres. We enormous discussion, you can chance to work with the Market area, called it Theatre company as the theatre that employ local actors and the almost guarantee it will be playwrights. I find it both exciting Workshop and produced the presents BOLDNEWPLAYS in caliber of union talent in Kansas produced by the Unicorn.” and rewarding to work on new first show. The next year, KC Kansas City.

Working With Dad—- Under an AEA Contract

By Alan Ball show went wonderfully, if I do And to top everything off, we say so myself. (OK, I was a little did an “ask” for the ALS y parents have been upset: This has been my Association. I’ve done lots of bragging about their profession for 30 years. I have a these for BC/EFA, but the son, “the working M Bachelor’s and a Master’s in response to this one amazed actor” for over 30 years. Now it’s Acting. I even studied at the me: just three performances in a my turn to brag about them. Moscow Art Theatre, for cryin’ 199-seat theatre, and we raised My folks have always been out loud. And my Dad absolutely $3,600. Sometimes I just love very civically engaged people. In stole the show!) Sold-out houses my species. my home town of Natick, MA, (how could we not, with my Mom I’ve heard people talk about each of them served three terms serving as publicist - she knows as a Selectman (the New everyone in town!), standing making your own work; I never England version of a small-town ovations, the whole nine yards. expected to do it like this. I’ve mayor), and 30 years or more in We were even approached to often said, “I love my job, and Town Meeting. They have also bring the show to another occasionally it loves me back.” served on just about every theatre next spring. (We haven’t Well, of all the shows I’ve ever council, board, and advisory figured out whether it’ll happen done, I’ve never felt the love like committee known to man. or not, but my Dad, who’ll be 79 I did in this one. All because of Then there’s their love of the by then, says he’s up for it.) my amazing Mom and Dad. arts. Although my father is a Alan Ball with his Dad in Tuesdays with Morrie. good guitarist and my mother has a lovely voice, neither of them was ever in “the business.” seven other shows after that, bring me in to play Mitch - and Stage Managers Honored But about 15 years ago, they from The Man with the Plastic the producer promised my Dad helped create the multi-use Sandwich to Anne of Green a year to learn his lines - he was quity members Peter Tony Award has recognized Center for Arts in Natick (TCAN), Gables to To Kill a Mockingbird. on board. Lawrence and Robert someone still active in his which is now home to painting During the final performance They called me to ask if I was EBennett have received career as a Stage Manager. and photography exhibits, art of Arsenic and Old Lace, as interested. About four seconds Del Hughes Awards for Lifetime Robert (Bob) Bennett, has classes, children’s activities, Officer Rooney, he went up on later, we had a show. TCAN had Achievement in the Art of Stage been Production Stage open mic nights and more. It has his lines. We’ve all been there. never hired an Equity actor Management presented by the Manager on more than ten also hosted hundreds of It’s not a fun place to be. He got before, but with the kind Stage Managers’ Association. Broadway shows as well as on performers, from local musicians through it, but decided, at 76 assistance of Tripp Chamberlain The awards were presented in tour. He’s currently PSM of The to the likes of George Winston, years old, it was time to retire. A from the New York office, we New York on May 20, 2013. Trip to Bountiful. He’s also Richie Havens, Livingston Taylor, year later, though, the producer were in business. It was a quick, Currently Production Stage served as Artistic Associate the Lydian String Quartet, of the Players asked him to take three week contract with just Manager of the Broadway and Stage Manager for the Second City, Paula Poundstone, on the title role in Tuesdays with three performances, but a new revival of Annie, Mr. Lawrence National Music Theater Tom Rush and more. Morrie, Mitch Albom and Jeffrey venue had just hired their first has served as Production Conference. There’s also a community Hatcher’s two-man play about Equity actor. And I was about to Stage Manager for over 20 Also honored was Perry theatre troupe, the TCAN Albom’s weekly “master class on set foot on stage in my home Broadway shows; has been Silvey, who has been Stage Players. Someone asked my the meaning of life” with his town for the first time in 30 Associate Director for several Manager for the New York City father to do a walk-on part in former college professor, Morrie years. (The last had been as others, and the Executive Ballet for 37 years. their first show and - since my Schwartz, during Schwartz’s Tevye in Fiddler on the Roof, my Producer for Miss Saigon and Founded in 1981, the Stage Dad volunteers for everything - battle with ALS (Lou Gehrig’s senior year of high school.) And, Les Misérables. He also has Managers’ Association is a he said yes. (After all, his kid Disease.) At first my Dad said, I was about to do my first ever been recognized this year with professional organization does it for a living; how hard can “Nah, I’m done.” But when my show with my Dad. a Tony Honor for Excellence in created by and for stage it be?) He was hooked. He did Mom suggested that they might Fast forward a year, and the the Theatre, the first time a managers. 6 / EQUITY news JUNE 2013

are already well aware of the Tax Obligations When You’re On the Road withholding taxes that you have seen disappear from your (and that includes Canada) paychecks for states other than your home state. You may have By Sandra Karas to work in Canada and earn up And many or most of our filers. In most cases, you won’t toured through several cities, VITA Program to $15,000 before they have members have not sought out have to rely on the tax preparer you may have worked a any income tax liability in that Canadian tax experts to help to file all of your returns (unless resident theatre gig or shot a hose of you who have country. American actors had them file returns in Canada and you want to); just have her/him commercial, television show or followed this column gotten used to either not having haven’t bothered to file returns take care of your Canadian tax film in an area outside your own Tover the years (yes, you any withholding tax on their in recent years. That seems to filing. From there, you then may state. Suffice it to say they all two!), know that I have wages if they earned less than have changed recently and file your US returns – federal want a piece of you, but in most frequently included information $15,000 or, in the alternative, Canada is now looking for all and states – and report any cases, you will get a refund of relevant to being on the road – very little withholding and the non-residents who work and foreign income and tax credits some or all of the withheld from what you may deduct and opportunity to receive most or earn wages there to file tax to which you are entitled. For taxes because your income the attendant record-keeping all of it back on their US tax returns in its country, those who seek a firm that does not exceed that state’s requirements to the taxes owed return in the form of a foreign regardless of income. This specializes in members of the threshold. In other cases, of in various “foreign” jurisdictions. tax credit. affects any non-resident who entertainment industry, you course, you might have to By “foreign,” we mean any state, What’s occurring now is that works in Canada, not just might be working with two cough up a few extra dollars if city or non-US territory that is Canada wants non-residents to athletes and artists who have separate tax prep services – you earned enough money or outside of your home state. This file returns. Is this new? Not the $15,000 tax exemption one to complete and file your had too little withheld. Either topic is always on the front really. Non-residents have allowed by the Treaty. Canadian return and another to way, be mindful that you’re not burner and continues to change always had the requirement to If you believe this affects prepare your US federal and in Kansas (or wherever you as do all aspects of taxation. file, regardless of how much or you, our advice is to seek out a state returns. If you’re lucky, you live) anymore! What’s currently in the minds how little they earn in Canada. tax accountant who is expert might find one that has For more information on this of many members is what to do But Canada, like many taxing with Canadian taxes, preferably expertise in both areas. topic or other tax matters, about complying with Canadian jurisdictions, has not bothered one who is in the US and who While we’re on the subject, consult your tax expert or stop requirements for touring to chase after non-filers is familiar with Canadian tax this will serve as a reminder in to your VITA office. performers whose work takes because the taxpayers would obligations of US citizens and that you are also required to file them into Canada and whose have been due refunds or residents working in Canada. and pay taxes in any state or Sandra Karas is Secretary- wages are paid, in part, in because the income was not This is preferable to seeking out city in which you work – Treasurer of Actors’ Equity and Canadian dollars. Our treaty sufficient to worry about (there a Canadian tax accountant who depending on the laws of that Director of the VITA Program of with Canada allows US citizens would have been no tax due). may not be conversant with US jurisdiction. By now, most of you AEA and SAG-AFTRA.

consideration of an its audition system when the settlement is reached providing amalgamation, or merger, by National Labor Relations Board for Equity-only auditions.) A Look Back which Chorus Equity would declares the existing system lose its identity.” discriminatory and illegal. 10 Years Ago Equity News reports that • Despite fear by members 75 Years Ago “priority at Required Equity June 2003 at the 18th Annual Meeting of 50 Years Ago June 1938 Chorus Equity Association that June 1963 Principal Interviews and • Equity and AGMA reach Auditions and Chorus Calls will agreement on several • An editorial in the Equity this would be the last meeting • Equity minimums under the no longer be given on the basis jurisdictional issues previously publication states that “the of the organization and that it Production Contract rise to of Equity membership, with in dispute. The agreement is Council wishes it to be known would be absorbed by Actors’ $117.50 on Broadway; rehearsal Equity actors being seen hailed by Executive Directors of that Equity intends to organize Equity, it is reported that the pay is $97.50 weekly. Previously, [the field of television] as and Chorus Equity Council (also salary was $115 and rehearsal before non-Equity, but rather both unions as “a step on the when it develops and that it is the Council of Actors’ Equity), pay $92.50. on the basis of qualifying road to the exploration of preparing plans for its “had determined that in view of standards of professional merger.” organization which will permit it the measures of economy 25 Years Ago eligibility, with eligible actors • The American Federation to cope with whatever situation instituted in a reorganization of being seen before non-eligible of Musicians (AFM) honors may arise during that Chorus Equity it would defer June 1988 actors.” (This policy remains in Equity for its support during the development.” indefinitely any further • Equity is forced to change effect until 1996 when a Broadway musicians’ strike.

a NYC area code: “I actually longest running musical, EMCs Receive laughed as I said ‘Broadway’s celebrated its 54th anniversary Award calling!’ I answered thinking it BRIEF NOTES on May 3, 2013. was going to be a telemarketer, • Perfect Crime, the Off- atie Wesler and Robert Broadway whodunit, turned 27 but once I was told it was in Congratulations to Career and creativity and breadth of his Ariza are the recipients • on April 18, 2013, continuing regard to Actors’ Equity, I really Transition For Dancers on 39-year career. The “Mr. Abbott” of the ninth annual on as the longest running play K felt that ‘Broadway’ had called. It receiving a 2013 Tony Honor for Award, bestowed through the Roger Sturtevant Musical in New York City’s history. The was the best reason to step off Excellence in the Theatre. This SDC Foundation to one of their Theatre Awards given to Equity show shares some similarities that treadmill and bag the rest of annual special award recognizes peers, is named in honor of Membership Candidates with London’s long-running (it the workout.” Katie is thrilled to theatre industry individuals and renowned director George (EMCs) who have demonstrated celebrated its 60th anniversary receive this award and organizations and/or institutions Abbott. outstanding abilities in the field on November 25, 2012) The is “honored to become a part of whose work isn’t eligible for the • Theatre Communications of musical theatre. The award, Mousetrap. Both are thrillers, the Roger Sturtevant legacy.” Tony Awards categories. CTFD Group (TCG), the national named for the beloved casting both opened to a combination Robert Ariza found out about is the only non-profit organization for theatre, and director who passed away in of critical acclaim and attacks, the Roger Sturtevant Award organization in the United States Blue Star Families, a national 2003, consists of a certificate both have “groupies” or people from his mentor and professor solely dedicated to helping non-profit for military families, accompanied by a $1,000 who have seen them multiple at the University of Michigan, thousands of dancers take their now have 85 theatres in 33 check. times, both run in small Mark Madama. When Robert first steps in discovering states in the Blue Star Katie Wesler has been theatres with cast members received the phone call saying rewarding careers when Theatres program. The interested in musical theatre who are not stars, and both that he was this year’s recipient performing is no longer an program, also supported by the since she was in third grade. are breaking records for he practically danced around option. MetLife Foundation, connects a “My parents took me to see the the room. “This award is truly longevity. • Also from CTFD comes variety of theatre offerings to National Tour of Les Misérables, one of the greatest honors I • Bad news for Kansas City word that Ricardo J. Garcia, military personnel and their and as soon as the show ended, have ever received. This award and Equity: American former CTFD dancer-client, has families throughout the country, they said that I announced that I means that I am not making a Heartland Theatre will close been appointed Administrator recognizing the contributions of was going to do that show mistake pursuing my dreams. its doors in August, at the end of CTFD’s Chicago office. service families and building someday. And ‘someday’ has This award means I can take a of its current season. Although • Congratulations to Equity stronger connections between arrived as it’s one of the shows breath and not pinch pennies as established as a for-profit member/director/choreographer theatres, military families and I’m doing this summer.” desperately as before. This company in 1987, the 420-seat Jerry Mitchell, who has their communities. Katie was at the gym when award is proof that hard work Heartland has never actually received the 2013 “Mr. Abbott” • Move over Mousetrap. she received a phone call from and perseverance does pay off!” turned a profit. Award for his outstanding artistry The Fantasticks, the world’s JUNE 2013 EQUITY news / 7

JASON WOOTEN ROD HARRELSON Jekyll & Hyde Bring It On The Musical LISA GAJDA Chaplin THE GYPSY ROBE 2012-2013 SEASON TIMOTHY J. ALEX Elf LINDA MUGELSTON Rodgers + Hammerstein's CONGRATULATIONS Cinderella KIRSTEN WYATT TO THE RECIPIENTS A Christmas Story

STEPHANIE POPE Pippin ERIC SCIOTTO NADINE ISENEGGER MICHAEL ARNOLD The Mystery of Edwin Drood Matilda The Musical Motown The Musical

CHARLIE SUTTON Kinky Boots

MERWIN FOARD CARLOS L. ENCINIAS Annie Scandalous

(Photos: Walter McBride) 8 / EQUITY news

Stage Manager

On Monday, May 20, 2013, Court Theatre stage managers give a tour of the Court Theatre facilities to AEA members. This is the first of the Central Stage Manager Committee’s new event, “The Booth Series.” AEA stage managers across the city of Chicago are opening up their facilities for tours to other local stage managers. The stage managers are welcomed into the stage manager booths, walk the stage, peek backstage, and visit the different shops and offices of Equity theatres. The next Booth Series will take place in late June or early July. Watch for notices on social media or the Equity website, www.actorsequity.org. Shown here at the Court are (l to r) AEA member Bob Behr, AEA member Mathew McMullen, Court Theatre ASM Donald Claxon, EMC Katie Adams and Court Theatre SM William Collins.

By Michael Sommers department heads to make certain that everything especially like the give-and-take of doing it all.” and everybody is in place when the curtain rises. Nobody knows how far back stage managers tage managers agree that their job And, oh yes, they also call the show cue by cue go in theatre history, although it can be assumed encompasses far more than just running with assistants or sometimes alone. Should an that for the original Medea in 431 BC somebody the show. accident occur, they are the arbiters responsible for cued the entrance of the chorus while signaling Parent, psychologist, interpreter, “making the proper decision about what to do – the crane for the deus-ex-machina. Historically, scheduler, documentarian, communicator, S without ever panicking,” says Ewen. stage managers have been members of Equity enforcer, collaborator, administrator, It is a complex job. “Stage managers need to be since its founding. In those 1913 days of stock diplomat and problem-solver are among the many facile in all the different disciplines that it takes to companies, actors often performed stage manager different hats that stage managers wear in their make a show happen and to have a significant duties while stage managers played small parts so constantly shape-shifting role as the theatre’s vocabulary in order to communicate with everybody it seemed a natural fit that they would join forces ultimate character performer. involved,” says Mont, who teaches graduate together in a union. “You are the one backstage that people depend courses in stage management at Columbia upon to address whatever their immediate issues or more than 60 years, however, stage University. “You are usually the first person in the may be,” says Malcolm D. Ewen, a resident stage managers were employed under a building and the last one to leave,” remarks Gary manager for Chicago’s Steppenwolf Theatre who is standard actor’s contract. Then an ugly Mickelson, a stage manager who is now readying the First Vice Chair of AEA’s Central Regional dispute over Mass Appeal – a 1980 the pre-production aspects for First Date, a new Board. “Boil it all down, you are the main one there showcase production that intended to Broadway musical. “You really have to be a total F to support the actor,” says Ira Mont, production transfer to Broadway without multi-tasker,” asserts Hethyr Verhoef, resident stage stage manager of Broadway’s Rodgers + compensating or taking along its original stage manager for the Pasadena Playhouse, who adds, “I Hammerstein’s Cinderella and Third Vice manager — led to the development of contracts President of Equity. Depending upon the particular theatre situation, stage managers also assign dressing room berths, coordinate increasingly advanced automation systems, supervise safe and sanitary procedures, and, among many other duties, in some cases sweep the stage. “Equity does not define the role of the stage manager because the job varies so much from theatre to theatre,” notes Ewen. Stage managers’ responsibilities include handling a never-ending blizzard of paperwork, starting with developing a production’s “bible” and other documentary references during the rehearsal period and continuing all the way through a show’s run with maintaining a daily log and filing various reports on every performance. Then there are the hurried pre-show conferences New stage managers attend a welcoming reception in New York. with dance captains and other EQUITY news / 9

rs Wear Many Different Hats

Production Stage Manager/AEA Third Vice President Ira Mont at work.

specifically designated for stage managers. extra mile and During the same period, increasing internal accept to a certain demands for greater representation in the union degree that we are resulted in the establishment of two Council seats not being for stage managers in 1982. A decade later, when compensated for Equity reorganized into its present decentralized every hour spent on governance system, stage managers were duly the job,” says Mont, represented on its regional boards and Council. A who believes that stage managers’ committee, which addresses producers often are needs and concerns, is operative in every region. unaware of stage According to the union’s latest statistics, some managers’ multiple 5.6 % of all Equity jobs relate to stage management. responsibilities. “Although we don’t lthough stage managers usually conduct view it as a burden, brush-up rehearsals and direct players they should realize who join long-running shows, that everyone believes traditional task – particularly on the we are 24/7 on call,” AProduction Contract – has been he adds. “You have increasingly assumed by resident At a recent SF-Bay Area Stage Managers' Networking event, AEA member Deirdre Rose Holland is to do a lot of work on directors or other management supervisors. Yet the interviewed by Karen Foor (TheatreWorks, Berkeley Rep), while Michael Cano is interviewed by Toby Leavitt (San Francisco Shakespeare Festival). your own time stage manager still remains “the eyes and ears on because it simply a nightly basis,” as Ewen puts it, whose also is necessary. “You have to check your ego at has to be done,” explains Shorter, a view that the responsibility is to keep the production on its toes. the stage door because when people need to vent other stage managers share. “Even the best performers need input for the you are going to be their first stop,” says Alexis The flexibility inherent to being a stage manager maintenance of their show,” says Ewen, who Shorter, a Cinderella stage manager. is helpful as they currently adapt their personable believes in offering the artists “gentle guidance.” Calling the production cue-by-cue can be an art craft to the theatre’s growing reliance upon Dealing effectively with the actors, crew and in itself. “You have to ride that extremely fine line of automation and complex technology. “We are backstage personnel can be tricky. “We are there to being a drill sergeant and letting the show breathe,” learning all this on our feet,” says Mont, who protect union rules and members,” says Zoya observes Gary Mickelson. “It is exhilarating when contended last year with the astonishing stagecraft Kachadurian, a veteran currently preparing a revival you understand how to make everything work for the Broadway musical Ghost. “Stage managers of Tennessee Williams’ The Two-Character Play for onstage and backstage in concert,” says Verhof. have to reinvent themselves for every show they Off-Broadway. “It is always a challenging tightrope It all makes for a long work week. “I think that do,” says Kachadurian. “Just like the actors, we are for us to walk.” By the nature of the job, patience stage managers have an affinity for going that professionals who constantly evolve.” 10 / EQUITY news JUNE 2013

Salutes For Equity’s Centennial

XXXXX

To celebrate its 100th Anniversary, Actors' Equity issued commemorative gold membership cards starting in April 2013. Paid-up members began receiving their cards just in time for Equity's official birthday on May 26th. JUNE 2013 EQUITY news / 11

Washington/Baltimore Equity Members, Theatres Receive Helen Hayes Awards By Gregory Gorton Actor in a Resident Play went to Matthew McGee for Taking (Editor’s note: In the May Steps at Constellation Theatre issue of Equity News, it was Company. “I was terrified reported that Equity was moving here,” he said. “This honored on April 8, 2013 at the NATIONALNATIONALNEWSNEWS award is for those who are Helen Hayes Awards for its scared. Take the leap.” commitment to the professional theatre. Here are other E. Faye Butler, received the highlights of that evening.) award for Outstanding Signature Theatre came Supporting Actress in a away on top with four awards, Resident Play for the Arena including Outstanding Resident Stage production of Pullman Musical for Dreamgirls. Studio Porter Blues. “This is the first Theatre garnered three awards, time I have been acknowledged including two for its production as an actress,” she noted. of Invisible Man: Outstanding “Usually it’s for a musical.” Western Region Director (Christopher The evening’s most poignant McElroen), Resident Play and and moving moments came Lucy Jordan Award Outstanding Ensemble, when Cedric Neal, accepting Resident Play. MetroStage the award for Outstanding Goes to SM scored a triple crown victory Supporting Actor in a Resident with its staging of Jacques Brel Musical for Signature’s Glenn Bruner is Alive and Well and Living in Dreamgirls looked into the Stage Manager Glenn Bruner Paris, earning the award for crowd saying, “This is dedicated is the recipient of Equity’s 2013 Outstanding Lead Actor and to the 21 children of Sandy Lucy Jordan Recognition Award, Actress in a Resident Musical Hook Elementary who never got which honors an individual in for Bobby Smith and Natascia the chance to dream.” the theatrical community. The Diaz, respectively. For a complete list of all of award was presented by The James MacArthur Award the Helen Hayes Award winners, Equity’s Western Regional for Outstanding Supporting visit theatrewashington.org. Glenn Bruner flanked by (l) Vernon Willet and James T. Board and Stage Managers’ McDermott. Committee on May 6 during a special member reception at career, I continue to be as Waterfront at The Cleveland New York Tucson’s historic Temple of excited about the future as I am Play House and stage Music and Art. fond of the past that brought me managed the Off-Broadway EEOC Sponsors Musical Event Accepting the Award, Mr. here. I am proud to be the 2013 premiere of Alan Ayckbourn’s for Asian Heritage Month Bruner noted that he usually recipient of the Lucy Jordan Season’s Greetings. In addition, spends a lot of his time in a Award; I am proud to be the first he has been the voice for many In celebration of Asian The Asian American darkened control booth, so he stage manager so honored, and radio and TV commercials and Heritage Month, the Eastern Composers and Lyricists Project was delighted to “bask for a I am proud to be a member of worked for Texas Public Radio Region Equal Employment is an ongoing initiative to moment in more than 15 watts Actors’ Equity Association.” in his hometown of San Opportunity (EEO) Committee increase the visibility of Asian of light and in a room where the Mr. Bruner is in his 13th Antonio. and Reimagined World American theatre artists, putting walls are not painted black.” He season as Production Stage The Lucy Jordan Recognition Entertainment presented the to rest the misconception that spoke of receiving his Equity Manager at the Arizona Theatre Award was established in 1992 card in 1981: “Backstage on the Company (ATC). During his by AEA’s Western Regional opening night, I recall feeling not career, he has also worked at Board to honor and only excitement, but also a Kansas City Repertory Theatre, commemorate the unflagging strong sense of gratitude and Alley Theatre, Dallas Theater spirit of Lucy Jordan, a former privilege for being allowed to be Center, Pasadena Playhouse, Western Regional Field there. In the 32 years since, I CENTERSTAGE, Studio Arena Business Representative, who have continued to feel that Theatre and Maine’s Portland died that year. The award is gratitude, that privilege. Though Stage Company. He was the administered by AEA’s Western I am closer to retirement than I Assistant Stage Manager for Regional Stage Managers’ am to the beginning of my the world premiere of On the Committee.

New York endeavor by AEA member Barbara Kossen and Diane You Can Put Yourself “In the Spotlight” King, Director of the Broadway AEA members Jaygee Macapugay and Marc Dela Cruz in a scene Dance Center, who has from Costs of Living, a new musical written by Timothy Huang. (Photo: Eric Bondoc) Several years ago, Equity business,” and started a provided free rehearsal space. It Councillor Maureen Moore, who program called “In the Spotlight.” is truly a labor of love for all. debut concert of The Asian they do not exist. The artists was visiting the The Actors It provides cultural enrichment, In the Spotlight has featured American Composers and who took part in this event have Fund’s Lillian Booth Actors social activity—and fun. singer Heather MacRea, Mark Lyricists Project on May 19, performed in more than 40 Home in Englewood, New Volunteers can read to the Nadler, Nellie McKay, John and 2013 in New York. Broadway and Off-Broadway Jersey regularly to see her guests, sing and dance with Bucky Pizzerelli, Jojo Starbuck The event featured original shows, have had their works mother-in-law, thought the them, talk shop and, generally, and recently, the entire cast of words and music by Adam produced around the world and guests would enjoy visits from and most importantly, bring joy. the Off-Broadway hit show, Old Gwon, Timothy Huang, Christine have been participants in The colleagues and friends “in the Maureen has been joined in this Jews Telling Jokes. Toy Johnson, Leon Ko, Felice BMI Musical Theatre Writing The Lillian Booth Actors Kuan, Robert Lee, Yan Li and Workshop, The Dramatists Guild Home is an assisted living and Jason Ma. It was directed by Fellows Program and the skilled nursing care facility Alan Muraoka and emceed by Graduate Musical Theatre providing a comfortable living Ann Harada. Singers who Writing Program at NYU. environment on six acres of appeared included Jose Llana, The performance was made property a short trip from New Ali Ewoldt, Telly Leung, Joshua possible in part with public funds York and Broadway for more Dela Cruz, Ann Sanders, Daniel from the Manhattan Community than 120 entertainment J. Edwards, Raymond J. Lee, Arts Fund, supported by the professionals. Jaygee Macapugay, Marc Dela New York City Department of “In the Spotlight” reminds Cruz, Joanne Javien, Cindy Cultural Affairs in partnership many that they have not been Cheung, Karl Josef Co, Brooke with the City Council and The company of Old Jews Telling Jokes l to r: Stage Manager Will forgotten by the industry they Ishibashi, Diane Phelan and Ms. administered by Lower Lang, Marilyn Sokol, pianist Donald Corren, Audrey Lynn Weston, supported for years. Toy Johnson Manhattan Cultural Council. Lenny Wolpe and Bill Army. 12 / EQUITY news JUNE 2013

New York New ANTC Pact Includes Significant Salary Package, Other Improvements

Equity has ratified a three- job duties; and Workers’ year agreement with the Compensation. Association of Non-Profit The negotiations took place Theatre Companies (ANTC). on April 29 and 30. Equity’s The new contract, which was Negotiating Team was chaired unanimously approved by the by Eastern Regional Vice Eastern Regional Board at its President Melissa Robinette. meeting on Tuesday, May 14, Senior Business Representative 2013, will go into effect on Lawrence Lorczak, who served August 4, 2013. as Chief Negotiator, described Significant improvements the negotiations as “efficient, were achieved by Equity, collegial and productive.” including a salary package that The ANTC Agreement is Gathered for the presentation of the Carbonell Awards are (l to r) Margery Lowe, Tom Wahl, Irene will increase by 10% over the used by Classic Stage Adjan, Tom Carpenter, Melissa Robinette, Marjorie O’Neill-Butler and Wayne LeGette. three-year term of the Company, Irish Repertory agreement: 3% in year one, 3% Theatre, LAByrinth Theatre South Florida Marcia Milgrom Dodge for in year two; and 4% in year Company, MCC Theatre, The Dolly!; Best Supporting Actress three. New Group, Primary Stages, Equity Honored at Carbonell Awards Angie Radosh, Cabaret; Best There are also gains in the Vineyard Theatre, Women’s Actress, Vicki Lewis, Dolly!; and areas of Auditions, Dance Project and Productions, and turn, contributing to greater By Irene Adjan, a double-win for Matt Loehr— Captain Increments, Health the York Theatre Company. In appreciation for the power and Equity Liaison Best Actor for Music Man and contributions, Minors, Stage the 2011-2012 season, ANTC impact of live professional At the 37th Annual Carbonell Best Supporting Actor for Hello, Fighting and Stunts; Stage theatres generated almost 2,500 theatre.” Awards presentation on Dolly! Managers’ compensation and work weeks for Equity members. The Carbonells are the Monday, April 1, 2013 at the One of the newest and regional theatre awards in Broward Center for the fastest growing theatres in the South Florida, which honor Performing Arts, Equity received region, Zoetic Stage, came theatre excellence in Palm the Ruth Foreman Award, away with three awards: Best Beach, Broward and Dade recognizing contributions to New Work for Michael counties. Named for the sculptor South Florida theatre McKeever’s Moscow, Best whose statues are presented, development by an individual or Supporting Actress in a Play, the Carbonells are among the group. I accepted the award Elena Maria Garcia, also for oldest surviving regional theatre along with Eastern Regional Moscow; and Best Actor in a awards in the country. Vice President Melissa Play, Tom Wahl, for I Am My Of the plays nominated, Lynn Robinette. “In countless ways, Own Wife. This award was Nottage’s Ruined took home the the professionals who join with presented by Equity Eastern most awards, including Best audiences nationwide to create Regional Director Tom Production of a Play; Best each singular live stage Carpenter Supporting Actor, Robert Strain experience have contributed to There were performances and Best Actress, Lela Elam. and influenced our culture and from each of the nominated The Music Man at the Maltz Salt Lake City members: (standing, l to r) John Geertsen, Jay lives significantly over the past musicals by nominees from the Jupiter Theatre was the big Perry, Christopher Glade, Kathryn Atwood, Annette Wright, century,” said Melissa. “We are shows, including Jodie Langel, Terence Goodman, Darrin Doman; (front) Christy Summerhays, winner in the musical honored to accept the Ruth Wayne LeGette, Vicki Lewis, Nell Gwynn, Deena Marie Manzanares. (Attendees not pictured: categories. The theatre had 23 Tracie Merrill Wilson and Susan Dolan.) Foreman Award in recognition Matt Loehr and Kate Shindle. nominations between Music of the role we have played in Following the ceremony, Man, Cabaret and Hello, Dolly! elevating South Florida’s there was an after-dinner party Salt Lake City and took home nine awards. respect for the craft of acting sponsored by the South Florida Those included Best Musical for and stage management and, in Theatre League. AEA Members Come Together Music Man; Best Director, AEA members in the Salt contracts with full benefits. The Lake City, Utah area got meeting was an initial step the greatest success stories in together for a first-ever group toward mobilizing the AEA pop music night after night, the gathering on April 23, 2013. Nell community, raising awareness First National Tour also raised Gwynn and Darrin Doman and organizing the local body of $2,042,846 through audience collaborated in organizing the professional actors. appeals, auctions and benefit event, reaching out through Any AEA members in the performances to support social media to e-vite local Salt Lake City area who missed BC/EFA at stops from professional actors. Salt Lake this event, have interest in Washington, DC to San Diego, Acting Company (SLAC) organization efforts or would like Philadelphia to Chicago and generously hosted the gathering to be included in future events dozens of points in between. At and provided refreshments. are encouraged to contact those each special cabaret benefit a SLAC is one of two theatres in who attended for more portion of the funds raised also Salt Lake City that offer Equity information. supported a local AIDS service organization. Even the original Jersey Boys—including The New York Four Seasons’ Frankie Valli and Bob Gaudio—helped out, Karas Attends Women’s Gala donating signed memorabilia. The fundraising efforts were a Sandra Karas, true team project, with the entire AEA’s Secretary- company chipping in, including Treasurer (r), National Tour cast, stage management, congratulates The musicians, backstage crew, Broadway League’s “Jersey Boys” First National Raises front-of-the-house staff and Executive Director, more. The success of the Jersey Charlotte St. Martin, $2 Million Plus for BC/EFA Boys First National Tour is a true recipient of a special testament to BC/EFA’s adage, recognition of Congratulations to the First performances nationwide, the “What we do together makes a women in the National Tour of Jersey Boys for tour ended on April 28, 2013 in difference.” (Pictured l to r: Larry professional theatre, their successful fundraising the same theatre in which it Baker, Christopher DeAngelis, at the Women’s efforts over the last six years to began on December 10, 2006— Nick Cosgrove amd Jonathan Project Theatre Gala support Broadway Cares/Equity San Francisco’s Curran Theatre. Hadley.) on May 13, 2013. Fights AIDS. After 2,598 While bringing to life one of JUNE 2013 EQUITY news / 13

New York Easter Bonnet Competition Hits All-Time High in Fundraising A record-breaking total of 1 The top Off-Broadway $4,250,542 was raised during fundraiser was Avenue Q (#1) Broadway Cares/Equity ($33,426) and First Runner-up Fights AIDS’ 27th Annual Easter was My Name is Asher Lev Bonnet Competition, on April 22 ($33,149). and 23, 2013. Two performances Hosts included Katie Finneran of original presentations, songs, (Annie) and Billy Porter (Kinky dances and 19 elaborate Boots); Victoria Clark, Ann custom-made bonnets Harada and Harriet Harris celebrated the fundraising efforts 2 3 (Rodgers + Hammerstein’s of 47 Broadway, Off-Broadway Cinderella) (#5) Nathan Lane and national touring companies (The Nance) and Andrea Martin and included more than 200 (Pippin); Christopher McDonald Equity actors, singers and and Peter Scolari (Lucky Guy); dancers. Since 1987, this event Robert Cuccioli (Spider Man: has raised more than $53 million Turn Off the Dark) and Judy for Broadway Cares/Equity McLane (Mamma Mia!); Ron Fights AIDS. Kunene and Tshidi Manye (The For the first time in Easter Lion King); and Shalita Grant Bonnet history, two bonnets tied 4 5 (Vanya and Sonia and Masha for the special design award: and Spike), Andy Karl (Jersey Disney’s The Lion King and Boys) and Mark Nelson (My Spider-Man: Turn Off the Dark. Name is Asher Lev). The company of (#2) Kinky Jessie Mueller (Nice Work If Boots took top honors for best You Can Get It) closed out each presentation and the orphans of day’s show with a rendition of the Annie and the paperboys of Easter Bonnet anthem, “Help is Newsies teamed up to earn on the Way,” written by David runner-up nod for best Friedman. presentation. cast of Rodgers + national touring up, The Phantom of the Opera The shows, held at the The performances featured Hammerstein’s Cinderella, productions that help fundraise ($172,435). The top national Minskoff Theater, home to two original songs “In Christine Pedi and her cast across the country. touring show fundraising award Disney’s The Lion King, were Memoriam” written by F. Michael mates from Chicago, Ann, (#4) Equity member Tom was presented to The Book of directed by Kristin Newhouse Haynie (Wicked) and performed Broadway Green Alliance and A Hanks joined Harvey Fierstein Mormon – Latter Day Company and made possible by an army of by the cast in memory of the Christmas Story. Other and Cindi Lauper to announce ($278,054); First Runner-up was volunteers, including an Equity children of Sandy Hook, and presentations came from Once, the grand total. Top fundraising Wicked – Munchkinland stage management team lead by “More Like Myself” written by Avenue Q, Cat on a Hot Tin award went to Lucky Guy ($273,637); Second Runner-up, Valerie Lau-Kee Lai. Blake Whyte (Mamma Mia!) and Roof, MOMIX for Dancers ($301,549); First Runner-up was Wicked – Emerald City For a full story, videos and performed by the cast. Responding to AIDS and (#3) a Wicked ($244,431); Second ($241,030); and Third Runner- more photos, visit For others, laughter was the special dance tribute honoring Runner-up, The Book of Mormon up, The Book of Mormon – broadwaycares.org. best medicine, and included the the hard-working, long-traveling ($232,260); and Third Runner- Jumamosi Company ($188,621).

San Francisco Bay Area Francisco/Bay Area membership of Equity so well First Meeting of New San Francisco Bay Area Liaison Committee Draws Crowd over the years. Past BAAC Chair and current Members of the San granted to BAAC from Council selected to continue for a three- transition and to answer SAG/AFTRA local present Francisco Bay Area community back in 1975 are not lost, but year term. Kevin Johnson was questions about the Members Kathryn Howell shared parts of gathered at the Aurora Theatre have been reorganized and elected for the “new” three-year Project Code (MPC), which may BAAC history and pointed out in Berkeley (featured theatre in folded into a process which seat and Will Springhorn was now be used by members in the BAAC’s valuable achievements the May 2013 issue of Equity gives the general membership selected for a one-year term. Bay Area. in developing the Bay Area News) for the Local Membership the ability to participate directly They join current members Kelly Special acknowledgments Theatre Contract, Modified BAT Meeting on April 22, 2013. Over on these committees and, in Ground, Brian Herndon, Aaron and thanks were expressed to and overseeing the Bay Area 75 members and three staff that way, in the decision making Wilton, Ray Renati, Bert van past and present members of Project Code for the members in were on hand. processes. Aalsburg, Marie Shell and the Bay Area Advisory the Bay Area. A pre-meeting reception in the lobby was followed by a Western Regional Vice spirited meeting highlighting President Doug Carfrae, having change and transition, as this worked directly with the BAAC was the SFBA’s first meeting as on the BAT Committee, the newest AEA Liaison Area. expressed his thanks and SFBA Liaison Chair and gratitude for their service to the National Councillor Kelly local membership. He noted Ground thanked past and their dedication to advising the present members of the local Western Regional Board on committee. She indicated that specifics to the area’s conracts the committee has met several and encouraged all Bay Area times since the transition members to join the regional occurred and is continuing to and national committees to meet monthly as many events continue that legacy. are coming up for the area The remainder of the meeting membership. (For example, local was spent answering members are needed to assist membership questions about with the Stage Managers’, The SF Bay Area Lauren Bloom. There were no Committee (BAAC), which had the new LORT Agreement, the Outreach, Hospitality and Media membership also recommended alternates chosen as the been retired during the Members’ Project Code, the Subcommittees.) to the Western Regional Board maximum size of the committee transition. Also, thanked were possibility of regional funding for In order to ensure continuity, the addition of the following is 15, including alternates. retiring members Jessica Powell membership education locally there are BAAC members now members on the new Liaison Flora Stamatiades, Equity’s and Heath Belden for their and the transition of the San serving on the San Francisco Committee and added one new National Director, Organizing & valuable service to the Bay Francisco/Bay Area to being Bay Area Liaison Committee as three-year term, which expands Special Projects, was also Area. The list of past serving part of Equity’s Liaison system. well as the newly-established the committee size from 14 to present. As the staff in charge of members of the BAAC was read The Fall 2013 Membership Bay Area Contract/Code 15. Stephen Pawley, Les the Liaisons and the Committee to the membership to share the Meeting is scheduled for Committee. Although change is Reinhardt, Megan Killian-Uttam, on Area Liaison Affairs (CALA), legacy and to thank those who October 28, 2013; location TBD. hard, the advisory elements and Teressa Byrne were each she was there to discuss the have served the San Mark your calendars! 14 / EQUITY news JUNE 2013

SF Bay Area Members Judge School Theatre Competition By Colin Thomson, CA on March 23, 2013. technical theatre and AEA Member Members Michael Navarra and choreography. The competition Aaron Wilton coordinated the assembled students from San Francisco Bay Area local effort to enlist fellow across Northern California for Equity Members volunteered Members to support over two days of what Festival as judges at the 19th Annual 1,000 participating students organizers called “competition, Ohlone College High School whose interests ranged from inspiration and instruction.” Theatre Festival in Fremont, acting, directing, design, Bay Area Members Jack Powell, Jessica Powell, Mary Baird and Phoebe Moyer were on hand to assist with the judging. Ms. Moyer said, “It was a wonderfully positive and high-energy experience Deborah Del Mastro, Martin Rojas Dietrich, Susan Monson, watching young talent at their Teressa Byrne, Aaron Wilton, Tenor Remigio Pereira, Stephen Pawley and Tenor Clifton Murray at KQED. best, as they bonded with other like-minded students from other schools and Members Man Phones for KQED learned from each other.” On March 7, 2013, San AEA in the spotlight. Tenors These students could well Francisco Bay Area members Clifton Murray and Remigio be the next generation of manned the phones for KQED’s Pereira were on hand to meet Equity Members. This is just Spring Pledge Drive during the (and take photos) with one example of many local programming of The Tenors’ members, and Deborah Del endeavors SF Bay Area Lead With Your Heart. Members Mastro and Teressa Byrne were (From l) Jessica Powell, Phoebe Moyer, Jack Powell and Mary Baird at the annual Ohlone College High School Theatre Members participate in to give assisted in raising $35,706 the evening’s raffle winners— Festival. back to the community. during their shift and helped put the second time for Tess.

made Stage Managers more SM Speed Dating Event Draws a Crowd aware of the theatres in their By Les Reinhardt, Chair passed across the table, and area that need them, and Stage Managers’ sometimes a fortune cookie made producers aware of the Subcommittee was passed back. number of talented Stage This was the third year for Managers in the Bay Area and On February 25, 44 Stage the General Interviews, which beyond. For those theatres that Managers from San Jose to brought several new BAT-level could not attend, resumes Sacramento met with producers to the tables, as well were collected and mailed to representatives from 14 as new Stage Managers to the them. Nine AEA Stage theatres from Santa Cruz to event. JoAnne Winter, Co- Managers and one Equity Marin for more than four hours Artistic Director of Word for Membership Candidate of speed-dating style Word Performing Arts volunteered to run various interviews, known as the Stage Company, said, “The event was aspects of the event, such as Manager General Interviews. a really valuable experience.” the Welcome Table, Time Each Stage Manager received While five minutes seems Keeping and Photography. five minutes with each like a short amount of time, it Members and volunteers await their turns to be interviewed. representative. Resumes

Boston Company); Lyman’s daughter, Midsize Theatre, The Mother F* Midsize Musical, Lyric Stage for Georgia, for Outstanding Solo er With The Hat {SpeakEasy Avenue Q. Along with a special Equity Honored at 2013 Elliot Norton Performance, Chesapeake, Stage). award as Champion Of The Per- (New Rep Theatre); Ricardo En- Local AEA theatres garnering forming Arts to Mayor Tom Meni- Awards; Chita Rivera Receives Lifetime german, Outstanding Actor in awards included Huntington The- no, the awards stretched beyond Small or Fringe Theatre, The atre, Outstanding Production, the local talent pool to include Achievement Award Elaborate Entrance of Chad De- Large Theatre for Our Town; Mid- AEA members Andrea Martin, tired in 1987. ity (Company One) and Evelyn size Theatre, SpeakEasy Stage Pippin, (A.R.T.) and Bianca Am- Equity received Howe, Outstanding Actress in a for Mother F* er With The Hat; ato, Private Lives (Huntington). an Elliot Norton Centennial Award and audiences opening their “for 100 years of New York minds to the possibility of women representing and playing Shakespeare’s males. protecting creative Women’s History Month Event During the talk-back, one artists both onstage Explores Cross-Gender Casting speaker pointed out that since and on social plat- Shakespeare’s works are in the forms nationwide In recognition of Women’s possible to encourage public domain, it is possible to thus nurturing the History Month and SWAN playwrights to create more change genders of the growth of American (Support Women Artists Now) opportunities, while you can’t do characters, as well as the professional the- Day, the Equal Employment that with the classics.You can names. Another speaker atre.” Eastern Re- Opportunity Committee only “play with casting” to expand preferred not to make changes, gional Vice Presi- sponsored a special event, the opportunities for women. instead, she relished the dent Melissa Robi- Opening Up Possibilities for The evening included scenes challenge of playing roles she Melissa Robinette (l) with Chita Rivera. nette accepted the Women Through Cross-Gender from several Shakespearean didn’t think she would ever get to award. There was Casting, on March 19, 2013. The plays performed by women (and play. Richard Lear, the lone male also a Lifetime event was conceived and one man) from The Queen’s on the panel, felt strongly that By Donna Sorbello Achievement Award to Chita produced by Committee Member Company, Messenger Theatre the “best actor” should play the The Boston Theater Critics As- Rivera. Gael Schaefer, with additional Company and Judith role without regard to gender. sociation presented the 31st An- Many local AEA members funding provided by Open Shakespeare Company, followed Ms. Patterson agreed: The goal nual Elliot Norton Awards on May were honored with “Nortons,” in- Meadows Foundation and the by a talk-back session. is gender-blind casting, she said, 13, 2013 at the beautifully re- cluding, among others, Will Ly- Equity Foundation. Rebecca Patterson, Artistic with the best actor getting to play stored ArtsEmerson Paramount man for sustained excellence, as In her opening remarks, Ms. Director of The Queen’s the role. She believed that Center. The awards were estab- well as Outstanding Actor, Mid- Schaefer noted that while Company voiced a note of audiences may have more lished in honor of theatre critic El- size Theatre, Long Day’s Jour- women are under-represented in optimism, saying that change is imagination in this regard than liot Norton, who remained on the ney into Night (New Rep) and contemporary theatre, as well as coming in the UK and she felt the artistic directors. Change is slow, selection committee until he re- Operation Epsilon (Nora Theatre the classics, in the former it is U.S. would follow, with producers she said, but it is coming. JUNE 2013 EQUITY news / 15

Christopher Street in Greenwich etc.” And its execution wasn’t Village. Callbacks were held in original with me—I auditioned TCG Offers How I the afternoon at the old Helen with a carbon copy of what I’d Hayes Theatre in the West ‘40s. seen Jason Miller do at Catholic Book Got My The judge was Roger L. Stevens. University years earlier. I had a single pair of pants Afterward, Clinton B. Atkinson, Discounts that looked fairly presentable my director-to-be, said, Equity Card Save 40% on select acting from the front; the seat was split “Congratulations. You’ve just won book titles, such as The up the back, though, so I wore a the Barter Award.” I said, “What JohnRandolph Jones Viewpoints Book and borderline-OK suit jacket to drop the hell is the Barter Award?” Contemporary American over my backside, and when it It was my first Equity contract, Monologues, from Theatre came time to read, I walked out for $75 a week. I was on my way. Communications Group. TCG By John Randolph Jones process, I’d sent pictures to a from stage left, knelt into my (Reprinted by permission from number of summer theatres position (my buns only showed Broadway Actor Buys the Farm, is the national organization for he Barter Theatre of listed in a Straw Hat Guide, then when I lifted my arms), furtively Amazon 2012.) theatre and the largest Abingdon, Virginia, cre- published by Show Business. At removed the jacket, and laid it John Randolph Jones has independent trade publisher of ated during the Great T the time, I was finishing a two- down on the floor. worked on Broadway, in about 20 dramatic literature in North Depression, had a practice of year driving stint with Diamond After reading, without movies, scores of commercials America, with a booklist that giving out two annual awards Cab of Washington, DC. Barter replacing the jacket, I sidled out and dozens of audio books. includes 12 Pulitzer Prize consisting of Equity contracts. sent me an invitation to read, and to the left again offstage to keep While “buying the farm,” often winners and the works of more Winners were chosen from a I did, on March 15, 1965. from mooning everybody on my means to die, this is not the case than 250 playwrights. To couple of hundred auditioners. On audition day, we read in exit. I’d read Antony’s oration over with Mr. Jones. At this writing, he browse available offers, visit: In 1965, I won one of them. the morning at the Theatre DeLys the body of Caesar—“O pardon is alive and well on the farm he http://www.tcg.org/ecommerce/ Knowing nothing of this (now Lucille Lortel) theatre on me, thou bleeding piece of earth, bought in rural upstate New York. specialoffers.cfm.

Equity from A to Z

By Jim Bernhard

ACROSS succeed 1-Across 1 A is for Eisenberg, Equity’s 64 C is for performers in association longest-serving Executive first headed by Marie Dressler Director 67 Stone or Stallone 5 F is for the nickname of anti- 68 The A of T&A? Equity group headed by George 69 See 97-Across M. Cohan 70 Key on a PC 9 What Equity members do 73 S is for Equity action of 1919 12 L is for the Equity contract first 75 U is for “It’s Better With A Man,” signed in 1966 song from “Pins and Needles” 16 Old wives’ tales, maybe 77 Onetime acronymic slogan of 17 Word after matinee or Lucky Strike cigarettes American 79 Filth 18 Denise of the old Garry Moore 82 Campus drillers Show 83 W is for Francis, Equity’s first 19 Brick’s brother in “Cat On A President Hot Tin Roof” 84 V is for publication Equity 21 G is for the tradition begun in members might read when they 1950 by a cast member of finish Equity News “Gentlemen Prefer Blondes” 86 Cagney movie role 23 “_____on the Aisle,” Broadway 88 Greek goddesses of the revue of 1951 seasons 24 B is for Ralph, Equity’s 90 With 6-Down, a two-character longest-serving President musical 25 Ella’s boss in “Bells Are 91 Modern form of communication Ringing” 93 D is for Equity President 26 Pro_____(in proportion) Clarence, who created an award 28 Second of six tsars of this given in his name name 97 With 69-Across, “Painting 30 0 is for Frederick, winner of the Churches” playwright first 93-Across Equity award 99 Done in 33 H is for producer Jed, who 100 Consumed said, “Before there was Equity, 103 “The_____of Madeleine DOWN 37 Felton who voiced Fred 85 Librettist Sherman of “The it was dog-eat-dog, and vice Claudet,” 1931 film with Helen 1 H. S. subj. Flintstone’s mother-in-law Rothschilds” and “Rex” versa” Hayes 2 Powell’s “Thin Man” co-star 38 “Star Wars” Endor inhabitants 86 “Toujours_____,” song from 35 I is for status of Equity 104 Z is for the producer of the 3 Co-founder of Dadaism 40 Start of a counting verse “Shinbone Alley” members on Temporary show in which founders of 4 Nickname of Elphaba’s younger 42 Massachusetts cape 87 Coquette Withdrawal or Suspended Equity Chorus appeared sister in “Wicked” 45 Monopoly propty. 89 Baltic feeder Payment 106 X is for the middle name of 5 The Great Chicago 46 Grub 92 Crafted 39 Abbr. for old words Francis Bushman, silent 6 See 90-Across 47 Denver or Huston 94 Subj. often taught in night school 40 Film of 2010 loosely based on movie star who supported 7 Money in Sao Tome e Principe 50 Pepe Le Pew, for one “The Scarlet Letter” 95 Never in Nuremberg Equity’s 1919 strike 8 Owner of a 10-Down that some 51 Prussic acid, to a chemist 41 Vehicles featured in “Sahara” 96 What Spike used to be 108 E is for Burstyn, Equity’s first say started the 5-Down 53 Swiss river and “Kelly’s Heroes” 98 Concurs woman President 9 Mountain range where Russia, 54 Aetna rival, with “The” 43 Once more 99 Indian rebel of 1857 110 Indian money China, and Mongolia meet 55 “_____ just my Bill...” 44 M is for Butterfly, first African- 100 The night before Christmas, 112 Bruce or Laura 56 Figs. American lifetime Equity 10 See 8-Down e.g. 113 Song from “A Chorus Line” 57 WWW address member 11 “Star Trek” character Lwaxana 101 Feature of a whirlpool tub, 114 R is for Paul, whom Equity 58 Dennis or Doris 47 Austen and Eyre 12 Nabokov’s nymphet perhaps suspended in 1928 and 60 River in France and Belgium 48 _____-Magnon 13 Grandpa in Garmisch- 102 Emphasized in music honored in 1974 with an 63 Who in France 49 Sharp flavors Partenkirchen 105 Sub_____ (dark or drab) award named for him 64 Tab 51 In an orchestra, it may be French 14 Kind of sleep in which 107 Skillful 117 O’Neill’s “The Hairy____” dreaming occurs: abbr. 65 Moonshine or English 108 Abbr. at the bottom of a letter 119 J is for a termination 66 Possess 52 Y is for “Yip, Yip,_____,” an Irving 15 Essay provision in Equity contracts 68 Maverick of TV 109 Bounds’ partner Berlin show five years after 19 Rowlands and others since 1980 70 Its no. is 911 111 Fill and then some Equity was founded 20 Suffix indicating an acid 124 Like some clouds 71 San Francisco, to a pilot 113 Affirmative for Eddie 56 N is for a controversial topic 22 Brynner who played Mongkut 125 “This Is Spinal _____,” film by 72 Pkg. Murphy’s Buckwheat addressed by Equity rules in 24 Filmmaker of “Exit Through the Rob Reiner 73 _____ generis 114 Memorial stadium in 1969 Gift Shop” 126 Place for Sundance Kid? 74 It’s after due Washington 59 K is for the New York mayor who 27 La-la lead-in 127 P is for theatre founder 75 _____ Mountains, divider of 115 Olsen of “Hellzapoppin” declared “Equity Week” to 29 Street intersecting Hollywood Joseph, who received Europe and Asia 116 Actor Turhan, known as the celebrate Equity’s 75th Blvd. at the Walk of Fame Equity’s Rosetta LeNoire “Turkish Delight” anniversary 30 Pah-pah preceder 76 Vote in le Senat Award 118 Ballet step 61 Sites for shows covered by 31 SNL network 77 Prevaricator 128 Means of entry, often 120 RR stop AGVA 32 Letters sometimes after a 78 Passel 129 Broadway time, in the winter 121 State containing Ajman: abbr. 62 Some Ph.D. exams lawyer’s name 79 Michael of Disney 130 T is for award won by Equity 63 Q is for Patrick, Equity President 33 Pend 80 Ulnae neighbors 122 Marienbad or Saratoga in 1974 who died just before he was to 34 Marquee name 81 Airplane or bee Springs 131 They can be high or open 36 Like Machu Picchu 83 Designer of St. Paul’s Cathedral 123 LPs’ cousins 16 / EQUITY news JUNE 2013

ostage Letters to The Editor U.S.P 45 Letters received from paid-up members on subjects of concern to Equity members will be considered for publication in Equity News, provided that they are no greater than 175 words in length. Letters selected for publication may be edited for space requirements. Actors’ Equity Association reserves the right to decline to publish letters at its sole discretion. When multiple letters on the same topic are FINAL submitted, the Editor may decide to select a smaller number of representative letters for publication. Letters must be signed and must provide preferred contact information for verification purposes, but names may be withheld from publication in certain limited circumstances, at a member’s request. Opinions expressed in Letters to the Editor are not necessarily those of Actors’ Equity Association. CURTAIN GIVING THANKS appeared on and Off-Broadway, even any experiences they may Dear Editor: in films and on TV and was a have had themselves. My email is [email protected] and “Were I to die and go to heaven I recently visited the new strong union member for more I will look forward to hearing from Equity lounge and had a double than 70 years. I met her about and find it populated by actors, everyone. reaction. I had to admire the 1980 after she had been I would not be unhappy.” Carolyn Quinn construction which turned President of the NY Local of AFTRA for five years. In addition —-Playwright Ben Hecht previous office space into FRANK HORAK: AN to being very bright, what I audition and waiting rooms. APPRECIATION Paul Ainsley Jeff Kinman remember most was her Having been an AEA member Dear Editor: Heidi Albrecht Mary Leighton for over 60 years, I regret that fairness, civility, clear thinking I was saddened to learn of John Aman Garrett Lewis something very important was and common sense. Frank Horak’s death. Frank was Robert Wicklif Anderson George Lindsey missing! The previous lounge She was a great unionist and Equity’s Finance Associate. Conrad S. Bain Susan Luckey prominently displayed pictures of friend and will be missed. Though located in the National Robert E. Ball Marc MacCrary two of Equity’s most illustrious Elaine LeGaro Office, Frank was not a very Shirley Ballard Morgan Mackay members. WRITER’S QUERY visible member of the staff as his Daniel Barton Bob Marich For years, Phil Cook Dear Editor: job gave him little cause to Daniel R. Bauer James McGill represented the Union’s I contacted Actors’ Equity a interact with Councillors or other Hal Bokar Jim McArdle benevolence and caring support few years ago asking for members. Booker T. Bradshaw Jack Metzger of its membership. Without the assistance with the book I was Frank was soft spoken, Hannah Brandon Charles Miller guidance and foresight of former writing on the life of Rose succinct, straightforward, modest John Gardner Brent Edward Miller army colonel and constantly Thompson Hovic, mother of and neat as a pin. His trousers Peter Bromilow Kathi Moss working actor Jay Barney, the Gypsy Rose Lee and June were always pressed and his Anna Menelaus Brown George Murdock Equity Building wouldn’t have Havoc. I am pleased to report hair always meticulously Brian Brownlee Lou Myers been purchased. Jay’s that the book, Mama Rose’s combed. He was in appearance Frank R. Cady Frederick Neumann leadership assured that the Turn: The True Story of America’s and practice the model of probity Rudy Challenger Honora Fergusson Union had and would have a Most Notorious Stage Mother, that organizations look for in Jonathan Charles Newmann home for many years to come. will be available in November, financial personnel.Yet, there Shirley Chester Barbara Newman I implore membership to 2013 from University Press of beat within his breast a slightly Daniel J. Conway Kelly O’Brien request the restoration of Phil Mississippi. loopy heart, an irreverent and Peter Costanza Mike O’Carroll Cook’s and Jay Barney’s I’m currently trying to compile wry spirit that was both JC Crimp George Ormiston photographs to once more be information on theatrical refreshing and reassuring. Leila Danette Billy L. Padgett displayed prominently in our new legends—and ghosts—for a new Equity has always been Audrey Dearden Patti Page lounge. book. The tentative title is served well by eccentrics. If it Matthew C. Dickens Margeret Perry Mark Weston Haunted Broadway. has achieved a measure of Louis DiCrescenzo Briain Petchey REMEMBERING MARTHA The idea of the “ghostlight” greatness as an organization, Jase Draper Ceal Phelan Dear Editor: tradition, and why it was and I believe it has, its Victor Duntiere Allan Pinsker instituted, has intrigued me since celebration of the non-conformist I’m sure many felt the same Burt Edwards Don Pinson I was a child. I would welcome is one important reason why. sadness I experienced when told Elana F. Ernst Deborah Raffin the chance to connect with AEA It is to Equity’s credit that it Martha Greenhouse left us on Patrick Farrelly Laine Roberts members regarding any tales has been alive to the potential of January 5, 2013 at the age of 91. Howard I. Fishlove Maggie Peters Ross they may have heard about people like Frank. During her long career, Martha Peter Flint Deirdre Ryan Broadway theatre hauntings or He served the membership Robert Foley Robin Sachs well and it was a pleasure to Bonnie Franklin Ann Saxman have known him. Ben Gillespie Isaiah Sheffer Jack Goldstein Frank Giordano Erik Silju Former Director of T. Maxwell Graham Jean Sincere Governance, Kevin Gray Barry W. Snider Policy and Support Michael Gray Oscar Sobron IN MEMORIAM Jerry Grayson Jai O. St. John Dear Editor: Dylan Green Ian Stuart Martha Greenhouse Carol A. Suhr Conrad Bain, whose death Richard Griffiths Elaine Sulka was mentioned in the March Danna Hansen W. M. Supernaw issue, was not only a good actor but a good friend to all of us. He Robert B. Hegyes Dana Swenson was one of the five founders of Howard Honig Debbie Thomaso Teare the Actors Federal Credit Union John Horn Kalena Von Schnier in 1962. At that time there was Scott Hunter Yvonne Warden an actor, well employed in a George Huttenbrauck Fran Warren George Ives Jeff Weinberg NOW running part in a TV series, who Joy Johnson Bonniegae West IN was denied a loan to buy a new BOOK refrigerator because he was an Paul J. Kastl Lorna Kay Williams STORES actor. It was Conrad and four Larry L. King Harry Williamson others, including Theodore Bikel,

$42.50 U HARDCOVER U 978-1-55783-837-7 who saw the need. The Credit Union’s first “office”  

  
 
  

 
   time by volunteers. I am the Answer to puzzle on page 15 

  was a desk in Equity’s reception 
proud owner of Account No. 15,  
 room, then at 226 West 46th  




  and later served on the Board of  
   Street, which was manned part-  
  
  

 Directors. My first professional  
 stage job was in Orson Welles’ 



 Mercury Theatre in 1937. As a  

 
   Office Closing Junior Member I was paid $25, All Equity offices will be with 25 cents deducted for Social closed on Thursday, July 4 and Security.The Actors Federal AEA Members get a 25% Discount at playbillstore.com Friday, July 5, 2013 in Credit Union has been a further Go to: http://www.playbillstore.com/peofce100yeo.html celebration of Independence step up for all actors. 25% Discount Applied at Check-Out Day. Arthur Anderson