RAR Newsletter 210519

Total Page:16

File Type:pdf, Size:1020Kb

RAR Newsletter 210519 RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 5/19/2021 Weezer “I Need Some Of That” The first single from Van Weezer, out now, following up the their first-ever AAA #1 track “All My Favorite Songs” Early: WFUV, WMMM, WXCT, KPND, WOCM, KTAO, KOIT… “The chugging guitars and pounding drums are padded with Weezer’s signature soaring riffs and handclaps for their own unique take on their beloved inspirations.” - Paste “Lyrics to remind us just how awesome rock music can truly be.” - PopMatters Stadium tour - see next page Quinn Sullivan “All Around The World” The first single from Wide Awake, out 6/4 Great press already in Relix, American Songwriter, PopMatters, Glide and more A rare artist who has always sounded older than his years, he has been touring the world since he was 11 years old, playing storied venues such as Madison Square Garden, the Hollywood Bowl and RFK Stadium in D.C., as well as Eric Clapton's Crossroads Guitar Festival, and three Montreux Jazz Festivals. Los Lobos “Love Special Delivery” The first single from Native Sons, their upcoming album of covers of artists that represent the sound of Los Angeles, out 7/30 Most Added, including KVYN, WCLX, WNRN, WEHM, KYSL, WMVY, WCBE, WEXT and more Early: KOZT, KPIG, WYCE, WKZE, KSUT Extensive 2021 and 2022 tour schedule an- nounced - kicks off May 27 This is a cover of Thee Midniters (1966) - the PlayMPE blast also included a cover of the 1973 Beach Boys’ “Sail On, Sailor” Lawrence Rothman feat. Son Little “Sunny Place For Shady People” The first single from Good Morning, America, out 7/16 featuring guest appearances from Lucinda Williams, Amanda Shires, Car- oline Rose and more New: WFUV, WBJB, WCLX, WCBE, KYSL, WHRV Early: KTBG, KJAC, WCLY, WEHM, WYCE and KRVM “It ends just shy of the three-minute mark, but it’ll leave you gasping for breath, like running a marathon through the desert in a leather jacket.” - Rolling Stone James “Beautiful Beaches” From their 16th studio album, All The Colours Of You, produced by Jacknife Lee (U2, REM, Snow Patrol, The Killers), out 6/4 New: WCLY, KRML ON: WTMD, WCNR, KVNA, KJAC, WCLX, WYCE, WJCU, KMTN, KLRR, WCBE… New 4-star review in Mojo! Written in response to climatechange migration and the Californian fires that eventually forced him to move from Topanga Canyon to Costa Rica Paula Fuga w/Jack Johnson & Ben Harper “If Ever” From her upcoming album Rain On Sunday, out 6/18 via Brushfire Mediabase 40*, BDS Monitored New & Active, Indicator 22*! New: WXPN, WCLZ, KBAC, WZLO, WUMB… ON: KBCO, WMMM, KGSR, WXRV, WRNR, WFUV, KCSN, KXT, Music Choice, WPYA, KVNA, WCLY, WAPS, WNCS, WCOO, WEHM… This is a duet with Jack, featuring Ben on lap-steel guitar Written by Jack Played on GMA last week! Wilderado “Head Right” From their forthcoming full-length debut Mediabase 33*, BDS Monitored New & Active! New: WYEP, WWCT, KYMK ON: KGSR, Music Choice, WRNR, WRLT, WXRV, KRVB, KCSN, WTMD, WPYA, WNCS, KVNA, KPND, WZEW, WCLY… Wilderado has surpassed 75 million artist streams across the board and gets over 3MM monthly listeners across platforms Tour partners inc. The 1975, Catfish and The Bottlemen, Mt Joy, Band of Horses The Wallflowers “Roots And Wings” Their first new music in nine years, from the new album Exit Wounds, out 7/9 Mediabase 26*, BDS Monitored 16*, Indicator 9*, JBE Albums 16*! New: WXRT, KRVB, WCLZ, KGSR, WARQ, WEXT… ON: SiriusXM, KBCO, WXRV, WRLT, WFUV, WXPN, WXPK, WCNR, WQKL, WKLQ, WPYA, KCSN, WAPS, KPND, WERS, KJAC, Music Choice, WCLY, WNCS, WZEW, WYEP, WFPK…Produced by Butch Walker Played Kimmel already Anderson East “Madelyn” The first single from Maybe We Never Die, out 8/20 Mediabase 34*, BDS Monitored 31*, Indicator 19*! New: WXRV, WNCS, KAXE ON: WRLT, KGSR, WXPK, KCMP, KXT, KRVB, WXCT, Music Choice, KCSN, WFPK, WNXP, WCLZ, WPYA, WCNR, KVNA, WCLY, WYEP, WAPS, KPND, KCLC, KJAC and more Performed on Seth Meyers Extensive headlining tour announced - see page 3 Lucy Dacus “Hot & Heavy” From Home Video, out 6/25 Mediabase 47*, BDS Monitored #37, JBE Albums #12 New: WDST, WVMP, KXCI ON: SiriusXM, Music Choice, WRLT, WPYA, WFUV, KCMP, WXPN, KCSN, KTBG, WQKL, WERS, WNRN, WYMS, WFPK, KVOQ, WNXP, KUTX, KJAC… "Lucy Dacus' sharp lyrics and ascendant voice are a galelike force." - Entertainment Weekly “Well worth the three-year wait for this knockout.” - The AV Club Tour kicks off 9/10 Moon Vs Sun “I’m Going To Break Your Heart” The title track to the album and feature documentary film, out now ON: WFPK, WCLY, KVNA, KTBG, WYCE, KSMF, KROK… Moon Vs Sun is the project from husband-and-wife Raine Maida (Our Lady Peace) and Grammy and Juno award-winning Chantal KreviazukPlayed on Seth Meyers last month Recorded a session for Paste already The documentary covers the making of the record amidst the strains of their marriage Allison Russell “Nightflyer” The first single from her solo debut Outside Child, out this Friday New: KSMF ON: WRLT, WFUV, Music Choice, WCLZ, KJAC, WFPK, WCLX, WDST, WKZE, KSUT, KBAC, WYCE, WEXT, KNBA, WCBE… Allison is also in Our Native Daughters and Birds of Chicago “Triumph glistens along poetic lyric lines as Russell uncovers unforeseen strength.” - American Songwriter Big piece in the NY Times Mustafa “Ali” The first single from When Smoke Rises, out 5/28 ON: KTBG, WNXP, WBJB, WYCE, WUNC, KXCI, WFIT, Acoustic Cafe Hailing from the inner city Regent Park area of Toronto, his music reflects the world he grew up in, and this song is about a close friend who was shot and killed four years ago “An impossibly personal collection of songs as heartbreaking as they are beautiful.” - GQ Judah & The Lion “Spirit” Their new single, out now Mediabase #35, BDS Indicator 18*! New at KGSR ON: WXRT, WRLT, WXPK, WMMM, WXRV, WNCS, WPYA, Music Choice, WCLY, KVNA, WZEW, WCNR, KCLC… “Most iconic stories and songs don’t start with everything being perfect, but rather the story comes from the pain and the tension between moving forward and allowing the pain to become your super power in life.” - Judah Akers Dumpstaphunk “United Nations Stomp” (feat. Marcus King) From Where Do We Go From Here, out now New: WOCM, KPIG ON: KCSN, WFPK, KVNA, KRSH, KMMS, KHUM, WJCU, WEXT, KMTN, WBJB, WMWV, WYCE, WNCW, KCLC, KBAC, WVMP, WMOT… “The epic jam invokes the vintage spirit of Jimi Hendrix and Cream coupled with a touch of urgent musical angst that could be easily playlist alongside modern contemporaries Rage Against The Machine or Red Hot Chili Peppers.” - Glide Magazine Major Spark “I’m Not Gonna Stand Around” The first single from their debut album Beautiful Noise, out Friday ON: KJAC, KVYN, KRML, WCLX, WYCE, WBJB Major Spark is the brainchild of former Magnet singer-songwriter Mark Goodman and producer Brian Charles (who played nearly every instrument on the album) Watch the video on my site now Backing vocals by fellow producer Miranda Serra Julien Baker “Heatwave” The second single from Little Oblivions Mediabase 30*, BDS Monitored 27*, Indicator #17! ON: WRLT, KGSR, WFUV, KCMP, WXRV, KRVB, KCSN, WFPK, WYEP, Music Choice, KTBG, KJAC, KPND, KVOQ, WNXP, WCLZ, WPYA, WQKL, WNRN, WWCT, WZEW, WAPS, WCNR, WYMS… “[On Heatwave] the Tennessee singer-songwriter mixes honest, banal observations with the painfully beautiful." - NME Bendigo Fletcher “Evergreen” The first single from their Elektra debut Mediabase 45*! ON: WTTS, WRLT, KRVB, KCSN, Music Choice, WPYA, WFPK, KJAC, WWCT, WZEW, WCNR, WCLX, WTMD, KRSH, WCLY, WNRN, WEHM, KCLC… Produced by Ken Coomer of Wilco Upcoming tour dates with Anderson East “‘Evergreen’ meanders through the madness of the world and the constant reconditioning required to survive it all.” - American Songwriter Kaleo “Break My Baby” From Surface Sounds, out now Mediabase #7, BDS Monitored #6, Indicator #4! Spotify over 22MM! Their first Soundscan top 10 debut ON: SiriusXM, WXRT, KBCO, KGSR, WMMM, WTTS, KINK, WXRV, WRLT, KRVB, KCMP, WRNR, Music Choice, WQKL, WFPK, WXPK, WPYA, WTMD, KTBG, WCNR...“ The pounding beat and JJ’s breathless wail are practically hair-raising in their unquenchable desire...” - Atwood Magazine Weezer confirms and adjusts their Hella Mega stadium tour plans 7/24 Dallas TX - Globe Life Field 8/10 Detroit, MI - Comerica Park 9/1 Milwaukee, WI - Summerfest 7/27 Atlanta, GA - Truist Park 8/13 Hershey, PA - Hersheypark Stadium 9/3 Los Angeles, CA - Dodger Stadium 7/29 Houston, TX - Minute Maid Park 8/15 Chicago, IL - Wrigley Field 9/6 Seattle, WA - T-Mobile Park 7/31 Jacksonville, FL - TIAA Bank Field 8/17 Columbus, OH - Historic Crew Stadium 8/1 Miami, FL - Hard Rock Stadium 8/19 Pittsburgh, PA - PNC Park 8/4 New York, NY - Citi Field 8/20 Philadelphia, PA - Citizens Bank Park 8/5 Boston, MA - Fenway Park 8/23 Minneapolis, MN - Target Field 8/8 Washington, DC - Nationals Park 8/25 Commerce City, CO - Dicks SG Park 8/10 Detroit, MI - Comerica Park 8/27 San Francisco, CA - Oracle Park American Songwriter talks to Quinn Sullivan about “All Around The World” “Within the past decade, Quinn Sullivan was dubbed a prodigy. He was mentored by the blues legend Buddy Guy, and re- leased two albums—with a third on the way—all within a 10-year span. Now 21, so much has shifted from the time Sullivan released his second album, 2017’s Midnight Highway to now. Matured and owning his words, specifically the ones he’s now writing, Sullivan returns more as a singer-songwriter than just a prodigy guitarist with “All Around the World.” Still rooted in guitar, Sullivan has refocused his craft to songwriting throughout the past several years, penning his upcom- ing release, out later this year, with producer Oliver Leiber (Aretha Franklin, Rod Stewart, Paula Abdul).
Recommended publications
  • July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
    July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album.
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • Chasing the Light the CLOUD CULT STORY Mark Allister
    Chasing the Light Chasing the Light THE CLOUD CULT STORY Mark Allister Foreword by Mark Wheat University of Minnesota Press Minneapolis • London Interview excerpts from the film No One Said It Would Be Easy are repro- duced by permission of John Paul Burgess. Cloud Cult lyrics are reproduced by permission of Cloud Cult/Craig Minowa. Photographs reproduced by permission of Cloud Cult/Craig Minowa unless otherwise credited. Thanks to Jeff DuVernay, Cody York (http://www.cody yorkphotography.com), and Stacy Schwartz (http://www.stacyannschwartz. com) for contributing photographs to the book. Copyright 2014 by Mark Allister Foreword copyright 2014 by Mark Wheat All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu {~?~IQ: CIP goes here.} Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 20 19 18 17 16 15 14 10 9 8 7 6 5 4 3 2 1 For Meredith Coole Allister, partner extraordinaire When your life is finished burning down, You’ll be all that’s left standing there. You’ll become a baby cumulus, And fly up to the firmament. No one gets to know the purpose, We need to learn to live without knowing. But all we are saying is Step forward, step forward.
    [Show full text]
  • “Writing About Music” Vol
    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure.
    [Show full text]
  • Guidance for the Selection and Use of PPE in the Healthcare Setting
    Guidance for the Selection and Use of Personal Protective Equipment (PPE) in Healthcare Settings 1 PPE Use in Healthcare Settings: Program Goal Improve personnel safety in the healthcare environment through appropriate use of PPE. PPE Use in Healthcare Settings The goal of this program is to improve personnel safety in the healthcare environment through appropriate use of PPE. 2 PPE Use in Healthcare Settings: Program Objectives • Provide information on the selection and use of PPE in healthcare settings • Practice how to safely don and remove PPE PPE Use in Healthcare Settings The objectives of this program are to provide information on the selection and use of PPE in healthcare settings and to allow time for participants to practice the correct way to don and remove PPE. 3 Personal Protective Equipment Definition “specialized clothing or equipment worn by an employee for protection against infectious materials” (OSHA) PPE Use in Healthcare Settings Personal protective equipment, or PPE, as defined by the Occupational Safety and Health Administration, or OSHA, is “specialized clothing or equipment, worn by an employee for protection against infectious materials.” 4 Regulations and Recommendations for PPE • OSHA issues workplace health and safety regulations. Regarding PPE, employers must: – Provide appropriate PPE for employees – Ensure that PPE is disposed or reusable PPE is cleaned, laundered, repaired and stored after use • OSHA also specifies circumstances for which PPE is indicated • CDC recommends when, what and how to use PPE PPE Use in Healthcare Settings OSHA issues regulations for workplace health and safety. These regulations require use of PPE in healthcare settings to protect healthcare personnel from exposure to bloodborne pathogens and Mycobacterium tuberculosis.
    [Show full text]
  • CPR/AED for Professional Rescuers and Health Care Providers HANDBOOK
    CPR/AED for Professional Rescuers and Health Care Providers HANDBOOK American Red Cross CPR/AED for Professional Rescuers and Health Care Providers HANDBOOK This CPR/AED for Professional Rescuers and Health Care Providers Handbook is part of the American Red Cross CPR/AED for Professional Rescuers and Health Care Providers program. By itself, it does not constitute complete and comprehensive training. Visit redcross.org to learn more about this program. The emergency care procedures outlined in this book refl ect the standard of knowledge and accepted emergency practices in the United States at the time this book was published. It is the reader’s responsibility to stay informed of changes in emergency care procedures. PLEASE READ THE FOLLOWING TERMS AND CONDITIONS BEFORE AGREEING TO ACCESS AND DOWNLOAD THE AMERICAN RED CROSS MATERIALS. BY DOWNLOADING THE MATERIALS, YOU HEREBY AGREE TO BE BOUND BY THE TERMS AND CONDITIONS. The downloadable electronic materials, including all content, graphics, images and logos, are copyrighted by and the exclusive property of The American National Red Cross (“Red Cross”). Unless otherwise indicated in writing by the Red Cross, the Red Cross grants you (“recipient”) the limited right to download, print, photocopy and use the electronic materials, subject to the following restrictions: ■ The recipient is prohibited from selling electronic versions of the materials. ■ The recipient is prohibited from revising, altering, adapting or modifying the materials. ■ The recipient is prohibited from creating any derivative works incorporating, in part or in whole, the content of the materials. ■ The recipient is prohibited from downloading the materials and putting them on their own website without Red Cross permission.
    [Show full text]
  • 31295019800852.Pdf (1.481Mb)
    IMPACT OF PAY-FOR-PLAY DOWNLOADING ON THE MUSIC INDUSTRY by James Robert Law A SENIOR THESIS in GENERAL STUDIES Submitted to the General Studies Council in the College of Arts and Sciences at Texas Tech University in Partial fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved BLOOD Choo~~~~s~~ unications of Thesis Committee ~- THOMAS HUGHES School o-f Visual and Performing Arts Accepted DR. ~MICHAEL SCHOENECKE Director of General Studies MAY 2005 -r3 ACKNOWLEDGMENTS ^ooS ,,-) < I would like to thank Dr. Youngblood and Dr. Hughes CxO.c^ for their incredible assistance and patience. Your help is much appreciated, and I could not have finished this without the incredible amount of time and energy you both put forth. I would like to consider you both not only valuable mentors in my life, but also friends. I would like to thank my girlfriend, Michele Stephens, for her incredible encouragement that motivated me when I was so near completion. Thank you for understanding my one-track mind. Thanks for letting me talk out my ideas with you to solidify them. Finally, thanks to my mother, whose support I will always appreciate. Her prayers and concerns were always felt and well received. Without the sacrifices she made, I would not have had the time or the wits to finish this. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER I. INTRODUCTION 1 II. TECHNOLOGICAL BACKGROUND 3 What Is the MP3 File Format 3 What Is a Peer-to-Peer Network 5 What Makes a Download Legal/Illegal 7 What Is a Pay-for-Play Downloading Program...
    [Show full text]
  • What Is Christmas? Christmas? 660 Mason Ridge Center Dr
    What Is What Is Christmas? Christmas? Christmas isn’t always the bright and cheery affair found in songs or movies. Can it be merry for a family struggling through unemployment, alienation, and terminal illness? Written by Lutheran Church-Missouri Synod Pastor Wayne Palmer, What Is Christmas? conveys how this season can be a complicated and difficult time of the year. For families working through hurt feelings, 660 Mason Ridge Center Dr. strained relationships—even the oncoming death of a loved one—Christmas can be a trying time. St. Louis, Missouri 63141-8557 Providing Scriptural narrative from the first Christmas, Palmer conveys how God has reconciled man to Himself through His Son and how His love gives us hope when 1-800-876-9880 • www.lhm.org re-establishing connections with family members. The best things about Christmas are often those impossible to put a price on—time spent together, renewed love, and the true joy the birth of our Savior brings. 6BE133 For many, childhood memories of Christmas are magical—bright lights, deep snow, and cherished time with family members. Sometimes, however, the passage of time makes those memories distant and elusive, and leaves one wondering whether it’s possible to recapture the wonder of Christmas. Concluding the booklet, Palmer asks the reader this: “Where do you find yourself this Christmas?” Wherever that place might be, the reader is reminded that God’s What Is gift of love in Jesus Christ can heal every wound and 6BE133 repair every broken relationship. 660 Mason Ridge Center Dr. • St. Louis, MO 63141-8557 1-800-876-9880 • www.lhm.org Christmas? by Reverend Wayne Palmer Finally—a chance to sit down, catch her breath, and nibble on that Christmas cookie.
    [Show full text]
  • SEQUOYA REVIEW UTC’S Annual Literary & Arts Magazine 2017
    SEQUOYA REVIEW UTC’s Annual Literary & Arts Magazine 2017 Thanks to Sarah Einstein, this year's advisor ARTIST STATEMENT A Statement from the Cover Artist: Sarah Bowers “Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one's lifetime.” -Mark Twain SEQUOYA REVIEW 3 FOREWORD Foreword To borrow from our own Olivette Petersen’s poem “Immortality,” I truly believe that in this journal you will find “a million memories . a thousand pictures . a piece of yourself” – one that you’re looking to share, and maybe some that you keep hidden. This journal is a stained-glass mosaic of stories true and imagined, and of artwork that speaks without words. These pages are inhabited by commonality, but also by an unfathomable number of totally unique experiences. They weave together in beautiful diversity. Making art is how we is how we explore what it means to live, and it’s how we live forever. Take a look. Tara McGlocklin Editor-in-Chief Sequoya Review 4 SEQUOYA REVIEW HISTORY Sequoya Review: A History It was a busy time in the United States in In 1975, this magazine was officially 1965: Martin Luther King Jr. marched renamed Sequoya Review, which would 25,000 people to the capital of Alabama; serve as the permanent title for at least the U.S. authorized its first ground the next forty years. It is doubtful that combat forces in Vietnam; Malcolm X the title will be changed in the future, was assassinated; The Who dropped their for it both honors an important Cherokee very first album; The Sound of Music was contributor to the publishing realm, and released in theaters; and the television because we have invested a fair amount of soap opera Days of Our Lives premiered.
    [Show full text]
  • Bob Dylan's 'It's Alright Ma (I'm Only Bleeding) – an Analysis by Kees De
    Bob Dylan’s ‘It’s alright ma (I’m only bleeding) – an analysis by Kees de Graaf. Introduction. There can hardly be any doubt that the Dylan classic ‘It's Alright, Ma (I'm Only Bleeding)’, written in 1964 for the album ‘Bringing it all Back Home’, is an outstanding masterpiece that ranks among the top five of best songs Dylan has ever written. In his 2004 CBS ‘Sixty Minutes’ interview Dylan is asked if he ever looks back at the music he’s written with surprise. Dylan answers: "I used to. I don't do that anymore. I don't know how I got to write those songs. Those early songs were almost magically written. Then Dylan goes on to quote the first lines of ‘It's Alright, Ma (I'm Only Bleeding)’, and goes on to say: ‘Try to sit down and write something like that. There's a magic to that, and it's not Siegfried and Roy kind of magic, you know? It's a different kind of a penetrating magic. And, you know, I did it. I did it at one time’’. Indeed, the penetrating cascade of words hammering down on you in rhythmic waves, in combination with the fact that, no matter how intricate the rhyme and alliteration scheme is Dylan follows, yet all the words and verses are equally meaningful; all these elements give you the feeling that indeed this song was almost magically written and that because of this Dylan had little or no conscious will power over the composition of this song and that these words were simply given to him.
    [Show full text]
  • Y:\133\W13308\From White Christmas to Sgt Pepper. Tables.Wpd
    NBER WORKING PAPER SERIES FROM "WHITE CHRISTMAS" TO SGT. PEPPER: THE CONCEPTUAL REVOLUTION IN POPULAR MUSIC David Galenson Working Paper 13308 http://www.nber.org/papers/w13308 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 August 2007 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. © 2007 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. From "White Christmas" to Sgt. Pepper: The Conceptual Revolution in Popular Music David Galenson NBER Working Paper No. 13308 August 2007 JEL No. J01 ABSTRACT Irving Berlin, Cole Porter, and other songwriters of the Golden Era wrote popular songs that treated common topics clearly and simply. During the mid-1960s Bob Dylan, John Lennon, and Paul McCartney created a new kind of popular music that was personal and often obscure. This shift, which transformed popular music from an experimental into a conceptual art, produced a distinct change in the creative life cycles of songwriters. Golden Era songwriters were generally at their best during their 30s and 40s, whereas since the mid-'60s popular songwriters have consistently done their best work during their 20s. The revolution in popular music occurred at a time when young innovators were making similar transformations in other arts: Jean-Luc Godard and his fellow New Wave directors created a conceptual revolution in film in the early '60s, just as Andy Warhol and other Pop artists made painting a conceptual activity.
    [Show full text]