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Add Second Life to Your Training Without Having Users Log Into Second Life
708 Add Second Life to your Training without Having Users Log into Second Life David Miller, Newmarket International www.eLearningGuild.com DevLearn08 Session 708 Reference This session follows a case study in which a text-based lesson is converted into a more immersive learning experience. Starting with a “text and image” lesson written by a subject matter expert, we will write an easy-to-follow script that will help us create inexpensive video footage using Second Life. This video footage will then be integrated with the lesson to create a richer learning experience. All materials will be available online at http://subquark.com and access to a DevLearn08 dedicated sim will be provided to all attendees. To access that land, join the ELearning Guild in Second Life group “in-world”. Principles and Tools: Two underlying principles guide the approach presented in this session: rapid development and low cost. Filming in Second Life, and within any computer-generated imagery (CGI), is known as machinima. This session introduces several tools specific to filming in Second Life in case you are interested in experimenting with them before attending the session. These tools include Filming Path, Fraps, and Sizer. The Second Life viewer is needed to access the virtual world that we will be using as a film studio for creating footage to incorporate into our eLearning. Filming Path is an “in-world” filming system that helps to create smooth camera pans and camera dolly shots. Fraps is a real-time video-capturing application for Windows. Other Mac-based programs accomplish similar results (see the Fraps section). -
L'expérience De Création De Jeux Vidéo En Amateur Travailler Son
Université de Liège Faculté de Philosophie et Lettres Département Médias, Culture et Communication L’expérience de création de jeux vidéo en amateur Travailler son goût pour l’incertitude Thèse présentée par Pierre-Yves Hurel en vue de l’obtention du titre de Docteur en Information et Communication sous la direction de Christine Servais Année académique 2019-2020 À Anne-Lyse, à notre aventure, à nos traversées, à nos horizons. À Charlotte, à tes cris de l’oie, à tes sourires en coin, à tes découvertes. REMERCIEMENTS Écrire une thèse est un acte pétri d’incertitudes, que l’auteur cherche à maîtriser, cadrer et contrôler. J’ai eu le bonheur d’être particulièrement bien accompagné dans cette pratique du doute. Seul face à mon document, j’étais riche de toutes les discussions qui ont jalonné mes années de doctorat. Je souhaite particulièrement remercier mes interlocuteurs pour leur générosité : - Christine Servais, pour sa direction minutieuse, sa franchise, sa bienveillance, ses conseils et son écoute. - Les membres du jury pour avoir accepté de me livrer leur analyse du présent travail. - Tous les membres du Liège Game Lab pour leur intelligence dans leur participation à notre collectif de recherche, pour leur capacité à échanger de manière constructive et pour leur humour sans égal. Merci au Docteure Barnabé (chercheuse internationale et coauteure de cafés-thèse fondateurs), au Docteure Delbouille (brillante sitôt qu’on l’entend), au Docteur Dupont (titulaire d’un double doctorat en lettres modernes et en élégance), au Docteur Dozo (dont le sens du collectif a tant permis), au futur Docteur Krywicki (prolifique en tout domaine), au futur Docteur Houlmont (dont je ne connais qu’un défaut) et au futur Docteur Bashandy (dont le vécu et les travaux incitent à l’humilité). -
Tie Break Tennis by 01Toys Review by Jr2swiss Nov/04/2004
Offline Edition Version: Mar/22/2005 14:13 http://reviews.chemicalkungfu.de/ 1 Ah Catsmanga Daioh by taRo Review by BobBorakovitz Nov/03/2004 This is a really nice little game, very polished with excellent graphics and music! The text is in Japanese (or another similar foreign language) but it's easy to understand the menus. The gameplay is simple, you are a little anime girl on the bottom of the screen, your goal is to avoid the many cats that are falling from the sky while collecting tokens that also fall from the sky. For every cat that you avoid you get 1 point, and you get bonus points by collecting the tokens. I love the music, it's a catchy tune, but there's not too many sound effects, however the ones that are there work well and sound great without crackling. The feature in this game that really makes it stand out is the online ranking system! When your game ends you get a screen that has a password and a website to rank yourself among other players! At the time of this writing, my ranking is a dismal #144! Oh well, I'll keep trying! Graphics: 9 Sound: 8 Gameplay: 9 Progress: 10 Gameidea: 6 Replay value: 7 OVERALL RATING: 8.2 2 Air Rage by Taras Young Review by frolik Nov/04/2004 Coded for the 15 days Coding Competition was this little one-shot shootemup where you fly a Boeing 737 that has been armed to the teeth with weapons and are pursued by government jets intent on taking you down. -
Doom: Gráficos Avançados E Atmosfera Sombria
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO SOCIAL TECNOLOGIAS DE CONTATO: OS IMPACTOS DAS PLATAFORMAS DOS JOGOS DIGITAIS NA JOGABILIDADE SOCIAL CHRISTOPHER ROBERT KASTENSMIDT Professora Orientadora: Dra. Magda Rodrigues da Cunha Porto Alegre Dezembro/2011 CHRISTOPHER ROBERT KASTENSMIDT TECNOLOGIAS DE CONTATO: OS IMPACTOS DAS PLATAFORMAS DOS JOGOS DIGITAIS NA JOGABILIDADE SOCIAL Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós-Graduação em Comunicação Social da Pontifícia Universidade Católica do Rio Grande do Sul. Orientadora: Dra. Magda Rodrigues da Cunha PORTO ALEGRE 2011 CHRISTOPHER ROBERT KASTENSMIDT Dados Internacionais de Catalogação na Publicação (CIP) K19t Kastensmidt, Christopher Robert Tecnologias de contato: os impactos das plataformas dos jogos digitais na jogabilidade social. / Christopher Robert Kastensmidt. – Porto Alegre, 2011. 172 p. Dissertação (Mestrado) Programa de Pós-Graduação em Comunicação Social – Faculdade de Comunicação Social, PUCRS. Orientadora: Profa. Dra. Magda Rodrigues da Cunha 1. Comunicação Social. 2. Jogos Digitais. 3. Jogabilidade Social. 4. Jogos Eletrônicos. I. Cunha, Magda Rodrigues da. II. Título. CDD 794.8 Ficha elaborada pela bibliotecária Anamaria Ferreira CRB 10/1494 TECNOLOGIAS DE CONTATO: OS IMPACTOS DAS PLATAFORMAS DOS JOGOS DIGITAIS NA JOGABILIDADE SOCIAL Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós-Graduação em Comunicação Social -
[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
Download Sonic
Download sonic click here to download How far can the world's fastest hedgehog run? Play as Sonic the Hedgehog as you dash, jump and spin your way across stunning 3D environments. Swipe your way over and under challenging obstacles in this fast and frenzied endless running game. SONIC The world famous Sonic the Hedgehog stars in his first. The Sonic game that started it all is now free-to-play and optimized for mobile devices! Race at lightning speeds across seven classic zones as Sonic the Hedgehog. Run and spin through loop-de-loops as you collect rings and defeat enemies on your mission to save the world from the evil Dr. Eggman. Sonic the Hedgehog. Download Sonic Dash Go. An endless runner featuring Sonic. Sonic Dash is a platform game starring Sonic. It uses similar gameplay to the now classic 'Temple Run' to produce an exciting experience that demands that you have good reflexes if you want to succeed. Everything you'd expect from a Sonic. Sonic Games, free and safe download. Sonic Games latest version: Remember Sonic? Relive the old days with this game collection. Sonic Games is a set of classic arcade games with the famous blue hedgehog as protagonist. Play as Sonic the Hedgehog as you dash, jump and spin your way across stunning 3D environments. Swipe your way over and under challenging obstacles in this fast and frenzied endless running game for iPad, iPad mini, iPhone & iPod touch. SONIC The world famous Sonic the Hedgehog stars in his first endless. Download Sonic. Free and safe download. -
Art. Music. Games. Life. 16 09
ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website. -
Art Worlds for Art Games Edited
Loading… The Journal of the Canadian Game Studies Association Vol 7(11): 41-60 http://loading.gamestudies.ca An Art World for Artgames Felan Parker York University [email protected] Abstract Drawing together the insights of game studies, aesthetics, and the sociology of art, this article examines the legitimation of ‘artgames’ as a category of indie games with particularly high cultural and artistic status. Passage (PC, Mac, Linux, iOS, 2007) serves as a case study, demonstrating how a diverse range of factors and processes, including a conducive ‘opportunity space’, changes in independent game production, distribution, and reception, and the emergence of a critical discourse, collectively produce an assemblage or ‘art world’ (Baumann, 2007a; 2007b) that constitutes artgames as legitimate art. Author Keywords Artgames; legitimation; art world; indie games; critical discourse; authorship; Passage; Rohrer Introduction The seemingly meteoric rise to widespread recognition of ‘indie’ digital games in recent years is the product of a much longer process made up of many diverse elements. It is generally accepted as a given that indie games now play an important role in the industry and culture of digital games, but just over a decade ago there was no such category in popular discourse – independent game production went by other names (freeware, shareware, amateur, bedroom) and took place in insular, autonomous communities of practice focused on particular game-creation tools or genres, with their own distribution networks, audiences, and systems of evaluation, only occasionally connected with a larger marketplace. Even five years ago, the idea of indie games was still burgeoning and becoming stable, and it is the historical moment around 2007 that I will address in this article. -
Shall We Play a Game: Thoughts on the Computer Game Archive of the Future
Shall We Play a Game: Thoughts on the Computer Game Archive of the Future Henry Lowood, Stanford University, Oct. 2002 The Importance of the Topic Now that the Pong and Pac-Man generations have aged and few Stanford undergraduates can remember a world without Mario, computer games have suddenly grown up. It is a good time to think about the place of games among media and how we can preserve their history. Many would argue that the “medium of the video game” (the title of a recent book)1 should be a prominent stop on any tour of late 20th-century mediascape, certainly of popular culture and art. The conventional approach cites statistics that measure the commercial success of computer games. Sales of computer and video games in the United States alone, including hardware and accessories, exceeded $10 billion in 2001. By comparison, box-office receipts in the U.S. movie industry reached $8.35 billion, itself a record total. Global sales of hardware and software are expected to exceed $30 billion this year, with developed markets for PC or video games in Japan, Korea, Germany, and the U.K. rivaling the U.S. Dollar figures alone do not say enough about the attention our society devotes to computer games. Generally, games take more time to experience than media such as books and films. The publishers of Half-Life: Counterstrike, the most popular networked multiplayer game, report some 3.4 billion player-minutes per month in mid-2002, exceeding estimates based on Nielsen ratings for even the highest-rated U.S. -
Machinima Aus MEDIENINPULSE
Machinima – eine innovative Form des Filmemachens in der Schule Durch die Modifikation der Software eines Computerspiels können in Echtzeit berechnete Animationsfilme einfach und kostengünstig produziert werden. Das komplexe Medium Film geprägt sind, haben hohe Ansprüche, die nicht eingelöst werden können. Das beginnt bei den Themen der Geschichten und zieht sich über die schauspielerischen ,,Kinder können gar keinen eigenen Film machen“, mit Fähigkeiten, über die Drehortproblematik bis hin zur dieser provokanten Feststellung betitelt Matthias Thimm Kameraführung und dem Schnitt – also der Sprache des einen Projektbericht über die Entstehung eines Films in Films selbst. Häufig stellen Schüler fest, dass es einer sechsten Klasse. Er spielt damit auf die Komplexität einfacher ist, eine Geschichte zu erzählen, als eine des Mediums Film an. Man denke nur an den Abspann Geschichte mit filmischen Mitteln darzustellen. Erst mit von Filmen, der eine Vorstellung davon vermittelt, wie etwas Vorwissen ist es sinnvoll, größere Filmprojekte im viele Menschen zum Gelingen eines Films beitragen. Alle regulären Unterricht durchzuführen. Dieses könnten Bereiche vom Drehbuch, über die Dreharbeiten bis hin Schülerinnen und Schüler erwerben, indem sie zuerst zum Schnitt – um nur die wichtigsten zu nennen – sind überschaubare Aufgabenstellungen mit Machinima eigenständige Arbeitsfelder, die schon für sich alleine bearbeiten. Hingewiesen sei in diesen Zusammenhang genommen viel Erfahrung verlangen. Bei einer auf Alain Bergalas Buch ,,Kino als Kunst“, das sehr gelungenen Filmproduktion spielen diese Bereiche, die praxisnahe Vorschläge für die Sensibilisierung der vom Regisseur gelenkt und koordiniert werden, so Schülerinnen/Schüler für einzelne Elemente der ineinander, dass das Endprodukt wie aus einem Guss Filmgestaltung enthält, die sich leicht in die erscheint. Angesichts dieser Komplexität ist es nicht 2 verwunderlich, dass Lehrerinnen und Lehrer vor der Machinima-Produktion übertragen lassen . -
Retaliation Lawsuit Hits SJSU, CSU
Tuesday, Volume 156 April 27, 2021 No. 35 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY Retaliation lawsuit hits SJSU, CSU By Christina Casillas & Stephanie Lam email that stated the external investigation concluded ILL USTR STAFF WRITER & ASSISTANT NEWS EDITOR the recent and previous misconduct cases ATI ON BY are substantiated. “To the affected student-athletes and NICK YB A lawsuit filed against San Jose State and California State their families, I apologize for this breach ARR University officials was brought to light just after SJSU released of trust,” Papazian stated in the email. A its first public statement admitting wrongdoing for not “I am determined that we will learn thoroughly investigating sexual misconduct allegations against from the past and never repeat it.” the university’s former sports medicine director. Mashinchi said for a Swimming and diving head coach Sage Hopkins filed suit in “better understanding of the March 2021 to the Santa Clara County Superior Court against situation,” a frequently asked administrators including current Athletic Director Marie Tuite questions (FAQ) document for retaliating against him after ignoring his claims against Scott will be posted on the SJSU Shaw, according to the 93-page court documents obtained by For Your Information the Spartan Daily. webpage this week that Hopkins wrote a letter to SJSU President Mary Papazian details the December 2019 two months ago stating the administration has been trying to investigation. silence him, according to a Sunday Mercury News article. Mashinchi said the “Your administration attempted to bully and silence me in FAQ page will also explain a revolting and abusive attempt to silence the victims of Scott why a Title IX Procedural Shaw and protect those administrators’ roles in the cover-up Response Investigation is and enabling of this abuse,” Hopkins wrote in the letter. -
Creating AI Characters for Fighting Games Using Genetic Programming Giovanna Mart´Inez-Arellano, Richard Cant and David Woods
View metadata, citation andThis similar is the author's papers version at core.ac.uk of an article that has been published in this journal. Changes were made to this version by the publisher prior to publication. brought to you by CORE The final version of record is available at http://dx.doi.org/10.1109/TCIAIG.2016.2642158 provided by Nottingham Trent Institutional Repository (IRep) 1 Creating AI Characters for Fighting Games using Genetic Programming Giovanna Mart´ınez-Arellano, Richard Cant and David Woods Abstract—This paper proposes a character generation ap- as Reinforcement Learning [6], Artificial Neural Networks proach for the M.U.G.E.N. fighting game that can create engaging (ANN) [7] and Markov models [8] to improve the AI char- AI characters using a computationally cheap process without acters strategy in real-time. Until now, little effort has been the intervention of the expert developer. The approach uses a Genetic Programming algorithm that refines randomly generated made to incorporate these into commercial games. The idea character strategies into better ones using tournament selection. of using nondeterministic approaches is something the game The generated AI characters were tested by twenty-seven human industry is still approaching slowly. players and were rated according to results, perceived difficulty Although the adaptive methods mentioned previously have and how engaging the gameplay was. The main advantages of shown progress on the development of more engaging game this procedure are that no prior knowledge of how to code the strategies of the AI character is needed and there is no need play, the time and resources taken to create such AI structures to interact with the internal code of the game.