Seven Heavens of Mount Celestia Written & Designed by “Weird Dave” Coulson
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Bur¯Aq Depicted As Amanita Muscaria in a 15Th Century Timurid-Illuminated Manuscript?
ORIGINAL ARTICLE Journal of Psychedelic Studies 3(2), pp. 133–141 (2019) DOI: 10.1556/2054.2019.023 First published online September 24, 2019 Bur¯aq depicted as Amanita muscaria in a 15th century Timurid-illuminated manuscript? ALAN PIPER* Independent Scholar, Newham, London, UK (Received: May 8, 2019; accepted: August 2, 2019) A series of illustrations in a 15th century Timurid manuscript record the mi’raj, the ascent through the seven heavens by Mohammed, the Prophet of Islam. Several of the illustrations depict Bur¯aq, the fabulous creature by means of which Mohammed achieves his ascent, with distinctive features of the Amanita muscaria mushroom. A. muscaria or “fly agaric” is a psychoactive mushroom used by Siberian shamans to enter the spirit world for the purposes of conversing with spirits or diagnosing and curing disease. Using an interdisciplinary approach, the author explores the routes by which Bur¯aq could have come to be depicted in this manuscript with the characteristics of a psychoactive fungus, when any suggestion that the Prophet might have had recourse to a drug to accomplish his spirit journey would be anathema to orthodox Islam. There is no suggestion that Mohammad’s night journey (isra) or ascent (mi’raj) was accomplished under the influence of a psychoactive mushroom or plant. Keywords: Mi’raj, Timurid, Central Asia, shamanism, Siberia, Amanita muscaria CULTURAL CONTEXT Bur¯aq depicted as Amanita muscaria in the mi’raj manscript The mi’raj manuscript In the Muslim tradition, the mi’raj was preceded by the isra or “Night Journey” during which Mohammed traveled An illustrated manuscript depicting, in a series of miniatures, overnight from Mecca to Jerusalem by means of a fabulous thesuccessivestagesofthemi’raj, the miraculous ascent of beast called Bur¯aq. -
The Role of Fitrah As an Element in the Personality of a Da’I in Achieving the Identity of a True Da’I
International Journal of Business and Social Science Vol. 3 No. 4 [Special Issue - February 2012] THE ROLE OF FITRAH AS AN ELEMENT IN THE PERSONALITY OF A DA’I IN ACHIEVING THE IDENTITY OF A TRUE DA’I Zaizul Ab. Rahman Jabatan Usuluddin dan Falsafah Islamic Studies Faculty Universiti Kebangsaan Malaysia Malaysia Abstract In the era of fast-paced development, a dā„ī is constantly faced with a variety of challenges as a result of globalization, among which are attacks on mentality headed and sponsored by other religious groups. A strong element of true fitrah (which translates as „disposition‟) is a critical requirement in dealing with these challenges by supplying oneself with knowledge, faith and good deeds. With these elements, a dā„ī can face the era of globalization that is so rife with tribulations. A dā„ī that has no true identity is an easy mark for exploitation by those with interest in doing so. Introduction Fitrah is a highly important factor in shaping the identity of a dā„ī who is capable of carrying out a successful mission in his da‟wah movements. A dā„ī who is not in possession of an element of fitrah that has been sown with the seeds of an untainted personality cannot face the trials he will encounter from the target audience of his da‟wah. This is especially so if a comparison is made to the missionaries of other religions such as Christianity, whose missions move systematically and with detailed planning. Fitrah in Developing the Personality of a Dā‘ī In Islam, “tendency” may bear similarity to the term “fitrah”. -
Heaven in the Early History of Western Religions
Alison Joanne GREIG University of Wales Trinity Saint David MA in Cultural Astronomy and Astrology Module Name: Dissertation Module Code: AHAH7001 Alison Joanne Greig Student No. 27001842 31 December 2012 Heaven in the early history of Western religions Chapter 1 Approaches to concepts of heaven This dissertation examines concepts of heaven in the early history of Western religions and the extent to which themes found in other traditions are found in Christianity. Russell, in A History of Heaven, investigates the origins of the concept of heaven, which he dates at about 200 B.C.E. and observes that heaven, a concept that has shaped much of Christian thought and attitudes, has been strangely neglected by modern historians.1 Christianity has played a central role in Western civilization and instructs its believers to direct their life in this world with a view to achieving eternal life in the next, as observed by Liebeschuetz. 2 It is of the greatest historical importance that a very large number of people could for many centuries be persuaded to see life in an imperfect visible world as merely a stage in their progress to a world that was perfect but invisible; yet, it has been neglected as a subject for study. Russell notes that Heaven: A History3 by McDannell and Lang mainly offers sociological insights.4 Russell holds that the most important aspects of the concept of heaven are the beatific vision and the mystical union.5 Heaven, he says, is the state of being in 1 Jeffrey Burton Russell, A History of Heaven – The Singing Silence (Princeton, NJ: Princeton University Press, 1997) xiii, xiv. -
DRAGONLANCE! Actually, the Name of the World Is Krynn
Another world, another adventure. Another reality to explore, a thrilling new … library? A library, complete with the faintly musty smell of old tomes. Long tall stacks of books, scrolls, and tablets run the length of the chamber you find yourself in. Seated at a desk near the back of the chamber is a lone figure. He scratches away with quill and ink on a scroll, pausing only to wet his quill in a small inkpot and look into a crystal globe located to his left. “Astinus of Palanthas, Master of the Library of Palanthas and Historian of Krynn. He keeps a record of everything that happens here. Everything of note, at least. Most people think he’s immortal or some kind of god. No one seems to know for certain, though.” No one? Your Benefactor smiles one of those little smiles you’ve become so familiar with. “Well, maybe not no one. Maybe you’ll figure it out and tell me all about it?” Seemingly bored with that train of thought, your Benefactor turns away from you and runs their hands along the stacks. “So here we are: DRAGONLANCE! Actually, the name of the world is Krynn. Dragonlance is the title given to the intellectual property created, ‘created,’ by Margret Weiss and Tracy Hickman. So, if you’d like to take a minute to read up on what this place is about, now’s the time and here’s the place to do it. Or I can just give you the Chain’s Notes. Get it? Chain’s Notes? It’s like Cliff’s Notes, but … never mind.” “In the beginning was The High God and from the Beyond he called forth Paladine, Gilean and Takhisis, good, neutral and evil gods respectively. -
Revelation, Session 4 Seven Trumpets Revelation 8:6-11:19 It Is
Revelation, Session 4 Seven Trumpets Revelation 8:6-11:19 It is perhaps most helpful not to think of this central section of Revelation as a kind of timeline, with the drama of the seals followed by the drama of the trumpets followed by the drama of the bowls. Rather what we have here is a kind of triptych, with three panels set up beside each other. Or we can think of it as a kind of split screen motion picture with events juxtaposed against each other simultaneously. In each case what Revelation affirms is the power of judgment and the hope of redemption. In each case the power of the judgment is presented in such dramatic, almost overwhelming images that it is hard to grasp the hope, but in each case there is a fundamental affirmation of salvation that is there if we can pay enough attention, or rally enough faith. The depiction of the trumpet will in itself will resonate with John’s readers or hearers. There is the trumpet that calls people to worship at the temple. There is the trumpet that sounded before the fall of Jericho. There is the trumpet that is regularly part of the scenario for the last days in early Christian expectation: “For the Lord himself, with a cry of command, with the archangel’s call and with the sound of God’s trumpet, will descend from heaven, and the dead in Christ will rise first.” (1Thess. 4:16) “Listen, I will tell you a mystery, we will not all die, but we will all be changed, in a moment, in the twinkling of an eye, at the last trumpet. -
Dragon Magazine #248
DRAGONS Features The Missing Dragons Richard Lloyd A classic article returns with three new dragons for the AD&D® game. Departments 26 56 Wyrms of the North Ed Greenwood The evil woman Morna Auguth is now The Moor Building a Better Dragon Dragon. Paul Fraser Teaching an old dragon new tricks 74Arcane Lore is as easy as perusing this menu. Robert S. Mullin For priestly 34 dragons ... Dragon Dweomers III. Dragon’s Bestiary 80 Gregory W. Detwiler These Crystal Confusion creatures are the distant Dragon-Kin. Holly Ingraham Everythingand we mean everything 88 Dungeon Mastery youll ever need to know about gems. Rob Daviau If youre stumped for an adventure idea, find one In the News. 40 92Contest Winners Thomas S. Roberts The winners are revealed in Ecology of a Spell The Dragon of Vstaive Peak Design Contest. Ed Stark Columns Theres no exagerration when Vore Lekiniskiy THE WYRMS TURN .............. 4 is called a mountain of a dragon. D-MAIL ....................... 6 50 FORUM ........................ 10 SAGE ADVICE ................... 18 OUT OF CHARACTER ............. 24 Fiction BOOKWYRMs ................... 70 The Quest for Steel CONVENTION CALENDAR .......... 98 Ben Bova DRAGONMIRTH ............... 100 Orion must help a young king find both ROLEPLAYING REVIEWS .......... 104 a weapon and his own courage. KNIGHTS OF THE DINNER TABLE ... 114 TSR PREVIEWS ................. 116 62 PROFILES ..................... 120 Staff Publisher Wendy Noritake Executive Editor Pierce Watters Production Manager John Dunn Editor Dave Gross Art Director Larry Smith Associate Editor Chris Perkins Editorial Assistant Jesse Decker Advertising Sales Manager Bob Henning Advertising Traffic Manager Judy Smitha On the Cover Fred Fields blends fantasy with science fiction in this month's anniversary cover. -
The Marvels of the Number Seven in the Noble Qur'an
THE MARVELS OF THE NUMBER SEVEN IN THE NOBLE QUR’AN AbdulDaem Al-Kaheel Translated by Mohammed R. Al Salah The Marvels of the Number Seven in the Noble Qur’an Book Summary This book sheds light upon a recent discovery centred around one of the most exciting topics in world religion and Islam in particular: the miracles of the Noble Qur’an. After studying thousands of Qur’anic words and passages, I have arrived at what can be considered the discovery of an intricate numeric system that rests within the verses of the Noble Qur’an. By the blessing of God Almighty, I have succeeded – after a detailed and methodical investigation – in proving both the existence and accuracy of this prolific numeric system, which comprehensively covers the Qur’an’s chapters, verses, words and letters. This new phenomenon will be referred to as the ‘numeric miracle’ of the Qur’an. The foundation and basis of this numeric system is the number 7, one of the most significant numbers in the Noble Qur’an1 (if not the most significant), and a hint, perhaps, that the Creator of the seven heavens is indeed the One Who sent down this Book, preserving it from distortion. This work is an attempt at establishing firm scientific and ethical grounds on which to base any study of the numeric miracle. A sound scientific approach must be adhered to whenever Qur’anic numbers are analysed, and this is something that I have honoured throughout this study and hope that fellow researchers will honour as well. A substantially large collection of profound numerical truths will be conveyed in this book. -
James Whitbourn the Seven Heavens and Other Choral Works
James Whitbourn The Seven Heavens And other choral works The Seven Heavens 1 I. The Moon 4:52 2 II. Mars 4:32 3 III. Mercury 4:21 4 IV. Jupiter 2:56 5 V. Venus 4:48 6 VI. Saturn 5:21 7 VII. The Sun 5:20 8 Ada 6:15 9 Video caelos apertos 4:18 10 The Voices Stilled 5:45 11 Eternal Rest 4:19 12 Gratias agimus tibi 2:11 13 Canticle of Mary 6:28 14 Canticle of Simeon 4:04 Total playing time: 65:34 Cor Cantiamo Eric A. Johnson, conductor The music Notes by the composer The Seven Heavens (2014/2016) Chamber Version The Seven Heavens is a musical portrait of C. S. Lewis portrayed in the imagery of the mediaeval planets. The work has its genesis in Belfast, where C. S. Lewis was born and the city which he always called home, even though he lived and worked in Oxford for most of his life. The Seven Heavens was commissioned by my friends in the Belfast Philharmonic and their conductor Stephen Doughty for a celebratory concert with the Ulster Orchestra. It was for the close of the 2014-2015 concert season which marked the 140th anniversary of the choir’s foundation in 1874. The initial scoring was for huge orchestra—fitting for the Ulster Hall—and even made use of the hall’s famous and majestic organ. After the magnificent 2015 Belfast première another opportunity arose from conversations with my friend Eric Johnson who was keen to commission a work for his renowned choir Cor Cantiamo. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Celestial Topography: Mapping the Divine Realms of Antiquity
Celestial Topography: Mapping the Divine Realms of Antiquity by Amy Marie Fisher A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto © Copyright by Amy Marie Fisher 2015 Celestial Topography: Mapping the Divine Realms of Antiquity Amy Marie Fisher Doctorate of Philosophy Department for the Study of Religion University of Toronto 2015 Abstract This dissertation explores the cartographic descriptions and depictions of the heavens in antiquity, specifically the 1st century BCE through the early 5th century CE. The physical nature of the heavens and the loci each portrayal includes or excludes tells the reader a great deal about the communities creating and engaging with these various understandings of the heavens. This study offers a series of snapshots of differing depictions of the heavens from various times and places in early Judaism and Christianity; the poetic Songs of the Sabbath Sacrifice from the Dead Sea Scrolls, the depictions of 1st Century CE apocalypses, the first explicitly Christian tour of heaven in the Visio Pauli, and the artistic renderings of late antique Palestinian synagogue mosaics. In order to read these many spaces and their mythic places out, the study engages with various critical spatial theories, demonstrating that a nuanced deployment of modern spatial theory can yield fruitful results in the study of antiquity. In addition it offers one answer to the question of why the heavens developed and became so complex in the second temple and post second temple period. This dissertation suggests that this complexity was a natural development of pre-exilic proclivities for seeing the earthly temple as a miniature copy of the heavenly one; albeit one forced to develop due to imperial expansion upon the earth. -
Tsr-92Catalog.Pdf
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Chapter 5- Table of Contents
Chapter 5- Table of Contents 5 Five main scriptural entities ..................................................................................... 2 5.1 Earth ................................................................................................................ 2 5.2 Heavens ........................................................................................................... 3 5.3 Paradise ........................................................................................................... 5 5.4 Gardens of Eden .............................................................................................. 6 5.5 World .............................................................................................................. 8 5.5.1 Vishnu and the World............................................................................... 9 5.5.2 Tower of Babel and the World................................................................ 10 5.5.3 Alignment .............................................................................................. 11 www.ScripturesAndI.com 1 5 Five main scriptural entities For any organized religion followers, scriptural readers, and researchers five major scriptural entities play crucial role in scripture interpretations and outcomes. Every major religious teaching circumvents around these entities and we all are familiar with them though meaning varies depending on our orientations. They are Earth, Heaven, Paradise, Garden of Eden and the world. I will not discuss Hell here but will