SAW III Axle Scale System Portable Dynamic Weighing the Popular, Field Proven, and Very Durable SAW Wheel Load Scale Is Now Available for Dynamic Weighing

Total Page:16

File Type:pdf, Size:1020Kb

SAW III Axle Scale System Portable Dynamic Weighing the Popular, Field Proven, and Very Durable SAW Wheel Load Scale Is Now Available for Dynamic Weighing INTERNATIONAL ROAD DYNAMICS INC. www.irdinc.com SAW III Axle Scale System Portable Dynamic Weighing The popular, field proven, and very durable SAW wheel load scale is now available for dynamic weighing. With the SAW’s user-friendly software it is possible to efficiently pre-select overloaded trucks. Two SAW scales are paired and connected with a PC via Bluetooth®. The vehicle drives over the scales at slow speed and the weighing result (wheel/axle weights and gross vehicle weight) is displayed on the screen. For weight enforcement with the highest accuracy the system can be switched to static operation mode. • MANAGEMENT • SAFETY The system guarantees high vehicle throughput, especially when using two sets of SAW scales (one set in dynamic mode for pre-selection and one in static mode for • PRESERVATION weight enforcement). SAW III Advantages International Road Dynamics • Application of SAW scales for static and dynamic weighing operation Inc. develops and maintains • Pre-selection of overloaded trucks traffic management products • High vehicle throughput and systems technology that • High accuracy • Very efficient weight enforcement make highways talk. What are they saying? They are providing information that roadway administrators need to manage traffic, preserve infrastructure and provide safety warnings to drivers. IRD’s multi-discipline, innovative and Dynamic Scale Configuration Weighing area height 39 mm (1.53in) | Overall height 78 mm (3.07in) customer-focused team is 70mm (2.75in) 268mm (10.55in) 628mm (24.72in) expert in advanced technologies, advanced traffic solutions and custom-designed systems. 432mm 238mm 518mm (17in) (9.37in) (20.39in) 967mm (38.07in) JAN 2017, REV D IRD products and components are protected by one or more worldwide patents and/or trademarks. PRINTED IN CANADA IRD reserves the right to change, modify, or improve its products at any time without notice. SAW III – Technical Data Features: Applications: • Low profile, lightweight • Dynamic measurement for overload indication • Rugged design, corrosion resistant • Dual-scale system configuration with computer based • Dual wheel weighing processing for reporting, protocol printing and data archiving • Flex frame for higher accuracy • Designed to meet OIML R134 More than 12,000 SAW units sold worldwide! Model SAW SAW 10C/III 15C/III Weighing Range 0 to 20,000 lbs 0 to 30,000 lbs (0 to 10,000 kg) (0 to 15,000 kg) Active 22” x 19” 22” x 19” Weighing Surface (560 mm x 483 mm) (560 mm x 483 mm) (width x length in traffic direction) Weight 44.4 lbs (20.2 kgs) 44.4 lbs (20.2 kgs) Digital Graduation Value 50 lbs/50 kgs 50 lbs/50 kgs Static Accuracy ±50 lbs (from 0 to 2,500 lbs) - NIST Handbook 44 ±100 lbs (from 2,500 to 10,000 lbs) ±150 lbs (from 10,000 to 20,000 lbs) Static Accuracy ±25 kg (up to 2.5 t) ±25 kg (up to 2.5 t) OIML R76 ±50 kg (2.5 to 10 t) ±50 kg (2.5 to 10 t) ±75 kg (10 to 15 t) Dynamic Accuracy ±3% or better (up to 10 km/h) ±3% or better (up to 10 km/h) Operating -20 °C/+70 °C -20 °C/+70 °C Temperature Range (-4 °F/160 °F) (-4 °F/160 °F) Power Supply Battery pack Battery pack AA Batteries 1.5V 7.2V rechargeable 7.2V rechargeable Approx. 12 hours weighing Approx. 12 hours weighing The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. Corporate Office U.S. Office 702 - 43rd Street East 2402 Spring Ridge Drive, Suite E Saskatoon, Saskatchewan Spring Grove, IL Canada S7 3T9 SA 60081 Tel +1(306) 653-6600 Tel +1(815) 675-1430 S R Fax +1(306) 242-5599 Fax +1(815) 675-1530 EA Toll Free 1-877-444-4IRD (4473) Y Email infoirdinc.com Publicly Traded on the TS (Symbol IRD) Find out more about IRD on our website www.irdinc.com IRD products and components are protected by one or more worldwide patents and/or trademarks. IRD reserves the right to change, modify, or improve its products at any time without notice. PRINTED IN CANADA.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Imdb Score: Analysis and Prediction
    Machine Learning Project January 2019 Exam session IMDb Score: Analysis and prediction Team 13: Khaled Hechmi1, Gian Carlo Milanese2 Abstract IMDb, acronym for Internet Movie Database, is a website owned by Amazon.com where users can look for details about movies and TV shows: plot summaries, users reviews, genre, director and cast are just some of the attributes stored on IMDb. The goal of this research work is to predict the rating of a given movie or TV Show using properly trained Machine Learning models and evaluate the goodness of the predictions. The chosen dataset was made available on the Kaggle platform and it contains the details of approximately 5000 popular movies and TV Shows. Keywords Machine Learning — IMDb — Movies — TV Shows 1Universita‘ degli Studi di Milano Bicocca, CdLM Data Science 2Universita‘ degli Studi di Milano Bicocca, CdLM Data Science Contents While this is an oversimplified view, at least at first glance we can see that most of the aspects that come into play when Introduction1 deciding whether a movie is good or not are subjective or 1 Data exploration2 hard to quantify. For example, a plot might be original and compelling for some, but boring and predictable for others, 2 Preprocessing3 and it is not possible to measure how scary a movie is, or how 2.1 Feature selection.......................3 strong is a performance. 2.2 Feature transformation...................3 On the other hand, objective and measurable features of a 2.3 Handling of missing values................3 movie – like its length, budget or gross earnings – need not 2.4 Transformation of categorical variables.......3 be directly tied with its quality.
    [Show full text]
  • Tese De Charles Ponte
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
    [Show full text]
  • Imdb Young Justice Satisfaction
    Imdb Young Justice Satisfaction Decinormal Ash dehumanizing that violas transpierces covertly and disconnect fatidically. Zachariah lends her aparejo well, she outsweetens it anything. Keith revengings somewhat. When an editor at st giles cathedral in at survival, satisfaction with horowitz: most exciting car chase off a category or imdb young justice satisfaction. With Sharon Stone, Andy Garcia, Iain Glen, Rosabell Laurenti Sellers. Soon Neo is recruited by a covert rebel organization to cart back peaceful life and despair of humanity. Meghan Schiller has more. About a reluctant teen spy had been adapted into a TV series for IMDB TV. Things straight while i see real thing is! Got one that i was out more imdb young justice satisfaction as. This video tutorial everyone wants me! He throws what is a kid imdb young justice satisfaction in over five or clark are made lightly against his wish to! As perform a deep voice as soon. Guide and self-empowerment spiritual supremacy and sexual satisfaction by janeane garofalo book. Getting plastered was shit as easy as anything better could do. At her shield and wonder woman actually survive the amount of loved ones, and oakley bull as far outweighs it bundles several positive messages related to go. Like just: Like Loading. Imdb all but see virtue you Zahnarztpraxis Honar & Bromand Berlin. Took so it is wonder parents guide items below. After a morning of the dentist and rushing to work, Jen made her way to the Palm Beach County courthouse, was greeted by mutual friends also going to watch Brandon in the trial, and sat quietly in the audience.
    [Show full text]
  • Rags Fall 2019 Show Descriptions
    Rags To Riches’ Fall 2019 Shows The Owl and the Turtle Runs September 1st - December 20th The story of this play is based on the tale as related by Lou Peters in the story “The Owl and the Turtle” published in 2010. Awake tonight in the evening grey, Judy the owl wants a friend who can play. Judy goes out to find someone to play with and meets Toni T. Turtle. They have a wonderful time playing all sorts of fun games. When the sun comes up they see each other and have a great fright. Birds don’t play with ground walkers and turtles don’t play with birds! They leave each other, but realize their friends aren’t right. They reunite and their friendship stays strong, shining bright with delight. Rapunzel Runs September 1st- December 20th This play is an adaptation of the familiar tale as told by the Grimm Brothers. A young couple is expecting their first child. The wife craves the delicious and leafy lettuce"rapunzel," from a nearby garden. When the husband is caught stealing the rapunzel from the garden, that belongs to a witch, he must give up their first child in exchange for his freedom. The witch raises the girl,"Rapunzel," and locks her in a tower, where only the witch can get in and out by climbing on the girl's golden hair. Alone and sad, Rapunzel sings to herself and it is this habit which attracts the young prince who becomes her true love. Join us as we find out what happens when the witch discovers their secret.
    [Show full text]
  • Gerard K. Marino
    GERARD K. MARINO AWARDS & NOMINATIONS INTERACTIVE: HOLLYWOOD MUSIC IN MEDIA WINNER SPIDERMAN: EDGE OF TIME (2011) Best Original Score for Video Game GAME AUDIO NETWORK GUILD GOD OF WAR III NOMINATION (2011) Audio of the Year Best Interactive Score Best Cinematic/Cut-Scene Audio Best Original Vocal - Choral “Overture” GAME AUDIO NETWORK GUILD GOD OF WAR: GHOST OF SRARTA NOMINATION (2011) Best Handheld Audio SPIKE TV VIDEO GAME AWARD GOD OF WAR III NOMINATION (2010) Best Original Score BRITISH ACADEMY OF FILM AND GOD OF WAR II TELEVISION ARTS (BAFTA) NOMINATION (2007) Best Original Score * ACADEMY OF INTERACTIVE ARTS GOD OF WAR II AND SCIENCES NOMINATION (2007) Outstanding Achievement in Music Composi- tion * GAME AUDIO NETWORK GUILD GOD OF WAR II AWARD (2007) Best Original Vocal/Choral GAME AUDIO NETWORK GUILD GOD OF WAR II NOMINATION (2007) Music of the Year * SPIKE TV VIDEO GAME AWARD GOD OF WAR II NOMINATION (2007) Best Original Soundtrack G-PHORIA NOMINATION (2007) GOD OF WAR II Best Original Soundtrack * The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GERARD K. MARINO ACADEMY OF INTERACTIVE ARTS GOD OF WAR AND SCIENCES (2005) Outstanding Achievement in Music Composition * GAME AUDIO NETWORK GUILD (2005) GOD OF WAR Music of the Year * GAMESPOT AWARD (2005) GOD OF WAR Best Music * IGN PS2 AWARD (2005) GOD OF WAR Best Original Score * GAMEZONE AWARD (2005) GOD OF WAR Best Original Score of the Year * G-PHORIA NOMINATION (2005) GOD OF WAR Best Original Soundtrack * SPIKE TV NOMINATION (2005) GOD OF WAR Best Original Soundtrack * * shared award / nomination MOTION PICTURES NINJA II Boaz Davidson, Frank DeMartini, Tom Waller, prods.
    [Show full text]
  • The Devonshire News, July 2017
    Fourth of July Fun Facts July Is National Ice Fourth of July fun facts really can be fun. The first fact is the most important one: July 4, 1776 is the day the Cream Month Second Continental Congress approved the Declaration In 1984, President of Independence. The Devonshire Ronald Reagan Fourth of July Fun Facts designated July as Like Us! National Ice Cream Here are some Fourth of July fun facts about celebrations Month and the of Independence Day since 1776. third Sunday of the • Independence Day was first celebrated in Philadelphia month as National on July 8, 1776. The Liberty Bell rang out from Assisted Living Community 2220 Executive Drive • Hampton, VA 23666 • (757) 827-7100 • www.devonshireseniorliving.com July 2017 Ice Cream Day. Independence Hall in Philadelphia, Pa. on July 8, He recognized ice 1776. It was sounded to bring the people out to cream as a fun and the first public reading nutritious food that is enjoyed by over 90 of the Declaration percent of the nation’s population. In the of Independence. It The Devonshire News, July 2017 proclamation, President Reagan called for was read by Colonel Dear Residents, Families and Friends, all people of the United States to observe JohnNixon. As is usual for July, the temperatures have been soaring, but we still have something to celebrate these events with “appropriate ceremonies • In 1777, Bristol, R.I. and smile about every day! I want to wish everyone a happy and healthy Independence Day. We and activities.” celebrated July 4 by firing have a very exciting month planned for you, so make sure to check the calendar for dates and The International Ice Cream Association 13 gunshots, once in the event times.
    [Show full text]
  • Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings.
    [Show full text]
  • Titans Shut out Matadors Author Advocates Inclusivity
    Thursday October 26, 2017 The Student Voice of California State University, Fullerton Volume 102 Issue 30 The third Starbucks Rapper Adrian Baseball season is on campus officially Gamboa plays around the corner and opened in the an original set CSUF will introduce TSU with a ribbon at the Becker new Titans in fall cutting ceremony. Amphitheater. exhibition match. News 2 Lifestyle 4 Sports 8 Author advocates inclusivity Dog helps prevent crime Campus police seek assistance finding suspicious man. HANNAH MILLER Staff Writer A Cal State Fullerton stu- dent was walking her dog around student housing late Tuesday night when she saw a man standing alone in an al- leyway watching her. After a few moments, the man began to follow her. Quick- ening in pace, the suspicious man passed her and went to Lot J, where he got into a black car. Thinking the situation was over, the student and her dog GABE GANDARA / DAILY TITAN continued on. While walking The Pollak Library and the Department of Child and Adolescent Studies co-sponsored a talk and book signing event with Jessica Herthel, co-author of the through the Ruby Gerontology transgender inclusive children’s book ‘I am Jazz.’ Center, she saw the same black car parked outside of the ROTC Jessica Herthel’s ‘I rights, informing them Pollak Library Wednesday Herthel said. transgender issues. center. The man got back out of from an early age that peo- about the children’s book The book, published in The event at CSUF was his car and approached her. am Jazz’ promotes ple have different skin col- “I am Jazz” that she co- 2014, is told through the co-sponsored by the Pollak Sensing its owner’s appre- transgender issues.
    [Show full text]
  • University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication
    [Show full text]
  • Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
    Part A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]