DOCSLIB.ORG

Caltech Chamber Music Instrumental Music Fund, Which Supports Private Lessons for Caltech Students

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Caltech Chamber Music Instrumental Music Fund, Which Supports Private Lessons for Caltech Students This concert is sponsored by Caltech’s Office of Student Affairs, the Friends of Instrumental Music, and the Donald E. Hudson Chamber Music Fund. Dr. Richard Hudson established the fund in February of 2001 in memory of his brother and fellow Caltech alumnus, Donald. A lifelong lover of chamber music, Donald Hudson served as professor of Mechanical Engineering at Caltech. Donald E. Hudson Visiting Artists Hye Sung Cho (flute) has been an integral part of Caltech’s student chamber music program this term as coaches of several student ensembles. We also wish to acknowledge the generous assistance of the Richards Caltech Chamber Music Instrumental Music Fund, which supports private lessons for Caltech Students. Winter 2019 Concert Series Caltech’s Chamber Music Program was established in 1979, with Delores Bing as its founding director. Chamber Music shares the goals of the other Performing and Visual Arts courses on campus: promoting cultural literacy, creative expression, and artistic achievement; providing stress relief; and encouraging the formation of new friendships among artistically-inclined Techers. Winter 2019 Events Caltech Chamber Music Ensembles Friday, 2/1/19, 8:00 pm - Dabney Lounge Sunday, 2/3/19, 3:30 pm - Dabney Lounge (Superbowl Alternative) Tuesday, 3/5/19, 12:00 pm - Dabney Lounge (Martin Chalifour concert) RSVP [email protected] Caltech Jazz Band Guest Artist Concert - please call (626) 395-4652 for tickets Saturday, 2/2/19, 8:00 pm - Beckman Auditorium Theater Arts Caltech Avenue Q - please call (626) 395-4652 for tickets Friday, 2/22/19, 7:30 pm - Ramo Auditorium Saturday, 2/23/19, 7:30 pm - Ramo Auditorium Sunday, 2/24/19, 2:30 pm - Ramo Auditorium Friday, 3/1/19, 7:30 pm - Ramo Auditorium Saturday, 3/2/19, 7:30 pm - Ramo Auditorium Friday, February 1, 2019 Sunday, 3/3/19, 2:30 pm - Ramo Auditorium 8:00 PM Caltech-Occidental Wind Orchestra Sunday, 2/24/19, 3:30 pm - Thorne Hall Dabney Lounge The Caltech Orchestra Saturday, 3/9/19, 8:00 pm - Ramo Auditorium California Institute of Technology Sunday, 3/10/19, 3:30 pm - Ramo Auditorium *All music events are free, except where noted PROGRAM Friends of Caltech Instrumental Music We would like to thank the Friends of Caltech Instrumental Music, whose support is essential to the Caltech-Occidental Wind Orchestra, Caltech Jazz Bands, Caltech Chamber Music Ensembles, and the Caltech Orchestra. ALEXANDER BORODIN CULTURAL CATALYSTS ($2,500+) Mark & Mary Davis, Tom & Doris Everhart, Kirby W. Fong, Shirley & Carl Larson, France Meindl, Doris Shimabukuro, Rochus and Micheline Vogt Beethoven's Fable* Edgar Girtain (b. 1988) MAJOR BENEFACTORS ($1,000 - $2,499) David Brown, Jane Chang Chen, James & Laura Dooley, Joshua D. Hutchins, James Mosher, Cynthia Nunes, Dr. Simon Clare Hao (CS, 2019) clarinet Ramo, Mr. Raymond Richards, Marianne Walck Kabir Mohammed viola BENEFACTORS ($500 to $999) Paul Asimow, William & Delores Bing, John & Patti Brugman, Leslie & Karen Deutsch, Mrs. JD Gee, Eric H. Chien-I Yang (Chemistry, GS) piano Kawamoto, TomLaTourrette, Oscar & Adrienne Mandel, Areez Mody, Glenn Price, Peter Ryan, Carl Schultheisz, Steve & Lynne Snyder PATRONS ($250 to $499) Jay Bartroff, Joseph Boeke, Leslie Kite Bouman, Margaret Cole, James and Margo Drummond, Terry L. Dutton & Mark Slavonic Dance in E minor for Piano 4-Hands, op. 72, No. 2D W. Jordan, Barbara Gasior, Andrew Ghez, John Hall & Nancy Lan, Dick & Barbara Harley, Phyllis Hudson, William D. Hutchinson, Karl & Beth Irikura, Wolfgang G. Knauss, Theresa Kowalkowski, Stephen Leroy, Aaron Lipman, Oscar & Antonín Dvořák (1841-1904) Adrienne Mandel, Peter Maresh, Susan Murakami & Lee Fisher, Thomas Lloyd, Thomas Neenan & Robin Guyett- Neenan, Bob & Lori Paz, Clarence Worth Rowley III, Geoffrey Rubin, Stan & Joan Sander, Frederic T. Selleck, Charlene Melba Nuzen (CS, 2022) Piano & Michael Sievers, Christopher Umminger, Jeffrey Michael Weiss, Jan Westman, Irving Zeidner & Chatchada Karanes SPONSORS ($100 to $249) Susu Le (Mech E, 2022) Piano Rachel Akeson, Arden & Charleen Albee, Andrew Bailey, Edmund C. Barnum, Cyrus Behroozi, Monica & Mattheus Berbee, Chris Berlind, Henry & Leigh Bienen, Mary Blodgett, Bret Burns, Mary & Jim Carter, Raye Cheng & Family, Lynn Chmelir & John Webb, John Chodera, Kelly Coreas, Jan & Lynn Dash, Cary & Carol Davids, Tasshi Dennis, Rondo in A major, D 951D Franz Schubert (1797-1828) William Dickey, David Ding, Vicki Edwards, Iljie Kim and Michael Fitzgerald, David Flores, Steven & Mie Frautschi, Joan Freeman, Jeff Gelles, Daniel Giammar, Steven Gleanson, Harry & Shirley Gray, Dustin Green & Aspen Richter, Anjini Chandra (Mech E, 2022) Piano Charles A. Greenhall, Allen & Karen Gross, Betty Hong & Carlos Lois, Raymond James, Joe & Katie Jewell, Huang & Ting Kuo, Nicki & Peter Larsen, Adam R. Lawton, Kyu C. & Sung W. Lee, Francis Legeness, Mathilda Li, Hendrina & Aaron Feldman(Undeclared, 2022) Piano Stan Lisiewicz, Christine Loza, Stan & Margaret Manatt, Kaisey Mandel, T.S. Michael, Vera Muensch, Ali Naqavi, Aaron K. Oei, Ann Park, Sterl Phinney, Don & Jane Pinkerton, Huang Fang Kuo, Melissa M. Richmond, Steven K. Ross, Brigitte Roth Tran, Karin Sangster, David Saxe, Eugene & Alicia Scott, Richard Snyder, Jill Soha, Anita M. Sohus, Janet Sorrentino, Robert Stirbl, Susanne Swalley, Thomas Takahashi, Kip Thorne, Clarence Treat, Stephen Unwin, String Quartet No. 8 in C minor, Op. 110* Dmitri Shostakovich (1906-1975) David Jane Vandervelde, Nancy & Robert Vogelaar, Charles Wang, Michael & Edwenna Werner, Susan Weststeyn, John and Doris Wimpress, Jeremy Yager, Christopher Yo, Ki-Young Yoo, Kyriacos Zygourakis I. Largo CONTRIBUTORS ($50 to $99) Anonymous, Brooks Alan Bishofberger, Lynn Chmelir, John Christian, Curtis & Joan Cleven, Thomas and Mary II. Allegro Molto Conrow, Alan & Marlene Dauger, Victoria Davis, The Delattes, Dexter and Cindy De Mesa, Tudor Dan Dimofte, Judith Ellis, Lisa Falk, David Feldman, J.F. Feeney, Mona Field, John & Kathleen Gass, Daryl W. Gerwin, Evelyne Glaser, III. Allegretto Edray Goins, Terrill W. Hendrickson, Alix Herrmann, Barbara Johnson, Laura Jones-Wilson, David Kauffman, Pamela IV. Largo Ann Kemp, Jolene Lau, Raul & Michele Lobo, Charlotte Manly, David Marx, Dennis & Kathryn McCreary, Malgorzata & Jakub Mines, Anita M. Miranda, Carol Mullenax, Michael Pahre, Jeff Pier, Gregory Rewoldt, Wayne Schenck, Denis V. Largo Shcherbakov, Jerry Silberberg, Anne Snyder, Richard Snyder, Linda Song, Toshihiko Takeuchi, Fan-Chia Tao, Clarence & Alaris Treat, Victor Tsai, Daniel Wagenaar, Alex Wang, Pat Wolff Tina Zhang (Physics, 2021) violin FRIENDS ($25 to $49) Elaine Arbaugh, J. Kelly Beatty, Judith Bruner, Richard Chin, Susan Dittmer, Kjerstin Easton, Jordan & Judith Ellis, Miriam Sun (Bio, 2020) violin Bruce D. Gavril, Sylvie & Roger Gertmenian, Robert & Irene Goodell, Sean Hardesty, Joan & Tom Lampo, Mark McAdon, Gary, Mike Mossey, Michael Nassir, Craig & Anne Ostrander, Richard & Teresa Parsekian, Karin & Oswald Alejandro Yankelevich (Physics, 2019) viola Ragonig, Mr. & Mrs. V. Recendez, Roslyn & Lawrence Scherr, Kacie Shelton, Betty & Norri Sirri, Edith Taylor, Joan and Marc Trummel, Roberta Wilcox, Ernest B. Wysong Jaeyoung Kang (Bio, 2021) cello BOOSTERS ($5 to $24) Justin Chen, Vinnie Chun, Emma Cohen, Ashley Guo, Peter Haderlein, Chloe Hsu, Jamie Jackson, MB Kalis, Sarah Li, Jonathan Liu, Richar Mazon, Rory McKenna, Harrison Miller, Daniel Molina, Michael Nassir, Misha Raffiee, Roel Rodriguez, Yuka Sakazaki, Dalina Thrift-Viveros, David Wheeler This list reflects gifts made 1/28/18 to 1/28/19. To report an error or omission, please contact us. Your tax-deductible membership is greatly appreciated. If you wish to make a donation, please make checks payable to: FRIENDS OF CALTECH INSTRUMENTAL MUSIC Coaches: Performing and Visual Arts at Caltech, Mail Code 2-70, Pasadena, CA 91125 (626) 395-3295 *Maia Jasper White DRobert Ward .
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991, Subscription
    &Bmm HHH 110th Season 19 9 0-91 Boston Symphony Orchestra Seiji Ozawa, Music Director 90th Anniversary of Symphony Hall m<K Only The few will own an aldemars. Only the few will seek the exclusivity that comes with owning an Audemars Piguet. Only the few will recognize wn more than a century of technical in- f\Y novation; today, that innovation is reflected in our ultra-thin mech- Memars Piguet anical movements, the sophistica- tion of our perpetual calendars, and more recently, our dramatic new watch with dual time zones. Only the few will appreciate The CEO Collection which includes a unique selection of the finest Swiss watches man can create. Audemars Piguet makes only a limited number of watches each year. But then, that's something only the few will understand. SHREVECRUMP &LOW JEWELERS SINCE 1800 330BOYLSTON ST., BOSTON, MASS. 02116 (617) 267-9100 • 1-800-225-7088 THE MALL AT CHESTNUT HILL • SOUTH SHORE PLAZA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A.
    [Show full text]
  • DUNEDIN CONSORT JOHN BUTT SIX Brandenburg Concertos
    DUNEDIN CONSORT JOHN BUTT SIX BRANDENBURG CONCERTOS John Butt Director and Harpsichord Cecilia Bernardini Violin Pamela Thorby Recorder David Blackadder Trumpet Alexandra Bellamy Oboe Catherine Latham Recorder Katy Bircher Flute Jane Rogers Viola Alfonso Leal del Ojo Viola Jonathan Manson Violoncello Recorded at Post-production by Perth Concert Hall, Perth, UK Julia Thomas from 7-10 May 2012 Design by Produced and recorded by Gareth Jones and gmtoucari.com Philip Hobbs Photographs by Assistant engineering by David Barbour Robert Cammidge Cover image: The Kermesse, c.1635-38 (oil on panel) by Peter Paul Rubens (Louvre, Paris, France / Giraudon / The Bridgeman Art Library) DISC 1 Brandenburg Concerto No. 1 in F Major, BWV 1046 Concerto 1mo à 2 Corni di Caccia, 3 Hautb: è Bassono, Violino Piccolo concertato, 2 Violini, una Viola è Violoncello col Basso Continuo q […] 4:02 w Adagio 3:44 e Allegro 4:11 r Menuet Trio Polonaise 8:47 Brandenburg Concerto No. 2 in F Major, BWV 1047 Concerto 2do à 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino, concertati, è 2 Violini, 1 Viola è Violone in Ripieno col Violoncello è Basso per il Cembalo t […] 4:51 y Andante 3:18 u Allegro assai 2:44 Brandenburg Concerto No. 3 in G Major, BWV 1048 Concerto 3zo a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo i […] 5:30 o Adagio 0:25 a Allegro 4:46 Total Time: 42:44 DISC 2 Brandenburg Concerto No. 4 in G Major, BWV 1049 Concerto 4ta à Violino Principale, due Fiauti d’Echo, due Violini, una Viola è Violone in Ripieno, Violoncello è Continuo q Allegro 6:45 w Andante 3:20 e Presto 4:30 Brandenburg Concerto No.
    [Show full text]
  • PROGRAMME Concert 09-05-2017
    MA 9 MAI 2017, 20H15 FELIX MENDELSSOHN 1809-1847 SALLE DE MUSIQUE Symphonie n° 5 en ré majeur, op. 107 LA CHAUX-DE-FONDS « Réformation » (version 1832) GRANDE SERIE CONCERT DE CLOTURE Andante – Allegro con fuoco Concert enregistré par Espace 2 Allegro vivace 19h30 : introduction par François Lilienfeld Andante Andante con moto (Choral : ORCHESTRE DE CHAMBRE DE BÂLE « Ein feste Burg ist unser Gott » TREVOR PINNOCK direction RAFAL BLECHACZ piano Curieux destin que celui de l’Ouverture. En effet, ses formes et ses fonctions ont radicalement changé le long des siècles. Au temps de Bach et de Telemann, elle formait le premier mouvement d'une suite de danses, suite qui, elle-même, prenait souvent le nom d'Ouverture. Ce morceau baroque débutait par une brève introduction lente, suivie d'un mouvement rapide, en général fugué, avec reprise de la partie lente. A l'opposé de cette ouverture « française », les ouvertures précédant les LUDWIG VAN BEETHOVEN 1770-1827 opéras italiens comportaient trois mouve- Ouverture du ballet « Les Créatures de ments : vif – lent – vif ; elles donnaient ainsi Prométhée » naissance à la symphonie, qui plus tard ajouta un mouvement, le Menuet. Celui-ci Adagio – Allegro molto e con brio devint, au XIXème siècle, le Scherzo. Mais l'ouverture d'opéras ou de pièces de Concerto pour piano et orchestre n° 3 en théâtre avec intermèdes musicaux allait do mineur, op. 37 s'émanciper, au plus tard avec les opéras de Allegro con brio maturité de Mozart. Leur rôle devient alors Largo de mettre le public dans l'atmosphère du Rondo. Allegro spectacle. Cela pouvait se faire avec ou sans citations de musiques empruntées à ce qui allait suivre.
    [Show full text]
  • Download Booklet
    Vivaldi x2 Double Concertos for Horns, Oboes, Violin & Cello, Oboe & Bassoon ANTONIO VIVALDI 1678–1741 Concerto in F RV 539 for 2 horns, strings & continuo Concerto in B flat RV 547 for violin, cello, strings & continuo 1 I. Allegro 3.09 17 I. Allegro 3.58 2 II. Larghetto 2.29 18 II. Andante 2.01 3 III. Allegro 2.42 19 III. Allegro molto 3.07 sponsored by Michael & Licia Crystal dedicated by Camilla Scarlett to the memory of her father Michael Scarlett Concerto in D minor RV 535 for 2 oboes, strings & continuo Concerto in A minor RV 536 for 2 oboes, strings & continuo 4 I. Largo 1.14 20 I. Allegro 2.35 5 II. Allegro 2.38 21 II. Largo 2.08 6 III. Largo 2.35 22 III. Allegro 1.55 7 IV. Allegro molto 3.02 sponsored by Glenys Phillips dedicated by Mary Kane to the memory of her brother Michael Kane Concerto per S.A.S.I.S.P.G.M.D.G.S.M.B. in F RV 574 Concerto in A RV 546 for violin, cello, strings & continuo for 2 horns, 2 oboes, bassoon, violin, cello, strings & continuo 8 I. Allegro 3.26 23 I. Allegro 4.39 9 II. Andante 3.09 24 II. Adagio 3.17 10 III. Allegro 3.15 25 III. Allegro 3.57 sponsored by Alison Wilkinson sponsored by Ben Mazower Concerto in G RV 545 for oboe*, bassoon, strings & continuo 75.32 11 I. Allegro 4.08 12 II. Largo 2.47 13 III. Allegro non molto 3.47 La Serenissima sponsored by Tony & Criona Mackintosh Adrian Chandler director & solo violin Anneke Scott, Jocelyn Lightfoot solo horns Concerto in F RV 538 for 2 horns, strings & continuo Rachel Chaplin*, Mark Baigent solo oboes 14 I.
    [Show full text]
  • Volume I March 1948
    Complete contents of GSJs I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII GSJ Volume LXXIII (March 2020) Editor: LANCE WHITEHEAD Approaching ‘Non-Western Art Music’ through Organology: LAURENCE LIBIN Networks of Innovation, Connection and Continuity in Woodwind Design and Manufacture in London between 1760 and 1840: SIMON WATERS Instrument Making of the Salvation Army: ARNOLD MYERS Recorders by Oskar Dawson: DOUGLAS MACMILLAN The Swiss Alphorn: Transformations of Form, Length and Modes of Playing: YANNICK WEY & ANDREA KAMMERMANN Provenance and Recording of an Eighteenth-Century Harp: SIMON CHADWICK Reconstructing the History of the 1724 ‘Sarasate’ Stradivarius Violin, with Some Thoughts on the Use of Sources in Violin Provenance Research: JEAN-PHILIPPE ECHARD ‘Cremona Japanica’: Origins, Development and Construction of the Japanese (née Chinese) One- String Fiddle, c1850–1950: NICK NOURSE A 1793 Longman & Broderip Harpsichord and its Replication: New Light on the Harpsichord-Piano Transition: JOHN WATSON Giovanni Racca’s Piano Melodico through Giovanni Pascoli’s Letters: GIORGIO FARABEGOLI & PIERO GAROFALO The Aeolian harp: G. Dall’Armi’s acoustical investigations (Rome 1821): PATRIZIO BARBIERI Notes & Queries: A Late Medieval Recorder from Copenhagen:
    [Show full text]
  • Caltech Chamber Music Instrumental Music Fund, Which Supports Private Lessons for Caltech Students
    This concert is sponsored by Caltech’s Office of Student Affairs, the Friends of Instrumental Music, and the Donald E. Hudson Chamber Music Fund. Dr. Richard Hudson established the fund in February of 2001 in memory of his brother and fellow Caltech alumnus, Donald. A lifelong lover of chamber music, Donald Hudson served as professor of Mechanical Engineering at Caltech. Donald E. Hudson Visiting Artists Hye Sung Cho (flute) has been an integral part of Caltech’s student chamber music program this term as coaches of several student ensembles. We also wish to acknowledge the generous assistance of the Richards Caltech Chamber Music Instrumental Music Fund, which supports private lessons for Caltech Students. Winter 2019 Concert Series Caltech’s Chamber Music Program was established in 1979, with Delores Bing as its founding director. Chamber Music shares the goals of the other Performing and Visual Arts courses on campus: promoting cultural literacy, creative expression, and artistic achievement; providing stress relief; and encouraging the formation of new friendships among artistically-inclined Techers. Winter 2019 Events Caltech Chamber Music Ensembles Tuesday, 3/5/19, 12:00 pm - Dabney Lounge (Martin Chalifour concert) RSVP [email protected] Caltech Jazz Band Guest Artist Concert - please call (626) 395-4652 for tickets Saturday, 2/2/19, 8:00 pm - Beckman Auditorium Theater Arts Caltech Avenue Q - please call (626) 395-4652 for tickets Friday, 2/22/19, 7:30 pm - Ramo Auditorium Saturday, 2/23/19, 7:30 pm - Ramo Auditorium Sunday, 2/24/19, 2:30 pm - Ramo Auditorium Friday, 3/1/19, 7:30 pm - Ramo Auditorium Saturday, 3/2/19, 7:30 pm - Ramo Auditorium Sunday, February 3, 2019 Sunday, 3/3/19, 2:30 pm - Ramo Auditorium 3:30 PM Caltech-Occidental Wind Orchestra Sunday, 2/24/19, 3:30 pm - Thorne Hall Dabney Lounge The Caltech Orchestra California Institute of Technology Saturday, 3/9/19, 8:00 pm - Ramo Auditorium Sunday, 3/10/19, 3:30 pm - Ramo Auditorium *All music events are free, except where noted PROGRAM Concertino, Op.
    [Show full text]
  • Rcs Brief List
    RCS BRIEF LIST ROYAL CONSERVATOIRE OF SCOTLAND BRIEF LIST OF THE HISTORIC MUSICAL INSTRUMENT COLLECTION Including the John Webb Collection Contents Instruments of Regional Cultures Plucked and Hammered string instruments Bowed String Instruments Flageolets and Recorders Transverse Flutes Oboes Bassoons Clarinets Miscellaneous woodwind-related items French Horns Bugles, Flugelhorns, Serpents and Ophicleides Post horns, Cornets and Ballad Horns Althorns, Tenor Horns and Baritones Euphoniums and Tubas Trumpets Trombones Small Mouthpieces for Brasswind Large Mouthpieces for Brasswind Miscellaneous brasswind-related items Keyboard and Miscellaneous Instruments Return to Contents Instruments of Regional Cultures (50) Duct flute; bamboo, 5 finger-holes. (48) Flute, dark stained bamboo; decorated. Probably China. (44) Suona [shawm], double reed attached by string. Possibly China. (555) Small buchel or alphorn. Possibly Switzerland, early or mid 20th century. (557) Birch bark horn. Jarkko Aallonloiske, Turku, Finland, 1992. (558) Tuohitorvi. Jarkko Aallonloiske, Turku, Finland, 1991. (34) Gunibri [bow harp]. Africa. (6) Tambur, 4 strings. India. (33) Saz, 4 strings. (30) Bow harp, 8 strings. (25) Tambura, 5 strings. India. (71) Xylophone, 15 bars. Central Africa. (67) Lamellaphone. (72) Barrel drum. Probably India. (73) Drum, 2 heads. Probably India. RCS Historic Instrument Collections.html[29/03/2016 15:47:45] RCS BRIEF LIST (78) Drum, 1 head. Probably India. (75) Tall drum, single head. Central Africa. (74) Barrel drum, 2 heads. India. (59) Wooden club with pointed head, said to be a drum beater. (57) Wooden club, said to be a drum beater [not seen]. Return to Contents Plucked and Hammered string instruments (7) Aeolian harp. T. Prowse, London, c 1800. (18) British Lute, 16 strings.
    [Show full text]
  • SING a STORY Resources for Teachers and Practitioners by John Webb
    SING A STORY Resources for teachers and practitioners by John Webb Sheffield, summer 2016 All aboard the Story Train! The interactive Sing a Story concert takes us on a journey to Storyland to meet various Storyland characters: the three little pigs, the big bad wolf, the grand old Duke of York, and a very naughty rabbit, amongst others! And the audience will be very much involved! But watch out, as some of you might well get bopped on the head (that naughty rabbit again!). The concert is supported by this pack. In it you’ll find further details about the performance, the stories and the performers as well as ideas for further activities you can use with your class to prepare them for the visit or to follow it up. The Stories Sing a Story is based around several stories which you might like to explore further with your class either before or after the concert. Train Ride by June Crebbin The original story uses the rhythms of the words to convey a train’s movement. Between each of the other stories we get back on the train, which takes us to a new story or to meet a new character. Three little pigs - text by Robert Adederian This new telling of the tale has all the traditional elements and showcases each of the instruments in as different characters in the story. The Grand Old Duke of York We meet the Grand Old Duke, but he keeps asking us to do some strange things with his song! Little Rabbit Foo Foo - text by Michael Rosen A very naughty rabbit who likes to bop creatures in the head, but, despite several warnings, does so once too often….
    [Show full text]
  • Wigmore Hall Summer Brochure 2015
    !"# APRIL – JULY 2015 Welcome Keith Saunders John Butt and the Dunedin Consort shed fresh light on Bach’s St John Passion in their revelatory recording, hailed by Gramophone for its ‘naturalness and emotional honesty’. They bring their vision of the work to Wigmore Hall for a special Holy Week performance, projecting the vivid drama of Christ’s betrayal and suffering, and the profound humanity of Bach’s response to it. Andreas Scholl has inspired countless new listeners to fall in love with lesser-known works. His artistry reveals the timeless qualities of great music from the distant past, restoring the rhetorical power and emotional impact of pieces conceived for star performers of eighteenth-century Europe. Scholl’s latest Wigmore Hall programme explores the vitality of Italian cantatas by three masters of the genre and frames their work with the seductive songs of Venetian gondoliers. Formed 70 years ago, soon after the Second World War, the Borodin Quartet has become synonymous with the works of Shostakovich and Beethoven. The ensemble’s latest Wigmore Hall series offers a complete cycle of the two composers’ string quartets, works deeply inscribed in the group’s collective DNA. Our season-long Paul Lewis: A Celebration continues when the much-loved English pianist partners Allan Clayton in a work of timeless musical beauty and artistic truth. Schubert’s Die schöne Müllerin, which was first performed at Wigmore Hall in 1903, explores a young man’s love, despair, contemplation of death and ultimate recognition of impermanence. Benjamin Ealovega Body and soul are united in Martin Fröst’s intensely focused approach Philippe Herreweghe and his Collegium Vocale Gent became pioneers of to making music.
    [Show full text]
  • The Republican Journal
    The Republican Journal. 92. NO. 32. fttlXME AUGUST o. 1920. _BELFAST, MAINE, THURSDAY, FIVE CENtF Government the singular distinction of being practi- without Face to Face. cally lapse of time, and is an Harding THE CHURCHES Funeral of F. A. Cushman exceptionally fast-moving story in which Personal. PERSONAL of the Belfast city one j | ,:ar meeting situation crowds upon another with- Hon. Guy P. Gannett of Augusta, mem- Funeral services for the late Frank ^ ! St. Margaret’s Episcopal Church, A. held Monday evening, out pause. ber of the Edward A. Moore of 1 Mrs. t was Republican National Commit- Rev. D. M. D. priest in Cushman were held Wednesday, July Whitingsville, Powell Clayton left Tuesday for a There is in it every incident essential Brookman, D., is residing. Present: Al- tee, has just returned from Ohio. While 21st. Mass., visiting friends in Belfast. few days’ visit in to the of a On at 10.45 There was a prayer at thh home on Brooksville. fl making great photoplay, and a charge. Sunday, August 8th, Simmons, Clements and there he went to Marion to take in Miss Alice Sawyer has returned to tvoper, superb cast, excellent direction, wonder- part a. m. there will be morning prayer with Congress street at 9 a. m. by Rev Charles Mrs Alice Frost Leonard of r‘ ] Meriden, Howes, Sylvester, ful photography and remarkable the ceremonies in connection with the W. Portland after a visit with Miss foiincilmen stage sermon. Martin. The deputy sheriffs were the Grace A. Conn., is her Mrs. t effects will warrant the visiting mother, Lena navis, Kimball, Pattershall exhibitor giving notification of Senator Harding of his Lord.
    [Show full text]
  • CHAN 0662 FRONT.Qxd 22/8/07 11:50 Am Page 1
    CHAN 0662 FRONT.qxd 22/8/07 11:50 am Page 1 CHAN 0662 CHACONNE HAYDN CHANDOS early music CHAN 0662 BOOK.qxd 22/8/07 11:51 am Page 2 Joseph Haydn (1732–1809) London Symphonies, Volume 2 Symphony No. 101 in D major (‘The Clock’) 27:36 in D-Dur . ré majeur 1 I Adagio – Presto 7:51 AKG 2 II Andante 8:16 3 III Menuet & Trio: Allegretto 6:29 4 IV Finale: Vivace 4:57 Symphony No. 94 in G major (‘Surprise’) 23:41 in G-Dur . sol majeur 5 I Adagio – Vivace assai 8:43 6 II Andante 6:35 7 III Menuet & Trio: Allegro molto 4:16 8 IV Finale: Allegro di molto 4:05 Symphony No. 102 in B flat major 23:48 in B-Dur . si bémol majeur 9 I Largo – Vivace 8:24 Joseph Haydn 10 II Adagio 5:27 11 III Menuet & Trio: Allegro 5:04 12 IV Finale: Presto 4:51 TT 75:16 Collegium Musicum 90 Richard Hickox 3 CHAN 0662 BOOK.qxd 22/8/07 11:51 am Page 4 violin I Simon Standage David Rubio 1997, copy of Guarnerius cello Richard Tunnicliffe Thomas Smith, c. 1770 Micaela Comberti David Rubio 1996, based on Del Gesu Robbie Jacobs Colin Irving, 1989 ‘The Paganini’, 1742 Joanna Levine P. Wamsley, English c. 1750 Clare Salaman Thomas Smith, 1760 Sarah McMahon Hill, early 19th century Nicolette Moonen Matthias Albanus, 1643 bass Elizabeth Bradley Le Jeune, French 1750 Pauline Nobes Carlo Giuseppe Testori, Milan 1705 Amanda MacNamara Michael Heale 1995, copy of Amati 1650 Susan Carpenter-Jacobs Lockey Hill, 1766 flute Rachel Beckett Rudolf Tutz 1995, after Johann Grenser (1764–1813) Pierre Joubert Betts School, c.
    [Show full text]
  • Royal Academy of Music 2022/23 Prospectus Digital
    YOUR FUTURE IS MUSIC’S FUTURE PROSPECTUS 2022/23 Music must always move forward. There has to be CONTENTS a place for new musicians to connect, collaborate and create. We are that place. An adventurous conservatoire where the traditions of the past 3 INTRODUCTION 42 OUR DEPARTMENTS meet the talent of the future. 6 A message from our Principal 44 Accordion Our mission: to create 8 Imagine yourself here 46 Brass the music that will move 48 Choral Conducting 10 ABOUT THE ACADEMY 50 Composition and the world tomorrow. 12 Music’s future starts here Contemporary Music 14 Into our third century 52 Conducting 16 Sending music to the world 54 Guitar 17 Creative partners 56 Harp 58 Historical Performance 18 STUDENT LIFE 60 Jazz 20 Your future is music’s future 62 Musical Theatre 22 The new generation 64 Opera 24 Meet your mentor 66 Organ 26 Learn by performing 68 Piano 27 Equal partners 70 Piano Accompaniment 28 Skills for life 72 Strings 30 Space to grow 74 Timpani and Percussion 31 Your stage awaits 76 Vocal Studies 32 Find knowledge, find inspiration 78 Woodwind 34 Musicians, united 36 All together now 80 OUR COURSES 38 London calling 82 Academy courses 40 Find your place 84 Undergraduates 41 Reaching outwards 85 One-year courses 86 Postgraduates 87 Postgraduate degrees 88 Postgraduate diplomas 90 Research 91 The art of collaboration 92 Open Academy This PDF document has been optimised for accessibility. 94 YOUR FUTURE STARTS HERE 96 The next step Royal Academy of Music ©2021 97 Ready to audition? Every effort has been made to ensure that the information included 98 Tuition fees in this prospectus is correct at the time of publication.
    [Show full text]