Part Five: Appendices
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The Ti Tree Creek Camp Study Will Sanders 10
The Working Paper Series Working Paper Community governance: Sarah Holcombe The Ti Tree Creek Camp Study Will Sanders 10 July 2007 Contributing author information Sarah Holcombe is the Social Science Coordinator for the DKCRC and a Research Fellow at CAEPR, primarily working on the Indigenous Community Governance Project. She was previously post doctoral fellow at CAEPR for 3 years. Prior to that, she worked for the Central and Northern Land Councils as a social anthropologist on a diverse range of projects. Will Sanders has been a researcher at The Australian National University in various aspects of Indigenous affairs policy since 1981. He joined the staff of the Centre for Aboriginal Economic Policy Research (CAEPR) at The Australian National University in 1993, where he is now a Senior Fellow. Will is a Chief Investigator on the Indigenous Community Governance Project (ICGP), an ARC Linkage Project between CAEPR and Reconciliation Australia. Desert Knowledge CRC Working Paper #10 Information contained in this publication may be copied or reproduced for study, research, information or educational purposes, subject to inclusion of an acknowledgement of the source. ISBN: 1 74158 045 5 (Web copy) ISSN: 1833-7309 (Web copy) Citation Holcombe S and Sanders W 2007, Community Governance: The Ti Tree Creek Camp Study, Working Paper 10, Desert Knowledge CRC, Alice Springs. The Desert Knowledge Cooperative Research Centre is an unincorporated joint venture with 28 partners whose mission is to develop and disseminate an understanding of sustainable living in remote desert environments, deliver enduring regional economies and livelihoods based on Desert Knowledge, and create the networks to market this knowledge in other desert lands. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Art Aborigène, Australie Samedi 10 Décembre 2016 À 16H30
Art Aborigène, Australie Samedi 10 décembre 2016 à 16h30 Expositions publiques Vendredi 9 décembre 2016 de 10h30 à 18h30 Samedi 10 décembre 2016 de 10h30 à 15h00 Expert Marc Yvonnou Tel : + 33 (0)6 50 99 30 31 Responsable de la vente Nathalie Mangeot, Commissaire-Priseur [email protected] Tel : +33 (0)1 48 00 94 24 / Port : +33 (0)6 34 05 27 59 En partenariat avec Collection Anne de Wall* et à divers collectionneurs australiens, belges, et français La peinture aborigène n’est pas une peinture de chevalet. Les toiles sont peintes à même le sol. L’orientation des peintures est le plus souvent un choix arbitraire : c’est à l’acquéreur de choisir le sens de la peinture. Des biographies se trouvent en fin de catalogue. Des certificats d’authenticité seront remis à l’acquéreur sur demande. * co-fondatrice du AAMU (Utrecht, Hollande) 2 3 - - Jacky Giles Tjapaltjarri (c. 1940 - 2010) Eileen Napaltjarri (c. 1956 - ) Sans titre, 1998 Sans titre, 1999 Acrylique sur toile - 45 x 40 cm Acrylique sur toile - 60 x 30 cm Groupe Ngaanyatjarra - Patjarr - Désert Occidental Groupe Pintupi - Désert Occidental - Kintore 400 / 500 € 1 300 / 400 € - Anonyme Peintre de la communauté d'Utopia Acrylique sur toile - 73 x 50,5 cm Groupe Anmatyerre - Utopia - Désert Central 300/400 € 4 5 6 - - - Billy Ward Tjupurrula (1955 - 2001) Toby Jangala (c. 1945 - ) Katie Kemarre (c. 1943 - ) Sans titre, 1998 Yank-Irri, 1996 Awelye; Ceremonial Body Paint Design Acrylique sur toile - 60 x 30 cm Acrylique sur toile - 87 x 57 cm Acrylique sur toile Groupe Pintupi - Désert Occidental Groupe Warlpiri - Communauté de Lajamanu - Territoire du Nord 45 x 60 cm Cette toile se réfère au Rêve d’Emeu. -
Cost Implications of Hard Water on Health
The International Indigenous Policy Journal Volume 3 Article 6 Issue 3 Water and Indigenous Peoples September 2012 Cost Implications of Hard Water on Health Hardware in Remote Indigenous Communities in the Central Desert Region of Australia Heather Browett Flinders University, [email protected] Meryl Pearce Flinders University, [email protected] Eileen M. Willis Flinders University, [email protected] Recommended Citation Browett, H. , Pearce, M. , Willis, E. M. (2012). Cost Implications of Hard Water on Health Hardware in Remote Indigenous Communities in the Central Desert Region of Australia. Th e International Indigenous Policy Journal, 3(3) . DOI: 10.18584/iipj.2012.3.3.6 Cost Implications of Hard Water on Health Hardware in Remote Indigenous Communities in the Central Desert Region of Australia Abstract The provision of services such as power, water, and housing for Indigenous people is seen as essential in the Australian Government’s "Closing the Gap" policy. While the cost of providing these services, in particular adequate water supplies, is significantly higher in remote areas, they are key contributors to improving the health of Indigenous peoples. In many remote areas, poor quality groundwater is the only supply available. Hard water results in the deterioration of health hardware, which refers to the facilities considered essential for maintaining health. This study examined the costs associated with water hardness in eight communities in the Northern Territory. Results show a correlation between water hardness and the cost of maintaining health hardware, and illustrates one aspect of additional resourcing required to maintain Indigenous health in remote locations. Keywords Indigneous, water, health hardware, hard water Acknowledgments Thanks are extended to Power and Water, Northern Territory for funding this project. -
Outstations Through Art: Acrylic Painting, Self‑Determination and the History of the Homelands Movement in the Pintupi‑Ngaanyatjarra Lands Peter Thorley1
8 Outstations through art: Acrylic painting, self-determination and the history of the homelands movement in the Pintupi-Ngaanyatjarra Lands Peter Thorley1 Australia in the 1970s saw sweeping changes in Indigenous policy. In its first year of what was to become a famously short term in office, the Whitlam Government began to undertake a range of initiatives to implement its new policy agenda, which became known as ‘self-determination’. The broad aim of the policy was to allow Indigenous Australians to exercise greater choice over their lives. One of the new measures was the decentralisation of government-run settlements in favour of smaller, less aggregated Indigenous-run communities or outstations. Under the previous policy of ‘assimilation’, living arrangements in government settlements in the Northern Territory were strictly managed 1 I would like to acknowledge the people of the communities of Kintore, Kiwirrkura and Warakurna for their assistance and guidance. I am especially grateful to Monica Nangala Robinson and Irene Nangala, with whom I have worked closely over a number of years and who provided insights and helped facilitate consultations. I have particularly enjoyed the camaraderie of my fellow researchers Fred Myers and Pip Deveson since we began working on an edited version of Ian Dunlop’s 1974 Yayayi footage for the National Museum of Australia’s Papunya Painting exhibition in 2007. Staff of Papunya Tula Artists, Warakurna Artists, Warlungurru School and the Western Desert Nganampa Walytja Palyantjaku Tutaku (Purple House) have been welcoming and have given generously of their time and resources. This chapter has benefited from discussion with Bob Edwards, Vivien Johnson and Kate Khan. -
Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada
Sydney College of the Arts The University of Sydney Doctor of Philosophy 2018 Thesis Towards an Indigenous History: Indigenous Art Practices from Contemporary Australia and Canada Rolande Souliere A thesis submitted in partial fulfilment of requirements for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Rolande Souliere i ACKNOWLEDGEMENTS I would like to thank Dr. Lynette Riley for her assistance in the final process of writing this thesis. I would also like to thank and acknowledge Professor Valerie Harwood and Dr. Tom Loveday. Photographer Peter Endersbee (1949-2016) is most appreciated for the photographic documentation over my visual arts career. Many people have supported me during the research, the writing and thesis preparation. First, I would like to thank Sydney College of the Arts, University of Sydney for providing me with this wonderful opportunity, and Michipicoten First Nation, Canada, especially Linda Petersen, for their support and encouragement over the years. I would like to thank my family - children Chloe, Sam and Rohan, my sister Rita, and Kristi Arnold. A special thank you to my beloved mother Carolyn Souliere (deceased) for encouraging me to enrol in a visual arts degree. I dedicate this paper to her. -
Yuendumu Remote Towns Jobs Profle
Remote Towns Jobs Profile YUENDUMU JOBS PROFILE YUENDUMU 1 © Northern Territory of Australia 2018 Preferred Reference: Department of Trade, Business and Innovation, 2017 Remote Towns Jobs Profiles, Northern Territory Government, June 2018, Darwin. Disclaimer The data in this publication were predominantly collected by conducting a face-to-face survey of businesses within town boundaries during mid-2017. The collection methodology was created in accordance with Australian Bureau of Statistics data quality framework principles. Data in this publication are only reflective of those businesses reported on as operating in the town at the time of data collection (see table at the end of publication for list of businesses reported on). To comply with privacy legislation or where appropriate, some data in this publication may have been adjusted and will not reflect the actual data reported by businesses. As a result of this, combined with certain data not being reported by some businesses, some components may not add to totals. Changes over time may also reflect business' change in propensity to report on certain data items rather than actual changes over time. Total figures have generally not been adjusted. Caution is advised when interpreting the comparisons made to the earlier 2011 and 2014 publications as the businesses identified and reported on and the corresponding jobs may differ between publications. Notes for each table and chart are alphabetically ordered and listed at the end of the publication. Any use of this report for commercial purposes is not endorsed by the Department of Trade, Business and Innovation. JOBS PROFILE YUENDUMU 2 Contents Yuendumu ............................................................................................................................................................... 4 Introduction ........................................................................................................................................................... -
Art Contemporain Aborigène D'australie
Art Contemporain Aborigène d’Australie 1 21 mai 2015 6, avenue Hoche ART IMPRESSIONNISTEARTART ET ABORIGENE MODERNE CornetteCornette dede SaintSaint CyrCyr 212730 maioctobremars 2015 2015 2014 2 ARTSUCCESSION IMPRESSIONNISTE HANS RICHTER ET MODERNE Hôtel SalomonCornette de de Rothschild Saint Cyr 9 avril 201430 mars 2015 Art Contemporain Aborigène d’Australie Collection Arnaud Serval Jeudi 21 mai 2015 à 19h30 Expositions publiques : Directeur du département : Mardi 19 mai 14h-18h Stéphane Corréard Mercredi 20 mai 11h-19h30 Tél. + 33 1 56 79 12 31 – Fax + 33 1 45 53 45 24 Jeudi 21 mai 11h-19h30 [email protected] 1 Téléphone pendant la vente Spécialiste : +33 1 56 79 12 60 Sabine Cornette de Saint Cyr Tél. + 33 1 56 79 12 32 – Fax + 33 1 45 53 45 24 Cornette de Saint Cyr [email protected] 6, avenue Hoche – Paris 8 eme +33 1 47 27 11 24 Administratrice de vente : Clara Golbin Tél. + 33 1 47 27 11 24 – Fax + 33 1 45 53 45 24 [email protected] Contact : Hélène Martin Tél. +33 1 56 79 12 39 – Fax + 33 1 45 53 45 24 [email protected] Les rapports de conditions des œuvres que nous présentons peuvent être délivrés avant la vente à toutes les personnes qui en font la demande. Ceux-ci sont uniquement procurés à titre indicatif et ne peuvent en aucun cas se substituer à l’examen personnel de celles-ci par l’acquéreur. Commissaire-priseur : Arnaud Cornette de Saint Cyr Tél. +33 1 47 27 11 24 [email protected] Toutes les oeuvres de la collection Arnaud Serval sont en importation temporaire et sont soumises à une TVA de 5,5% sur le prix d’adjudication. -
Crime Problem'' of the Northern Territory Intervention
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Analysis and Policy Observatory (APO) Addressing the “crime problem’’ of the Northern Territory Intervention: alternate paths to regulating minor driving offences in remote Indigenous communities Dr Thalia Anthony Dr Harry Blagg Report to the Criminology Research Advisory Council Grant: CRG 38/09-10 June 2012 1 This is a project supported by a grant from the Criminology Research Grants. The views expressed are the responsibility of the author and are not necessarily those of the Council. TABLE OF CONTENTS EXECUTIVE SUMMARY ............................................................................................................................ 5 Background ......................................................................................................................................... 5 Methodology ....................................................................................................................................... 6 Quantitative findings .......................................................................................................................... 7 Qualitative findings ............................................................................................................................. 7 Key Recommendations ....................................................................................................................... 8 RATIONALE AND AIMS OF STUDY ........................................................................................................ -
Yuendumu Dialysis Support Service Feasibility Study Final Report
Yuendumu Dialysis Support Service Feasibility Study Final Report May 2008 Western Desert Nganampa Walytja Palyantjaku Tjutaku Aboriginal Corporation Table of Contents 1. The Yuendumu Dialysis Services Feasibility Study 4 2. Executive Summary 5 2.1 Key Findings 5 3. Background 7 3.1 The WDNWPT Story 7 3.2 WDNWPT Services for Yanangu families 8 3.3 WDNWPT Structure 9 3.4 WDNWPT Dialysis Service Model 10 3.5 Membership of Current WDNWPT Governing Committee 11 4. Renal Patient Data for Yuendumu and Surrounding Communities 12 4.1 Current Renal Patient Numbers for Yuendumu, Nyirripi, Willowra and Yuelamu 12 4.2 Chronic Kidney Disease (CKD) Figures for Yuendumu, Nyirripi, Willowra and Yuelamu 12 4.3 Interpreting CKD Data 12 5. Consultations 15 5.1 Feasibility Study Consultation, Milestone and Meeting Timeline 15 5.2 Process for Consulting Renal Patients, Family and Community 17 Members 5.3 Development of a Yuendumu Dialysis Service Model 17 5.3.1 Community Based Dialysis 17 5.3.2 Social and Community Support 18 5.4 Key Meetings 19 5.4.1 Patient and Family Meeting, Purple House, 26 November, 2007 19 5.4.2 Family and Community Meeting, Yuendumu, 4th February, 2008 21 5.4.3 Yapa Kidney Committee Meeting, 4th February, 2008 22 6. Resolution to Kurra Aboriginal Corporation 25 7. Glossary 30 2 ATTACHMENTS A. Patient List 31 B. Kidney Committee Members 32 C. Consultations (detail) 33 D. Meeting Attendance Lists 41 E. Initial Consultation Questionnaire 43 F. Support for Warlpiri Dialysis Patients during the Feasibility Study 44 G. Job Descriptions 45 1. -
Jahrbuch Der Staatlichen Ethnographischen Sammlungen Sachsen
ISSN 1865-4347 Sonderdruck aus Jahrbuch der Staatlichen Ethnographischen Sammlungen Sachsen BAND XLVI 2013 JAHRBUCH DER STAATLICHEN ETHNOGRAPHISCHEN SAMMLUNGEN SACHSEN Band XLVI Herausgegeben vom Direktor Claus Deimel VWB – Verlag für Wissenschaft und Bildung • Berlin 2013 Redaktion: Giselher Blesse, Lydia Hauth Die Autoren sind für den Inhalt ihrer Abhandlungen selbst verantwortlich. Die Rechtschreibung folgt den Intentionen der Autoren. Fotos bzw. Umzeichnungen: Archiv Museum für Völkerkunde zu Leipzig/SES; Beatrice von Bismarck; Thomas Dachs; Alexis Daflos; Claus Deimel; Amanda Dent|Tjungu Palya; Silvia Dolz; Mark Elliot; Frank Engel; Amina Grunewald; Corrine Hunt; E. L. Jensen; Rolf killius; H.-P. klut/E. Estel (SkD); Carola krebs; Sylvia krings|ARTkELCH; Leibniz-Institut für Länderkunde Leipzig (Bildarchiv); katja Müller; Museum für Völkerkunde Dresden/SES, Bildarchiv; Photographic Archives, Ekstrom Library, University of Louisville, kentucky; The Trustees of the British Museum, London, Archiv; Tony Sandin; Birgit Scheps; Erhard Schwerin; Spinifex Arts Projects; Stadtarchiv Leipzig; Tjala Arts; Unitätsarchiv der Evangelischen Brüder-Unität Herrnhut; Frank Usbeck; Warlukurlangu Artists; Frederick Weygold; Eva Winkler; Völkerkundemuseum Herrnhut/SES Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.ddb.de> abrufbar. ISBN 978-3-86135-792-6 ISSN 1865-4347 © Staatliche Ethnographische Sammlungen Sachsen/Staatliche Kunstsammlungen Dresden 2013. Erschienen im: VWB – Verlag für Wissenschaft und Bildung, Amand Aglaster • Postfach 11 03 68 • 10833 Berlin Tel. 030-251 04 15 • Fax: 030-251 11 36 www.vwb-verlag.com • [email protected] Printed in Germany Jahrbuch der Staatlichen Ethnographischen Sammlungen Sachsen Band XLVI Inhalt Vorwort: Entwicklungen in den Jahren 2010, 2011 und 2012 . -
Indigenous People and Museums
Understanding Museums: Australian museums and museology Des Griffin and Leon Paroissien (eds) Indigenous people and museums Australian museums have had a leadership role in the wider recognition of the richness of Indigenous Australian culture and in addressing the history of contact between Indigenous Australians and those whose ancestral origins lay elsewhere. This section looks at ethnographic museums and collections, the intersections of culture and museological practice and the repatriation of Indigenous material. Contents Introduction, Des Griffin and Leon Paroissien Ethnographic museums and collections: from the past into the future, John E Stanton Transforming culture: Indigenous art and Australian art museums, Bernice Murphy Repatriation: the end of the beginning, Michael Pickering and Phil Gordon Online version: http://nma.gov.au/research/understanding- museums/Indigenous_people_and_museums.html Image credit: Budgerigars in the Sandhills, Billy Stockman Tjapaljarri, 1975. http://www.nma.gov.au/exhibitions/papunya_painting/the_artists Understanding Museums - Indigenous people and museums 1 http://nma.gov.au/research/understanding-museums/Indigenous_people_and_museums.html National Museum of Australia Copyright and use © Copyright National Museum of Australia Copyright Material on this website is copyright and is intended for your general use and information. Your use of the material is subject to this copyright and use notice. The Museum does not own copyright in any of the authored content in Understanding Museums: Australian Museums and Museology. The authors own copyright and have licensed the Museum to publish the material. The Museum also does not own copyright in third-party images included in some of the chapters. Copyright owners are credited in the captions of the images. Use The material on this website is intended for personal, professional and educational use.