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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
MUS LISTE CHANSONS-9 Juillet P1
MUSIQUE Le Québec de Charlebois à Arcade Fire MUSIC Quebec: From Charlebois to Arcade Fire Crédits partiels des chansons et des productions audiovisuelles Partial credits for songs and audiovisual productions L’INSOLENCE DE LA JEUNESSE Welcome Soleil, Jim et Bertrand, © 1976 INSOLENCE OF YOUTH (Bertrand Gosselin) Comme un fou, Harmonium, © 1976 Le Ya Ya, Joël Denis, © 1965 (Serge Fiori, Michel Normandeau) (Morris Levy, Clarence Lewis, adaptation française / french La maudite machine, Octobre, © 1973 adaptation: Joël Denis) (Pierre Flynn) Le p’tit popy, Michel Pagliaro (Les Chanceliers), © 1967 La bourse ou la vie, Contraction, © 1974 (Lindon Oldham, Dan Penn) (Georges-Hébert Germain, Robert Lachapelle, Yves Laferrière, Tu veux revenir, Gerry Boulet (Les Gants blancs), © 1967 Christiane Robichaud) (Robert Feldman, Gerald Goldstein, Richard Gottehrer) Les saigneurs, Opus 5, © 1976 Tout peut recommencer, Ginette Reno, © 1963 (Luc Gauthier) (Jerry Reed) Beau Bummage, Aut’chose, © 1976 Ces bottes sont faites pour marcher, Dominique Michel, © 1966 (Jacques Racine, Jean-François St-Georges, Lucien Francoeur) (Lee Hazlewood) Dear Music, Mahogany Rush, © 1974 (Frank Marino) Yéyé partout, Jenny Rock, Jeunesse Oblige (Radio-Canada), Ma patrie est à terre, Offenbach, © 1975 1967 (Roger Belval, Gérald Boulet, Jean Gravel, Pierre Harel, Michel Ton amour a changé ma vie, Les Classels, Copain Copain Lamothe) , Plume Latraverse, © 1978 (Radio-Canada), 1964 Le rock and roll du grand flanc mou (Michel Latraverse) , 20 ans Express (Radio- Le short trop court interdit à Verdun Closer Together, The Box, © 1987 Canada), 27 juillet 1963 / July 27, 1963 (Guy Pisapia, Jean-Pierre Brie, Luc Papineau, Jean Marc Pisapia) Cash City, Luc De Larochellière, © 1990 RÊVER DE MONDES DIFFÉRENTS (Luc De Larochellière, Marc Pérusse) DREAMING OF OTHER WORLDS Les Yankees, Richard Desjardins, © 1992 (Richard Desjardins) J’ai souvenir encore, Claude Dubois, © 1964 Modern Man, Arcade Fire, © 2010 (Claude Dubois) (Edwin F. -
When Worlds Collide
Montreal Mirror - Music http://www.montrealmirror.com/2009/121009/music2.html When worlds collide Voivod prove that there’s life after death LEGENDARY STATUS: Langevin (r) and Voivod by JOHNSON CUMMINS On Aug. 26, 2005, Voivod’s guitarist and chief songwriter Denis “Piggy” d’Amour finally lost his battle with colon cancer and passed away. He was 45 years old. At that point, after a 23-year ride, the band’s career was as tumultuous as it was triumphant. It was Piggy’s guitar style, merging prog, krautrock, thrash metal and punk, that was the cornerstone of Voivod’s original sound, and without him at the helm, it seemed nearly impossible to forge on. After d’Amour demoed two albums of songs on his laptop for his bandmates, and left strict instructions on how they were to be used after his death, the band recorded and posthumously released 2006’s Katorz and 2009’s Infini (both featuring Metallica’s Jason Newsted on bass). After receiving numerous offers to reform following the release of Katorz, Voivod’s remaining members finally agreed to play the Heavy MTL festival in 2008, with original bassist Jean Yves “Blacky” Thériault, who’d left in the early ’90s, returning to the fold, and guitarist Don Mongrain from Martyr filling in on guitar. With the likes of Mastodon, Sepultura, Phil Anselmo, Dave Grohl, Neurosis, Jason Newsted (of course) and others citing the band as a leading influence, Voivod has now become more popular than ever. “Over the past seven or eight years, I could feel that the name Voivod had been gaining ground,” says drummer/artist Michel Langevin. -
Pressemitteilung Zu Voivod
Pressemitteilung zu Voivod Kreativität, Originalität und Frische sind die Markenzeichen von Voivod, welche sie am 13.10.2018 im Logo erneut unter Beweis stellen werden Hamburg, Juni 2018 – Vor 35 Jahren betrat Denis „Snake“ Bélanger den Proberaum von Voivod und gab eine Version von Judas Priests „The Ripper“ zum Besten. „Von da an waren wir überzeugt, dass die Besetzung endlich komplett war“, blickt Schlagzeuger Michel „Away“ Langevin zurück und wundert sich: „Ich kann nicht glauben, dass Voivod immer noch touren und Alben aufnehmen.“ Von der erstaunlichen Originalität, Kreativität und Frische der Kanadier kann man sich im Herbst überzeugen, Voivod präsentieren ihren bahnbrechenden Progressive Rock am 13.10.18 in Hamburg im Logo. Keine andere Band auf dem Planeten Rock klingt wie Voivod. Obwohl die Mannen aus Québec verschiedene Phasen durchliefen und zwischen Thrash Metal, Progressive Rock, Industrial und Elektro oszillierten, wusste der Hörer immer: Das sind die Franco-Kanadier! Typisch Voivod war auch stets die Verwendung von Technologie-Themen in ihren Texten wie Nanotechnologie oder Virtuelle Realität. Die Band durchlief Höhen und Tiefen. So begrüßte sie für sieben Jahre Jason Newsted, ehemals Bassist der populärsten Metalband der Welt, Metallica, in ihren Reihen oder schrumpfte zum Trio als Eric Forrest zwischen 1995 und 2002 gleichzeitig Bass und Gesang übernahm. Inzwischen sind Voivod wieder ein Quartett, neben den Gründungsmitgliedern Snake und Away steht Daniel „Chewy“ Mongrain an der Gitarre während Dominique „Rocky“ Laroche die tiefen Töne beisteuert. Pressekontakt: Erik Sabas +49 40 4133018-40 [email protected] river_concerts www.riverconcerts.de River Concerts Der amerikanische „Rolling Stone“ zählt ihr Album „Dimension Hatröss“ von 1988 zu den einhundert wichtigsten Scheiben des Metal. -
Metal Music As Critical Dystopia: Humans, Technology and the Future in 1990S Science Fiction Metal
Metal Music as Critical Dystopia: Humans, Technology and the Future in 1990s Science Fiction Metal Laura Taylor Department of Communications, Popular Culture and Film Submitted in partial fulfillment of the requirements for the degree of Interdisciplinary MA in Popular Culture Faculty of Social Sciences and Faculty of Humanities, Brock University St. Catharines, Ontario © October, 2006 Abstract Metal Music as Critical Dystopia: Humans, Technology and the Future in 1990s Science Fiction Metal seeks to demonstrate that the dystopian elements in metal music are not merely or necessarily a sonic celebration of disaster. Rather, metal music's fascination with dystopian imagery is often critical in intent, borrowing themes and imagery from other literary and cinematic traditions in an effort to express a form of social commentary. The artists and musical works examined in this thesis maintain strong ties with the science fiction genre, in particular, and tum to science fiction conventions in order to examine the long-term implications of humanity's complex relationship with advanced technology. Situating metal's engagements with science fiction in relation to a broader practice of blending science fiction and popular music and to the technophobic tradition in writing and film, this thesis analyzes the works of two science fiction metal bands, VOlvod and Fear Factory, and provides close readings of four futuristic albums from the mid to late 1990s that address humanity's relationship with advanced technology in musical and visual imagery as well as lyrics. These recorded texts, described here as cyber metal for their preoccupation with technology in subject matter and in sound, represent prime examples of the critical dystopia in metal music. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Tomorrow Is the Fear Lęk Przed Technologią W Twórczości Grup Rockowych I Metalowych
„Kultura Współczesna” 2(101)/2018 doi.org/10.26112/kw.2018.101.14 Bartosz Małczyński Tomorrow is the fear Lęk przed technologią w twórczości grup rockowych i metalowych Bartosz Małczyński 1. Doktor hab., wykładowca Kim jest schizoid XXI wieku? Jego spojrzenie ujaw- w Instytucie Filologii Polskiej nia patologię panicznego lęku. Twarz czerwona Uniwersytetu Humanistycz- no-Przyrodniczego im. Jana z napięcia i wycieńczenia, wytrzeszczone oczy, od- Długosza w Częstochowie. rażające nozdrza, wnętrze jamy ustnej pochwycone Interesują go korelacje lite- w pułapkę niemego krzyku… Ekspresja koszmarnej Tomorrow is the fear... ratury z muzyką, zwłaszcza fizjonomii sugeruje, że człowiek ten – lub stworzenie w odniesieniu do zagadnień człekokształtne – znajduje się w fazie ucieczki, a nie- etycznych i eschatologicz- nych. Zajmuje się też kultu- określony obiekt, który mu zagraża zza pleców, jest rą rocka z uwzględnieniem już naprawdę blisko. Czy schizoid XXI wieku ucieka jej wymiarów tekstowych przed samym sobą? oraz badaniami z zakresu Nawiązuję oczywiście do legendarnej okładki al- metal music studies. Opubli- bumu In the Court of the Crimson King, którym gru- kował między innymi: Roz- wiązywanie tekstów. Poetyckie pa King Crimson debiutowała w 1969 roku. Minęło polimorfie Tymoteusza pół stulecia od wydania tego rockowego arcydzieła, Karpowicza (2010), „Boczne a treści urzeczywistnione na przedniej obwolucie odnogi, ciemne jamy...”. Stu- oraz w tekstach utworów nie straciły na znaczeniu, dia i szkice literackie (2011), wprost przeciwnie – po kilku dekadach nabrały głęb- Zestrojenia. Szkice o literatu- rze, muzyce i dobroci (2017). szego i bardziej niepokojącego sensu. Chciałoby się W 2014 przygotował dla wręcz powiedzieć o swoistym profetyzmie Petera Biblioteki Narodowej edycję Sinfielda, poety i autora tekstów dla King Crimson Utworów poetyckich Tymote- w początkowym okresie działalności zespołu. -
Free Press Issue
ISSUE X FREE PRESS 1 COVER Fight The Power -Dj Lord - Public Enemy Pic Rigablood Below Davi Olivera - bs tailslide 180 Pic Rigablood WHAT’S HOT 8 Library BACKSTAGE 10 PaperToy Editor In Chief/Founder - Andrea Rigano Art Director - Alexandra Romano, [email protected] 12 The Drinking Revolution Advertising - Silvia Rapisarda, [email protected] 14 Don’t Sweat The Technique Executive Producer - Mat The Cat Traduzioni - Alessandra Meneghello 16 Risk 22 B Real Photographers - Luca Benedet, Giuliano Berarducci, Enrica Brandimarte, Mattia Cabani, Verena Stefanie Grotto, Alvin Carrillo, Lance 26 Mattia Rocchi 404, Augusto Lucati, Alex Luise, Alan Maag, Mattia Malanga, Matthew Miller, 30 Francesco Mauriello Felice “Piacca” De Sena , Alex Ruffini, StreetBoxVideoLab, Federico Vezzoli 34 Warriors Illustrations - Marcello Crescenzi 44 Sick Of It All Contributors - Milo Bandini, Massimo Barzelatto, Maurice Bellotti/Poison For Souls, 48 Step On Memories - Foxshark Eurotour 2011 Marco Capelli, Matteo Cavanna, Paola Dal Bosco, 51 CIV Fabrizio De Guidi, Giangiacomo De Stefano, Flavio Ignelzi, Fra, Andrea KNGL Longo, Max Mbassadò, Eros Pasi, Davide Pettenuzzo, 54 Matthew Miller Seeso, Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier 62 Family Album Stampa - Tipografia Nuova Jolly 70 Digging Tales Viale Industria 28 76 Slaine 35030 Rubano (PD) 78 Piff Gang 2 Salad Days Magazine è una rivista registrata presso il 80 D.R.I. Tribunale di Vicenza, N. 1221 del 04/03/2010. 84 The Peawees Get in touch - www.saladdaysmag.com 86 Dirty Armada [email protected] facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints & Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Mike Tramp con testi immagini. -
Collection "Hard, Punk, Hardcore Etc..80'S 90'S 2K Et +" De Boosty
Collection "Hard, Punk, Hardcore etc..80's 90's 2K et +" de boosty Artiste Titre Format Ref Pays de pressage (hed) Pe Broke 2LP RR12-88146 Japon Ac/dc Powerage LP ATL 50 483 France Ac/dc Let There Be Rock LP ATL 50 366 Portugal Ac/dc If You Want Blood You've Got I...LP 50 532 France Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50 257 Allemagne Ac/dc For Those About To Rock (we Sa...LP ATL K 50 851 France Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Back In Black LP ATL 50 735 Allemagne Agnostic Front Another Voice LP DMR 0021-1 Etats Unis Amerique Alice Cooper Trash LP 465130 1 Pays-Bas Alice Cooper Raise Your Fist And Yell LP 255 074-1 Allemagne Alice Cooper Constrictor LP 254 253-1 Allemagne Almighty (the) Powertrippin' LP 519 104-1 Royaume-Uni Almighty (the) Crank LP 7243 8 30820 1 8 Royaume-Uni Angry Samoans Back From Samoa LP AG 0014 Allemagne Annihilator Ballistic, Sadistic LP SLM066P46 EU Bad Brains I Against I LP INLP 4.00231 J Allemagne Bad Brains Bad Brains LP RUSLP8223 Etats Unis Amerique Badlands Voodoo Highway LP 7567-82251-1 Allemagne Badlands Badlands LP 781 966-1 Allemagne Balance In For The Count LP 85787 Pays-Bas Biohazard Urban Discipline 2LP RRCAR 8290-1 Allemagne Biohazard State Of The World Address LP 9362-45595-1 Allemagne Biohazard New World Disorder LP MOVLP539 EU Biohazard Biohazard LP ML 1067 Etats Unis Amerique Black Country Communion Black Country Communion 2LP M 7319 1 Pays-Bas Black Country Communion Bcciv 2LP M75321 EU Black Country Communion Afterglow LP M 7398 -
17 € Underground Power Records 2020
You can find the Underground Power Records LIST 2 – 2020 for download or print as .pdf on the starting site: www.underground-power.de Next days we will have the copies of the mighty SNAKEPIT Book 1 -5 incl. Jag Panzer 7” (You will find them below under MAGAZINES) and also of the LEGEND 12” – Before the Fjords With all the Corona Shit and the new fantastic Underground Power Records Release “SIREN” we are nearly 24/7 on the working desk, so please be patient – we will need a few days to answer ! Brandnew Underground Power Records Vinyl releases ! ANGEL SWORD - Neon City (NEW*LIM.250 BLACK V.*HEAVY LOAD*ACCEPT) - 17 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 250 copies in Black Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable and melodic voice and fantastic songs with great hooks! Triumphant, anthemic expert songcraft with catchy as sin Riffs and infectious melodies, Lyrics to help exist in the cold, Neon City For Fans of Heavy Load, Accept, Thin Lizzy, Manilla Road, Motörhead or Freeways ANGEL SWORD - Neon City (NEW*LIM.100 GREEN V.*HEAVY LOAD*ACCEPT) - 20 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 100 copies in Smoke Green Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable -
Thrash Metal Klassiker & NWOTM
#heavymetalgrundschule Thrash Metal Klassiker & NWOTM Teilnehmer: 126 TOP 23 Klassiker-Alben alle Alben mit mindestens 3 Nennungen 1. EXODUS BONDED BY BLOOD (47) 2. SLAYER REIGN IN BLOOD (45) 3. SODOM AGENT ORANGE (41) 4. KREATOR PLEASURE TO KILL (30) 5. METALLICA RIDE THE LIGHTNING (28) 6. SEPULTURA BENEATH THE REMAINS (24) 7. TESTAMENT THE LEGACY (23) 8. ANTHRAX AMONG THE LIVING (22) MEGADETH RUST IN PEACE 9. SODOM PERSECUTION MANIA (21) 10. METALLICA KILL 'EM ALL (20) 11. DARK ANGEL DARKNESS DESCENDS (19) 12. METALLICA MASTER OF PUPPETS (18) SEPULTURA ARISE 13. SLAYER SEASONS IN THE ABYSS (15) SLAYER SOUTH OF HEAVEN 14. DEATH ANGEL THE ULTRA VIOLENCE (13) EXHORDER SLAUGHTER IN THE VATICAN KREATOR EXTREME AGGRESSION MEGADETH PEACE SELLS...BUT WHO' BUYING 15. DEMOLITION HAMMER EPIDEMIC OF VIOLENCE (11) EXUMER POSSESSED BY FIRE OVERKILL THE YEARS OF DECAY 16. ANNIHILATOR ALICE IN HELL (10) DESTRUCTION INFERNAL OVERKILL KREATOR COMA OF SOULS SLAYER SHOW NO MERCY VIO-LENCE ETERNAL NIGHTMARE 17. ANTHRAX SPREADING THE DISEASE (9) EXODUS FABULOUS DISASTER OVERKILL FEEL THE FIRE S.O.D. SPEAK ENGLISCH OR DIE 18. FLOTSAM & JETSAM DOOMSDAY FOR THE DECEIVER (8) FORBIDDEN FORBIDDEN EVIL HOLY MOSES FINISHED WITH THE DOGS KREATOR ENDLESS PAIN METALLICA ...AND JUSTICE FOR ALL OVERKILL TAKING OVER 19. NUCLEAR ASSAULT GAME OVER (7) ONSLAUGHT THE FORCE SACRED REICH THE AMERICAN WAY SEPULTURA CHAOS A.D. SEPULTURA SCHIZOPHRENIA www.krachmuckertv.de SLAYER HELL AWAITS 20. ARTILLERY BY INHERITANCE (6) NUCLEAR ASSAULT HANDLE WITH CARE SACRED REICH IGNORANCE SADUS SWALLOWED IN BLACK TESTAMENT THE NEW ORDER 21. DEATH ANGEL ACT III (5) DESTRUCTION ETERNAL DEVASTATION DESTRUCTION RELEASE FROM AGONY EVIL DEAD ANNIHILATION OF CIVILIZATION FORBIDDEN TWISTED INTO FORM HOLY TERROR MIND WARS MORBID SAINT SPECTRUM OF DEATH WHIPLASH POWER AND PAIN 22. -
December 1993
Features DAVE ABBRUZZESE With nary a note on Pearl Jam's breakthrough album, Ten, Dave Abbruzzese flew to the top of MD's 1993 Readers Poll in the Up & Coming category. Now the brand-new Five Against One is out, and Dave's really laying down his mark. • Matt Peiken 20 TONY REEDUS Can today's jazz drummer find happiness on both sides of the avant-garde/straight-ahead coin? Well, Tony Reedus has, making him one of the most sought-after skinsmen around. • Ken Micallef 26 ZILDJIAN AT 370 Zildjian certainly should be proud of their long history: Their cymbal design innovations often coincided with the major artistic leaps of our drumset masters. Since the company is celebrating their deep roots in a big way this year, we thought it a good time to check in. • Rick Van Horn 30 Volume 17, Number 12 Cover Photo By Lance Mercer EDUCATION NEWS EQUIPMENT 48 OFF THE 8 UPDATE RECORD Billy Cobham, Mike Portnoy Toss Panos, Lance Huff of David & the Giants, and the Bulletboys' 52 STRICTLY Jim D'Anda, plus News TECHNIQUE The Hi-Hat 138 INDUSTRY BY JOE MORELLO HAPPENINGS 62 DRIVER'S SEAT Big Bands & Bass Drums DEPARTMENTS BY CHARLIE PERRY 4 EDITOR'S 36 PRODUCT OVERVIEW 66 LATIN CLOSE-UP SYMPOSIUM Pearl Masters Maguinho's 6 READERS' Custom Drumkit BY RICK VAN HORN Brazilian Rhythms PLATFORM BY PETE MAGADINI 39 Rhythm Tech 12 ASK A PRO indexTension Drum 94 SHOW Tuners BY ADAM BUDOFSKY DRUMMERS' 16 IT'S SEMINAR QUESTIONABLE Pete Engelhart Crashers Trials & Tribulations BY ADAM BUDOFSKY Of A New York 50 DRUMLINE Show Drummer 40 LP Gajate Bracket BY LARRY CALLAHAN BY ADAM BUDOFSKY 102 CRITIQUE Taw Duplicate X 98 THE JOBBING Products NDEX DRUMMER 126 1993 I BY RICK VAN HORN The Clubdate Business UPDATE BY PETER J.