GEOSCIENTIST the Fellowship Magazine of the Geological Society of London UK / Overseas Where Sold to Individuals: £3.95 Feats of Clay the Geology of the Potter’S Art

Total Page:16

File Type:pdf, Size:1020Kb

GEOSCIENTIST the Fellowship Magazine of the Geological Society of London UK / Overseas Where Sold to Individuals: £3.95 Feats of Clay the Geology of the Potter’S Art SCIENTISTu u GEO VOLUME 25 NO 5 JUNE 2015 WWW.GEOLSOC.ORG.UK/GEOSCIENTIST The Fellowship Magazine of the Geological Society of London UK / Overseas where sold to individuals: £3.95 Feats of clay The geology of the potter’s art READ GEOLSOC BLOG! ] [geolsoc.wordpress.com GOE FIGURE GEOLOGY AND BEER CHARTER MARKED Tracing the rise of Earth’s Peter Dolan on that most Rick Brassington remembers oxygen-rich atmosphere perfect combination CGeol’s earliest days 33rd Earth Science and GIS Software ANNIVERSARY ROCKWORKS® r Starting at $700 RockWorks provides visualization and modeling of spatial and subsurface data. RockWorks contains tools that will save time and money, increase «ÀwÌ>LÌÞ]>`«ÀÛ`i>V«iÌÌÛii`}i through high-quality graphics, models, and plots. Mapping Tools r&TKNNJQNGNQECVKQPOCRU r#UUC[EQPEGPVTCVKQPOCRU r&UWTHCEGFKURNC[U r&RQKPVOCRU r)GQNQI[OCRU r/WNVKXCTKCVGOCRU r/WNVKRNGIGQITCRJKEFCVWOUHQTIGQTGHGTGPEGFQWVRWV r'CTVJ#RRUsOCRUKOCIGUHQTFKURNC[KP)QQING'CTVJ Borehole Database Tools r2TQLGEVGFETQUUUGEVKQPUYKVJFTKNNKPIQTKGPVCVKQP r%QTTGNCVKQPRCPGNU r&TKNNJQNGNQIU r$NQEMOQFGNKPVGTRQNCVKQP r5WTHCEGOQFGNKPVGTRQNCVKQPQHUVTCVKITCRJKEWPKVU r&QYPJQNGHTCEVWTGFKURNC[CPFOQFGNKPI r8QNWOGTGRQTVUQHNKVJQNQIKEUVTCVKITCRJKEOQFGNU r'ZEGN.#5CE3WKTG0GYOQPV#&1CPFQVJGTKORQTVU Other Tools r$NQEMOQFGNGFKVQT r8QNWOGECNEWNCVKQPU r5VGTGQPGVCPFTQUGFKCITCOU r&CPF&QWVRWVVQ4QEM9QTMU)QQING'CTVJ r'ZRQTVUVQ)+55JCRGƂNGU%#&&:(TCUVGTHQTOCVU )QQING'CTVJ r+OCIGKORQTVCPFTGEVKƂECVKQP r2TQITCOCWVQOCVKQP r5WRRQTVHQTPQP.CVKPCNRJCDGVU Contact [email protected] for our Exchange Rate Price Break Download FREE Trial at www.RockWare.com U.S. t: 800.775.6745 // f: 303.278.4099 Europe t: +41 91 967 52 53 // f: +41 91 967 55 50 GEOSCIENTIST CONTENTS Download 06 16 12 24 FEATURES IN THIS ISSUE... 16 GOE figure Matthew Warke, with help from the Society’s Gloyne Outdoor Research Fund, traces the rise of Earth’s oxygen atmosphere REGULARS 05 Welcome Ted Nield celebrates the return of a very old friend indeed 06 Society news What your Society is doing at home and abroad, in London and the regions 09 Soapbox Rick Brassington, an early advocate, reflects on ON THE COVER: Chartership’s origins and importance today 10 Working with clay 21 Letters We welcome your thoughts When John Mather retired, he decided to 22 Books and arts Four new books reviewed by Paul learn how to make the ceramics that he Howlett, Murray Hoggett, Caroline Mason and Richard Dawe and Jenny Bennett had always collected... 24 People Geoscientists in the news and on the move 26 Obituary Boris Sergeevich Sokolov 1914-2013 27 Calendar Society activities this month ONLINE SPECIALS Geology and Beer Peter Dolan stares into the glass and finds it 28 Obituary Yves Oscar Fortier 1914-2014 overflowing with geological meaning. 29 Crossword Win a special publication of your choice WWW.GEOLSOC.ORG.UK/GEOSCIENTIST | JUNE 2015 | 03 Corporate Supporters: Call for Abstracts – Deadline 31 July 2015 East Africa From Research to Reserves Convenors: 13-15 April 2016 John Argent BG Group The Geological Society, Burlington House, Piccadilly, London Andrei Belopolsky Premier Oil Caren Herbert Tullow Oil Duncan Macgregor MacGeology Pamela Sansom BG Group Conference Image courtesy of CCG Sponsors: Recent exploration campaigns both on- and offshore East Africa have discovered a tremendous resource, which has propelled the region from being one of possibilities to one with commercial opportunities of VLJQL¿FDQWVFDOH7KHVHGLVFRYHULHVDUHVHWWRPDNH(DVW$IULFDDPDMRUHQHUJ\UHVRXUFHSOD\HULQWKH 21st Century, yet many challenges remain. 3DSHUVDUHLQYLWHGWKDWUHÀHFWWKHVWHSFKDQJHLQJHRORJLFDOXQGHUVWDQGLQJRIWKHUHJLRQWKDWKDVHYROYHG from new well and seismic data, to cover topics including: the regional geological context, emerging exploration plays, case study scenarios for reservoir characterization and leveraging academic research to improve understanding across all these themes. The meeting will bring together experts from industry and academia to present the latest data and research Call for Abstracts: 3OHDVHHPDLOSDSHUDQGSRVWHUDEVWUDFWVXEPLVVLRQVWRODXUDJULI¿WKV#JHROVRFRUJXNEHIRUH-XO\ 2015 Further information: For further information, please visit the conference website at www.geolsoc.org.uk/East-Africa- From-Research-to-Reserves At the forefront of petroleum geoscience www.geolsoc.org.uk/petroleum GEOSCIENTIST WELCOME Geoscientist is the ADVERTISING SALES ~ Fellowship magazine of Ollie Kirkman TWO VASES FROM THE BARNSTAPLE POTTERY the Geological Society T 01727 739 184 of London E ollie@centuryone OF C.H. BRANNAM, MADE USING BROWN CLAY FROM publishing.uk The Geological Society, FREMINGTON AND COLOURED SLIPS. THE LARGER Burlington House, Piccadilly, ART EDITOR London W1J 0BG Heena Gudka VESSEL WAS DECORATED IN THE ART NOUVEAU T +44 (0)20 7434 9944 F +44 (0)20 7439 8975 DESIGN & PRODUCTION STYLE BY FREDERICK BRADDON, DATED 1907 E [email protected] Sarah Astington Front: From the collection of Jenny Bennett and John Mather (Not for Editorial - Please ~ contact the Editor) PRINTED BY Century One Publishing House Publishing Ltd. The Geological Society Publishing House, Unit 7, Copyright Brassmill Enterprise Centre, The Geological Society of Brassmill Lane, Bath London is a Registered BA1 3JN Charity, number 210161. T 01225 445046 ISSN (print) 0961-5628 F 01225 442836 ISSN (online) 2045-1784 FROM THE EDITOR’S DESK: Library The Geological Society of London T +44 (0)20 7432 0999 accepts no responsibility for the F +44 (0)20 7439 3470 views expressed in any article in this publication. All views expressed, E [email protected] except where explicitly stated Brontosaurus is back otherwise, represent those of the EDITOR-IN-CHIEF author, and not The Geological Professor Peter Styles Society of London. All rights reserved. No paragraph of this publication may be reproduced, n the second month of the new Brontosaurus. Everybody knew about EDITOR copied or transmitted save with Dr Ted Nield written permission. Users registered Millennium, the American Brontosaurus, from Fred Flintstone’s E [email protected] with Copyright Clearance Center: the Journal is registered with CCC, 27 Museum of Natural History Brontoburgers, to the appealing fact Congress Street, Salem, MA 01970, EDITORIAL BOARD USA. 0961-5628/02/$15.00. Every opened the Frederick Phineas that its name (given in 1879 by Othniel Dr Sue Bowler effort has been made to trace and Sandra Priest Rose Centre C Marsh himself) meant ‘Thunder Mr Steve Branch copyright holders of material in this publication. If any rights have I Dr Robin Cocks for Earth and Space – a name designed Lizard’. And it came as a nasty shock been omitted, the publishers offer Prof. Tony Harris to defy the human memory, and so to everyone to discover that poor old Dr Howard Falcon-Lang their apologies. Dr Jonathan Turner No responsibility is assumed by the called simply the ‘Rose Centre’. It genus B. had been sunk since as Dr Jan Zalasiewicz Publisher for any injury and/or contained the better-known Hayden early as 1903, when palaeontologist damage to persons or property as a Trustees of the matter of products liability, Planetarium, where redesigned Elmer Riggs determined (or so he negligence or otherwise, or from any Geological Society use or operation of any methods, exhibits displayed the solar system in thought) that B. was merely a junior of London products, instructions or ideas Prof David Manning contained in the material herein. a new way. And it wasn’t long before synonym of another Marsh genus, (President); Although all advertising material is its Director – one shy, retiring Neil Apatosaurus (1877). Almost every Mrs Natalyn Ala (Secretary, expected to conform to ethical (medical) standards, inclusion in this deGrasse Tyson – had become the bad generation since then has felt outrage Professional Matters); publication does not constitute a Dr Mike Armitage (Vice guarantee or endorsement of the guy of astronomy for millions of that their favourite diplodocid never president); Dr Nigel quality or value of such product or of American eight-year-olds. actually existed. Cassidy; Prof Neil the claims made by its manufacturer. The exhibit displayed the However, a monumental new Chapman; Dr Angela Coe; Subscriptions: All correspondence Mr Jim Coppard; relating to non-member components of the solar system in taxonomic study (truly a Brontosaurus Mr David Cragg (Vice subscriptions should be addresses president); Mrs Jane to the Journals Subscription groups with like properties – rocky of the genre at 300 pages published Dottridge; Mr Chris Eccles; Department, Geological Society Publishing House, Unit 7 Brassmill planets, gas giants, and so on. This left April 7, in PeerJ) has determined that Dr Marie Edmonds; Enterprise Centre, Brassmill Lane, one of the best-known planets – Pluto, no less than three species of the genus Professor Alastair Fraser Bath, BA1 3JN, UK. Tel: 01225 (Secretary, Science); 445046. Fax: 01225 442836. the only one to be discovered by an – excelsus (the first discovered) parvus Mr David Hopkins; Email: [email protected]. The American (Clyde Tombaugh in 1930) – and yahnahpin – were real, after all. Mr David Jones (Vice subscription price for Volume 25, 2015 (11 issues) to institutions and president); Dr Adam Law non-members is £132 (UK) or out in the cold among other icy, trans- There has already been media (Treasurer); Prof Alan Lord £151/$302 (Rest of World). Neptunian objects, un-named. rejoicing, and the (Secretary Foreign & External Affairs); Dr Brian © 2015 The Geological Society Every child’s
Recommended publications
  • HO060710 Sale
    For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others.
    [Show full text]
  • CELSIUS a Peer-Reviewed Bi-Annual Online Journal Supporting the Disciplines of Ceramics, Glass, and Jewellery and Object Design
    CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. ISSUE 1 July 2009 Published in Australia in 2009 by Sydney College of the Arts The Visual Arts Faculty The University of Sydney Balmain Road Rozelle Locked Bag 15 Rozelle, NSW 2039 +61 2 9351 1104 [email protected] www.usyd.edu.au/sca Cricos Provider Code: 00026A © The University of Sydney 2009 This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this publication may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the copyright owners. Sydney College of the Arts gratefully acknowledges the contribution of the artists and their agents for permission to reproduce their images and papers. Editor: Jan Guy Publication Layout: Nerida Olson Disclaimers 1. The material in this publication may contain references to persons who are deceased. 2. The artwork and statements in this catalogue have not been classified for viewing purposes and do not represent the views or opinions of the University of Sydney or Sydney College of the Arts. www.usyd.edu.au/sca/research/projects/celsiusjournal CELSIUS A peer-reviewed bi-annual online journal supporting the disciplines of ceramics, glass, and jewellery and object design. Mission Statement The aims of Celsius are to - provide an arena for the publication of scholarly papers concerned with the disciplines of ceramics, glass and jewellery and object design - promote artistic and technical research within these disciplines of the highest standards -foster the research of postgraduate students from Australia and around the world - complement the work being done by professional journals in the exposure of the craft based disciplines -create opportunities of professional experience in the field of publication for USYD postgraduate students Editorial Board The Celsius Editorial Board advises the editor and helps develop and guide the online journal’s publication program.
    [Show full text]
  • English Slipware Pottery
    24 GETTING THINGS DONE NAN MUSGROVE is a young potter working in the English Slipware tradition. She trained in the workshop of John Pollex, one of the best-known contemporary slipware potters, and moved to Marsden, near Huddersfield, in March 1979 to establish her own workshop. Training in slipware was a deliberate choice for her, partly because it gives great scope for decoration and partly because she responds to its intrinsic 'Englishness'. Most people are familar with craft copy of the Willow Pattern, in the 1702 said that it was nicknamed 'Little pottery that is glazed with sombre col- customary brown and yellow colours London' by the locals, presumably ours: greys, dull greens and soft of earthenware. because of its activity and smoke. browns. Often it is decorated with There is a little rhyme about the subtle brush patterns, but the overall Yearsley pottery, which was estab- impression is usually restrained. This 0174 lished by a branch of the Wedgewood is stoneware pottery in the oriental family in the late seventeenth tradition, which was introduced into century: this country by Bernard Leach, who "At Yearsley there were panche- did more than any other person to ons made re-establish a tradition of hand- 4 ry By Willie Wedgewood that thrown pottery here. He was trained lle young blade" Ga in Japan and, when he set up his work- t These potteries produced a great shop in St. Ives in the 1920's, he Ar naturally continued to use oriental range of slipware dishes, jugs, cups City glazes, although he adapted his r and chamber pots as well as the big shapes to his English market.
    [Show full text]
  • ORIENTAL and EUROPEAN CERAMICS and GLASS
    SECOND DAY’S SALE THURSDAY 21st APRIL 2011 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 16th April 9.00am to 1.00pm Sunday 17th April 2.00pm to 4.00pm Monday 18th April 9.00am to 5.15pm Tuesday 19th April 9.00am to 5.15pm Wednesday 20th April 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 87 323 324 321. 323. 325. A pair of clear glass A champagne or sweetmeat A small sweetmeat glass or decanters of mallet shaped glass, the pan shaped bowl stand of shallow flaring and form with facet cut decoration with diamond moulded externally ribbed form, the fold beneath a mushroom stopper, exterior with double basal over rim applied with eight together with a claret jug en blade knops set on a teared loops terminating in strawberry suite, each 25.5 cm high, early and inverted baluster stem and prunts set on a short stem with 20th century. (3) diamond moulded and domed moulded domed and fold over £80-120 fold over foot, 12 cm high, foot, 10 cm diameter, mid 322. circa. 1730-40, retailer’s label 18th century. A pair of clear glass for Churchill to underside. £100-150 confitures of pedestal form £250-300 326. and with domed covers cut 324. A pair of glass patty pans of with fretted panels, 30 cm A sweetmeat glass the externally ribbed form with high, early 19th century, rounded funnel bowl with fold over rims, 8 cm diameter, staple repair to one together diamond moulded exterior mid 18th century.
    [Show full text]
  • Wales, UK Canolfan Y Celfyddydau Aberystwyth, Cymru, DU
    International Ceramics Festival Gwyl^ Serameg Ryngwladol Friday 28 – Sunday 30 June 2013 Dydd Gwener 28 - Dydd Sul 30 Mehefin 2013 Aberystwyth Arts Centre, Wales, UK Canolfan y Celfyddydau Aberystwyth, Cymru, DU Organised by Aberystwyth Arts Centre, North Wales Potters and South Wales Potters Trefnir gan Canolfan y Celfyddydau Aberystwyth, Chrochenwyr Gogledd Cymru a Chrocenwyr De Cymru Contents Awards & Special Events Cont’d 14 Welcome 3 Lectures & Films 14-15 Demonstrators & Guest Artists 4-8 Aberystwyth Arts Centre 16 Master of Ceremonies & North Wales Potters 16 Festival President 9 South Wales Potters 16 Exhibitions 10 Trade Stands 17 Activities, Awards & Special Events 11 General Information, Food & Drink 18 Programme of Events 12-13 Floor Plans 19 Directors and Organisers: Marketing: Louise Amery 01970 622889 [email protected] Aberystwyth Arts Centre Festival Directors: Useful Contacts: Alan Hewson, Kraig Pugh PR: Pandora George, Bullet PR 01273 775520 North Wales Potters Festival Directors: Pea Restall, Paul Lloyd [email protected] South Wales Potters Festival Directors: Jeffrey Taylor, Festival Photographer: Glenn Edwards Peter Bodenham www.glennedwardsphotojournalist.com For Aberystwyth University: Moira Vincentelli Festival Accommodation: Conference Office, For Aberystwyth University: Cath Sherrell Aberystwyth University. Festival Co-ordinator: Sophie Bennett 01970 622338 Email: [email protected] Tel: 01970 621960 [email protected] Festival Assistant: Gwen Morgan With thanks to all Aberystwyth Arts Centre Staff, in particular: Site Manager: Pete Goodridge Eve Ropek, Nick Bache, Pete Lochery and the Technical team; Joan Materials Organiser: Roger Guy Young Rowlands, Jim West, Sarah Hughes, Serena Michael and all the Cafe Stage Demonstrations Co-ordinator: Jez Waller and Bar staff; Lynette Evans and the Services Team; all the Box Student Demonstration Co-ordinator: Avril Ryan Office and Marketing team, and everyone else who has helped to Cup Sale: Kate Mills & Stephen Mills make the festival a success.
    [Show full text]
  • Lot 1 Kurdish Rug Having Central Medallion on Deep Blue and Rust
    Lawrences Auctioneers Ltd - ANTIQUES AND COLLECTIBLES - Starts 23 Jul 2019 Lot 1 Kurdish rug having central medallion on deep blue and rust ground with multiple borders, 5ft x 3ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 2 Indo Persian style carpet of all-over floral design with multiple borders on a beige ground, 9ft 10ins x 13ft 6ins Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 3 Indo Persian silk rug having central gol with all-over floral design on a wine ground with multiple borders, 31ins x 49ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 4 Indo Persian silk rug, the central panel of figures having all-over floral design on a black ground with multiple borders, 30ins x 50ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 5 Indo Persian silk rug having central medallion with all-over floral design on a beige ground having multiple borders, 37ins x 60ins Estimate: 100 - 200 Fees: 24% inc VAT for absentee bids, telephone bids and bidding in person 27.6% inc VAT for Live Bidding and Autobids Lot 6 Small rug having four central gols with multiple borders on a wine ground, 3ft x 1.5ft Estimate: 0 - 0 Fees: 24% inc VAT for absentee bids, telephone bids and bidding
    [Show full text]
  • “ANYTHING but WHITE”: EXCAVATING the STORY of NORTHEASTERN COLONOWARE a Dissertation Submitted to the Temple University Grad
    “ANYTHING BUT WHITE”: EXCAVATING THE STORY OF NORTHEASTERN COLONOWARE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Keri J. Sansevere May 2019 Examining Committee Members: Paul Farnsworth, Advisory Chair, Department of Anthropology Patricia Hansell, Department of Anthropology Seth Bruggeman, Department of History Richard Veit, External Member, Monmouth University, Department of History and Anthropology © Copyright 2018 by Keri J. Sansevere All Rights Reserved ii ABSTRACT The study of historic-period pottery cuts across many disciplines (e.g., historical archaeology, material culture studies, American studies, art history, decorative arts, fine arts). Studies of historic pottery with provenience from the United States are largely centered on fine-bodied wares, such as porcelain, white salt-glazed stoneware, creamware, pearlware, whiteware, ironstone (or white granite), and kaolin smoking pipes. These wares share the common attribute of whiteness: white paste and painted, slipped, or printed decoration that typically incorporate the color white into its motif. Disenfranchised groups had limited direct-market access to these wares due to its high value (Miller 1980, 1991). White pottery was disproportionately consumed by White people until the nineteenth century. This dissertation examines colonoware—an earth-toned, non-white, polythetic kind of coarse earthenware. Archaeologists commonly encounter colonoware in plantation contexts and believe
    [Show full text]
  • North Devon Pottery Project a Research Framework 2014
    North Devon Pottery Project Research Framework 2014 NORTH DEVON AND TORRIDGE COUNCILS MUSEUM OF BARNSTAPLE & NORTH DEVON AND BURTON ART GALLERY & MUSEUM, BIDEFORD NORTH DEVON POTTERY PROJECT A RESEARCH FRAMEWORK 2014 VICKY & DAVID DAWSON PARTNERSHIP 10 LINDEN GROVE, TAUNTON TA1 1EF 0 North Devon Pottery Project Research Framework 2014 CONTENTS INTRODUCTION 2 Summary 2 PART ONE: RESOURCE ASSESSMENT The Collection 3 Context of the Collection 5 Research resources 6 Human resources 10 Interpretive resources 11 Financial resources 11 PART TWO: RESEARCH AGENDA Deepening understanding 13 Influencing contemporary practice 13 Improving curatorial practice 14 Improving resilience 14 Widening audiences 14 PART THREE: RESEARCH STRATEGY Deepening understanding 16 Influencing contemporary practice 17 Improving curatorial practice 17 Improving resilience 18 Widening audiences 19 PART FOUR: OUTCOMES 20 REFERENCES 21 APPENDIX - Letters of support (see separate document) Cover image by courtesy of the Royal Albert Memorial Museum, Exeter V3, revised 27th June 2014 1 North Devon Pottery Project Research Framework 2014 INTRODUCTION This framework was commissioned by Alison Mills, Museum Development Manager for North Devon and Torridge Councils, and Miranda Clarke, Visual Arts Manager for Torridge District Council from Vicky & David Dawson Partnership as part of a study funded by Arts Council England to apply for recognition of the joint pottery collections of the Museum of Barnstaple and North Devon and the Burton Art Gallery and Museum, Bideford, for Designation as a collection of pre- eminent national and international significance. We are grateful to all who have expressed their support for the concept. SUMMARY The following document is set out in four parts. An assessment of the resource constitutes part one.
    [Show full text]
  • 2012 Summer Newsletter
    Newsletter Summer 2012 In this issue: Nigel Edmondson Doug Fitch CCA Gallery Ostinelli & Priest Workshop AP Website Update www.anglianpotters.org.uk CHAIRMAN’S REPORT DOUG FITCH DAY EVENT The demonstration day at Mundford, was attended by many and enjoyed by all. Some members at the end of the queue were left with a modest lunch. I wonder whether the ‘early birds’ had a rather large appetite!!! SELECTED MEMBERS My congratulations go to Angela Mellor, Anja Penger, Christine Pike, and Peter Deans, who were successful at the April selection meeting, and join the list of Selected Members. CCA GALLERY, CAMBRIDGE The Selected Members’ show at the many visitors but sales were modest. Cambridge Comtemporary Art Gallery Peter Cuthbertson, Dameon Lynn, in April represented Anglian Potters Katharina Klug, Jane Sanders and myself wonderfully well. I viewed it on the first were the AP members involved. It was Saturday morning, and Colin Saunders good to exhibit in Northants, and meet already had a teapot ‘red spotted’. See some new potters. page 6 for Colin’s report and Anja’s photographs of the show. AGM AT MUNDFORD POTTERY IN THE SHIRES By the time this Newsletter is published the AGM will have happened, but I Julie Houghton of Corby Kilns, would like to thank all committee officers promoted this show in Burton Latimer for their service and support. on 4 and 5 May as part of Craft and Design Month. This new venture Victor brought together 13 potters and attracted workshop later that same month. It is amazing to see the different styles of AP members showing through despite all using the same basic construction techniques.
    [Show full text]
  • Ceramics Monthly Jan90 Cei01
    William C. Hunt... ........................Editor Ruth C. Butler.......... .........Associate Editor Robert L. Creager ............... Art Director Kim Schomburg ... .... Editorial Assistant Mary Rushley.......... Circulation Manager Mary E. Beaver........ Circulation Assistant Jayne Lohr................ Circulation Assistant Connie Belcher.... Advertising Manager Spencer L. Davis .. ...................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad­ dress to: Ceramics Monthly, Circulation Of­ fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra­ tions, texts and news releases about ce­ ramic art and craft are welcome and will be considered for publication. A booklet de­ scribing procedures for the preparation and submission of a manuscript is available upon request. Send manuscripts and cor­ respondence about them to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Telecommunications and Disk Media: Ceramics Monthly accepts articles and other data by modem. Phone us for transmission specifics. Articles may also be submitted on 3.5-inch microdiskettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, articles in each issue ofCeramics Monthly are indexed in theArt Index; on-line (com­ puter) indexing is available through Wilson- line, 950 University Ave., Bronx, New York 10452.
    [Show full text]
  • Sale Catalogue (Ceramics and Glass)
    SECOND DAY’S SALE THURSDAY 1st NOVEMBER 2012 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.30pm Oriental and European Ceramics and Glass will be on view on: Saturday 27th October 9.00am to 1.00pm Sunday 28th October 2.00pm to 4.00pm Monday 29th October 9.00am to 5.15pm Tuesday 30th October 9.00am to 5.15pm Wednesday 31st October 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 351 A sealed wine bottle of squat cylinder form with ‘kick up’ and applied string rim the dark olive body with circular seal embossed R. Seldon, 25 cm high, mid 18th century. £200 - 300 352 A French overlay glass vase cut with panels of blue over clear enamelled with rose centred sprays and an encircling foliate band with some gold embellishment, 15 cm high. £80 - 100 353 A mid 18th century Bohemian enamelled wine 353 354 glass painted with floral sprays, a cockerel and an inscription dated 1743, 12cm high (foot a pewter replacement) £200 - 300 354 A Bohemian green and white overlay table lustre of traditional coronet form on bulbous stem and spreading foot the top with alternating portrait and foliate decorated medallions, and the stem and foot with gilt foliate decoration on a profuse ground of gilt fern-like vegetation, hung with pendant drops and prisms, 31 cm high, mid 19th century, flake chip. £300 - 500 355 355 A Bohemian green overlay pedestal vase decorated with an oval white panel profusely enamelled with blooms above a similar panel enamelled with a half length portrait of a young beauty with a garland of ivy in her hair and verso with two further floral panels, both flanked by fretted white panels reserved on a gilt foliate ground, 37.5 cm high, mid 19th century.
    [Show full text]
  • United States National Museum
    3 contributiox^s from The Museum of History axd Techxology: Paper 1 North Devon Pottery and Its Export To America in the 17th Century C. Malcolm Watkins Yl ^ M 1 ^ " "3 — 3 a = !U o 1) LO — dc' * 7!U — '^- _ 5 - d. 'm " > . s By C. Malcolm Watkins NORTH DEVON POTTERY AND ITS EXPORT TO AMERICA IN THE 17th CENTURY Recent excavations of ceramics at historic sites such as Jamestoivn and Plymouth indicate that the seaboard colonists of the 17th century enjoyed a higher degree of comfort and more esthetic furnishings than heretofore believed. In addition, these findings have given us much new information about the interplay of trade and culture betiveen the colonists and their mother country. This article represents the first ivork in the author' long-range study of ceramics used by the English colonists in America. The Author: C. Malcohn Watkins is curator of cultural history. United States National Museu?n, Smithsonian Institution POTTERY SHERDS FOUND ARCHEOLOGICALLV in cidence. For a long time no relationship between colonial sites serve a multiple purpose. They them was noted, yet their histories have proved to help to date the sites; they reflect cultural and be of one fabric, reflecting the activities of a 17th- economic levels in the areas of their use; and they century English potterymaking center of unsuspected throw light on manufacture, trade, and distribution. magnitude. Satisfying; instances of these uses were revealed The sgraffito pottery is a red earthenware, coated with the discovery in 1935 of tw'o distinct but un- with a white slip through which designs have been identified pottery types in the excavations conducted incised.
    [Show full text]