Carleen Hutchins Papers M1734

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Carleen Hutchins Papers M1734 http://oac.cdlib.org/findaid/ark:/13030/kt067nf29d No online items Guide to Carleen Hutchins papers M1734 Finding aid prepared by Processed by Andrea Castillo Stanford University. Department of Special Collections and University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Email: [email protected] August 2011 Guide to Carleen Hutchins papers M1734 1 M1734 Title: Carleen Hutchins papers Identifier/Call Number: M1734 Contributing Institution: Stanford University. Department of Special Collections and University Archives Language of Material: English Physical Description: 40.58 Linear feet(83 manuscript boxes; 2 flat boxes; 3 map folders, and 1 oversize item) Date (inclusive): 1900-2010 Abstract: The papers relate primarily to musical acoustics, musical instrument construction, and her invention of the violin octet including research notes and papers; research notebooks; manuscript and published articles; lectures and lecture notes; charts, graphs, and drawings relating to musical instruments and acoustics; correspondence; photographs and slides; posters; and sound recordings on tape and cassette comprising 33 boxes. Creator: Hutchins, Carleen Maley Acquisition Information The Carleen Hutchins Papers were a gift of Joseph McNalley and the Hutchins Consort, 2010. Accession 2010-011. Access to Collection Open for research. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Publication Rights All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. See: http://library.stanford.edu/depts/spc/pubserv/permissions.html. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes. Processing note Records were processed with help from Center for Computer Research in Music and Acoustics (CCRMA), Stanford Institute for Creativity and the Arts (SiCA) and the Violin Society of America. Collection was processed by Andrea Castillo, August 2011. Preferred Citation Carleen Hutchins Papers M1734 Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Scope and Contents The Hutchins Collections consisting of 40.58 linear feet, spanning from the 1940s to 2009, documents Carleen Hutchins career through papers, research notes, clippings, photographs, correspondence, and media materials. Of particular importance are her notebooks where she recorded many of her acoustical experiments and the details on the construction of new instruments. Arrangement note The Hutchins Papers are arranged in 7 series: Series 1. Notebooks Series 2. General Files Series 3. Research and Writings Series 4. Other Authors’ Research and Writings Series 5. Photographic Materials Series 6. Media Series 7. Posters Related archival Materials note Related to the Musical Acoustics Research Library (MARL) Records, M1711. Series 1. Notebooks: Data on Existing Stringed Instruments and on the Construction of New Ones Language of Material: English Scope and Contents Carleen Hutchins’ notebooks records work done on existing stringed instruments and, most importantly, the creation of new instruments. Box 1, Folder 1 Violin 260. Experiment: Dünnwald , Hutchins, and Rodgers, (bridge, soundpost, correspondence, figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1981-1996 Guide to Carleen Hutchins papers M1734 2 M1734 Series 1. Notebooks: Data on Existing Stringed Instruments and on the Construction of New Ones Box 1, Folder 2 Violins 260-262. Gleissner Wood. Rodgers, Mellem, Shaker Expt. NIU ’82, Toronto ’86 Bucur. “A Procedure for Objective Determination of Tone Quality of Violins,” Heinrich Dünnwald, (typescript, letters, figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1980-1995 Box 1, Folder 3 Violins 263-268. Gleissner Wood. Rodgers, Mellem, Shaker Expt. NIU ’82, Toronto ’86 Bucur, (figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 1, Folder 4 Violins 269-271. Gleissner Wood. Rodgers, Mellem, Shaker Expt. NIU ’82, Toronto ’86 Bucur. “Physical Measurements on Sampling of European Spruce and Maple for Violin Top and Back Plates,” Morton A. Hutchins, (typescript, figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 1, Folder 5 Violins 272-282, (figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 2, Folder 1 Violins 283-289, (figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 2, Folder 2 Violins 290-297, (correspondence, figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 2, Folder 3 Violins 298-299, (correspondence, figures of free plates and the nodal areas of modes, sound spectra, notes on tests, results, and adjustments) 1979-1992 Box 2, Folder 4 Violins 440-450-Spruce Ages 1756-1981, (notes on wood types, ages of spruce, sealants and varnishes; correspondence; figures of free plates and the nodal areas of modes, and sound spectra) Box 2, Folder 5 Violins 47-484, Tuning Plates Harmonically to Each Other. Four Spots Test Top and Back, (sound spectra, free-plate-mode diagrams) 1995 Box 3, Folder 1 Violin charts. Mode Tuning Eight Modes, (figures of free plates and the nodal areas of modes, sound spectra, and notes) 1976-1996 Box 3, Folder 2 Tests on Various Violins: Heinrich Dünnwald Response Curve Test; Plate Mode Frequencies, etc., (figures of free plates and the nodal areas of modes, sound spectra, and notes) 1987-1995 Box 3, Folder 3 Methods of Changing the Frequency spacing (Delta) Between the A1 and B1 Modes of the Violin. Paper for the ASA Penn State, 1990 by Carleen M.Hutchins and Oliver E. Rodgers Part I, (annotated typescript, diagrams, charts, correspondence) 1990-1992 Box 3, Folder 4 Methods of Changing the Frequency spacing (Delta) Between the A1 and B1 Modes of the Violin. Paper for the ASA Penn State, 1990 by Carleen M. Hutchins and Oliver E. Rodgers Part II and Other Papers, (annotated typescript, diagrams, charts, correspondence) 1990-1992 Box 3, Folder 5 Some Effects of Prolonged Vibration on Violins, Carleen M. Hutchins and Herbert Ueltz Part I, (typescripts, figures of free plates and the nodal areas of modes, sound spectra, correspondence, and notes) 1980-1986 Box 3, Folder 6 Some Effects of Prolonged Vibration on Violins, Carleen M. Hutchins and Herbert Ueltz Part II, (reprints) 1980-1986 Box 4, Folder 1 Mary Lee Esty, (figures of free plates and the nodal areas of modes, sound spectra, and notes) 1977-1980 Box 4, Folder 2 Interpreting Spectral Data on Violins, by Joan E. Miller (reprint, diagrams, tables, spectra, notes) 1989-1993 Box 4, Folder 3 Joseph Conrad Construction of Violins and Violas (records of instrument type, wood, fittings, strings, tuning, start, sound spectra, and general comments) 1991-1994 Box 4, Folder 4 Carolyn Wison Fields: Tests and Adjustments on Violins and Violas, (figures of free plates and the nodal areas of modes, sound spectra, correspondence, and notes) 1980-1990 Box 4, Folder 5 Andrea Castagneri Violas 15” / 8”: Results of Tests, (figures of free plates and the nodal areas of modes, sound spectra, and notes) 1980-1996 Box 5, Folder 1 Violas 70-85: Tests and Adjustments, (figures of free plates and the nodal areas of modes, sound spectra, and notes of sales and ownership of instruments) 1974-1998 Box 5, Folder 2 Violas 86-98: Tests and Adjustments, (figures of free plates and the nodal areas of modes, sound spectra, and notes of sales and ownership of instruments) 1972-1990 Guide to Carleen Hutchins papers M1734 3 M1734 Series 1. Notebooks: Data on Existing Stringed Instruments and on the Construction of New Ones Box 5, Folder 3 Violas 211-224: Tests and Adjustments, (figures of free plates and the nodal areas of modes, sound spectra, and notes of sales and ownership of instruments) 1975-1992 Box 6, Folder 1 Violas 225-233: Tests and Adjustments (figures of free plates and the nodal areas of modes, sound spectra, results of effects of varnish, notes of sales and ownership of instruments) 1977-1991 Box 6, Folder 2 Violas 234-239: Tests on Gasparo and Elongated Strad Pattern Violas, (figures of free plates and the nodal areas of modes, sound spectra, notes, and correspondence) 1979-1991 Box 6, Folder 3 Violas 240-259: Tests on Gasparo and Elongated Strad Pattern Violas, (figures of free plates and the nodal areas of modes, sound spectra, and notes) 1978-1991 Box 7, Folder 1 Violas 401-408. Free Plate Records and Humidity – Temp.; Experiments for Tuning Five Violas; Resonance Tests of the front and back plates, (tables, typescripts, sound spectra, diagrams, and notes) 1993-1995 Box 7, Folder 2 Violas 409-412. Resonance Tests of the front and back plates (tables, typescripts, sound spectra, diagrams, and notes) 1993-1995 Box 7, Folder 3 Violas 415-423. Resonance Tests of the front and back plates; varnish tests; notes of sales and ownership of instruments, (tables, typescripts, sound spectra, and diagrams) 1995-1998 Box 7, Folder 4 Violas 424-430, (sound spectra; figures of free plates and the nodal areas of modes) 1986-1996 Box 7, Folder 5 Violas 431-434, (sound spectra,figures of free plates and the nodal areas of modes) 1992-1996 Box 7, Folder 6 Viola Charts. Air – Wood, (graphs, notes) 1983-1995 Box 8, Folder 1 Wood and Viola Backs Comments: Acoustical Parameters for Violin and Viola Back Wood, Morton A.
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