Catgut Acoustical Society, Inc

Total Page:16

File Type:pdf, Size:1020Kb

Catgut Acoustical Society, Inc CATGUT ACOUSTICAL SOCIETY, INC. J NEWSLETTER Number 40, published semiannually November 1, 1983 Since our last Newsletter members of tbe CAS have participated in conferences and concerts all the way from lowa to Paris and Stockholm with Cincinnati in between. The conference in lowa was organized by William Savage - the Fourth conference and workshop on "Acoustics and the Physics of Sound and Music." This included not only invited papers by Gabriel Weinreich and Carleen Hutchins, but a concert demonstration and lecture on the VIOLIN OCTET which fea- tured several pieces written for the top six instruments. The two big ones were not shipped out because they were being finished for something exciting in the Fall. Closely following the lowa conference was the 105th Acoustical Society of America meeting in Cincinnati. In addition to the technical sessions, the meeting included a buffet supper and CAS meeting hosted by Bob and Marge Fryxell in their lovely home in the suburbs? Mem- bers and guests were invited and all had a wonderful time with informal discussions as well as playing of music. In conjunction with their meeting, Carleen Hutchins spoke to the Cincinnati Community Orchestra following a buffet supper hosted by Ruth and Fran Rosevear. After the ASA meeting, CMH lectured to the Acoustical Consultants of America. Leo Beranek was in the group and contributed some interesting anecdotes of his early experiences as one of Professor Saunders graduate students during the time when Heifetz came to play his violins to compare the tone qualities of various instruments. Later in May, Carolyn Field, who has been working with us in the shop for several years and playing some of the new instruments, particularly the Alto, was invited to give a talk at the Detroit meeting of the American Association for the Advancement of Science. Her paper - "The Hutchins Violin Octet: Past and Present" was well received. Since then the Australian Radio has done a broadcast on the VIOLIN OCTET and their musical potential including an inter- view with Carolyn. The "Sound and the Fiddle" was the theme of a lecture-demonstration presented by CMH at the Bloomfield, N.J. library. She was assisted by Alan Scott, playing several selections on the Alto Violin as well as demonstrating the Tenor and Baritone. Also, Eileen Ivers played sev- eral of the small instruments (Mezzo, Soprano and Treble) as well as conventional violins. Much to the delight of the audience, Mrs. Ivers played some of the Irish dance music for which she is famous all over the world. It was a rewarding occasion. Mary Lee Esty was invited by the Violin Society of America to lecture on the "History of Violin Acoustics" since CMH was unable to do it. This included a review of the early develop- ments which have been published in the paper referred to elsewhere on the History of Violin Research published in the Journal of the Acoustical Society. There have been many fine com- ments on the job which Mary Lee did. The Violin Society of America is holding their 11th Annual Convention at the Parker House, Tremont & School Streets, Boston, on November 11,12,13,1983. At the end of May the complete VIOLIN OCTET was crated up at 112 Essex with the help of Tom Coleman and sent out to San Diego, California, in care of Bertram Turetzky of the Music Depart- ment of the University of Southern California in La Jolla. This is in anticipation of a concert demonstration of the OCTET which is being featured at the Acoustical Society of America meeting in San Diego. The concert will take place Wednesday, November 9th at 4:15 P.M. at the Town and Country Hotel, Town and Country Room, 500 Hotel Circle N., San Diego. Turetzky reports that the instruments arrived safely and they are excited to be working with them. Turetzky had worked earlier with Henry Brant, who is now in California and who will participate in this conference and concert where they will be playing some of his music. The International Congress on Acoustics in Paris brought together members of the CAS from various countries around the world: Australia, China, India, Japan, USA, U.K. and many of the countries of Europe. There were many papers on the acoustics of stringed instruments as well as other instruments. Particularly interesting is the work that Dr. Heinrich Dunnwald is doing. He is a young violin maker and researcher who is combining the construction of in- struments under varying conditions with the effects on their acoustics. His work should give us a good deal of further information in the next few years. A session at IRCAM (Institut de Recherche et Coordination Acoustique/Musique) , which is the Pierre Boulez center for musical re- search, was most interesting and the group had a chance to see the wonderful facilities con- structed underground near the new Georges-Porapidou centre in Paris. The meeting there was hosted by Pierre Boulez with discussions of the work they are doing by several of his staff *Those present were: Eric Arnold, Joseph Bein, Arthur and Virginia Benade, Jacques Chamuel, R.O.Cook, Edith Corliss, William Doolittle, Robert and Marjorie Fryxell, Adrian Houtsma, Carleen Hutchins, Robert and Sue Latta, Raymond Lewkowicz and wife, lan Lindevald ,Max Mathews, Herman and Eileen Medwin, Dale Rogers, Thomas Rossing, William Savage, Arnold Tubis, Gabriel Weinreich, Earl Williams, Ellery Wilson plus several others. COPYRIGHT Catgut Acoustical Society,lnc. 198 very Mass, 2 NL #40, Nov. 1983 A of 112 Essex 07042 meeting the Officers and Trustees was held April 10,1983 at CAS headquarters. Present were: Carolyn Field, George Foy, President Daniel Haines, Carleen Hutchins, Morton Hutchins, Dugald McGilvray, Robert Scanlan Elizabeth McGilvray, Richard Menzel, Robert M. Meyer, Oliver Rodgers, 34 Burning Tree Lane Richard Robert N.J. 08648 and Beth Scanlan. Vice-President The following slate was submitted by the nominating committee, Morton Hutchins Ethel Piggins, and 112 Essex Avenue chairman, accepted. N.J. 07042 Trustees : Vice-President Maurice Hancock George Foy elect 2 year term White Salisbury Road Richard E. Menzel re-elect 2 year term Farnborough, Hants Daniel W. Haines England 2 year term Carolyn Field 2 year term Vice-President Robert E. Fryxell 3 term McLennan year John George Bissinger 3 year term 28 Highland Close " N.5.W.2290 Robert Meyer elect 3 term Australia Oliver Rodgers " 3 year term 3 Vice-President Richard Sacksteder year term Helmut Muller " Miiller-BBM GmbH Officers : Robert-Koch Str.ll 8033 Planegg b. Munchen Morton Hutchins Vice President, USA elect- 3 year term West Germany Maurice Hancock U.K. Vice-President John McLennan ii Australia !1 Johan Sundberg Helmut Muller ii Europe Royal Inst. Technology 10044, Stockholm 70 Treasurer Warren Creel 456 Hamilton Albany, N.Y. 12203 Rex Thompson, 10 Rothesay Avenue, Hazelwood Park, South Australia 5066, will accept dues from Australian Secretary members before March 1, 1984 only. Bills will be sent out in Hutchins January. 112 Essex Avenue Hannan, N.J. 07 042 Norman E. 18 Lake Rise, Essex RMI 4DY, England, will also accept dues payments from U.K.members. Details Financial Secretary in January dues mailing. Dugald McGilvray 12 Clalridge Court N.J. 07042 ************** Editor NECROLOGY Robert Fryxell 8430 Hickory Drive Robert Ohio 45243 Bishop,Newark, Nottinghamshire,England John W. San Diego, California * .11 general mail should be addressed t ffice address. Newsletter material to ************* members. CMH had some very interesting discussions with Voichita Bucur on further possibil- ities for testing wood for violins both as to the age of the wood and its micro structure as well as information that can be gotten from ultra sonic tests. This should prove fruitful and particularly interesting for those who wish more information on what happens to wood for violins and why it seems so critical under certain conditions. After the busy and exciting ten days of the ICA in Paris, CAS members went on to the Stockholm SMAC (Stockholm Musical Acoustical Conference 1983) where Johan Sundberg, Erik Jansson and Anders Askenfelt had organized a very fruitful and rewarding conference. Details of this will be written up i. a later Newsletter, but suffice to say it was a rare opportu- nity for all of us to exchange ideas and to find many new conceptions and challenges as we talked to each other and listened to the papers that were given. A high spot of this confer- ence was not only the CAS meeting discussion which we had one but also the very fine concert which was given under the auspices of the Royal Academy of Music at the Swedish Musik- museet. This concert was the culmination of the composer contest for the VIOLIN OCTET instru- ments and three winning compositions were played with two of the composers present. The musi- cians were assembled and trained by Semmy Lazaroff who did a beautiful job. The conductor was Miklo's Maros. Before going to the ICA Hutchins visited with several violin makers in Italy. She was met at the Rome airport by Beate Kienitz, a young lady violin maker working in Rome, who drove her around Italy for visits which included several days with David Fix and his wife, Rene, in their lovely home in Cetona where David is working on an analysis of the Condax var- nish papers. Then a visit to Cremona where Hutchins had a very cordial reception with Francesco Bisolotti as well as Bruce Carlson who is doing some very fine repair work on the old instruments in his shop in Cremona. The Cremona school was closed but Bisolotti served as guide to several places of interest related to the work of Stradivari and hosted a very lovely luncheon.
Recommended publications
  • The Science of String Instruments
    The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D.
    [Show full text]
  • Carleen Hutchins Papers M1734
    http://oac.cdlib.org/findaid/ark:/13030/kt067nf29d No online items Guide to Carleen Hutchins papers M1734 Finding aid prepared by Processed by Andrea Castillo Stanford University. Department of Special Collections and University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Email: [email protected] August 2011 Guide to Carleen Hutchins papers M1734 1 M1734 Title: Carleen Hutchins papers Identifier/Call Number: M1734 Contributing Institution: Stanford University. Department of Special Collections and University Archives Language of Material: English Physical Description: 40.58 Linear feet(83 manuscript boxes; 2 flat boxes; 3 map folders, and 1 oversize item) Date (inclusive): 1900-2010 Abstract: The papers relate primarily to musical acoustics, musical instrument construction, and her invention of the violin octet including research notes and papers; research notebooks; manuscript and published articles; lectures and lecture notes; charts, graphs, and drawings relating to musical instruments and acoustics; correspondence; photographs and slides; posters; and sound recordings on tape and cassette comprising 33 boxes. Creator: Hutchins, Carleen Maley Acquisition Information The Carleen Hutchins Papers were a gift of Joseph McNalley and the Hutchins Consort, 2010. Accession 2010-011. Access to Collection Open for research. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Publication Rights All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner.
    [Show full text]
  • The Creative Application of Extended Techniques for Double Bass in Improvisation and Composition
    The creative application of extended techniques for double bass in improvisation and composition Presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Music) Volume Number 1 of 2 Ashley John Long 2020 Contents List of musical examples iii List of tables and figures vi Abstract vii Acknowledgements viii Introduction 1 Chapter 1: Historical Precedents: Classical Virtuosi and the Viennese Bass 13 Chapter 2: Jazz Bass and the Development of Pizzicato i) Jazz 24 ii) Free improvisation 32 Chapter 3: Barry Guy i) Introduction 40 ii) Instrumental technique 45 iii) Musical choices 49 iv) Compositional technique 52 Chapter 4: Barry Guy: Bass Music i) Statements II – Introduction 58 ii) Statements II – Interpretation 60 iii) Statements II – A brief analysis 62 iv) Anna 81 v) Eos 96 Chapter 5: Bernard Rands: Memo I 105 i) Memo I/Statements II – Shared traits 110 ii) Shared techniques 112 iii) Shared notation of techniques 115 iv) Structure 116 v) Motivic similarities 118 vi) Wider concerns 122 i Chapter 6: Contextual Approaches to Performance and Composition within My Own Practice 130 Chapter 7: A Portfolio of Compositions: A Commentary 146 i) Ariel 147 ii) Courant 155 iii) Polynya 163 iv) Lento (i) 169 v) Lento (ii) 175 vi) Ontsindn 177 Conclusion 182 Bibliography 191 ii List of Examples Ex. 0.1 Polynya, Letter A, opening phrase 7 Ex. 1.1 Dragonetti, Twelve Waltzes No.1 (bb. 31–39) 19 Ex. 1.2 Bottesini, Concerto No.2 (bb. 1–8, 1st subject) 20 Ex.1.3 VerDi, Otello (Act 4 opening, double bass) 20 Ex.
    [Show full text]
  • Catgut Acoustical Society Journal
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5p1r Online items available Guide to the Catgut Acoustical Society Newsletter and Journal MUS.1000 Music Library Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-1212 [email protected] © 2013 The Board of Trustees of Stanford University. All rights reserved. Guide to the Catgut Acoustical MUS.1000 1 Society Newsletter and Journal MUS.1000 Descriptive Summary Title: Catgut Acoustical Society Journal: An International Publication Devoted to Research in the Theory, Design, Construction, and History of Stringed Instruments and to Related Areas of Acoustical Study. Dates: 1964-2004 Collection number: MUS.1000 Collection size: 50 journals Repository: Stanford Music Library, Stanford University Libraries, Stanford, California 94305-3076 Language of Material: English Access Access to articles where copyright permission has not been granted may be consulted in the Stanford University Libraries under call number ML1 .C359. Copyright permissions Stanford University Libraries has made every attempt to locate and receive permission to digitize and make the articles available on this website from the copyright holders of articles in the Catgut Newsletter and Journal. It was not possible to locate all of the copyright holders for all articles. If you believe that you hold copyright to an article on this web site and do not wish for it to appear here, please write to [email protected]. Sponsor Note This electronic journal was produced with generous financial support from the CAS Forum and the Violin Society of America. Journal History and Description The Catgut Acoustical Society grew out of the research collaboration of Carleen Hutchins, Frederick Saunders, John Schelleng, and Robert Fryxell, all amateur string players who were also interested in the acoustics of the violin and string instruments in the late 1950s and early 1960s.
    [Show full text]
  • Acoustical Studies on the Flat-Backed and Round- Backed Double Bass
    Acoustical Studies on the Flat-backed and Round- backed Double Bass Dissertation zur Erlangung des Doktorats der Philosophie eingereicht an der Universität für Musik und darstellende Kunst Wien von Mag. Andrew William Brown Betreuer: O. Prof. Mag. Gregor Widholm emer. O. Univ.-Prof. Mag. Dr. Franz Födermayr Wien, April 2004 “Nearer confidences of the gods did Sisyphus covet; his work was his reward” i Table of Contents List of Figures iii List of Tables ix Forward x 1 The Back Plate of the Double Bass 1 1.1 Introduction 1 1.2 The Form of the Double Bass 2 1.3 The Form of Other Bowed Instruments 4 2 Surveys and Literature on the Flat-backed and Round-backed Double Bass 12 2.1 Surveys of Instrument Makers 12 2.2 Surveys Among Musicians 20 2.3 Literature on the Acoustics of the Flat-backed Bass and 25 the Round-Backed Double Bass 3 Experimental Techniques in Bowed Instrument Research 31 3.1 Frequency Response Curves of Radiated Sound 32 3.2 Near-Field Acoustical Holography 33 3.3 Input Admittance 34 3.4 Modal Analysis 36 3.5 Finite Element Analysis 38 3.6 Laser Optical Methods 39 3.7 Combined Methods 41 3.8 Summary 42 ii 4 The Double Bass Under Acoustical Study 46 4.1 The Double Bass as a Static Structure 48 4.2 The Double Bass as a Sound Source 53 5 Experiments 56 5.1 Test Instruments 56 5.2 Setup of Frequency Response Measurements 58 5.3 Setup of Input Admittance Measurements 66 5.4 Setup of Laser Vibrometry Measurements 68 5.5 Setup of Listening Tests 69 6 Results 73 6.1 Results of Radiated Frequency Response Measurements 73 6.2 Results of Input Admittance Measurements 79 6.3 Results of Laser Vibrometry Measurements.
    [Show full text]
  • The Violin Octet
    Violin Octet new voices for the 21st century Vol. 2, No.2, Fall 2004 Albert Consort Concludes First Season Photo: Green Bean’s Productions. The Albert Consort (l to r); Rachel Evans, soprano, Carrie Reuning-Hummel, mezzo; Michael Griffin, bass (foreground); Stephen Stalker, alto; Elisa (Lizzy) Evett, baritone; Sera Jane Smolen, tenor, performing at the First Unitarian Church, Ithaca (NY), May 23, 2004. It’s been a busy year for the quartet consisting of soprano, ber program in April 2004 at the took the bass, I wasn’t sure that newly formed Albert Consort, mezzo, alto, and tenor violins. Steadman Theatre for the music the varnish was dry,” Spear says. which completed its first sea- Music using these four voices department at Mansfield Univer- son in May 2004 with concerts was arranged for the perfor- sity in Pennsylvania, followed by Both the smallest and the larg- in Binghamton and Ithaca, NY. mance given at the Ithaca First two May concerts in New York est of the instruments are cur- The ensemble, which plays on Unitarian Church on November state. Between the April and May rently on Spear’s bench, but second-generation octet-family 30, 2003. However, by that performances Spear finished a since the treble violin will likely instruments, has managed to date Spear had completed a bass, so the quintet suddenly be finished first, the next concert cope with a host of unexpected baritone, so the quartet be- became a sextet. While Spear will see the sextet grow into a events, according to luthier came a quintet, and several se- rushed to finish adapting music septet.
    [Show full text]
  • Currently –Year 2009– We Still Are Sailing "Our" Black Oceans, Id Est, We Surf Blindly the Waters of the Web, by A
    The black oceans of the deep web, and the crystal clear databases by Alejandro Ochoa G. Guadalajara, State of Jalisco, Mexico Wednesday, June 24, 2009 The web is opaque. Currently –June, 2009– we are still sailing "our" black oceans. Or, we are surfing somewhat blindly the waters of the web. We accept and rely on what search engines like yahoo.com, bing.com, ask.com, google.com, kosmix.com, hakia.com, lexxe.com, answers.com/bb, wolframalpha.com, cuil.com, deeppeep.org, clusty.com, http://blindsearch.fejus.com, duckduckgo.com, yauba, hunch.com, oneriot, scoopler, powerset, et cetera, retrieve from the internet by using their web crawlers, bots or robots, ants, automatic indexers, worms, spiders, or Web scutters, and then delivering the results of their searches to us through the links their software creates. I think the time has come for someone to tell the Internet Corporation for Assigned Names and Numbers (ICANN) that soon there will be a need to create at least three new top-level domains (TLDs): .odb, .sdb, and .fdb (open databases, shareable databases, and free databases). There are several well-known TLDs: .aero, .asia, .biz, .cat, .com, .coop, .gov, .gob [in Spanish], .info, .int, .jobs, .mil, .mobi, .museum, .name, .net, .org, .pro, .tel, .travel, .tv, et cetera. I believe it would be ideal, “perfect” or good for many of us internet surfers to stop being surfers, and become internet divers or crew members of a submarine or a bathyscaphe. We would be better if we could leave the surfboard or the clipper or the yacht, and enter a submarine or a bathyscaphe in order to see directly what the deep oceans of the web conceal.
    [Show full text]
  • Violinoctet Violin First European Quintet Performs
    ViolinOctetOctet New Voices for the 21st Century Volume 2, Number 6 Spring 2007 First European Quintet Performs says that van Laethem likes to participate in new and unusual concerts and performance set- tings, which gave Wouters the idea that van Laethem might be interested in the octet in- struments, which he was. Van Laethem is also a teacher at the Academie voor Muziek en Woord in Mol, and took it upon himself to fi nd others who would like to play the new instruments in concert. Jan Sciffer, who played the alto, is the cello in- structor at the Academy. All the other performers were stu- dents. The performers were enthusias- tic about the new instruments, and although the performance was planned to be a single event, the payers want to keep on playing them. A quintet of New Violin Family instruments in rehearsal in Belgium. (l to r) Bert van Laethem, soprano; Eveline Debie, mezzo; Jan Sciff er, alto; Jef Kenis, tenor; and Greg Brabers, baritone. The concert took place on February 10, 2007 at to Belgium via email; “Purcell’s Fantasia on One 8:00 p.m. in the Saint Peter and Paul Church in Note,” and the aria from Bach’s Cantata 124. Mol, Belgium, a small city about 40 km east of Antwerp. There were an estimated 200 people Before the ensemble played, the director of the attending, most of whom were local residents of school gave a short introduction. Wouters says it Mol. The quintet, which was made up of teach- was clear that this gentleman (name unavailable ers and students from a local music academy, at press time) had done his homework and had performed only a few selections because their carefully read all the information Wouters had performance was just one part of the music acad- given him.
    [Show full text]
  • Journal of the American Viola Society Volume 4 No. 2, Summer 1988
    JOURNAL ofthe AMERICANVIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 4 No.2 Summer 1988 Features 3 The Acoustics of the Viola Carleen M. Hutchins 19 Bach's Cello Suite No.5: A New Approach Richard R. Efrati 23 The Kassel Congress-­ A 20-Year Jubilee Dwight R. Pounds 27 Departments The Journal of the American Viola Society is a publication of that organization, and is produced at Brigham Young University,~ 1985, ISSN 0898-5987. The Journal welcomes letters and articles from its readers. Editorial office: BYU Music, Harris Fine Arts Center, Provo, UT 84602, (801) 378-3083 Editor: David Dalton Assistant Editor: David Day Advertising office: Harold Klatz, 1024 Maple Avenue, Evanston, IL 60202, (312) 869­ 2972. Deadlines are March I, June 1, and October I for the three annual issues. Inquiries can be made to Mr. Klatz. Copy and art work should be sent to the editorial office. Rates: $75 full page, $60 two-thirds page, $40 half page, $33 one-third page, $25 one­ fourth page. For classifieds: $10 for 30 words including address; $20 for 31 to 60 words. Payment to "American Viola Society" c/o Rosemary Glyde, treasurer, P.O. Box 558 Rt. 22, Golden's Bridge, NY 10526. OFFICERS David Dalton President Brigham Young University Provo, Utah 84602 (801) 378-3083 Louis Kievman Vice-Preside"t 1343 Amalfi Dr. Pacific Palisades, CA 90272 Harold Klatz Secretary 1024 Maple Ave. Evanston, IL 60202 Rosemary Clyde Treasurer Po. Box 558, Rt. 22 Colde"'s Bridge, NY 10526 Maurice W Riley Past President 512 Roosevelt Blvd.
    [Show full text]
  • Violin Octet New Voices for the 21St Century Volume 2, Number 5 Fall 2006
    Violin Octet New Voices for the 21st Century Volume 2, Number 5 Fall 2006 Hutchins Consort Brings Down the House at 2006 GAL Convention “We have followed Carleen’s work from the beginning be- cause there are fiddle makers among us, many of whom have been Catgut Acoustical Society members,” Olsen continues. “Carleen spoke at our 1979 and 1992 conventions. We glimpsed an octet at the National Music Museum when our convention was there in 1992, but there were no competent players to demonstrate them. So the octet has remained rather legendary to us. Here was our chance to hear them played well.” In the issue of the GAL quar- terly magazine, American Lu- therie, published just before the convention, Olsen featured an extensive interview of Carleen The Hutchins Consort at Lagerquist Hall. L-R: Gascia Ouzounian, Igor Tchetchko, Ethan Bust- Hutchins conducted by Alan eed, Carolyn Aquallo, Omar Firestone, Emily Dufour, Frederick Charlton, and Joe McNalley. Carruth. A sidebar tracing the histories of the Catgut Acousti- What was Tim Olsen, the Olsen admits that his organi- ship sprang up between the two cal Society and the New Violin founder of an organization of zation, the Guild of American men. Olsen had the idea to fea- Family Association, written by 3500 guitar makers, thinking Luthiers, is comprised mainly ture Spear’s violin octet at his Robert Spear, was also pub- when he invited a group of eight of plucked instrument makers, 2006 convention, but the Albert lished. A two-page centerfold of violinists to perform at his 2006 and that he has long wanted to Consort was unable to accept the full octet completed cover- convention? Admittedly, this attain a better balance.
    [Show full text]
  • Intersections of Music and Science in Experimental Violins of the Nineteenth Century Sarah M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Intersections of Music and Science in Experimental Violins of the Nineteenth Century Sarah M. Gilbert Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC INTERSECTIONS OF MUSIC AND SCIENCE IN EXPERIMENTAL VIOLINS OF THE NINETEENTH CENTURY By SARAH M. GILBERT A thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2013 i Sarah M. Gilbert defended this thesis on March 27, 2013. The members of the supervisory committee were: Douglass Seaton Professor Directing Thesis Michael Broyles Committee Member Benjamin Sung Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to acknowledge the faculty of the College of Music for providing me with the Curtis Mayes Orpheus Grant, which allowed me to research experimental violins at the National Music Museum in Vermillion, South Dakota, in the summer of 2012. I would also like to thank the staff of the National Music Museum, especially Arian Sheets, for their assistance during my visit. iii TABLE OF CONTENTS List of Figures ..................................................................................................................................v
    [Show full text]
  • In Tune in Tune In
    Rotary Club of Altadena OFF THE ROTARY WHEEL January 10, 2019 AN AWARD-WINNING NEWSLETTER ThisThis WeekWeek January brings Optimism “As January sunshine ushers in longer boundaries, InIn Thomas J. days, the prospect of the New Year brings openness to by Sarah McNulty, Jr. optimism, and more than any other thing, opportuni- TuneTune O’Brien, optimism depends on openness!” ty. Inventors Tune President Program Host: Quincy Whitney look past what they think they know and re- Ruben Alvardo his week I shall be commuting back fuse to cling to fi xed perceptions and ideas. T o m and forth to Encinitas and Laguna Rufus Porter (1792-1884) was an Ameri- M c N u l t y TTBeach to perform with the Hutchins can dance master, artist, inventor and found- h o l d s Consort — the only ensemble in the world to er of the Scientifi c American magazine. his BS in play the scaled violin family of instruments When he was not perfecting a scientifi c Pharmacy created by Carleen Hutchins. Mine is the method to paint his murals more effi ciently from Phil- alto violin which resembles a viola on a or teaching his craft to other artists, he was a d e l p h i a stick and is a beast to play! Hutchins’ story inventing all sorts of things: turbine water College of of challenges and perseverance — alongside wheels, windmills, and rotary engines. He Pharmacy the experience of others — was featured in built a camera obscura, a washing machine, and Sci- a recent article by Quincy Whitney in The a fi re-alarm, a rope-making machine, railway ence and his Doctorate in Pharmaceu- Telegraph, dated Jan 10 2019.
    [Show full text]