Dr. Kanak Rele Accompanied by Nalanda Troupe
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LA TERRE ABANDONNÉE Un Film De Vimukthi Jayasundara
UNE COPRODUCTION UNLIMITED LES FILMS DE L'ÉTRANGER / ONOMA / ARTE FRANCE CINÉMA EN ASSOCIATION AVEC FILM COUNCIL PRODUCTIONS (SRI LANKA) ET LE FRESNOY (STUDIO NATIONAL DES ARTS CONTEMPORAINS) 2 Philippe Avril, Francisco Villa-Lobos, Pascal Diot et Tadrart Films présentent LA TERRE ABANDONNÉE Un film de Vimukthi Jayasundara France - Sri Lanka 2005 – 35mm couleurs 1.85 Dolby SRD – 1h48 Visa n° 109.948 Sortie le 25 janvier 2006 DISTRIBUTION PRESSE Tadrart Films Viviana Andriani 83A, rue Bobillot - 75013 Paris 32, rue Godot de Mauroy - 75009 Paris Tél : 01 43 13 10 68 - Fax : 01 43 13 10 69 Tél / Fax : 01 42 66 36 35 [email protected] [email protected] Les photos et le dossier de presse sont téléchargeables sur le site : www.laterreabandonnee.com SYNOPSIS Sur une terre entre guerre et paix, dans une atmosphère étrange et incertaine, des corps s'attirent, la culpabilité ronge les assassins, des soldats s'abrutissent en manœuvres ineptes, les légendes ressurgissent. Seule l'enfance est innocence en cette terre abandonnée des Dieux. 4 LA TERRE ABANDONNÉE 5 ENTRETIEN AVEC VIMUKTHI JAYASUNDARA “La terre abandonnée” se déroule dans un après-guerre incertain et désolé, presque au milieu de nulle part, pourrait- on dire, et on y parle cinghalais. Doit- on y voir une évocation de l’histoire sri lankaise récente ? Il est clair que la guerre civile au Sri Lanka ne s’est pas seulement infiltré dans les esprits entre les forces gouvernementales et la et les âmes des Sri Lankais,il a aussi ébranlé guérilla tamoule a été marquante pour tout leur présence physique.Chacun hérite encore le monde, pour moi aussi par conséquent. -
D E Sig Ng Ra Ph Iq Ue
4€ Design graphique : Marion Tigréat / www.mariontigreatportfolio.com Lyannaj ! Une expression découverte ici à la faveur du mouvement populaire qui a agité La Guadeloupe, La Martinique… Et la « métropole » au début du printemps. Si le vocable Pwofitation a lui aussi connu un grand succès public, c’est au Lyannaj que nous dédions notre 9ème édition. Formidable langue créole qui nous offre ce mot en partage… Littéralement « lianer », c’est nouer, relier, vivre ensemble, et faire ensemble. Or depuis 2001, notre propos est justement de créer ce « Lyannaj » à Groix. Les insulaires et les amoureux des îles s’y retrouvent autour du cinéma, de la musique, et des débats. Lyannaj… à Sri Lanka. Notre île invitée en a bien besoin ! L'actuelle défaite militaire de la rebellion séparatiste tamoul met fin à près de 30 ans d'un conflit qui aura fait plus de 80 000 morts. Sans partis pris, autre que celui des populations civiles, nous avons invité des personnalités qui défendent la paix, la démocratie, et le « vivre ensemble », toutes confessions et ethnies confondues. En partenariat avec Amnesty International, nous vous proposons une vingtaine de films en provenance de l’île « aux mille sourires » et aux mille peines, en majorité inédits en France. Lyannaj toujours, mais cette fois contre la pwofitation. Nous vous invitons, par des films et des débats, à revenir sur le formidable séisme qui a secoué La Guadeloupe et la Martinique, avant de nous arrêter une nouvelle fois chez leur voisine Haïti. Nous la fêterons à travers des documentaires et des concerts afin d’amorcer notre futur partenariat avec la commune des Abricots et son maire Jean-Claude Fignolé. -
Trailblazers of Fine Arts
Kaushalya Fernando T RAILBLAZERS OF FINE ARTS ...: She belongs to a new generation of artistes Face to Face by Ranga Chandrarathne Jackson Anthony's venomous attack on Kaushalya's acting once condemned her as an actress who is willing to expose 'ugly nudity, and categorised her as one among a group of actors including Hemasiri Liyanage, W.Jayasiri, Mahendra Perera and Saumya Liyanage. He also condemned this group's application of the media, as those films were not aesthetic creations, but creations based on delirious thoughts. It is surprising to hear a person who had worked with progressive directors like Dharmasiri Bandaranayake and the late Sugathapala de Silva making such petty and baseless remarks on serious and ground-braking creative work. Career Kaushalya did not want to comment on the adverse remarks. In her trailblazing career, she has acted in many stage dramas including 'Vikurti', 'Katandara Dekak' by her mother Somalatha Subasinghe, 'Punthila' a play directed by a Finnish theatre director and Sugathapala de Silva's 'Marat Sade' for which Kaushalya won Special Award of the Jury. Among the stage plays she acted are Dharmasiri Bandaranaike's 'Dhawala Bheeshana' for which she won the best actress's award, Somalatha Subasinghe's 'Antigone', 'Dona Kathirina', 'Yadam' and 'Nambukara Vilasiniya'. In most of these stage plays, Kaushalya won either Best Actress's Award or Best Supporting Actress's Award. For Asoka Handagama's 'Dunhida Addara' and 'Sanda Dadayama', Kaushalya won the Best Actress's Award and the Best Actress's Critic's Award. Handagama's 'Diyakata Pahana', Sudath Mahadiulwewe's 'Wanaspathi', Bertram Nihal's 'Isuru Gira' were some of the other teledramas she acted in. -
Dossier De Prensa
DOSSIER DE PRENSA Departamento de Prensa - Festival de Granada Cines del Sur + 34 958 216645 y +34 666112328 [email protected] www.cinesdelsur.com > Volver al ÍNDICE ÍNDICE INTRODUCCIÓN PREMIOS JURADO SECCIÓN OFICIAL JURADO MEDITERRÁNEOS JURADO NETPAC SESIÓN INAUGURACIÓN / CLAUSURA SECCIÓN OFICIAL SECCIÓN MEDITERRÁNEOS ITINERARIOS / PANTALLA ABIERTA RETROSPECTIVAS SOULEYMANE CISSÉ INTRUSOS EN EL PARAÍSO SESIONES ESPECIALES WCF / CINEMATECA DE BOLONIA TRANSCINE NOLLYWOOD CONVERSACIONES CON... INICIATIVAS POR EL SUR ANDALUCES Y EL SUR INDUSTRIA ACTIVIDADES PARALELAS EXPOSICIONES TALLERES DIÁLOGOS INTERCULTURALES Departamento de Prensa - Festival de Granada Cines del Sur + 34 958 216645 y +34 666112328 [email protected] www.cinesdelsur.com > Volver al ÍNDICE INTRODUCCIÓN Cuando el verano pasado la plaza de las Pasiegas, repleta de espectadores, se llenó con los colores de la película Gabbeh, comprendimos emocionados la importancia que puede tener el cine para llegar a convertir en prójimos a los lejanos y hacer nuestras sus vidas y sus sentimientos. Aquellas mujeres llenas de tonalidades, retratadas por Mohsen Makhmalbaf, contrastaban de forma inusitada con la sobriedad negra de sus contemporáneas. Los cines que vienen del Sur vuelan como las grullas, que son aves de paso, para hacer estación en Granada al iniciarse la temporada estival. Es época propicia para salir a la calle y admirar propuestas sorprendentes que se nos ofrecen en las pantallas de toda la ciudad y nos relatan historias que entremezclan la realidad con la imaginación de los cineastas; que nos hacen volar, como si fuéramos velocísimos pájaros migratorios, de Turquía a Brasil, y de allí a la China y en unas pocas horas más hasta Argelia. -
In Post-War Sri Lankan Memory Culture
ABSTRACT ‘LABORS OF MEMORY’ AND ‘GUERILLA-TYPES OF ATTRITION’ IN POST-WAR SRI LANKAN MEMORY CULTURE by Dinidu Priyanimal Karunanayake Speaking of Sri Lanka’s civil war against the Liberation Tigers of Tamil Eelam, Ananda Abeysekara observes an authorization of a power dynamic between Buddhism, the state head, and the nation. The official end of the war on May 19, 2009 has reaffirmed this religio- national power grid. Correspondingly, the religious fervor has become an indispensable ingredient in post-war memory culture. This thesis concentrates on state-sanctioned memory work and the ways in which it is resisted by artists who draw from memories of trauma. Using Sarath Weerasekara’s Gamani (2011), this thesis explores the “uses and abuses” of memory (Jelin) in the state–sponsored post–war cinema. The thesis also examines how this hegemonic memory narrative is deconstructed, through a close reading of Sanjeewa Pushpakumara’s Flying Fish (2011), and engages with the work of artists Thamotharapillai Sanaathanan and Bandu Manamperi. It thus shows how memories are merged with a quest for justice. ‘LABORS OF MEMORY’ AND ‘GUERILLA-TYPES OF ATTRITION’ IN POST-WAR SRI LANKAN MEMORY CULTURE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Karunanayake Pathirannehelage Dinidu Priyanimal Miami University Oxford, Ohio 2014 Advisor________________________ Professor Nalin Jayasena Reader_________________________ Professor Anita Mannur Reader_________________________ -
Final Public Appeal English.Indd
A Public Appeal By Artistes, Intellectuals & Social Activists t is our considered view that our country at present is facing a serious crisis of many Meanwhile, public services such as free health and free education are in a state of utter chaos.With dimensions.I The crisis should not be allowed to continue, if we want our country to progress. the collapse of the rule of law,Sri Lanka has become a land of crimes and impunity. Furthermore, the worsening of Human Rights record is unprecedented. Country’s constitution and the system of Hidden beneath the superfi cial development being carried out by the government through its various governance are no better. infrastructure projects, which are funded by costly foreign loans, is the reality of the erosion of the economic well being of the people. The government is also facing a fi scal crisis, although it is This continuing and widespread chaos in the country is a direct result of the aberrations in concealed from the public. It is with great diffi culty that the government is handling even the day– our system of governance and society.The violent confl icts and bloodbaths produced by these to-day fi scal management. aberrations have only further intensifi ed them. The inter-ethnic and inter-religious relations are also at the point of breaking up. Even fi ve years As citizens who are committed to the common good of our people and to a better tomorrow for after the military defeat of the LTTE, the Tamil people of the North and East have not received the country, we make the following appeal to the government, its constituent political parties and anything matching their legitimate entitlements as equal citizens of our country.Instead, they have the opposition parties: Please dedicate yourselves for a new democratic constitution and a system fallen from the frying pan to fi re, compelling them to live in a militarized society where they have of governance by abolishing the executive presidential system with its unbridled powers in order been robbed of their freedom and human dignity.