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Comparative Analysis on Faith-Based Filmmaking Sean O'connor Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Communication Faculty Publications Department of Communication 12-11-2015 The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking Sean O'Connor Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/ media_and_applied_communications_publications Recommended Citation O'Connor, Sean, "The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking" (2015). Communication Faculty Publications. 74. https://digitalcommons.cedarville.edu/media_and_applied_communications_publications/74 This Thesis is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Tree of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking A Thesis Presented to the Faculty of School of Communication Arts of Asbury University In Partial Fulfillment Of the Requirements for the Degree Master of Arts by Sean O’Connor December 11, 2015 ii © 2015 Sean Michael O’Connor The U.S. Copyright Act of 2009 protects a thesis with the following clause, “original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device”. iii This thesis has been approved for the School of Communication Arts Dr. Don Simmons, Ph.D., Thesis Advisor Dr. Jim Owens, Ph.D., Dean of School of Communication Arts iv ACKNOWLEDGEMENTS As I reflect on all of those who have encouraged and supported me in the last year as I have pursued my graduate studies, I would first of all like to thank my family. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
12YAS Notes FINALX
ABOUT THE FILMMAKERS STEVE M cQUEEN (Directed by, Produced by) is a British artist and filmmaker. In 2008, M cQueen’s critically acclaimed first feature HUNGER won the Camera d’Or at the Cannes Film Festival among countless other international prizes. He followed with 2011’s incendiary film experience, SHAME, a provocative drama about addiction and secrecy in the modern world. The film received numerous accolades and awards with M cQueen winning the CinemAvvenire Award and FIPRESCI Prize at the Venice Film Festival as well as nominations from BAFTA, the British Independent Film Awards, the London Film Festival, Evening Standard British Film Awards and the Independent Spirit Awards. In 1996, M cQueen was the recipient of an ICA Futures Award, in 1998 he won a DAAD artist’s scholarship to Berlin and in 1999 - besides exhibiting at the ICA and at the Kunsthalle in Zürich - he also won the Turner Prize. McQueen has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta (2002 and 2007) and at the 53rd Venice Biennale in 2009 where he represented Britain. His work is held in museum collections around the world including Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq war by the Imperial War Museum and subsequently produced the poignant and controversial project Queen and Country, which commemorated the deaths of British soldiers who died in the Iraq War by presenting their portraits as a sheet of stamps. In 2002, he was awarded the OBE and the CBE in 2011. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of July 11 - 17, 2021 Alien (1979) Syfy Tues. 6:30 p.m. Syfy Wed. Noon Aliens (1986) Syfy Tues. 3:30 p.m. Syfy Wed. 2:30 a.m. The Conversation (1974) EPIX Sun. 3:35 a.m. Dances With Wolves (1990) Ovation Sun. 7:30 p.m. Ovation Wed. 9 p.m. Dead Man Walking (1995) Cinemax Mon. 3 a.m. Far From the Madding Crowd (1967) TCM Sun. 11:45 a.m. Finding Nemo (2003) Freeform Sat. 6:55 p.m. The Godfather, Part II (1974) AMC Tues. 7 p.m. AMC Wed. Noon The Godfather (1972) AMC Mon. 11:03 p.m. AMC Tues. 3 p.m. Gone With the Wind (1939) TCM Mon. 8:15 p.m. Goodfellas (1990) BBC America Thur. 8 p.m. BBC America Thur. 11 p.m. Grand Hotel (1932) TCM Tues. 7:30 p.m. Green for Danger (1946) TCM Sat. 9 a.m. His Girl Friday (1940) TCM Tues. 7:15 a.m. Indiana Jones and the Raiders of the Lost Ark (1981) Showtime Wed. 6 p.m. Showtime Thur. 4:50 a.m. King Kong (1933) TCM Mon. 6:15 p.m. The Miracle of Morgan's Creek (1944) TCM Wed. 5 p.m. Mr. Deeds Goes to Town (1936) TCM Wed. 6:45 p.m. Of Human Bondage (1934) TCM Tues. 12:15 p.m. Ordinary People (1980) EPIX Sun. -
Oscar Preview Your
SCOSCOOOOP ON THE RIDICULORIDICURIDICUULULOLOUSLYLLYY FORSONT-RUNNERS YOUR OSCAR PREVIEW SO RFAR EAEARLLLYY 3P.38 8 ,SEPT. 29, 2017 # 1484 HIDE THE BUNNIES! P.44 of 3 & CELEBRATE BAD TIMES, C’MON! INSIDE THE INTENSE (AND BROMANTIC) NEW SEASON OF THETHE WALKINWALKINGG DEDEADAD AND ITS LANDMARK 100100TH EPIEPISSODEODE By Dalton Ross MONDAYS 10 |9c STREAMING NOW | ON DEMAND facebook.com/TheGoodDoctorABC THE WEEK’S BEST TWEET OF THE WEEK I got name dropped by @NICKIMINAJ in a song so “That’s the best quiz I’M F---ING GOOD YA’LL. I’ve taken since @Sethrogen on the rapper’s ‘Which Hogwarts collaboration houseareyouin?’ with Fergie, “You Already I was a Dursley.” Know” —Mindy (Mindy Kaling), responding to an evaluation of whether she’s a good wife, on The Mindy Project “This is Project Runway, not Project Kindergarten.” —Nina Garcia, criticizing an Aaron Myers design, Project Runway “People are on like nature’s apps.” —Eleanor (Kristen Bell), discovering that there are no phones in the Good Place, on The Good Place O: TYLER GOLDEN/NETFLIX; TWAIN: S. SAVENOK/GETTY ILYA IMAGES; EICHNER: FRANK OCKENFELS/FX “I’m such a Chandler.” —Shania Twain, talking about how she would rather go home and watch Friends than work out, on Broad City “I lie about all kinds of little stuff, like that “That boy needs a man in I understood Inception.” hislife,andsomediversity. —Dylan Maxwell (Jimmy Tatro) He’s drowning in white on American Vandal privilege and estrogen over there, my God.” —Harrison Wilton (Billy Eichner), explaining why a lesbian couple need ROGEN: SMALLZ & RASKIN/GETTY IMAGES; KALING: JORDIN ALTHAUS/HULU; BELL: COLLEEN HAYES/NBC; GARCIA: BARBARA NITKE/LIFETIME; TATR a male guinea pig for their son, on American Horror Story: Cult SEPTEMBER 29, 2017 EW.COM 3 EW 09 29 2017 FEATURES NEWS AND COLUMNS 18 Emmys 2017 3 Television’s biggest Sound Bites night delivered plenty of surprises—and 6 (nearly) all of them Editor’s Note were good ones. -
Highland Public Library Feature Film Master List (Updated January 2021)
Highland Public Library Feature Film Master List (updated January 2021) Title Year Released Rating 1 21 2008 PG13 2 21 Bridges 2020 R 3 33 2016 PG13 4 61 2001 NR 5 71 2014 R 6 300 2007 R 7 1776 2002 PG 8 1917 2019 R 9 2012 2009 PG13 10 10 Cloverfield Lane 2016 PG13 11 10 Years 2012 PG13 12 101 Dalmatians 1961 G 13 11.22.63 2016 NR 14 12 Angry Men 1957 NR 15 12 Strong 2018 R 16 12 Years a Slave 2013 R 17 127 Hours 2010 R 18 13 Hours 2016 R 19 13 Reasons Why: Season One 2017 NR 20 15:17 to Paris 2018 PG13 21 17 Again 2009 PG13 22 2 Guns 2013 R 23 20000 Leagues Under the Sea 2003 G 24 20th Century Women 2016 R 25 21 Jump Street 2012 R 26 22 Jump Street 2014 R 27 27 Dresses 2008 PG13 28 3 Days to Kill 2014 PG13 29 3:10 to Yuma 2007 R 30 30 Minutes or Less 2011 R 31 300 Rise of an Empire 2014 R 32 40 The Temptation of Christ 2020 NR 33 42 The Jackie Robinson Story 2013 PG13 34 45 Years 2015 R 35 47 Meters Down 2017 PG13 36 47 Meters Down: Uncaged 2019 PG13 37 47 Ronin 2013 PG13 38 4th Man Out 2015 NR 39 5 Flights Up 2014 PG13 40 50/50 2011 R 41 500 Days of Summer 2009 PG13 42 7 Days in Entebbe 2018 PG13 43 8 Heads in a Duffel Bag a Mindless Comedy 2000 R 44 8 Mile 2003 R 45 90 Minutes in Heaven 2015 PG13 46 99 Homes 2014 R 47 A.I. -
Exploring Concepts of Compositing and Digital Visual Effects
1 Invisibilising the Corporeal – exploring concepts of compositing and digital visual effects Submitted by Paul Johnson to the University of Exeter as a thesis for the degree of Doctor of Philosophy by Research in English In October 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 2 Abstract. This thesis seeks to explore the way in which invisibility as a concept becomes explicitly housed within digital compositing, visual effects (VFX) and certain attendant techniques. The chapters will establish how compositing and effects techniques can be seen as pushing modern filmmaking into concealing, and therefore visually releasing, certain physical structures within films’ images and their production. This shall be achieved by drawing upon a combination of texts that disseminate the technical nature and make-up of VFX, alongside discussion and theorisation of their use within cinema, together with other established film theory. I will examine cases of VFX techniques within cinema that can be used to investigate how their construction and utilisation create invisibility to accommodate and nullify the profilmic elements captured through the camera and aspects of technology. The chapters begin by examining how the work of Georges Méliès, whose films use the concept of invisibility to promote a breakdown of temporal and spatial qualities, become redeployed in certain modern digital effects-based films. -
Goodfellow Library 1 Page Aug 20, 2021 at 9:12 Am Title List
BASE - Goodfellow Library Aug 20, 2021 at 9:12 am 1 Page Title List - 1 Line (160) by Title Alexandria 6.23.1 Selected:Medium dvd - dvd or Medium dvd box set - dvd box set or Medium blu ray - blu ray Call # Title Author Copies Avail. DVD F 10 CLO 10 Cloverfield Lane Mary Elizabeth Winste... 1 1 DVD F 10M 10 Minutes Gone Michael Chiklis 1 1 DVD F 10 THI 10 Things I Hate About You Julia Stiles 1 1 DVD F 100 The 100, Season 1 Eliza Taylor 1 1 DVD F 100 The 100, Season 2 Eliza Taylor 1 1 DVD F 100 The 100, Season 3 Eliza Taylor 1 1 DVD F 100 The 100, Season 4 Eliza Taylor 1 1 DVD F 100 The 100, Season 5 Eliza Taylor 1 1 DVD F 100 The 100, Season 6 Eliza Taylor 1 1 DVD 355.82 100 YEA 100 Years of WWI 1 1 DVD F 10000 BC 10,000 B.C. Steven Strait 1 1 DVD 973.931 ONE 102 Minutes That Changed America 1 1 DVD F 112263 11.22.63 James Franco 1 1 DVD F 12 MON 12 Monkeys Bruce Willis 1 1 DVD F 12S 12 Strong Chris Hemsworth 1 1 DVD F 12 YEA 12 Years a Slave Chiwetel Ejiofor 1 1 DVD F 127H 127 Hours James Franco 1 1 DVD F 13 GOI 13 Going On 30 Jennifer Garner 1 1 DVD F 13 HOU 13 Hours: The Secret Soldiers of Benghazi John Krasinski 1 1 DVD F 13 HOU 13 Hours: The Secret Soldiers of Benghazi (B.. -
Killing Them Softly L’Amérique En Ruines La Mort En Douce, États-Unis, 2012, 1 H 37 Jean-Philippe Desrochers
Document generated on 09/26/2021 9:07 p.m. Séquences La revue de cinéma Killing Them Softly L’Amérique en ruines La mort en douce, États-Unis, 2012, 1 h 37 Jean-Philippe Desrochers Number 282, January–February 2013 URI: https://id.erudit.org/iderudit/68554ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Desrochers, J.-P. (2013). Review of [Killing Them Softly : l’Amérique en ruines / La mort en douce, États-Unis, 2012, 1 h 37]. Séquences, (282), 46–47. Tous droits réservés © La revue Séquences Inc., 2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 46 LES FILMS | Gros plan Killing Them Softly L’Amérique en ruines Cinq ans après le magnifique et négligé The Assassination of Jesse James by the Coward Robert Ford, Andrew Dominik est de retour avec Killing Them Softly, son troisième long métrage. Le cinéaste néo-zélandais s’intéresse cette fois-ci à l’univers des gangsters. Adaptation et actualisation du roman Cogan’s Trade de George V. Higgins paru en 1974, Killing Them Softly épate par sa mise en scène, confirmant le talent d’esthète et l’ambition de Dominik, mais nous laisse somme toute sur notre faim.