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Comparative Analysis on Faith-Based Filmmaking Sean O'connor Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Communication Faculty Publications Department of Communication 12-11-2015 The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking Sean O'Connor Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/ media_and_applied_communications_publications Recommended Citation O'Connor, Sean, "The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking" (2015). Communication Faculty Publications. 74. https://digitalcommons.cedarville.edu/media_and_applied_communications_publications/74 This Thesis is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Tree of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking A Thesis Presented to the Faculty of School of Communication Arts of Asbury University In Partial Fulfillment Of the Requirements for the Degree Master of Arts by Sean O’Connor December 11, 2015 ii © 2015 Sean Michael O’Connor The U.S. Copyright Act of 2009 protects a thesis with the following clause, “original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device”. iii This thesis has been approved for the School of Communication Arts Dr. Don Simmons, Ph.D., Thesis Advisor Dr. Jim Owens, Ph.D., Dean of School of Communication Arts iv ACKNOWLEDGEMENTS As I reflect on all of those who have encouraged and supported me in the last year as I have pursued my graduate studies, I would first of all like to thank my family. -
2824 Amphora Fall 05
® A publication of the American Philological Association Vol. 4 • Issue 2 • Fall 2005 WHAT’S NEW AT POMPEII Book Review: AREIOS POTER kai he tou AND HERCULANEUM? philosophou lithos RESEARCH, EXCAVATION, EXHIBITIONS, by Diane L. Johnson AND BOOKS Andrew Wilson, trans. AREIOS POTER kai by Ann Olga Koloski-Ostrow he tou philosophou lithos. The ancient Greek edition of J. K. Rowling’s Harry he volcanic eruption of Mount Potter and the Philosopher’s Stone. Blooms- Vesuvius (see Fig. 1) in A.D. 79 T bury Publishing (http://www.bloomsbury. affected the psyche of the Romans for a long time after the event, com), 2004. Pp. 250. Hardcover $21.95. and the memory of the explosion with ISBN 1-58234-826-x. its large loss of life was perpetuated by a variety of imperial and later Roman fter the much-anticipated release of writers. Martial, Valerius Flaccus, Silius Italicus, Tacitus, Pliny the Younger Athe sixth book in the Harry Potter (whose two famous letters to Tacitus series this past summer and the release of have helped us understand the pyroclas- the fourth film, Harry Potter and the Goblet tics – the nature of the volcanic rock of Fire, in November, few people these ejections of the eruption), Suetonius, days are unacquainted with the Harry Pot- Cassius Dio, Marcus Aurelius, Florus, ter phenomenon. Readers who are both and later Christian writers like Tertul- lian all mentioned the calamity of Vesu- Hellenists and Harry Potter enthusiasts will, Fig. 1. View of Mount Vesuvius from vius in various contexts in their works. of course, need no encouragement to Naples harbor, August 2005. -
Actores Transnacionales: Un Estudio En Cinema Internacional
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar…………………………………………………………………………………………………………. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Restaruants Culture and Entertainment
Cormac McCarthy and the Texas The 2017 Literary Tradition The Keynote Talk by Cormac Don Graham Cormac McCarthy Don Graham, Professor of English at the University of Texas at Austin, is McCarthy an authority on Texas literature and culture. His books include Cowboys and Cadillacs: How Hollywood Looks at Texas (1983), No Name on the Bullet: A Biogra- Journal Society phy of Audie Murphy (1989); Giant Country: Essays on Texas; Lone Star Literature: A Texas Anthology (2003); Kings of Texas: The 150-Year Saga of an American Ranching Empire (2004), which won the T.I.L. Carr P. Collins Prize for Best Nonfiction Book; stacey peebles, editor Conference and State of Minds: Texas Culture and Its Discontents (2011). He has published often in Texas Monthly and has won numerous teaching awards, including The Cormac McCarthy Journal Alcalde’s Top Ten Professors Ever Award in 2014. He has been teaching UT’s famous is a peer-reviewed journal course on “Life and Literature of the Southwest” for decades. His newest book is ISSN 2333-3073 | E-ISSN 2333-3065 Giant: Elizabeth Taylor, Rock Hudson, James Dean, Edna Ferber and the Making of a focusing on the works and Biannual | Available in print or online Legendary American Film. It will be published by St. Martin’s Press in Spring 2018. influence of Cormac McCarthy. The journal publishes articles, Individuals (2018 prices) 1 Year (2 issues): $49 (print or online) notes, and reviews related to 1 Year (2 issues): $70 (print and online) Cormac McCarthy’s novels, Here’s what folks in-the-know know.. -
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Macbeth Production Notes
MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory. -
Anti-Matters: Mortal Ethics in Cormac Mccarthy's the Road
European journal of American studies 12-3 | 2017 Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road Patrick Damien O’Connor Electronic version URL: http://journals.openedition.org/ejas/12337 DOI: 10.4000/ejas.12337 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Patrick Damien O’Connor, « Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road », European journal of American studies [Online], 12-3 | 2017, Online since 28 November 2017, connection on 18 December 2017. URL : http://journals.openedition.org/ejas/12337 ; DOI : 10.4000/ejas.12337 This text was automatically generated on 18 December 2017. Creative Commons License Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road 1 Anti-Matters: Mortal Ethics in Cormac McCarthy’s The Road Patrick Damien O’Connor 1 The role of philosophy in the work of Cormac McCarthy has been examined in a variety of contexts. For several decades this scholarship, naturally interdisciplinary, has revolved around issues concerning existentialism, theological and religious questions, post- structural readings of power, and Nietzschean interpretations which see McCarthy’s work as shorthand for the search for transcendent meaning in a meaningless world. One could thus say philosophy is crucial for understanding the ethical outlook of McCarthy. Placing McCarthy’s work in a philosophical context allows a richer account of his literature. Much philosophical work on McCarthy characterizes his reflections as a direct response to philosophical and political themes such as the post-theological, neoliberalism, late capitalism, deindustrialization, violence, jurisprudence and mortality. -
Blood Meridian Or the Evening Redness in the West Dianne C
European journal of American studies 12-3 | 2017 Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds Electronic version URL: https://journals.openedition.org/ejas/12252 DOI: 10.4000/ejas.12252 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-3 | 2017, “Special Issue of the European Journal of American Studies: Cormac McCarthy Between Worlds” [Online], Online since 27 November 2017, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/12252; DOI: https://doi.org/10.4000/ejas. 12252 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction: Cormac McCarthy Between Worlds James Dorson, Julius Greve and Markus Wierschem Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West Dianne C. Luce The Novel in the Epoch of Social Systems: Or, “Maps of the World in Its Becoming” Mark Seltzer Christ-Haunted: Theology on The Road Christina Bieber Lake On Being Between: Apocalypse, Adaptation, McCarthy Stacey Peebles The Tennis Shoe Army and Leviathan: Relics and Specters of Big Government in The Road Robert Pirro Rugged Resonances: From Music in McCarthy to McCarthian Music Julius Greve and Markus Wierschem Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction James Dorson The Dialectics of Mobility: Capitalism and Apocalypse in Cormac McCarthy’s The Road Simon Schleusener Affect and Gender -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013)