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Parish Staff Pastor Rev
Parish Staff Pastor Rev. David Powers Sch.P. Parochial Vicars Rev. Nelson Henao Sch.P. Rev. Richard Wyzykiewicz Sch.P. Parish Secretary Mrs. Rosemarie Ortiz Organist Mr. Franco Bonanome Leader of Song Mrs. Terry Bonanome January-February, 2016 saint Director of Development Mrs. Stephanie Turtle Helena St. Helena’s School (718) 892-3234 parish Early Childhood (3-4 year olds) Elementary School (Grades K-8) Bronx, NY Principal: Mr. Richard Meller Mass Schedule 2050 Benedict Avenue Bronx, New York 10462 High School: Monsignor Scanlan H.S. (718) 430-0100 http://www.scanlanhs.edu/ Principal: Mr. Peter Doran 915 Hutchinson River Parkway Bronx, New York 10465 made at St. Helena Rectory: Certificate. 1315 Olmstead Avenue Bronx, N.Y. 10462 should Phone: (718) 892-3232 as as at the Rectory. Fax: (718) 892-7713 a www.churchofsthelena.com Email: [email protected] at Rectory. Alumni: [email protected] ST. L BRONX, A WORD FROM THE PASTOR: St. Thomas as pride, avarice, gluttony, lust, sloth, envy, and NEWSFLASH - SIN DOES EXIST—PART 3 anger. Many people ask: Today, we seem to have lost a sense of sin. All systems, religious Is it possible to sin and not be aware that one has done so? and ethical, which either deny, on the one hand, the existence of a personal creator and lawgiver distinct from and superior to his The answer is “yes” because there is a distinction between the creation, or, on the other, the existence of free will and objective elements (object itself and circumstances) and the responsibility in man, distort or destroy the true biblico-theological subjective (advertence to the sinfulness of the act). -
VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet. -
Spolia's Implications in the Early Christian Church
BEYOND REUSE: SPOLIA’S IMPLICATIONS IN THE EARLY CHRISTIAN CHURCH by Larissa Grzesiak M.A., The University of British Columba, 2009 B.A. Hons., McMaster University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Art History) THE UNVERSIT Y OF BRITISH COLUMBIA (Vancouver) April 2011 © Larissa Grzesiak, 2011 Abstract When Vasari used the term spoglie to denote marbles taken from pagan monuments for Rome’s Christian churches, he related the Christians to barbarians, but noted their good taste in exotic, foreign marbles.1 Interest in spolia and colourful heterogeneity reflects a new aesthetic interest in variation that emerged in Late Antiquity, but a lack of contemporary sources make it difficult to discuss the motives behind spolia. Some scholars have attributed its use to practicality, stating that it was more expedient and economical, but this study aims to demonstrate that just as Scripture became more powerful through multiple layers of meaning, so too could spolia be understood as having many connotations for the viewer. I will focus on two major areas in which spolia could communicate meaning within the context of the Church: power dynamics, and teachings. I will first explore the clear ecumenical hierarchy and discourses of power that spolia delineated through its careful arrangement within the church, before turning to ideological implications for the Christian viewer. Focusing on the Lateran and St. Peter’s, this study examines the religious messages that can be found within the spoliated columns of early Christian churches. By examining biblical literature and patristic works, I will argue that these vast coloured columns communicated ideas surrounding Christian doctrine. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
The Holy See (Including Vatican City State)
COMMITTEE OF EXPERTS ON THE EVALUATION OF ANTI-MONEY LAUNDERING MEASURES AND THE FINANCING OF TERRORISM (MONEYVAL) MONEYVAL(2012)17 Mutual Evaluation Report Anti-Money Laundering and Combating the Financing of Terrorism THE HOLY SEE (INCLUDING VATICAN CITY STATE) 4 July 2012 The Holy See (including Vatican City State) is evaluated by MONEYVAL pursuant to Resolution CM/Res(2011)5 of the Committee of Ministers of 6 April 2011. This evaluation was conducted by MONEYVAL and the report was adopted as a third round mutual evaluation report at its 39 th Plenary (Strasbourg, 2-6 July 2012). © [2012] Committee of experts on the evaluation of anti-money laundering measures and the financing of terrorism (MONEYVAL). All rights reserved. Reproduction is authorised, provided the source is acknowledged, save where otherwise stated. For any use for commercial purposes, no part of this publication may be translated, reproduced or transmitted, in any form or by any means, electronic (CD-Rom, Internet, etc) or mechanical, including photocopying, recording or any information storage or retrieval system without prior permission in writing from the MONEYVAL Secretariat, Directorate General of Human Rights and Rule of Law, Council of Europe (F-67075 Strasbourg or [email protected] ). 2 TABLE OF CONTENTS I. PREFACE AND SCOPE OF EVALUATION............................................................................................ 5 II. EXECUTIVE SUMMARY....................................................................................................................... -
Treaty Between the Holy See and Italy
TREATY BETWEEN THE HOLY SEE AND ITALY IN THE NAME OF THE MOST HOLY TRINITY Whereas: The Holy See and Italy have recognized the desirability of eliminating every existing reason for dissension between them by arriving at a definitive settlement of their reciprocal relations, one which is consistent with justice and with the dignity of the two Parties and which, by assuring to the Holy See in a permanent manner a position in fact and in law which guarantees it absolute independence for the fulfilment of its exalted mission in the world, permits the Holy See to consider as finally and irrevocably settled the “Roman Question”, which arose in 1870 by the annexation of Rome to the Kingdom of Italy under the Dynasty of the House of Savoy; Since, in order to assure the absolute and visible independence of the Holy See, it is required that it be guaranteed an indisputable sovereignty even in the international realm, it has been found necessary to create under special conditions Vatican City, recognizing the full ownership and the exclusive and absolute power and sovereign jurisdiction of the Holy See over the same; His Holiness the Supreme Pontiff Pius XI and His Majesty Victor Emanuel III King of Italy have agreed to conclude a Treaty, appointing for that purpose two Plenipotentiaries, namely, on behalf of His Holiness, His Eminence Cardinal Pietro Gasparri, his Secretary of State, and on behalf of His Majesty, His Excellency Sir Benito Mussolini, Prime Minister and Head of Government; which persons, having exchanged their respective full powers, which were found to be in due and proper form, have agreed upon the following articles: Art. -
Rome of the Pilgrims and Pilgrimage to Rome
58 CHAPTER 2 Rome of the pilgrims and pilgrimage to Rome 2.1 Introduction As noted, the sacred topography of early Christian Rome focused on different sites: the official Constantinian foundations and the more private intra-mural churches, the tituli, often developed and enlarged under the patronage of wealthy Roman families or popes. A third, essential category is that of the extra- mural places of worship, almost always associated with catacombs or sites of martyrdom. It is these that will be examined here, with a particular attention paid to the documented interaction with Anglo-Saxon pilgrims, providing insight to their visual experience of Rome. The phenomenon of pilgrims and pilgrimage to Rome was caused and constantly influenced by the attitude of the early-Christian faithful and the Church hierarchies towards the cult of saints and martyrs. Rome became the focal point of this tendency for a number of reasons, not least of which was the actual presence of so many shrines of the Apostles and martyrs of the early Church. Also important was the architectural manipulation of these tombs, sepulchres and relics by the early popes: obviously and in the first place this was a direct consequence of the increasing number of pilgrims interested in visiting the sites, but it seems also to have been an act of intentional propaganda to focus attention on certain shrines, at least from the time of Pope Damasus (366-84).1 The topographic and architectonic centre of the mass of early Christian Rome kept shifting and moving, shaped by the needs of visitors and ‒ at the same time ‒ directing these same needs towards specific monuments; the monuments themselves were often built or renovated following a programme rich in liturgical and political sub-text. -
One Day Visit of the Vatican 1/1 01 July 2013 1
One day visit of the Vatican 1/1 01 july 2013 1 Location : Rome, Italy Description When visiting Rome, you cannot miss visiting the Vatican City/State. Whether a Catholic believer or not, The Vatican is definitly one of the Richest spots in the world in terms of Architecture, decoration and art works. Of course, if you are a Chistian, you add to this wealth the spiritual importance of this holy place. You need to count a full day to visit well the Vatican. I strongly recommend to take teh guided tours proposed on the Vatican website (see links in the recommednations) and in any case, you definitly need to buy the tickets online in order to avoid the huge queue before the Museum entrance. I would also recommend avoiding visits on Sundays since the Museum's visit is free, meaning longer queues, and the closure of the Gardens. Ideally, you should arrive a bit before the opening hours of Saint Peter's Basilica, and start the visit from there, than head up to the museum and finish in the gardens. Dress Code is very important, and you should avois wearing shorts, mini-skirts,... since you will be entering inside holy places. As in every highly touristic place with crowds, be carreful for Pick Pockets. Activities Saint Peter Basilica 1 Saint Peter Basilica, Rome, Italy You simply cannot visit Rome without going to the Vatican, whether Catholic or not. And Saint Peter is definitly one of the most amazing monuments you will visit in your life, besides its holy symbol .. -
Roman Architecture with Professor Diana EE Kleiner Lecture 13
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 13 – The Prince and the Palace: Human Made Divine on the Palatine Hill 1. Title page with course logo. 2. Domus Aurea, Rome, sketch plan of park. Reproduced from Roman Imperial Architecture by John B. Ward-Perkins (1981), fig. 26. Courtesy of Yale University Press. 3. Portrait of Titus, from Herculaneum, now Naples, Archaeological Museum. Reproduced from Roman Sculpture by Diana E. E. Kleiner (1992), fig. 141. Portrait of Vespasian, Copenhagen. Reproduced from A History of Roman Art by Fred S. Kleiner (2007), fig. 9-4. 4. Roman Forum and Palatine Hill, aerial view. Credit: Google Earth. 5. Via Sacra, Rome. Image Credit: Diana E. E. Kleiner. Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45. 6. Arch of Titus, Rome, from side facing Roman Forum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:RomeArchofTitus02.jpg (Accessed February 24, 2009). 7. Arch of Titus, Rome, 18th-century painting [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:7_Rome_View_of_the_Arch_of_Titus.jpg (Accessed February 24, 2009). Arch of Titus, Rome, from side facing Colosseum. Image Credit: Diana E. E. Kleiner. 8. Arch of Titus, Rome, attic inscription and triumphal frieze. Image Credit: Diana E. E. Kleiner. 9. Arch of Titus, Rome, triumphal frieze, victory spandrels, and keystone. Image Credit: Diana E. E. Kleiner. 10. Arch of Titus, Rome, composite capital. Image Credit: Diana E. E. Kleiner. 11. Arch of Titus, Rome, triumph panel. Image Credit: Diana E. E. -
The Identity and Spectacle of Sport As a Modern Piazza
The Identity and Spectacle of Sport as a Modern Piazza A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Architecture in the department of Architecture of the College of Design, Architecture, Art, and Planning by Mackenzie M Grause Bachelor of Science in Architecture University of Cincinnati May 2015 Committee Chair: M. McInturf, M.Arch. Committee Member: A. Kanekar, Ph.D. Abstract Sports have always been and always will be a significant part of our every day lives. This thesis contends that in order to continue to serve the community and cities in which the stadia are located, they must be designed as a modern day piazza. Historically, the Mesoamerican civilizations as well as the Ancient Greeks and Romans, treated their athletic facilities and buildings with such significance that they placed these facilities in the city center. This thesis argues that today these sporting facilities also serve the community the same way the Italian piazza serves communities. Major stadium facilities such as Detroit’s new professional hockey and basketball arena, the proposal for AC Milan’s soccer stadium, and the London Olympic stadium, all represent a sporting venue that effectively engages the community. They also serve as a polyfunctional spaces that can be used by many different clients at varying times. In doing so, these stadia have the ability to transform and completely rejuvenate areas of cities. This thesis contends that past, present, and future stadia are all examples of a piazza through their symbolic nature, social function, focal point of the community, and center of daily life. -
Period of Recognition Part 1 Constantine's Basilicas
The Period of Recognition AD 313—476 Surely one of the most important events in history must be the so called Edict of Milan (313), a concordat really, between Constantine in the 2 Western half of the Empire and his co-emperor in the East, Licinius, that recognized all existing religions in the Roman Empire at the time, most especially Christianity, and extended to all of them the freedom of open, public practice. Equally important, subsequently, was Constantine’s pri- vate, yet imperial, patronage of the Christian church. Also, sixty years later, in 390, the emperor Theodosius would declare Christianity the offi- cial religion of the Roman Empire and followers of the ancient pagan rites, criminals. The pagans were soon subjected to the same repression as Christians had been, save violent widespread persecution. The perse- cuted had become the persecutors . Within another hundred years (in 476) the political Empire in the West would collapse and the Christian church would become the sole unifying cultural force among a collection of bar- barian kingdoms. Christianity would go on to dominate the society of Western Europe for the next thousand years. Thus the three sources from which modern Europe sprang were tapped: Greece, Rome, and Christian- ity. Constantine’s Christianity Constantine attributed his defeat of rival Maxentius for the emperorship of the Roman Empire in the 63 The Battle at the Milvian West to the God of the Chris- Bridge tians. He had had a dream or <www.heritage-history.com/www/ heritage.php?R_m... > vision in which his mother’s Christian God told him that he would be victorious if he marched his army under the Christian symbol of the chi rho , the monogram for the name of Jesus Christ. -
Saint Augustine Catholic Church Upon the Death of Bishop Floyd L
St. Augustine Parish, Oakland California Twenty-First Sunday of Ordinary Time August 21st 2016 Twenty-First Sunday of Ordinary Time August 21st, 2016 Continued from page 1 Saint Augustine Catholic Church Upon the death of Bishop Floyd L. Begin, founding bishop of the Diocese of Oakland, Bishop Cummins was appointed the second Bishop of Oakland and installed on June 30, 1977. He retired in 2003. “Vatican II, Berkeley and Beyond: The First Half-Century of the Oakland Diocese, 1962-2012,” is the memoir writ- Parish Feast ten by Bishop Cummins. It is available at the Cathedral shop and on Amazon.com. On August 28th we celebrate the feast of Saint Augustine of Father Augustine Hippo (354 - 430), the patron saint of our parish. He was the bishop of Hippo in North Africa (Algeria). Feast of Pope St. Pius X, August 21st Saint Augustine is one of the seminal minds of the early Church and wrote extensively on topics related to Christian Pope Saint Pius X (Italian: Pio X) born Giuseppe Melchiorre Sarto,[a] (2 June 1835 – 20 August 1914), was Pope from doctrine: Trinity, divine grace, evil, original sin, etc. His August 1903 to his death in 1914. He was canonized in 1954. Pius X is known for vigorously most popular book has been, “Confessions,” which is consid- opposing modernist interpretations of Catholic doctrine, promoting traditional devotional practices and orthodox ered a spiritual classic and read by a lot of people, even to theology. His most important reform was to order the codification of the first Code of Canon Law, which collected the this day.