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Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
BULLETIN Vol 50 No 1 January / February 2016
CINEMA THEATRE ASSOCIATION BULLETIN www.cta-uk.org Vol 50 No 1 January / February 2016 The Regent / Gaumont / Odeon Bournemouth, visited by the CTA last October – see report p8 An audience watching Nosferatu at the Abbeydale Sheffield – see Newsreel p28 – photo courtesy Scott Hukins FROM YOUR EDITOR CINEMA THEATRE ASSOCIATION (founded 1967) You will have noticed that the Bulletin has reached volume 50. How- promoting serious interest in all aspects of cinema buildings —————————— ever, this doesn’t mean that the CTA is 50 years old. We were found- Company limited by guarantee. Reg. No. 04428776. ed in 1967 so our 50th birthday will be next year. Special events are Registered address: 59 Harrowdene Gardens, Teddington, TW11 0DJ. planned to mark the occasion – watch this space! Registered Charity No. 1100702. Directors are marked ‡ in list below. A jigsaw we bought recently from a charity shop was entitled Road —————————— PATRONS: Carol Gibbons Glenda Jackson CBE Meets Rail. It wasn’t until I got it home that I realised it had the As- Sir Gerald Kaufman PC MP Lucinda Lambton toria/Odeon Southend in the background. Davis Simpson tells me —————————— that the dome actually belonged to Luker’s Brewery; the Odeon be- ANNUAL MEMBERSHIP SUBSCRIPTIONS ing built on part of the brewery site. There are two domes, marking Full Membership (UK) ................................................................ £29 the corners of the site and they are there to this day. The cinema Full Membership (UK under 25s) .............................................. £15 Overseas (Europe Standard & World Economy) ........................ £37 entrance was flanked by shops and then the two towers. Those Overseas (World Standard) ........................................................ £49 flanking shops are also still there: the Odeon was demolished about Associate Membership (UK & Worldwide) ................................ -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Working with Others to Restore Wilder Landscapes
Working with others to restore Wilder landscapes Annual Report of the Wilder Landscapes Project April 2019 – March 2020 F Southgate 0 Contents Introduction 2 Summary of Project Achievements 2019 - 2020 3 Our Work Advising Landowners 4 Catchment & Landscape Scale Work 7 Policy Work & Strategic Advice 19 Linking People and Landscapes 20 Our Volunteers 26 Finance and Fundraising 27 Appendix 30 1 Introduction Sussex Wildlife Trust’s (SWT) Wilder Landscapes project supports local communities to restore wildlife-rich landscapes and the essential natural services that we all need for health and wellbeing. We help to deliver Nature Recover Networks, Natural Flood Management, Climate resilience and Wilding as well as caring for Sussex Wildlife Trust Nature Reserves, and supporting a multitude of other landowners, stakeholders and projects across Sussex. Our Wilder Landscapes projects have been delivering landscape scale conservation for over 19 years. We have also been running an innovative Natural Flood Management project, Sussex Flow Initiative, for over 8 years. With Climate change and biodiversity loss two of the biggest natural crises that we have faced in recorded history, now is the time to take as much positive and practical action that we can. Neither people, nor wildlife can survive without the essential services that our countryside provides including water purification, flood storage, carbon storage, food provision, access to nature health benefits, pollination services and more. We focus on creating community, climate and nature resilience through adaptation, collaboration and innovation. This year we have achieved some fantastic things with the help of local communities and our project partners. We have given wildlife advice on over 22,000 acres of land, for at least 84 unique landowners, and easily reached at least 2,000,000 people through our joint events, media and partnership working. -
BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 to UK EXHIBITORS to SUPPORT DIVERSE PROGRAMMING and BRING BACK AUDIENCES Nati
BFI FAN FILM EXHIBITION FUND AWARDS OVER £750,000 TO UK EXHIBITORS TO SUPPORT DIVERSE PROGRAMMING AND BRING BACK AUDIENCES National Lottery funding aims to re-engage audiences with collective, big screen film experiences London, Monday 14 December 2020: Over 140 film exhibitors around the UK have received a share of £759,159 to boost cultural programming and activities to engage diverse audiences as lockdown restrictions ease. The BFI FAN Film Exhibition Fund supports activity to re-engage audiences with collective, big screen film experiences at film festivals, mixed arts venues, and both community and traditional cinemas around the UK. This particular strand of support has been made available via BFI‘s National Lottery funding to the BFI Film Audience Network (FAN). BFI FAN is a unique collaboration of eight Film Hubs managed by leading film organisations across the UK, who each distribute the funding in their region or nation. The BFI FAN Film Exhibition Fund will enable FAN Members to deliver a broad range of programming once they restart, ensuring excellent British and international independent cinema is available to audiences all over the UK. Other priorities of the fund are incentivising exhibitors to embed inclusion and environmental sustainability into their approach to reopening, post closure during the pandemic restrictions. The BFI FAN Film Exhibition Fund was also supported by a donation from global streaming platform MUBI. The total figure awarded to Film Hub Scotland members of £220,000 includes additional funding from Screen Scotland as announced in early November. Film Hub Wales announced Film Exhibition Fund awards totalling £52,000, also in November. -
The London Residency 2015
season review 2014 / 15 John Tomlinson © Sidd Khajuria John Tomlinson Sir Nicholas Kenyon © Sheila Rock Sir Nicholas Kenyon Now, more than ever, we need the arts. We need London is arguably the leading global city to them to try to understand our fractured world, live, work and do business. Recent reports have bring people together in shared communities, and confirmed it as the top global tourist destination celebrate our common humanity. Over the past as well as the world's leading financial centre. year the Barbican has offered an extraordinary A major reason for this success is the quality wealth of events to its audiences, who have of London’s artistic offer in which the Barbican responded with openness and adventurousness. plays a key role, fittingly complementing the creativity and dynamism of the City itself. We’ve had our highest attendance figures ever for a programme that ranges more widely, and This year we have become more global than ever, has travelled further afield, than ever before. touring work such as the hugely popular Digital This remarkable achievement reflects the Revolution exhibition to Stockholm and Athens and commitment of our artists and performers, artistic Juliette Binoche in Antigone around Europe and planners, support services and technical staff. the USA. We’ve also attracted an international audience to our programme at the Centre with We have been fortunate to attract some of the most tickets booked from 97 different countries. charismatic performers of our day: Juliette Binoche in the Barbican’s co-production of Antigone; Benedict Closer to home the Barbican and Guildhall School’s Cumberbatch in Sonia Friedman Productions’ staging creative learning programme continues to have of Hamlet; and Sir Simon Rattle with the Berliner a hugely positive impact in our neighbouring east Philharmoniker and the London Symphony Orchestra. -
The Jewish Manifesto the Board of Deputies of British Jews Is the Democratic and Representative Body for the UK’S Jewish Community
THE JEWISH MANIFESTO The Board of Deputies of British Jews is the democratic and representative body for the UK’s Jewish community. We are the first port of call for Government, the media and others seeking to understand the Jewish community’s interests and concerns. The Board of Deputies acts as the Secretariat to the All Party Parliamentary Group (APPG) on British Jews. The APPG aims to broaden and deepen connections between Parliament and the UK’s Jewish community. Charitable activities with which the Board of Deputies is identified are funded by The Board of Deputies Charitable Foundation (Registered Charity No. 1058107), a company limited by guarantee and registered in England (No. 3239086). Copyright © 2019 The Board of Deputies of British Jews Printed in the United Kingdom THE BOARD OF DEPUTIES OF BRITISH JEWS CONTENTS INTRODUCTION __________________________________________________ 3 THE TEN COMMITMENTS __________________________________________ 4 GLOBAL JEWISH ISSUES 6 ANTISEMITISM ___________________________________________________ 7 RACISM _________________________________________________________ 8 EXTREMISM _____________________________________________________ 9 COMMUNITY RELATIONS ________________________________________ 12 RELIGIOUS FREEDOM ____________________________________________ 12 HOLOCAUST ISSUES ____________________________________________ 16 ISRAEL AND THE MIDDLE EAST ___________________________________ 19 BREXIT _________________________________________________________ 24 JEWISH LIFE CYCLE 26 EDUCATION ____________________________________________________ -
Supporter Opportunities 2019-20 the POWER of CINEMA
UK JEWISH FILM Supporter Opportunities 2019-20 THE POWER OF CINEMA Film has the power to inspire, challenge and alter our preconceptions like no other medium. For the last 23 years, UK Jewish Film has been instrumental in using film to promote greater understanding and awareness between communities; in combatting antisemitism and racism through the power of film; in encouraging knowledge and pride in Jewish culture; and, of course, in entertaining diverse audiences across the UK. We ensure that films that reflect Jewish stories and life are part of the mainstream of British film culture, celebrated and enjoyed by diverse audiences of all ages and backgrounds, across the UK. FESTIVALS AND YEAR-ROUND PROGRAMME SUPPORTING EMERGING FILMMAKERS EDUCATION THROUGH FILM UK Jewish Film Festival, now in its 23rd year, Film Lab is a year-round programme Speak Out, our online resources for teachers is the largest in Europe, with more than 120 supporting new filmmakers through and educators teaching about the Holocaust screenings nationwide of 80+ films at 20+ workshops, filmmaking surgeries and through film venues networking events Combatting Antisemitism through Film, Year-Round Programme of 400+ screenings Pears Short Film Fund at UK Jewish Film brings workshops using film to help combat and special events in cinemas in London, commissions 2 new short films each year to racism and antisemitism, into schools Manchester and Glasgow be premiered at the annual film festival Roots, inter-generational projects that Video on Demand is our popular streaming -
Catalogo2009.Pdf
MEDFILM FESTIVAL 2009 UNA PRODUZIONE DI IN COLLABORAZIONE CON PRODUCED BY IN COOPERATION WITH MEDFILM Festival ONLUS Fondazione ROberto Rossellini Via Nizza, 92 00198 Rome, Italy PER L’Audiovisivo T +39 06 85354814 / F +39 06 8844719 www.medfilmfestival.org Francesco Gesualdi Presidente DIREZIONE ARTISTICA E ORGANIZZATIVA President Giampaolo Letta ARTISTIC AND EXECUTIVE MANAGEMENT Vicepresidente Ginella Vocca Vice President Presidente Fondatore MedFilm Festival Michele Misuraca MedFilm Festival President and Founder Direttore Generale General Manager ORGANIZZAZIONE GENERALE Giuliano Montaldo GENERAL ORGANIZATION Consigliere d’Amministrazione Board member Carla Ottoni Paolo Ferrari Coordinamento festival / Festival Coordinator Consigliere d’Amministrazione Vanessa Tonnini Board member Coordinamento redazione e Curatrice Concorso Eurimages Editorial Staff Coordinator, Eurimages Competition Programmer COMUNICAZIONE E RELAZIONI ESTERNE Luisa Rovati COMMUNICATION MANAGEMENT Responsabile Progetto Methexis e Coordinamento Trasporto Film Methexis Project Coordinator and Film Shipment Management Antonella Tarquini Angelo Loy Tutor Giuria Methexis, Curatore Concorso Documentari UFFICIO STAMPA Tutor of the Methexis Jury, Documentary Programmer PRESS OFFICE Ela Gurmen Reggi&Spizzichino Communication Responsabile Incontri Professionali, in collagorazione con / in cooperation with Coordinamento Ospitalità e Accoglienza Carlo Dutto Coordinator Professional Meetings, Hospitality and Guest Management PROGETTO DI COMUNICAZIONE VISIVA Gaia Aversa VISUAL -
No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA -
Community Engagement Framework?
Contents Introduction What is the Community Engagement Framework? What are the aims of the Community Engagement Framework? What is community engagement? Our commitment to community engagement Our standards for community engagement Our actions for improving community engagement How will the Community Engagement Framework be implemented & monitored? Contacts and Acknowledgements Information about the development of the Community Engagement Framework, and copies of the Framework and the accompanying consultation report are available on the 2020 Community Partnership website www.2020community.org/cef Introduction The Community Engagement Framework has been developed to be both a policy document and a practical resource. As a policy document it sets out the 2020 Community Partnership’s commitment to and understanding of community engagement in Brighton and Hove. As a practical resource it provides a clear definition of community engagement and importantly sets specific standards for community engagement that all Partners must adhere to. It identifies the first wave of priority actions that must be taken to improve community engagement in the city. As a policy document and a practical tool the Community Engagement Framework will help the 2020 Community Partnership achieve its vision for Brighton and Hove….. ‘of a dynamic city that improves and protects the environment, meets social needs and promotes sustainable economic success in an inclusive, just and harmonious way’ We are not starting from scratch. We recognise that good community engagement activity has and is happening in the city. However, this is the first time that as a group of public, private and community and voluntary organisations we have produced a common approach to community engagement. -
Here She Worked on a Wide Range of Design Projects Skilled in Digital Architectural Design, Image Editing Software and Hand Sketching
PASSIV POD ® P roven health benefits + high social and environmental impact A pprox 50% less build time - 80% less energy - 90% less waste S ustainable materials no offgas chemicals + permitted planning S tage payments in advance ensure no cash flow growth issues I mmediate large market needs for public and private land owners V ery high factory quality + ROI UK/EU design protection 25 years P roven supply chain for fast low cost manufacture and erection O ver £100K invested in R and D, IP brand Reg, market research D edicated experienced Directors with award-winning credentials Unique Biophilic Buildings for Living Leisure and Learning The Problem Brick buildings are expensive to build, maintain and heat Build quality is prone to low skilled work, bad weather, high waste Supplier margins are below 10% and long supply chains often fail Brick buildings have poor air quality, off-gas harmful chemicals for years. Disrupted environments cause planning objections and costs Time to build cannot meet increasing population demands Eco-accommodation is sparse and camping-focused with low comfort. Eco-tourism is a high growth inbound sector but poorly serviced Rural tourism demand is high but poorly supported Student population growth requires 5,000 new classrooms every year Portacabins result in poor learning environments Classroom CO2 build-up reduces cognitive development by 15-20% 5% of office absence is due to ill health and “sick building syndrome” 50% of office staff say inadequate office space reduces productivity (Leesman Index) Poor light,