DOCSLIB.ORG

HOC 201 (1.30.14) AS BROADCAST.Fdx

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HOC 201 (1.30.14) AS BROADCAST.Fdx HOUSE OF CARDS HOC 201 Written by Beau Willimon Directed by Carl Franklin Knight Takes King Productions, LLC WHITE DRAFT (4.15.13) Knight Takes King Productions, LLC BLUE REV. DRAFT (4.22.13) c/o MRC Studios PINK REV. DRAFT(4.25.13) 1800 Century Park East, 10th Floor YELLOW REV. DRAFT (6.06.13) Los Angeles, CA 90067 AS BROADCAST (1.30.14) This material is the property of Knight Takes King Productions, LLC and is intended solely for use by its personnel and other authorized persons. Distribution or sale to any unauthorized persons or duplication in whole or in part is strictly prohibited. 1 EXT. RESIDENTIAL STREET - NIGHT 67 1 We begin where we ended - the Underwoods’ neighborhood. Francis and Claire appear in the distance, running side by side through the shadows. As they reach the end of a path, they pause. Look around. With a nod to each other, they start off again. 2 EXT. UNDERWOOD RESIDENCE - NIGHT 67 2 Stamper waits by the front steps - stoic, but agitation in his eyes. Meechum waits with him. A long pause. Stamper glances at his watch. MEECHUM We could jump in the car, if... STAMPER We’ll wait. Another pause. To fill up the silence... MEECHUM Did you get the Congressman anything for his birthday? STAMPER No. MEECHUM I got him cuff links. Silver, with his - STAMPER We don’t talk about birthdays. And we don’t do gifts. MEECHUM Why not? STAMPER You should return the cuff links. Francis and Claire appear behind Stamper. FRANCIS Doug. STAMPER I tried calling you. (CONTINUED) 201 As Broadcast (01/30/2014) 2. 2 CONTINUED: 2 FRANCIS I left my phone in-- STAMPER We need to talk. Francis walks up beside Stamper. In hushed tones -- FRANCIS What’s going on? STAMPER Christina. I just spoke to her. FRANCIS Did Zoe...? STAMPER Yeah. And that’s not all. They tracked down Rachel too. CLAIRE (O.S.) Francis? 3 INT. UNDERWOOD RESIDENCE - 1ST FLR - LIVING ROOM - NIGHT 673 Francis stretching, using the couch arm for support. He still has his running attire on. Stamper stands beside him. Claire is in the kitchen during the beginning of the scene getting two glasses of water. We can hear the clinking of glasses and the running of the faucet in the background. FRANCIS Tell me about Rachel. Where is she? STAMPER I have her under control. FRANCIS That’s not what I asked. STAMPER I drove her home. We don’t have to worry about her. FRANCIS You said the same about Ms. Skorsky. (beat) Anyone else involved? (CONTINUED) 201 As Broadcast (01/30/2014) 3. 3 CONTINUED: 3 STAMPER Just Janine and Zoe. They asked about Russo’s arrest. And they know he went to see Kapeniak. I assume that’s as far as they’ve gotten. FRANCIS Assume nothing. STAMPER I’ll alert Barney Hull. What do you want me to do about Zoe? FRANCIS I’ll handle Zoe. Get to work. STAMPER Yes sir. Stamper nods and exits. Francis heads to the smoking window. Opens the cigarette box. There’s nothing inside. Claire enters with the two waters and hands one of them to Francis. CLAIRE I emptied it. You’re another year older on Tuesday. And we can’t have a Vice President who smokes. 4 OMIT 4 5 INT. ZOE’S APARTMENT - DAY 68 5 Lucas and Zoe in a tangle - sweat, moans, muscles flexing, backs arching. Zoe on her stomach, Lucas on top of her. TIGHT on Zoe’s face. The more vigorous he becomes, the more distant she does. He quickens his pace, lost in the moment. He has given himself over to pure physicality. But Zoe is complete disconnection, the residue of past experiences vaulting her out of the moment into numbness. ZOE Can you finish? (CONTINUED) 201 As Broadcast (01/30/2014) 4. 5 CONTINUED: 5 LUCAS What? ZOE I’m good. Lucas drops down beside her. LUCAS What’s wrong? ZOE Nothing. I just said finish. LUCAS I don’t want to just...if you’re not... ZOE Okay, fine. Whatever. She gets up, heads toward the bathroom. LUCAS Zoe? Did I do something that made you...? ZOE No. LUCAS Zoe, you can’t say something like “just finish” and shut down. We hear the shower go on. Lucas gets up and heads into the bathroom. Zoe is facing the stream. LUCAS (CONT’D) This is safe, Zoe. I’m not him. A coldness comes over Zoe. She pulls back the curtain. Stares at him. 6 INT. FRANCIS’S INNER OFFICE - DAY 68 6 JACQUELINE SHARP (mid 30s), seated in an armchair, one of her legs casually draped over the other. She’s sexy, but her demeanor is business-like. She’s self-possessed, with sharp, observant eyes. She’s looking at the encased whip on the wall. Her gaze shifts to the left. (CONTINUED) 201 As Broadcast (01/30/2014) 5. 6 CONTINUED: 6 She turns to see Francis enter. FRANCIS Good morning, Jackie. SHARP Good morning. They shake hands. She points to a pair of photos on the wall showing LBJ intimidating one of his colleagues. SHARP (CONT’D) Richard Russell? FRANCIS Civil Rights Act. 1963. SHARP Not everyone can be on the right side of history. FRANCIS Not even Lyndon for a time, but he would’ve never become Majority Leader without him. SHARP Well there’s no Johnson Senate building. FRANCIS No, he had to settle for a Presidential library. (changing course) So it’s been some time since you and I have had a chance to catch up. You’ve been an outstanding Deputy, Jackie. Far more effective than your more seasoned colleagues. You’re a coalition builder. Fighter when you have to be. Tell me, where do you see yourself headed? SHARP I’d like to aim for the Chair of Armed Services. Or Homeland Security. FRANCIS Have you ever considered serving in the Leadership? (CONTINUED) 201 As Broadcast (01/30/2014) 6. 6 CONTINUED: 6 SHARP I figure that might be possible eight, ten years from now. FRANCIS What if I suggested you could be in the Leadership this term. To replace me - as Whip. This is the very last thing Sharp was expecting. She thinks for a moment, then puts it together -- SHARP You’re being tapped for V.P. FRANCIS Let’s assume that’s true. SHARP Well that makes sense, but me as Whip... FRANCIS Yes. SHARP A third-term Congresswoman? FRANCIS A universally admired incumbent. Who also happens to be a war veteran. SHARP Webb is next in line. Or Buchwalter. FRANCIS Mmhmm. So just consider that for a moment. SHARP They’ll draw votes from one another. FRANCIS Oh, I’m not saying you wouldn’t have to fight for it. As Francis gets up and heads over to his computer -- (CONTINUED) 201 As Broadcast (01/30/2014) 7. 6 CONTINUED: 6 FRANCIS (CONT’D) But I’d be willing to give you the ammunition. Come over here. He types a few strokes on the keyboard. She gets up, joins him. They look at the screen. SHARP What is this? FRANCIS My files on Webb and Buchwalter. She glances at him, alarmed. FRANCIS (CONT’D) Why don’t you take a look. We’ll speak in a few days. She sits as Francis heads for the door. FRANCIS (CONT’D) Oh and there’s one on you. You might want to begin by reading that one first. And he’s out. TIGHT on the computer screen. We see Jackie move the cursor to the file that says “Sharp.” She clicks. As she looks over the file, we CUT TO -- A7 INT. LUCAS’ CAR - DAY 68 A7 Lucas driving, Zoe in the passenger seat, texting Janine. LUCAS What’d Janine say? ZOE The strip club’s not open yet. You’ll look into Kapeniak? LUCAS If he’s on the grid I’ll find him. ZOE Drop me at Metro Center. LUCAS Not the office? ZOE I’m gonna talk to Rachel. (CONTINUED) 201 As Broadcast (01/30/2014) 8. A7 CONTINUED: A7 LUCAS She’ll deny everything, like she did last night. ZOE She can’t deny getting into Stamper’s car. You saw her. LUCAS Maybe you send a version of the story - about her Dad... ZOE No one would print it. LUCAS Rachel doesn’t know that. ZOE She said “Go to town, bitch.” It won’t work. I have to get in her face. 7 OMIT 7 8 INT. WHITE HOUSE - OVAL OFFICE - DAY 68 8 Francis walks through the ante-room. As he enters the Oval Office, he sees WALKER behind his desk and BIRCH, WOMACK and VASQUEZ seated on the couches. They all stand (except for Walker) as he enters, greet, shake hands. WOMACK (to Francis, genuinely) Congratulations. BIRCH (anything but) We’re thrilled for you. FRANCIS Thank you. As they all sit. WALKER (to Francis) I wanted to fill in Bob and Terry personally. Now let’s get to it. He looks to Vasquez. (CONTINUED) 201 As Broadcast (01/30/2014) 9. 8 CONTINUED: 8 WALKER (CONT’D) I have to leave for Pittsburgh in - what? VASQUEZ Twenty minutes. WALKER (to Francis) Home stretch with Jim. Whistle-stop tour. FRANCIS Looking good out there. WALKER Very good. But we don’t want to take any chances. Now, your replacement as Whip, Frank. Bob has already shared some thoughts. BIRCH I like Howard Webb. FRANCIS Webb is a solid choice. Have you thought about Wes Buchwalter? BIRCH (to Walker) Buchwalter’s a hot-head.
Load more

Recommended publications
  • Transcript for Professor Gernsbacher's Lecture Video: “Why Do We Binge-Watch?”
    Transcript for Professor Gernsbacher’s Lecture Video: “Why Do We Binge-Watch?” Ever had that experience of binge-watching a TV series, and you become so absorbed that you forget to eat lunch or you miss your subway stop? Or you keep clicking for the next episode and when you look up, the house has gotten dark around you, and you realize you’ve been watching for hours? Oh, wait just a minute. I read that wrong. Here’s the correct quote: CLICK - Ever had that experience READING A NOVEL when you become so absorbed that you forget to eat lunch or you miss your subway stop? CLICK - Or you’re TURNING THE PAGES so fast, when you look up, the house has gotten dark around you, and you realize you’ve been squinting to see the words. CLICK - We call this “getting lost in a book,” and we could all name a novel that has caused us to CLICK - Get lost in a book. In a Two Thousand and Fourteen article on the website, Thought Catalog, Francesca Saunders urges us to QUOTE “Curl up in your bed, on the floor, the backseat of a car, the plastic bench of a train. Open up a book and … Fall so deeply into this imagined world, [that you] forget where you are. You stop hearing anything that isn’t on the page in front of you.” UNQUOTE CLICK - What does getting lost in a book feel like? Saunders relates that QUOTE Getting lost in a book is like getting hit by a truck, like waking up at 10 pm from a nap.
    [Show full text]
  • An Interview with Andrew Davies
    EnterText 1.2 PETER SMITH “The Script is Looking Good”: an interview with Andrew Davies PS Before coming to talk to you, I asked my colleagues what they would most like to ask you, and more than one wanted to know how tight a brief a writer tends to be given when adapting for TV or cinema. AD Right – well, usually when I start something, it’s – first of all, it’s either going to be a one-off or it’s going to be an episode. If it’s for television and it’s going to be in episodes, usually I’m given, or we work out by mutual agreement, the number of episodes that would be best to do this kind of thing in – and when I say “we”, usually I’m working with the producer or it’s someone higher up like an executive producer. Smith: Interview with Andrew Davies 157 EnterText 1.2 For instance, I do a lot of work with the woman who’s Head of Drama at the BBC. This is one of the good things about having been around for a long time; I knew her when she was a script editor. She was a very good script editor, and I suppose what I’m working round to is there’s not usually a lot of disagreement about it. If she says “I think it would make three” or “I think it would make four” or whatever it is, I usually think she’s right. Occasionally, you find that there’s a difference, but generally people will go with what I say these days.
    [Show full text]
  • House of Cards Season 1 Torrent
    House of cards season 1 torrent Continue House of Cards season 1, House of Cards season 1 episode 1, House of Cards season 1 episode 3, House of Cards season 1 episode 5, House of Cards season 1 episode 7, House of Cards season 1 episode 8, House of Cards season 1 episodes, House of Cards season 5, House of Cards season 3, House of Cards season 1, House of Cards season, House of Cards season 5 wikis, House of Cards season 5, House of Cards season 3, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards via heavy.com Alexandra Daddario (@alexannadaddario) Instagram Video via grammio.com Bradley James joins Kate Beckinsale in Underworld
    [Show full text]
  • House of Cards" Lindsey E
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2015 The orW ld According to Frank Underwood: Politics and Power in "House of Cards" Lindsey E. Davidson Claremont McKenna College Recommended Citation Davidson, Lindsey E., "The orldW According to Frank Underwood: Politics and Power in "House of Cards"" (2015). CMC Senior Theses. Paper 1052. http://scholarship.claremont.edu/cmc_theses/1052 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT MCKENNA COLLEGE The World According to Frank Underwood: Politics and Power in House of Cards SUBMITTED TO PROFESSOR JOHN J. PITNEY JR. AND DEAN NICHOLAS WARNER BY Lindsey E. Davidson for SENIOR THESIS Fall 2014 December 1st, 2014 ACKNOWLEDGMENTS House of Cards as a dramatized portrayal of the American legislative process was a fascinating study for my senior thesis. As a dual major of Government and Film Studies, it was a perfect blend of content, subject matter, and Hollywood mixed together. I would like to thank Professor John Pitney for suggesting this research topic and turning me onto what is now one of my favorite shows. This thesis would not have become a reality without your advice and guidance. I would also like to thank Executive Story Editor Melissa James Gibson and Co- Executive Producer John Mankiewicz of House of Cards for agreeing to be interviewed for this thesis. What a rare opportunity for me it was to gain insight and vision into this show and its portrayal of politics in Washington.
    [Show full text]
  • Data-Driven Personalisation and the Law – a Primer Collective Interests Engaged by Personalisation in Markets, Politics and Law
    Data-Driven Personalisation and the Law – A Primer Collective Interests engaged by Personalisation in Markets, Politics and Law Uta Kohl, James Davey, Jacob Eisler* Southampton Law School Discussion Paper No: 1 (February 2019) Call for Papers / Expressions of Interest We will be holding a workshop on the topic of ‘Data-Driven Personalisation in Markets, Politics and Law' on Friday 28 June 2019 at Southampton Law School. This is an important emerging area of law that goes well beyond data protection law, raising questions for criminal law, consumer protection, competition and IP law, tort law, administrative law, human rights and anti-discrimination law, law and economics as well as legal and constitutional theory. To give the workshop focus and structure, this position paper provides a snap-shot of what we think about the topic or how we would frame it. We would like to hear your thoughts! Should you be interested in disagreeing, elaborating, confirming, contradicting, dismissing or just reflecting on anything in the paper and present those ideas at the workshop, send us an abstract by Friday 5 April 2019 (Ms Clare Brady [email protected]). We aim to publish an edited popular law/social science book with the most compelling contributions after the workshop. 1 Introduction When Netflix released House of Cards as its first original content in 2013, the series was accompanied by ten different cuts of its trailer. Subscribers were sorted depending on their prior viewing habits: did they like films with Kevin Spacey, or films directed by David Fincher or those with women as lead actors? As this technique has evolved, Netflix has attracted controversy for tailoring its advertising based on prior viewing profiles.
    [Show full text]
  • YA Battle of the Sexes 1) Red Queen by Victoria Aveyard 2) Eleanor And
    YA Battle of the Sexes 1) Red Queen by Victoria Aveyard 2) Eleanor and Park by Rainbow Rowell 3) Perks of Being a Wallflower by Stephen Chbosky 4) The Serpent King by Jeff Zentner 5) Simon vs the Homo Sapiens Agenda by Becky Albertalli 6) If I Was Your Girl by Meredith Russo 7) The Fault in Our Stars by John Green 8) The Book Thief by Markus Zusak 9) All the Bright Places by Jennifer Niven 10) Cinder by Marissa Meyer 11) Shadowshaper by Daniel José Older 12) The Boy in the Striped Pajamas by John Boyne 13) Speak by Laurie Halse Anderson 14) If I Stay by Gayle Forman 15) Boy Meets Boy by David Levithan 16) Inexplicable Logic of My Life by Benjamin Alire Sáenz Bedtime Stories 1) Chicka Chicka Boom Boom by Bill Martin, Jr. 2) The Little Engine That Could by Watty Piper 3) The Very Hungry Caterpillar by Eric Carle 4) Goodnight Moon by Margaret Wise Brown 5) Curious George by H.A. Rey 6) Harold and the Purple Crayon by Crockett Johnson 7) Where the Wild Things Are by Maurice Sendak 8) The Cat in the Hat by Dr. Seuss 9) If You Give a Mouse a Cookie by Laura Numeroff 10) Corduroy by Don Freeman 11) Charlie and the Chocolate Factory by Roald Dahl 12) Frog and Toad Are Friends by Arnold Lobel 13) Lilly’s Purple Plastic Purse by Kevin Henkes 14) Madeline by Ludwig Bemelmans 15) Amelia Bedelia by Peggy Parish 16) The Giving Tree by Shel Silverstein Typewriter to Television 1) Sookie Stackhouse Series (True Blood) by Charlaine Harris 2) Orange is the New Black by Piper Kerman 3) House of Cards by Michael Dobbs 4) A Song of Ice and Fire (Game of Thrones) by George R.R.
    [Show full text]
  • House of Cards and the Perceived Advantages Over Traditional Television
    Online Programming Realities: A Case Study of House of Cards and the Perceived Advantages Over Traditional Television Rebecca Hill Stockholm University JMK, Department of Media Studies Master’s Program in Media and Communications (M.A.) Master Thesis 30 HE credits Spring 2014 Supervisor: Kristina Riegert Abstract The choice of content and number of technologies that audiences view television with are increasingly expanding in the post-network era, leading those who use the medium to question its definition. In the wake of the Internet, online programming and streaming technologies, the death of television is frequently forecast. Netflix’s 2013 release of their original online production House of Cards prompted popular media and trade journals alike to declare a revolution of television that would result in a paradigm shift of current production and viewing practices. House of Cards is esteemed for its distribution method and asserted advantages over traditional television by creators and executives surrounding the show, which calls for an examination of the specific practices that are dubbed ‘innovative’, as current television production practices have been put in place for years. The aim of this thesis is to shed light on the claims surrounding the series through production and textual analysis. Second-hand sources are used to gather evidentiary claims surrounding the production, and analyzed using historical poetics analysis with Jason Mittell’s complex television definitions in order to make comparisons of particular elements of the creation, production and distribution of House of Cards. Making these areas its starting point, this inquiry provokes larger questions of the future of online television programming in general, and its role in the death of television in particular.
    [Show full text]
  • Ira Rennert's House of Cards
    BloomberBloomberg Bloomberg Markets September 2004 IRA RENNERT’S HOUSE OF CARDS The financier erected a $170.2 million home in the Hamptons. He built his troubled business empire on debt. By Peter Robison ‚Across a cornfield in Sagaponack, New York, over the dunes and beyond the brown rushes, looms Fair Field—the grandest and, at $170.2 million, the most-expensive home in the Hamptons. It has taken financier Ira Rennert more than five years to build his beachfront palace in the priciest hamlet on the east end of Long Island. Behind the Italianate facade lie 29 bedrooms and 39 bathrooms. A dozen chimneys tower from the Mediterranean-style tile roof. The formal dining room stretches 91 feet in length. That’s three feet shorter than a basketball court—another amenity Fair Field has, along with a bowling alley, a pair each of tennis and squash courts and a $150,000 hot tub, according to building plans and other documents filed at the Southampton town hall. Mosaic floors, carved-wood walls, frescoed ceilings and golden sinks adorn the mansion, says Judith Mahanna, a proper- ty appraiser who has assessed the 100,000-square-foot compound and levied 2004 property taxes of $392,610.24. On a blustery Tuesday in May, two orange earthmovers squatted nearby as pickup trucks rattled down the lane to the 64.8-acre es- tate and disappeared beyond the guardhouse gate. Rennert, 70, received his occupancy permit that month, just in time for the 2004 summer social season. Amid such splendor, Rennert faces a sober reality: Renco Group Inc., his privately held industrial empire, has been rocked by a chain reaction of debt, default, bankruptcy and litigation.
    [Show full text]
  • F14 US Catalogue.Pdf
    HARPERAUDIO You Are Not Special CD ...And Other Encouragements Jr. McCullough, David Summary A profound expansion of David McCullough, Jr.’s popular commencement speech—a call to arms against a prevailing, narrow, conception of success viewed by millions on YouTube—You Are (Not) Special is a love letter to students and parents as well as a guide to a truly fulfilling, happy life Children today, says David McCullough—high school English teacher, father of four, and HarperAudio 9780062338280 son and namesake of the famous historian—are being encouraged to sacrifice On Sale Date: 4/22/14 passionate engagement with life for specious notions of success. The intense pressure $43.50 Can. to excel discourages kids from taking chances, failing, and learning empathy and self­ CD­Audio confidence from those failures. Carton Qty: 20 Announced 1st Print: 5K In You Are (Not) Special, McCullough elaborates on his now­famous speech exploring Family & Relationships / how, for what purpose, and for whose sake, we’re raising our kids. With wry, Parenting affectionate humor, McCullough takes on hovering parents, ineffectual schools, FAM034000 professional college prep, electronic distractions, club sports, and generally the 6.340 oz Wt 180g Wt manifestations, and the applications and consequences of privilege. By acknowledging that the world is indifferent to them, McCullough takes pressure off of students to be extraordinary achievers and instead exhorts them to roll up their sleeves and do something useful with their advantages. Author Bio David McCullough started teaching English in 1986. He has appeared on and/or done interviews for the following outlets: Fox 25 News, CNN, NBC Nightly News, CBS This Morning, NPR’s All Things Considered, ABC News, Boston Herald, Boston Globe, Wellesley Townsman, Montreal radio, Vancouver radio, Madison, WI, radio, Time Magazine and Epoca (Brazilian magazine).
    [Show full text]
  • HOUSE of REPRESENTATIVES-Monday, May 4, 1992 the House Met at 12 Noon
    10066 CONGRESSIONAL RECORD-HOUSE May 4, 1992 HOUSE OF REPRESENTATIVES-Monday, May 4, 1992 The House met at 12 noon. Mr. HAMMERSCHMIDT. Mr. Speak­ nouncement about my future in the er, I deeply regret to inform my col­ House of Representatives. I am not re­ leagues of the passing of one of the tiring. DESIGNATION OF SPEAKER PRO great former Members of Congress-the Mr. Speaker, I say this because great TEMPORE Honorable Wilbur Daigh Mills. play has been given to many of our col­ The SPEAKER pro tempore (Mr. Chairman Mills died this past Satur­ leagues who are leaving the Congress, MONTGOMERY) laid before the House the day in Searcy, AR, after suffering an creating frustration, despair. following communication from the apparent heart attack at his home. Two great Members retired last Speaker: He is remembered as one of the most week, the gentleman from Florida, WASHINGTON, DC, influential congressional leaders of the LARRY SMITH, and the gentleman from May 4, 1992. 20th century. As chairman of the Ways Michigan, BOB TRAXLER. I think those I hereby designate the Honorable G.V. and Means Committee for almost 20 of us that are staying deserve a slight (SONNY) MONTGOMERY to act as Speaker pro years, his imprint has been indelibly pat on the back. I was in Taos, NM, re­ tempore on this day. placed on our Nation's Tax Code. There cently. And I had a constituent say, THOMAS S. FOLEY, are many who considered Chairman "Congressman RICHARDSON, don't let Speaker of the House of Representatives. Mills the most knowledgeable individ­ the negativism in Washington cramp ual in the country when it came to your style.
    [Show full text]
  • Ash Atalla, Probably the Single-Most Successful Comedy Writer-Producer in Britain Right Now
    Issue #6 January 2017 The magazine celebrating television’s golden era of scripted programming Gaumont Television presents A new TV Series Visit us during NATPE SEASON 1 : 6 x 52’ at The Fontainebleau Hotel - Chateau #1516 Scripted OFC Jan17.indd 2 19/12/2016 10:56 A TANGLED WORLD BUILT ON BITTER RIVALRIES An ITV & Hulu co-production pIFC-01 ITV Harlots Scripted Jan17.indd 2 19/12/2016 15:54 ITV0030_HarlotsPress_TBIDPS_AW.indd 1 19/12/2016 13:26 A TANGLED WORLD BUILT ON BITTER RIVALRIES An ITV & Hulu co-production pIFC-01 ITV Harlots Scripted Jan17.indd 3 19/12/2016 15:54 ITV0030_HarlotsPress_TBIDPS_AW.indd 1 19/12/2016 13:26 Where Drama Makes It Big. Dial up the drama in a big way with MIPDrama Screenings and MIPTV market 3-6 April 2017 Drama@MIPTV. With more than 2,000 buyers in attendance, the best in World Premiere TV Screenings, and conferences MIPDoc and MIPFormats 1-2 April 2017 exploring the evolution of storytelling, at MIPTV, drama is MIPDrama Screenings 2 April 2017 a big deal. Cannes, FRANCE Registration miptv.com Driving the content economy TBIScriptedp02 drama.indd MIPTV 1 Jan17.indd 1 19/12/201620/12/2016 17:1511:10 In this issue Editor’s Note Often, drama industry journalists follow the money. It’s how we know who’s making what, what’s not going into production and where we think the next hit is coming from. No scripted programme, however, has ever been successful without spending that money on the right creative talent. That’s why in this issue of TBI Scripted, we’re focusing on those creative X 64 types – the writers, creative producers and actors who actually make the programming that audiences love.
    [Show full text]
  • Hew Locke Born 1959, Edinburgh Lives and Works in London
    FINE ART L.L.C. E D W A R D T Y L E R N A H E M Hew Locke Born 1959, Edinburgh Lives and works in London EDUCATION 1994 MA Sculpture, Royal College of Art, London 1988 Falmouth University, UK, BA (Hons) Fine Art SELECTED SOLO EXHIBITIONS 2015 IWM Contemporary: Hew Locke, IWM London, UK The Tourists, HMS Belfast, London, UK Magna Carta Commission, Runnymede Surrey, UK 2014 Beyond the Sea Wall, Hales Gallery, London, UK Give and Take, performance in the Turbine Hall, Tate Modern, London. Part of Up Hill Down Hall 2013 For Those in Peril on the Sea, installation at launch of Pérez Art Museum, Miami Adrift, All Hallows by the Tower Church, Thames Festival, London 2012 Day of the Dead Festival, a new installation titled 'Adrift' created for the Old Vic Tunnels, London 31/10-3/11/2012 2011 For Those in Peril on the Sea, St. Mary & St. Eanswythe Church, Folkestone Triennial 37 WEST 57 STREET ■ NEW YORK, NEW YORK 10019- 3411 ■ TEL + 1 212 517 2453 ■ FAX +1 212 861 3566 WWW.ETNAHEM.COM ■ [email protected] The Nameless, KAdE Kunsthal, Amersfoort, The Netherlands Are We There Yet?, The Gallery, the Arts University College at Bournemouth, UK Starchitect, ArtSway, Hampshire & as part of The New Forest Pavillion, Venice Biennale 2010 The Nameless, Hales Gallery, London, UK 2008 The Kingdom of the Blind, Rivington Palace, London, UK How do you want me?, Hales Gallery, London, UK 2006 Restoration, commission for Spike Island exhibited at St Thomas the Martyr's Church, Bristol, UK 2005 Hew Locke, New Art Gallery Walsall, UK (with accompanying monograph)
    [Show full text]