Researching Civic a C T I V I S M in the Arab World

Total Page:16

File Type:pdf, Size:1020Kb

Researching Civic a C T I V I S M in the Arab World 3 0 Research I S I M NEWSLETTER 2 / 9 9 Research approaches SHEILA CARAPICO Researching Civic According to classical Western social theory, the institu- tions, networks, and projects of civil society operate in a pluralistic, continuously contested public civic realm. Distinct from either the government’s coercive bureau- A c t i v i s m cratic functions or profit-seeking private businesses, often conceptualized as a buffer between states and households, civil society represents a third, non-gov- ernmental, non-profit, voluntary sector of modern soci- ety. Viewed differently, the civic realm is a zone where in the Arab World culture interacts with politics and economics. Recent research shows that rates of civic activism Ð of joining, numbers of Arab NGOs, formal organizations expressed in Arabic, with ample references to against allegations by the press prosecutor’s communicating, demonstrating, donating, organizing, that register with the government as non-prof- local, Yemeni, or Islamic tradition. Yet what an office is a drama acted out in the press, the and participating in events and projects that affect com- it fund-raising bodies. Nowhere in the Arab array of ‘traditions’ to choose from Ð a trea- courts, in journalists’ and attorneys’ syndi- munity services, public opinion, and national politics Ð world (if anywhere), however, has the expan- sure-chest of symbols, customs, and sayings cates, and in human rights organizations. vary across countries and across time. The question is sion of civic space been a V-shaped opening, for special occasions. Whereas in an era of One case study of tribesmen building roads whether cultural ‘traditions’ explain why the civic smooth and regular. With the waxing and wan- road-building, ranchers adapted tribal auto- or activists defying censorship is interesting; in sphere is more vibrant in some places and periods than ing of economic fortunes and with greater or taxation mechanisms to hire bulldozers, in the aggregate, such acts can transform materi- o t h e r s . lesser government success in co-opting other times tribes resort to roadblocks to hold al and political conditions. Thirdly, then, the autonomous initiatives, exigencies and outlets the antagonistic state at bay. ‘Declarations of study of political culture requires comparative It is important to distinguish a moral econo- change. My research on twentieth-century public opinion’ issued by conferences and use of ethnography, close reading of first-hand my or ‘primordial civic realm’ from modern Yemen documents three quite distinct periods available on newsstands mix republican, tribal, accounts by anthropologists, development civil society. Historically, Middle Eastern com- of civic animation. In the modern enclave of sharia, Greek, socialist, historical, and interna- consultants, human rights monitors, and other munities provided themselves with collective late-colonial Aden, class-based labour syndi- tionalist phrases and concepts in a real, literal outside ‘participant observers’ as well as water supplies, dispute management, school- cates and merchant’s associations filled expan- contest of public discourses. In lieu of old ‘native’ reports. Mapped geographically and ing, way-stations, market-places, sanitation, sive public spaces both physically and forms of social capital formation, charitable arranged chronologically, case studies help policing and other municipal or community metaphorically Ð the streets, salons, schools, donations are solicited in the name of a ‘new show how and why rates of activism vary from services through mechanisms including waqf, publications, legal loopholes, and access to tradition’, the formalized jamaciyya khayriyya, one place or season to the next. zakat, sadaqah, tacawun, guild, tribal or ad hoc Yemeni and British public opinion. A second or welfare society, as distinctly modern as com- Research in Arabic for publication in Euro- initiatives. Although states forever strove to efflorescence of civic activity, the Yemeni self- mercial Islamic banks. pean languages is partly a translation exercise. centralize legal practice, religious tithes, and help (tacawun) movement, peaked in the Looking at civil society as a series of projects Decisions about what to transliterate or abbre- private bequests, individual and collective pro- 1970s when recycled migrants’ remittances or initiatives rather than a collection of ‘civil viate are crucial: should one render jamaci y y a jects reflecting a mix of Muslim piety, political financed country roads, primary schools, societies’ has methodological implications. khayriyya as such, or as a welfare society, or as competition, and economic rationality were a mechanized water retrieval, and the first elec- First, studying civic activism is at least partly an an NGO? Nowadays there is often the further centripetal force. In the case of Yemen, philan- trical generators in many cities, towns, and vil- archaeological venture of digging around choice of accepting a given English version of thropic and community mechanisms for fund- lages. Activism in the ’90s has been character- architectural sites and unearthing documents. an Arabic name and correcting its spelling or ing and maintaining collective goods, ground- ized, on the one hand, by unprecedentted Who built the mosques, schools, public spaces, wording. In addition to the important question ed in a pre-capitalist social formation, gave overt partisanship, formal political organizing, clinics, and clubs? How are they used? Main- of what to call things, however, is a further towns and regions relative autonomy from publishing, and holding of public events; and, tained? What is the documentation, and how issue of the unit of analysis. It is one thing to imams and sultans. Religious endowments on the other, by significant growth of the char- or where is it published or preserved? What, in research non-governmental organizations and (waqf) supported independent seminaries itable voluntary sector whose projects include other words, is the output of civic activism, quite another to document clusters of activity where scholars and judges were at least some- emergency relief, welfare programmes, health what material traces are left? within spheres such as education, social wel- times free to contradict ‘official’ versions of clinics, informal and parochial education. The Secondly, we can read texts and public dis- fare, legal practice, or publishing that may be sharia by, for instance, writing rationales for sudden, rapid expansion of political space plays. In contemporary Yemen the plethora of nationalized, secularized, privatized, or rein- spending zakat (religious tithes) on local pro- after unification and its constriction after 1994, newspapers, tabloids, and pamphlets reflect a vented depending on national politics and jects (tribal, artisan, and Jewish communities together with deepening economic crisis wide range of opinion and constant competi- economic circumstances. Current conditions in also marshalled a meagre surplus for essential prompted particular responses from various tion between the government, political par- Arab countries are hardly conducive to wide- services). It is also important not to romanti- segments of urban and rural society. Different ties, and others for the hearts and minds of an spread formal political participation, but we cize what was a zone for contestation of the movements have been reactionary or progres- ever-growing reading public. One can fill may nonetheless discover ways in which civil allocation of very scarce resources. sive, resisting or inviting commercial markets weekly calendars with seminars, conferences, society constitutes a buffer against authoritari- Times change, and with them the parame- and/or central political authority. Civic and meetings, or attending court trials and anism and deprivation. ♦ ters for civic projects. Almost everywhere in activism tends, then, to be episodic, oppor- town council sessions Ð all scripted scenes the Middle East, governments have captured tunistic, and contingent, as people act on con- open to observation, participation, and con- endowments, zakat, and education, offering in crete local circumstances. tention. Publications and events document return public-sector sanitation and infrastruc- If culture is a constant, it cannot explain such dominant and dissident discourses, positions, Dr Sheila Carapico, Department of Political Science, ture. Currently there is a veritable explosion in wide discrepancies. Of course activism is and projects. Legal defence of newspapers University of Richmond, USA. The Prince Claus Fund, in addition to the awards, rary art. Piyadasa's art, such as the collage-like Rakshan Bani-Etemad offers funding, produces publications, stimulates 'Malaysian Series', which he has been working on Rakshan Bani-Etemad (1954, Tehran, Iran) was The 1998 world-wide cultural debate, and supports activities since 1980, and his art criticism are his answer to one of the first women to make films after the Iran- and initiatives which emphasize innovation and neo-nationalistic, Islamic, and globalization cur- ian Revolution of 1979. She is now the foremost experimentation. rents in Malaysia, which have threatened to margin- female director in her country, enjoying both P r i n c e The Principal 1998 Prince Claus Award was alize minority groups and alternatives. national and international renown. Bani-Etemad awarded to the Art of African Fashion represented extends the boundaries of officially permitted by three leading
Recommended publications
  • Entrepreneuring in Africa's Emerging Fashion Industry
    Fashioning the Future Entrepreneuring in Africa’s Emerging Fashion Industry Langevang, Thilde Document Version Accepted author manuscript Published in: The European Journal of Development Research DOI: 10.1057/s41287-016-0066-z Publication date: 2017 License Unspecified Citation for published version (APA): Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. https://doi.org/10.1057/s41287-016-0066-z Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry Thilde Langevang Journal article (Accepted version*) Please cite this article as: Langevang, T. (2017). Fashioning the Future: Entrepreneuring in Africa’s Emerging Fashion Industry. The European Journal of Development Research, 29(4), 893-910. DOI: 10.1057/s41287-016-0066-z This is a post-peer-review, pre-copyedit version of an article published in The European Journal of Development Research. The final authenticated version is available online at: DOI: https://doi.org/10.1057/s41287-016-0066-z * This version of the article has been accepted for publication and undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the publisher’s final version AKA Version of Record.
    [Show full text]
  • Towards an Arts and Culture Market in Africa
    Towards an Arts and Culture market in Africa By Mwalimu George Ngwane (In memory of Nzante Spee (Cameroonian Artist) and Yvonne Vera (Zimbabwean writer) Preliminary The recent South African Arts and Culture exhibition in Cameroon was both a forum for intercultural dialogue and a launching pad for creating an Arts and Culture market at continental level. Drawn from its rich art diversity, the South African exhibition succeeded in showcasing its performing and visual arts as well as its local cuisine. For those who have visited South Africa, the exhibition was a tip of the iceberg. The “land of Madiba” is home to a splendid immovable cultural patrimony (the 220.000year old Tswaing meteorite crater, the Voortrekker monument heritage site, the 11km long Moreleta spruit trail etc). Its film industry epitomized by the Film Resource Unit in Johannesburg has not only played an irrefutable role in the process of democratization and the transformation of the cultural climate of South Africa but is in the vanguard of seeking cooperative ventures with partners in the sub-regions of Southern Africa, West Africa and Central Africa. On December 7, 2005, the South African cartoonist, Jonathan Shapiro alias Zapiro will , in recognition of his role in stimulating social and cultural development in Africa, be awarded the prestigious Prince Claus Fund prize (with a whopping cash prize of 100.000 Euro) in Netherlands. From its Arts Alive International Festival which is an annual September event focusing on the performance arts and performance poetry through its annual March “Time for the writer forum” which brings together emerging and established writers from Africa, to the maiden South African International Book Fair to hold in 2006, South Africa is poised to assume its renaissance role as a pivotal state for a market of arts and culture without boundaries.
    [Show full text]
  • New African Fashion
    NEW AFRICAN FASHION NAF_180411.indb 1 10.08.11 14:05 2 HELEN JENNINGS NEW AFRICAN FASHION NAF_180411.indb 2 10.08.11 14:05 Introduction PRESTEL Munich • London • New York 3 NAF_180411.indb 3 10.08.11 14:05 CONTENTS NAF_180411.indb 4 10.08.11 14:05 FOREWORD by Iké Udé 6 FACES 172 Kinée Diouf Super Model 174 INTRODUCTION 8 Alek Wek Model Citizen 178 Under cover Agents Candice Swanepoel, Behati Prinsloo and Heidi Verster 182 Armando Cabral Sole Man 184 FASHION 18 Flaviana Matata Class Act 188 Duro Olowu Prints Charming 20 Nana Keita Bamako Beauty 190 Xuly Bët Recycling Pioneer 26 The Harlem Boys Ger Duany, Salieu Jalloh Mimi Plange Afro-disiac 30 and Sy Allasane 192 Casely-Hayford Two of a Kind 32 Faces of Africa Oluchi Onweagba, FAFA Destination Nairobi 38 Kate Tachie-Menson and Lukundo Nalungwe 196 Gloria Wavamunno Loud Speaker 42 David Agbodji Man About Town 200 Amine Bendriouich Medina Maverick 44 Georgie Baddiel Ouagadougou Girl 202 Maki Oh The Thinker 46 Ty Ogunkoya Bright Eyes 206 Eric Raisina Spiritual Explorer 52 Ataui Deng & Ajak Deng Fabulous Two 208 Omer Asim & Maya Antoun Great Minds 56 Ozwald Boateng Bespoke Couturier 58 Mataano Sisters in Style 64 ART 212 Lanre Da Silva Ajayi Silver Siren 68 Karl-Edwin Guerre Fine Dandy 214 Black Coffee Bastion of Bauhaus 70 Hassan Hajjaj Arabian Knight 220 Momo Renaissance Woman 76 Chris Saunders Happy Snapper 226 Bunmi Koko Power Couple 80 Nkwo Bird of Paradise 82 Stiaan Louw (Un)traditionalist 84 Loin Cloth & Ashes Daydreamer 90 GLOSSARY Tsemaye Binitie Glamazon 94 Tiffany Amber Cruise Controller 96 & FURTHER READING 234 Buki Akib Quintessential Nigerian 102 Bridget Awosika City Slicker 106 INDEX 236 Accessories Alex Folzi, Kwame Brako, Anita Quansah, Albertus Swanepoel, Free Peoples Rebellion 108 CONTACTS 238 David Tlale Hot Ticket 114 Ré Bahia Mummy’s Girl 118 PICTURES CREDITS 239 Jewel by Lisa Star Bright 120 Emeka Alams Slave to the Rhythm 126 Suzaan Heyns Fashion’s Frankenstein 130 Deola Sagoe Queen Bee 132 A.
    [Show full text]
  • Cultuur Als Mensenrecht Prins Claus Fonds 25 Jaar HVFC
    Cultuur als mensenrecht Prins Claus Fonds 25 jaar HVFC. Doing good, better. www.hanvalk.nl DiversifyHVFC. Doingyour funding good, better. www.hanvalk.nl DevelopDiversify your your talent funding PowerDevelop your your programming talent Power your programming GEFELICITEERD! HVFCGEFELICITEERD! viert mee met 25 jaar Prins Claus Fonds! HVFC viert mee met 25 jaar Prins Claus Fonds! SamenSamen maken maken we we nognog meer meer mogelijk mogelijk voorvoor kunst- kunst- en en cultuurmakerscultuurmakers wereldwijd.wereldwijd. HVFC DoingHVFC good, Doingbetter. good, better. Inhoud 4 De Nobelprijs voor Cultuur Roos van der Lint 8 Ibrahim Mahama – De kunstenaar als tijdreiziger Joke de Wolf 10 De Sahel Opera, de droom van prins Claus Koen Kleijn 12 Eka Kurniawan – De levens van echte mensen Michel Maas Ibrahim Mahama Ibrahim 14 Diébédo Francis Kéré – Kleine Ibrahim Mahama, Beposo Bridge Site of Production, 1934-2016. Ghana interventies, grote impact Kiza Magendane 15 Djamila Ribeiro – Bestsellers Prins Claus Fonds 25 jaar als wapen tegen racisme ‘On ne développe pas, on se développe, zo houdt een oude Afrikaanse vriend Eva Hofman mij altijd voor.’ De inzichten van prins Claus (1926-2002) op het gebied van ontwikkelingssamenwerking, ingegeven door de tijd die hij in zijn leven 16 Marcel Pinas – Het verhaal van de Marrons doorbracht in Afrika, waren leidend voor het cultuurfonds dat hij bij zijn zeventigste verjaardag cadeau kreeg van de Nederlandse staat. Je ontwikkelt Rob Perrée geen mensen, mensen ontwikkelen zichzelf, op hun eigen manier en in hun eigen 18 Salma Samar Damluji – tempo. Cultuur zou een wezenlijk onderdeel van ontwikkelingswerk moeten Bouwen tegen bommen uitmaken, vond hij, naast onderwerpen als infrastructuur, onderwijs en economie.
    [Show full text]
  • 05Y266 PCF Awards Book 2011 Text 3.Indd 1 01-12-11 08:50 … It Is Impossible to ‘Develop’ Another Person Or Country from Outside
    PRINCE CLAUS AWARDS 2011 05y266 PCF_Awards book_2011 text 3.indd 1 01-12-11 08:50 … IT IS IMPOSSIBLE TO ‘develoP’ ANOTHER PERSON OR COUNTRY FROM OUTSIDE. PEOPLE DEVELOP THEMSELVES, AND SO DO COUNTRIES. ALL THAT WE CAN DO IS ASSIST THAT PROCESS IF ASKED TO DO SO … HRH Prince Claus, Institute of Social Studies, The Hague, 1988 05y266 PCF_Awards book_2011 text 3.indd 2 01-12-11 08:50 05y266 PCF_Awards book_2011 text 3.indd 3 01-12-11 08:50 FOREWORD 4 2011 Prince Claus Awards 05y266 PCF_Awards book_2011 text 3.indd 4 01-12-11 08:50 by HRH PRINCE FRISO AND HRH PRINCE CONSTANTIJN Honorary Chairmen of the Prince Claus Fund The Prince Claus Fund has a short but energetic history of 15 action-packed years. It was launched with the conviction that culture influences development and that every human society has the necessary wealth of cultural heritage and talent to develop itself. This has proved true. And in fact it often seems that the more difficult a society’s circumstances, the greater the inventiveness and commitment of its cultural activists. The Prince Claus Laureates are clear and shining examples showing the impact of cultural actions on local development. Raising the status and increasing the outreach of these crucial role models through the Prince Claus Awards has been part of the Fund’s strategy from the very beginning, and over the past 15 years we have been introduced to some truly remarkable individuals and organisations. The Zimbabwe International Book Fair (1997) and Algeria’s Barzakh Editions (2010) are catalysts for development through the promotion and production of local literature and the creation of intercultural bridges through co-publication and translation.
    [Show full text]
  • PCF Awards Book 2006
    10 years Prince Claus Fund Prince Claus Fund for 1996–2006 Culture and Development Fondation Prince Claus pour la 2006 Prince Claus Awards Culture et le Développement Prix Prince Claus 2006 Fundación Príncipe Claus para la Cultura y el Desarrollo Premios Príncipe Claus 2006 Foreword first year of the Fund’s existence and – like many other laureates – he was to remain both its advisor and collaborator. Els van der Plas, Director of the Prince Claus Fund Gerardo Mosquera participated in the very first event that the Fund organised, which was held in May 1997 at Paleis Noordeinde in The Hague. The conference, which attracted smart minds from throughout 10 years Prince Claus Fund, 10 years Prince Claus Awards. The Fund the world, provided an initial opportunity to discuss the Fund’s objectives and the Awards have been linked right from the beginning. They stimulate and ideals. This resulted in the policy plan that still directs the Fund’s and inspire each other. This book reveals their mutual influence, content. It was here that Mosquera launched the concept of the ‘Zones provides insight into the objectives of both the Fund and the Awards, of Silence’: areas that are ignored either intentionally or otherwise, and and reflects on both past achievements and future developments. include subjects, regions and disciplines that normally receive little or Our tenth anniversary celebrations were held on 6 September 2006 no attention. Mosquera was also one of the participants who argued for at the Rolzaal in The Hague, the location where the Fund was also an ‘Amnesty for Culture’.
    [Show full text]
  • The Art of African Fashion
    The Art of African Fashion The Art of African Fashion 2’nd ed. covers contemporary African fashion in its widest sense: textiles, hair design, body decoration and models, and its influence on the international fashion scene. It also examines African fashion in its social context by showing how it is an expression of the self in Africa. The articles are illustrated throughout by visually rich colour photographs. The second half of the book presents a photographic overview of contemporary designers, both established and upcoming. The first edition of the book has become canonical in the literature on African fashion and design. The second edition to be published by Thames & Hudson will become an indispensable reference on the topic documenting achievements in the world of African fashion spanning the last two decades. Published by Thames and Hudson, London and Prince Claus Fund Library, Amsterdam, 2010 Edited by Els van der Plas Marianne Fassler, South Africa Part I Essays FASHION IN AFRICA; DEVELOPMENTS AND TRENDS INTRODUCTION Els van der Plas SARTORIAL ECUMENES Dr. Hudita Nura Mustafa COVERING THE BODY; ON TEXTILE AND BEADS Eric Raisina, Madagascar TRADITION REVISITED: AFRICAN TEXTILE DESIGN Mary‐Amy Mbow COVERING THE BODY IN AFRICA FOR WHAT MODERNITY Mounira Khemir BEADS Amanda Gilvin INDONESIAN CLOTH IN AFRICA Introduction by Tanu Patodia and Photo essay by Vlisco Anggy Haiff, Cameroon STREETWEAR; SAPEURS AND THEIR ECCENTRIC HAUTE COUTURE CLOTHES Introduction by Martine vd Hoorn and Photo Essay by Daniele Tamagni AMAKIPKIP OR SMARTEEZ Introduction and Photo essay by Chris Saunders Smarteez, South Africa DECORATING THE BODY; HAIR AND HENNA HAIR STATEMENTS IN URBAN AFRICA: THE BEAUTY, THE MYSTIC AND THE MADMAN T.K.
    [Show full text]
  • Prince Claus Awards 2018 2 Foreword: Under the Prince Claus Spotlight
    PRINCE CLAUS AWARDS 2018 2 FOREWORD: UNDER THE PRINCE CLAUS SPOTLIGHT by HRH Prince Constantijn Honorary Chairman of the Prince Claus Fund Every year the Prince Claus Awards Committee comes up with another selection of outstanding artists and cultural organisations. It never fails: the range and diversity is always impressive. Each year we are filled with admi­ ration for all the creative people who come up with fresh ideas, different approaches, new combinations and forms of expression. Again, the Laureates this year are enriching lives and challenging fixed ideas in their own societies, from Adong Judith, whose plays energise theatre­ goers in East Africa, to Eka Kurniawan, whose literature mercilessly but with humour raises issues that Indonesia has long kept buried, to Marwa al­Sabouni, whose architectural perspectives open the possibility of building more peaceable communities, to Kidlat Tahimik, whose energetic creativity and promotion of indigenous people in the Philippines never fails to delight, and O Menelick Act 2 and Market Photo Workshop that – through their different mediums – have given expression to rarely seen realities of black life in South Africa and Brazil. One change in this year’s celebration is the addition of a Next Generation Award. The Prince Claus Fund has always been open to young and emerging artists but this new award reflects a more conscious emphasis, in all the Fund’s programmes, on developing the creative possibilities of young people. Dada Masilo, the Fund’s first Next Generation Laureate, started young and already has a remarkable career. She has broken through conventions and created her own melding of African dance and classical ballet that is relevant to modern life and speaks to audiences of all ages.
    [Show full text]
  • Prins Claus Fonds Voor Cultuur En Ontwikkeling Prince Claus Fund For
    Prins Claus Fonds voor Cultuur en Ontwikkeling Prince Claus Fund for Culture and Development 2 2009 Prince Claus Awards Culture & Nature 3 p r i n c e MM Prince Claus Awards c l a u s I X 2009 a w a r d s Culture & Nature 5 collages of Congolese Laureate Sammy Baloji. An alternative vision is offered in Foreword the striking paintings of Indian Laureate Jivya Soma Mashe, evoking the more harmonious relationship between man and nature practised in at least some by HRH Prince Friso and HRH Prince Constantijn pre-industrial farming systems around the globe. His work calls our attention Honorary Chairmen of the Prince Claus Fund to vernacular philosophies – often considered ‘out of date’ – as a potent source of ecological solutions. Culture and nature are the two main forces that have driven the evolution The ‘waste sculptures’ and educational practice of Nigerian Laureate El of mankind and they are fundamental for human development. During recent Anatsui, and the meditative installations of Chinese Laureate Liang Shaoji, centuries the dynamic balance between these drivers has been disrupted, reinterpret and re-present diverse natural metaphors. They give fresh insight and resulting in a situation where mankind increasingly damages nature, resulting understandings of the commonalities human beings share with all nature’s in detrimental consequences for humanity itself, and all else that makes our elements. planet such a unique place in the universe. In their distinct and innovative ways, the 2009 Prince Claus Laureates highlight As we write this foreword, man and nature are heading for an important our close ties to the environment.
    [Show full text]